DOCSLIB.ORG

35 on the STREET £4 Published by for LONDON INDEPENDENT PHOTOGRAPHY

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
35 on the STREET £4 Published by for LONDON INDEPENDENT PHOTOGRAPHY f or LONDON INDEPENDENTPHOTOGRAPHY or LONDON 35 ON THE STREET £4 Published by for LONDON INDEPENDENT PHOTOGRAPHY Satellite Groups Small informal groups meet approximately once a month to discuss each others’ work, plan exhibitions and just share ideas. As groups are independently organised by members, the structure, content, times, dates, and frequency of meetings are left to the individual groups to decide for themselves. Contact an organiser for more details about a specific group: Central London Hugh Look - [email protected] Crossing Lines Editor’s Note 4 John Levett - [email protected] Crouch End Letter from... Bondi Beach Katie Waggett 4 Eva Turrell - [email protected] Dulwich/Sydenham MY WAY Yoke Matze - [email protected] #35 On the Streets, Winter 2016 Ealing Cover image Maggie Railton Robin Segulem - [email protected] Johannesburg - On The Move Rashida Mangera 6 Back Image: Miguel Fonta Greenwich John Levett - [email protected] 8 Static Tensions Oliver Raschka 8 London Independent Photography is a community organisation Kingston upon Thames of photographers from different backgrounds and levels of Matthew Green - [email protected] expertise who wish to develop their individual approach to Putney On Not Being A Street Photographer Peter Luck 10 photography. The group was founded in 1987 as an informal Andrew Wilson - [email protected] gathering of like-minded photographers, and has since grown Queens Park to over 600 members. Not-for-profit and run by member Simon Butcher - [email protected] FEATURES volunteers, LIP comes together to offer a programme of Ruislip Metroland workshops and talks, and to produce an annual group exhibition. Robert Davies - [email protected] www.londonphotography.org.uk Shoreditch Through A Glass Darkly Nick Turpin 12 Roland Ramanan - [email protected] The magazine for London Independent Photography is West Wickham Made in Chengdu Larry Hallegua 16 published three times per year with the aim to showcase Sam Tanner - [email protected] members’ work and to engage readers in a wider dialogue In Focus: The Female Viewpoint 22 concerning diverse approaches to photography. It is funded Contact Details 22 entirely by annual membership fees, contains no advertising [email protected] The photograph that inspired me Jason Reed 32 and is free to members. Submissions are welcome online and selections for publication Membership are made solely at the Editor’s discretion. No responsibility or THEME Annual Subscription: £29 UK / £34 Outside UK liability is accepted for the loss or damage of any material or Application details are online at for those received after the submission deadline. www.londonphotography.org.uk/joinLIP All rights reserved. No part of this publication may be How we see: On the Streets 33 Submissions reproduced in any material form (including photocopying or The theme for the next issue is ON THE STREETS storage in any medium by electronic or mechanical means) BACKFLIP Submissions are accepted online, for guidelines go to without written permission from the copyright owner. www.londonphotography.org.uk/magazine/submit Applications for the copyright owner’s written permission to reproduce any part of this publication should be addressed Editor to the publisher. The views expressed in this publication are Exposure 58 Frank Orthbandt not necessarily the views of the publisher or the editors. The [email protected] publisher and editors accept no responsibility for any errors or Streets On A Shoestring Dan Ginn 58 for the results of the use of any information contained within Assistant Editor the publication. Copyright London Independent Photography, LIP Matters 61 Chris Moxey 2015. All photographs in this publication are copyright of the photographer and articles are copyright of the writer, unless Exhibition Highlights 62 Contributing Editor otherwise indicated. Ingrid Newton Printed in the UK by THE MAGAZINE PRINTING COMPANY plc, www.magprint.co.uk Members’ Books 62 Artwork and Layout Turning Point Ewa Priester 66 Frank Orthbandt Contributors 67 51 LETTER FROM... Editor’s Note elcome to fLIP’s winter edition where we will be taking you ON THE STREETS. As a photographic community rooted in London, street photog- Wraphy has always been an important part of LIP and this has again been confirmed by the volume and quality of submissions we have received in response to this theme. Many thanks for all your enthusiasm and your interesting reflections! In keeping with the wider development in contem- porary street photography, submissions have been ‘Bondi is a symbol of wider and more diverse than those considered as classic street style; often moving away from finding Australia's laidback, outdoor the ‘decisive moment’, interpreting the theme in a wider context, contemplating the human environment lifestyle and the country's – and reflecting on our impact on the city and commu- nity that surrounds us. Of course, there was classic iconic 'sun, sea and sand street photography, from both London and further afield, but others had captured something else, either image'. Diverse in class, by focusing on people in their urban environment - or by portraying urban scenes, where humans are not culture, nationality and age, directly depicted, however their impact on the scene is chronicled. it acts as a representation So, with great variety and quality to choose from, this of Australia's modern issue is colourful, packed with images, and hopefully entertaining and thought-provoking during winter democracy. time. Letter from… Many members have asked for more advance notice Everything happens on for the themes in order to have more time to develop Bondi Beach work for submissions; hence we have decided to Bondi.'; release two new themes for the 2017 issues. The By Katie Waggitt theme of next year’s spring issue will be Reflections, followed by Storytelling for the summer issue. The submission deadlines will be confirmed nearer the time but earmark February and June respectively. For the summer issue we are hoping to concentrate on visual narratives, which can take some time to ’d been living in Sydney for a while, immersing develop. myself in everything Antipodean when I started thinking about the central role of the As we conclude 2016 with this issue, the fLIP team beach to the Australian way of life. When I wishes you a happy festive season and lots of creativ- started taking photographs on Bondi Beach I ity and inspiration for 2017. set out to explore what 'the beach' means to walls, the worn iron railings and red bricks. It's as and backpackers in their droves. Body builders troll Ipeople, asking beachgoers to write down one word though everything was built ad hoc, with no thought the shores, whilst the young and beautiful while away that they associate with this shared space. And of design or style. But scratch beneath the surface and Sunday afternoons lazing by the barbecues. It’s a there were so many: childhood, escapism, freedom, it’s something else. playground for every aspect of social interaction. arrogance, relationships, memories, tradition, routine, Best wishes, family, community. The list goes on... Bondi is a symbol of Australia's laidback, outdoor This photograph is from a series of portraits which lifestyle and the country's iconic ‘sun, sea and sand’ explore the varying characters and identities that Frank Orthbandt At first glance Bondi may appear tacky, commercial, image. Diverse in class, culture, nationality and age, Bondi puts on show. Through making portraits on a even dirty - but when you delve into it you learn to it acts as a representation of Australia's modern beach that’s so integral to the city of Sydney, I’ve been [email protected] love it. It’s beautifully ugly. When I take photographs democracy. Everything happens on Bondi; from able to meet and interact with the many characters on Bondi I’m attracted to this juxtaposition. Its skating to dancing, surfing to bronzing, it’s a hub that contribute to the city’s makeup. And in this way man-made surroundings are unsophisticated: the of boundless activity. It presents us with bustling the camera has been a vehicle for me to get to know a sixties-style architecture with paint peeling off the children and gossiping mothers, surf-clad teenagers city in ways that others cannot. 4 FLIP FLIP 5 MY WAY Johannesburg on the Move. By Rashida Mangera ‘All the images captured were grab shots and have not been edited.’ his project is based on memories, jacaranda trees blossom in early Spring, transforming migrations and reconnecting with that large swathes of the city with their purple canopies. which has become unfamiliar with time. On a visit to the rooftop of an apartment block to view the spectacular trees, I met a group of women who Johannesburg is where I lived as a child live in small rooms at the top of the building, many and young adult. It’s also where I went sharing communal bathrooms and kitchens. They Tto University and graduated as a medical doctor. are employed as domestic workers by tenants in the Postgraduate studies took me to Toronto, which apartment block. These women form the backbone of became my second home when I stayed on and set up South African society but they are largely undervalued practice as a paediatric neurologist. I moved to the as workers. The women invited me into their ‘homes’. UK when I got married. Hertford and now London are I did a series of environmental portraits of Live-In home. Domestic Workers. The women were given printed photographs. “So where is home?” I am often asked. Home is where I am currently living. I carry with me memories of and As it was not safe to wander around the city with or from my other homes.
Load more

Recommended publications
  • 100 GREAT STREET PHOTOGRAPHS David Gibson PRESTEL Munich • London • New York
    100SP-24_rl.indd 2 24.02.17 16:36 100 GREAT STREET PHOTOGRAPHS David Gibson PRESTEL Munich • London • New York 100SP-24_rl.indd 3 24.02.17 16:36 © 2017 Prestel Verlag, Munich · Editorial direction: Lincoln Dexter London · New York, a member of Copy-editing: Malcolm Imrie Verlagsgruppe Random House Design and layout: Hoop Design GmbH, Neumarkter Straße 28, Production management: Friederike 81673 Munich Schirge Separations: Reproline Mediateam, © for the texts, David Gibson, 2017 Munich © for the works reproduced is held Printing and binding: DZS Grafik, by the individual photographers, their d.o.o., Ljubljana heirs or assigns, with the exception Paper: Profisilk of the following images: p. 31, © Alex Webb/Magnum Photos; p. 35, © Martin Parr/Magnum Photos; p. 61, © Harry Gruyaert/ Magnum Photos; p.91, © Nikos Verlagsgruppe Random House FSC® Economopoulos/Magnum Photos; N001967 and p. 137, © Trent Parke/Magnum Photos ISBN 978-3-7913-8313-2 In respect to links in the book the www.prestel.com Publisher expressly notes that no illegal content was discernible on the linked sites at the time the links were created. The Publisher has no influence at all over the current and future design, content or authorship of the linked sites. For this reason the Publisher expressly disassociates itself from all content on linked sites that has been altered since the link was created and assumes no liability for such content. Front cover: detail of photograph by Marcin Ryczek, see pp. 161 Frontispiece: detail of photograph by Dan Szpara, Shinjuku, Tokyo, July 2016, see p. 181 Back cover: detail of photograph by Shin Noguchi, see pp.
    [Show full text]
  • SUPPLEMENTS/REVIEW/PAGES<06
    6 the review THE TIMES Saturday March 12 2011 THE TIMES Saturday March 12 2011 the review 7 Likeamuch-loved artordrama or English teacher, butonaglobal scale,David Bowie helped to make culturaland intellectual photography ‘‘aspirationacceptablefor my generation Robert Crampton on David Bowie, Books, pa”ge 10 Photographersfromthe Format International PhotographyFestivalpicktheir favourite image W FredericLezmiBucharest,2008(fromtheseriesBeyondBorders) MartinKollarFromtheseriesEuropeanParliament PollyBradenAppoldStreet,fromtheseriesSquareMile “WhatIloveaboutthispictureisthe light,thecolourandofcoursethe reflectioncreatingthisspecialtransparency between “ThepicturesIusuallytakeareanattempttocapturethe spaceinwhich realityisinconflictwithdesiresanddreams, “About330,000peoplecome intothe Citytoworkeachday;only10,000peoplelivethere.Ihavebeenphotographingin theinandthe outside.Infact,Ihadalreadypassedby thisladysittingintheshopwindowwhen Irealisedwhatagreatimage wherethecomedy andtragedyofeverydaylifemeetandintertwine.Iamwillingtokeepthisspaceopento various theSquareMileforthe pastfiveyears. Ihopethe photosgiveasenseofwhat itmightbeliketobeinthisplaceforthe first itwouldbeanddecidedthat Ihadtowalkback. Igotoutmycamera,madetherightsettingsandpassedbythe shopwindow interpretationsandtosearchforabalancebetweenthe explicitandimplicit, betweenwhat isandwhatideallyshouldbe. time.Toanewcomerthe Citylooksimpenetrable, likeanoiledmachinewithahiddenlogic.Cityfolkmaylookefficient,but again.Itookasingleshot andcontinued.ItwasonlyafterthatIsawthat shewassellingcoffins.”
    [Show full text]
  • An International Photography Competition
    www.urbanphotoawards.com promoted by dotART - Cultural Association via San Francesco 6 - 34133 Trieste - Italy Tel. +39 040 3720617 - [email protected] - www.dotart.it C.F. 90125960329 facebook.com/dotART.it twitter.com/dotART_it facebook.com/UrbanPhotoContest twitter.com/urbanlifephoto An international photography competition now at its 10th edition A world wide platform on which to get noticed for photographers A tour of exhibits and an international photo festival » THE CONTEST URBAN Photo Awards is an international photo contest that has come to its 10th edition. URBAN looks for talent and quality both among professional and amateur photographers, offering them a world wide platform from which to get noticed. Promoted by dotART, a Trieste (Italy) based cultural association with years of experience working in the field of artistic photography and the visual arts, every year URBAN draws thousand of partecipating pictures and hundreds of participants from all over the world. It is an always growing international contest, one of the very few that goes “over the boundaries” of Internet offering to photographers real visibility through dozens of international Maurizio Galimberti with URBAN 2017 Winner Greta Polimene photo exhibitions. Only in 2018 URBAN realized 47 exhibitions displaying about 950 pictures. Behind it all, there is always the pursue of enhancement of photographic talent and quality. URBAN 2019 is divided into two sections dedicated to Urban Photography, a theme that explores the contemporary through all forms of photography based in the urban fabric. The common denominator is the City, the urban environment and humanity that populates it. The first section is “Themed Photos”, the second is “Projects & Portfolios” where each participant can submit a series of images oriented to show his or her idea through photographs.
    [Show full text]
  • A Imagem Da Música No Espaço Público Em Ponta Grossa (Pr) De 2010 a 2014: Implicações Geográficas Do Fotojornalismo Cultural
    UNIVERSIDADE ESTADUAL DE PONTA GROSSA SETOR DE CIÊNCIAS EXATAS E NATURAIS PROGRAMA DE PÓS-GRADUAÇÃO EM GEOGRAFIA DOUTORADO EM GEOGRAFIA RAFAEL SCHOENHERR A IMAGEM DA MÚSICA NO ESPAÇO PÚBLICO EM PONTA GROSSA (PR) DE 2010 A 2014: IMPLICAÇÕES GEOGRÁFICAS DO FOTOJORNALISMO CULTURAL PONTA GROSSA 2017 RAFAEL SCHOENHERR A IMAGEM DA MÚSICA NO ESPAÇO PÚBLICO EM PONTA GROSSA (PR) DE 2010 A 2014: IMPLICAÇÕES GEOGRÁFICAS DO FOTOJORNALISMO CULTURAL Tese apresentada para obtenção do título de Doutor em Geografia na Universidade Estadual de Ponta Grossa, Programa de Pós-Graduação em Geografia, curso de Doutorado em Geografia Orientador: Prof. Dr. Leonel Brizolla Monastirsky PONTA GROSSA 2017 Dedicado aos músicos e fotógrafos de Ponta Grossa. Ao amigo Victor Emanoel Folquening (in memorian). AGRADECIMENTOS Ao Programa de Pós-Graduação em Geografia da Universidade Estadual de Ponta Grossa (UEPG), aos docentes e colegas discentes, pela acolhida e qualidade das reflexões. Aos programas de pós-graduação em Geografia e Sociologia da Universidade Federal do Paraná (UFPR), por permitir relevante formação complementar necessária a esta pesquisa. Ao Sindicado dos Docentes da UEPG (Sinduepg), por garantir dedicação exclusiva (Tide) aos professores temporários – e pelo aprendizado na luta! Aos três parceiros de vida universitária que foram fundamentais para se levar esta ideia ao Doutorado em Geografia: Sérgio Luiz Gadini (que incentivou, mais uma vez, a escrita de um projeto de pesquisa); Alnary Nunes Rocha Filho (in memorian); e Leonel Brizolla Monastirsky, defensor e conhecedor sensível do patrimônio cultural local (que inclui a universidade pública), fiel militante das trajetórias interdisciplinares e solidário a este modesto esforço de um pretendente a ‘jornalista-geógrafo da cultura’.
    [Show full text]
  • Melanie Einzig : Ironia E Melancolia Nas Ruas De New York Entrevista E
    Melanie Einzig1: Ironia e melancolia nas ruas de New York2 3 4 Entrevista e fotos de Susana Dobal 1 Melanie Einzig mora em New York, NY. Após o seu mestrado em fotografia, ela trabalhou também com filme e imagens digitais. Em 1997, quando ganhou a bolsa da Fundação Aaron Siskind pela sua série intitulada “Midtown”, ela começou a utilizar a fotografia de maneira mais comprometida tanto como uma forma de expressão quanto como uma atividade profissional. O seu trabalho apareceu em publicações norte- americanas e internacionais e foi exibido nos Estados Unidos e na Europa. Suas fotos fazem parte das coleções do Art Institute of Chicago, SF MOMA's e-space, The Brooklyn Historical Society além de outras coleções privadas. Suas fotos apareceram, entre outras, nas seguintes publicações: Bystander: A History of Street Photography (Bullfinch, 2002); In-Public@10 (Nick Turpin), Street Photography Now (Thames and Hudson, 2010) e New York Color (Abrams, 2011). 2 Essa entrevista foi realizada graças ao apoio da CAPES (Coordenação de Aperfeiçoamento de Pessoal de Nível Superior/Ministério da Educação) para a realização de um estágio sênior entre 2013 e 2014. 3 Ao longo da entrevista, palavras-chave sublinhadas levam o leitor ao ensaio fotográfico produzido especialmente para dialogar com Einzig [N. Ed.]. 4 Susana Dobal é fotógrafa e professora na Universidade de Brasília. Fez o mestrado em fotografia no programa do ICP/NYU (International Center of Photography e New York University) e o doutorado em História da Arte na CUNY/Graduate Center. Como 2 0 1 4 fotógrafa, participou de mais de trinta exposições em Brasília, Rio de Janeiro, São Paulo, New York, Madrid, Buenos Aires e Nice.
    [Show full text]
  • Cartier Bresson Owns the Decisive Moment Bruce
    CARTIER BRESSON O WNS THE DECISIVE MOMENT BRUCE GILDEN O WNS POUNCING BILL CUNNINGHAM O WNS STREET FASHION WALKER EVANS O WNS THE DEPRESSION ROBERT FRANK O WNS AMERICANS ERIC KIM O WNS I LIKE YOUR HAT SCOTT SHUMAN O WNS STREET FASHION BLOGGING HELEN LEVITT O WNS KIDS PLAYING DANNY SANTOS O WNS STRANGER PORTRAITS GARRY WINOGRAND O WNS MOVEMENT NILS JORGENSEN O WNS SHOES TRENT PARKE O WNS GLOWING NICK TURPIN O WNS GUYS IN SUITS DAVID GIBSON O WNS FUNNY BACKGROUNDS NICEPHORE NIEPCE O WNS THE WINDOW SAUL LEITER O WNS TELEPHOTO KAI WONG O WNS STICKY OUTTY SQUIVELY ROBERT CAPA O WNS THE FOOT ZOOM FABIO PIRES O WNS NINJA STYLE ELLIOTT ERWITT O WNS BULLDOGS LEE FRIEDLANDER O WNS SHADOWS ALFRED EISENSTAEDT O WNS KIDS REACTING ARNO MINKKINEN O WNS THE HELSINKI BUS ANDRE KERTESZ O WNS GETTING UP HIGH WILLIAM KLEIN O WNS PERSPECTIVE RICHARD AVEDON O WNS PORTRAITS DIANCE ARBUS O WNS TRAGEDY JOHN FREE O WNS BEING ANGRY EUGENE SMITH O WNS HUMANISM DARREN LYONS O WNS A SIX PACK BRUCE DAVIDSON O WNS EMPATHY ALAMBI O WNS A LEGO CAMERA BRIAN BREAK O WNS PICASSO MARY ELLEN MARK O WNS HONESTY JOEL MEYEROWITZ O WNS GESTURES ADDE ADESOKAN O WNS TRIPTYCHS HCSP O WNS RUTHLESSNESS SOPHIE HOWARTH O WNS NOW MATT STUART O WNS VISUAL PUNS MARTIN PARR O WNS THE BEACH JOHN MALOOF O WNS A SCANNER VIVIAN MAIER O WNS CHICAGO SIEGFRIED HANSEN O WNS REPEATING PATTERNS THOMAS LEUTHARD O WNS CATCHING THEIR EYE BRYAN FORMHALS O WNS MULTIPLE SUBJECTS CHASE JARVIS O WNS TALKING CHARALAMPOS KYDONAKIS O WNS FLASHES IN THE DARK JACQUES HENRI LARTIGUE O WNS FROZEN ACTION ARTHUR FELLIG O WNS CRIME SCENES EUGENE ATGET O WNS PERSPECTIVE LINES BLAKE ANDREWS O WNS ABSURDITY CHRIS WEEKS O WNS LEICA LOVE ROBERT DOISNEAU O WNS PARIS VUK VIDOR O WNS THIS DESIGN .
    [Show full text]
  • Book XVIII Prizes and Organizations Editor: Ramon F
    8 88 8 88 Organizations 8888on.com 8888 Basic Photography in 180 Days Book XVIII Prizes and Organizations Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Group f/64 ............................................... 1 1.1.1 Background .......................................... 2 1.1.2 Formation and participants .................................. 2 1.1.3 Name and purpose ...................................... 4 1.1.4 Manifesto ........................................... 4 1.1.5 Aesthetics ........................................... 5 1.1.6 History ............................................ 5 1.1.7 Notes ............................................. 5 1.1.8 Sources ............................................ 6 1.2 Magnum Photos ............................................ 6 1.2.1 Founding of agency ...................................... 6 1.2.2 Elections of new members .................................. 6 1.2.3 Photographic collection .................................... 8 1.2.4 Graduate Photographers Award ................................ 8 1.2.5 Member list .......................................... 8 1.2.6 Books ............................................. 8 1.2.7 See also ............................................ 9 1.2.8 References .......................................... 9 1.2.9 External links ......................................... 12 1.3 International Center of Photography ................................. 12 1.3.1 History ............................................ 12 1.3.2 School at ICP ........................................
    [Show full text]
  • FORMAT International Photography Festival 2011 Programme Announced 4Th March – 3Rd April 2011
    Press Release 07/12/10 FORMAT International Photography Festival 2011 Programme Announced 4th March – 3rd April 2011 Various venues, Derby Head On, 2010 © Bruce Gilden FORMAT announces programme highlights and street photography theme for 5th edition of festival FORMAT 2011, the UK’s leading international festival of contemporary photography and related media announces its programme for its 5th edition, which takes place at various venues in and around Derby, 4th March-3rd April, 2011. This year’s theme, Right Here Right Now: exposures from the public realm, is curated around the resurgence of street photography, and investigates the social and political worlds of the public realm. The Festival is organised in two strands, FOCUS and EXPOSURE. FOCUS will show curated exhibitions and new commissions by leading international artists. Highlights include the FORMAT11 Commission by Magnum photographer Bruce Gilden at Derby Museum and Art Gallery. Outside in Derby Market Place, Magnum Photos and FORMAT in association with Birmingham National Photography Archive, will present a major survey show of 140 large scale street photos by leading Magnum photographers, including Constantine Manos, Richard Kalvar, Raymond Depardon, Chris Steele Perkins, Bruno Barbey, Trent Park and Alex Webb. Woman Cart Pusher © Raghu Rai, Coming Soon © Trent Park © Katrin Koenning Delhi 1979 Issued by Idea Generation IG Contact Details Page T. +44 (0)20 7749 6850 Emily Airton: [email protected] 1/5 www.ideageneration.co.uk Tani Burns: [email protected] Continued from previous page As part of this premier strand, QUAD Art Gallery will show works of international significance in a variety of media, from world-renowned photographers such as Amy Stein, Joel Meyerowitz, Michael Wolf, Zhao Liang, Polly Braden, Raghu Rai, and Wassink Lundgren.
    [Show full text]
  • Nick Turpin L’Instant Décisif… Et Après ?
    PHOTOGRAPHIE INTERVIEW Géraldyne Masson • PHOTOS DR. NICK TURPIN L’INSTANT DÉCISIF… ET APRÈS ? Réussir à extraire l’extraordinaire, le complexe, le bizarre ou au contrai- re la banalité de nos vies urbaines pour en saisir l’instant, voilà l’essence de la Street Photography ou photographie de rue. Les chefs de file se nom- ment Henri Cartier-Bresson, Lisette Model, Roger Mayne ou encore Gary Winogrand et ont laissé place à une nouvelle génération dont le photo- graphe anglais Nick Turpin, semble être devenu l’évangéliste. Intéressé très tôt par l’art et le design, Nick Turpin étudie deux ans la photo, le cinéma et la vidéo à l’université de Westminster à Londres. Après deux années sur les trois prévues, Nick est démarché par le journal anglais The Independent Newspaper. Il ne terminera finalement jamais son cursus, préférant intégrer l’équipe du journal. On est en 1990. C’est là-bas qu’il fait ses armes en photos en shootant plus de 15 sujets par semaine. En 1997, lassé par le traitement des news, Nick quitte le journal pour explorer d’autres secteurs de la photo et choisit la Street Photography comme un défi : “Travailler dans un environnement complètement incontrôlé avec un petit appareil photo et une lentille standard, sans sujet spécifique au-delà de la vie elle-même, était le défi photographique le plus difficile que j’avais rencontré et les images qui en ont résulté ont été d’une valeur exception- nelle.“ Aujourd’hui, en parallèle de ses projets commerciaux pour Samsung, Toyota, Jaguar, etc., il voyage et shoote dans la rue des clichés mêlant hu- 96 mour et critique sociale.
    [Show full text]
  • Manual Do Fotógrafo De Rua Celebra O Espírito Da Fotografia De Rua Com Instruções Inspiradoras Para Ajudar Você a Capturar O Momento Urbano Perfeito
    MANUAL DO MANUAL MANUAL DO FOTÓGRAFO DE RUA FOTÓGRAFO Manual do fotógrafo de rua celebra o espírito da fotografia de rua com instruções inspiradoras para ajudar você a capturar o momento urbano perfeito. DE RUA Por meio de 20 tutoriais de projetos simples sobre temas como “Sequências”, ”Sombras” e “Objetos”, além de cativantes perfis ilustrados de 20 fotógrafos de rua aclamados internacionalmente, como Bruce Gilden, Nils Jorgensen e Trent Parke, Projetos para experimentar o autor David Gibson proporciona um tour visual por e desenvolver sua técnica essa modalidade – perfeito para quem pretende se tornar um fotógrafo de rua. Conselhos de fotógrafos de destaque em várias partes Esta nova edição apresenta obras inspiradas de do mundo artistas emergentes no cenário da fotografia de rua, dicas atualizadas sobre o Instagram e um prefácio DAVID GIBSON Um panorama completo do renomado fotógrafo de rua Matt Stuart. da forma mais dinâmica PREFÁCIO DE MATT STUART e fascinante de fotografia GIBSON DAVID David Gibson é um dos membros fundadores do In-Public, o primeiro coletivo internacional moderno de fotógrafos de rua. O In-Public, que começou no ano 2000, teve uma influência fundamental na crescente popularidade da NOVA EDIÇÃO fotografia de rua em todo o mundo. David se dedica à fotografia de rua desde o início dos anos 1990 e hoje é um professor de fotografia extremamente respeitado, que ministra cursos em Londres e em outras cidades pelo mundo todo. www.ggili.com.br www.ggili.com.br GG GG Nueva edición GIBSON Manual do fotografo de rua copia 2.indd 1 17/9/19 9:52 www.ggili.com.br MANUAL DO FOTÓGRAFO DE RUA DAVID GIBSON PREFÁCIO DE MATT STUART NOVA EDIÇÃO www.ggili.com.br Título original: The Street Photographer’s Manual.
    [Show full text]
  • Master's Thesis Contemporary Street Photography. Its Plave Between Art
    Avdeling for lærerutdanning og naturvitenskap Andrey Belov-Belikov Master’s Thesis Contemporary street photography. Its plave between art and documentary in the era of digital ubiquity. Master in digital communication and culture 2017 Consent to lending by University College Library YES ☒ NO ☐ Consent to accessibility in digital archive Brage YES ☒ NO ☐ 2 TABLE OF CONTENTS Table of Contents 1. INTRODUCTION ............................................................................................................... 4 1.1. BACKGROUND AND RESEARCH PROBLEM ..................................................................4 1.2. THEORY AND METHODS. ..................................................................................................5 1.2.1. THEORETICAL BACKGROUND. .................................................................................5 1.2.2. METHODS. ....................................................................................................................6 2. THEORETICAL FRAMEWORK. ...................................................................................... 8 2.1. THE HISTORY OF STREET PHOTOGRAPHY. ...................................................................8 2.1.1. THE NOTION OF STREET PHOTOGRAPHY. ..............................................................8 2.1.2. THE ROOTS OF THE GENRE. .................................................................................. 12 2.2. CULTURAL MOVEMENT OF SURREALISM AND ITS REFELECTION IN STREET PHOTOGRAPHY. ............................................................................................................................
    [Show full text]
  • Street Photography Now - Introduction: Notes
    Street Photography Now - Introduction: Notes Key: Of interest Artist Artwork/book Quote/extended My Comments Howarth, S. and McLaren S. (2011) Street Photography Now. London: Thames & Hudson. Introduction: pps 9-15 Walker Evans quote: 9 "Stare. It is the way to educate your eye, and more. Stare, pry, listen eavesdrop. Die knowing something. You are not here long." Evans gained inspiration gained inspiration from anywhere he could observe people going about their daily lives E.g. the street, underground trains, portraits, parks. 1930s/40s - street photographer was a term that referred to someone who took portraits for a fee - often of tourists at holiday destinations. "Street photography is an unbroken tradition, stretching back to the invention of photography itself. It revels in the poetic possibilities that an inquisitive mind and a camera can conjure out of everyday life." Street photography is often a spontaneous and unconscious reaction to everyday life. Elevates the commonplace and familiar into something mythical and heroic. Street photographers thrive in the unexpected, endless possibilities of the street: "they hold up a mirror to the kind of societies we are making for ourselves." This is important at a time when fewer of the images we see are honest representations of real life. Michael Wolf: 1 0 Website http://photomichaelwolf.com/# Google street view project Mines the street view database, searching for candid moments which show similarities with conventional street photography. E.g. Reminiscent of Doisneau's classic street photograph 'Kiss by the Hôtel de Ville' (1950) http://ichef.bbci.co.uk/wwfeatures/wm/live/976_549/images/live/p 0/4s/wn/p04swn9p.jpg BBC article http://www.bbc.com/culture/story/20170213-the-iconic-photo- that-symbolises-love Interface 5 http://photomichaelwolf.com/wp-content/uploads/514.jpg Raises questions about legal objections to street photography and the relevance of these objections in the digital age.
    [Show full text]