From the Turntable

Total Page:16

File Type:pdf, Size:1020Kb

From the Turntable May 1991 — The News Argus Page 7 ▼ What's Hot, What's Not In Music I Wanna What? I bet you can Below are Billboards Top tell me the rest! Color Me Badd is a Singles, Albums, and Rap new group that nobody knows that Singles: much about yet. What I do know is From the Turntable that "I Wanna Sex You Up" is the Tune your radio dial to WSNC- "Baddest" song I have heard in a long Veleska Mathes FM 90S to hear all of these songs time. This cut is from the movie Music Review and more. Until Next Time! Peace! "New Jack City" and just like the Veleska Mathes movie, it is "hype!" The beat is Gerardo! is an absolute zero! nice, but that's all! His new single is Music Director funky and the vocals are superb. On His first single, "Rico Suave" is just "We Want the Funk, and it is just as WSNC FM 90.S my 3 snap scale this song gets "3 and plain weak! This rap just doesn’t cut weak as his first single. Gerardo gets a half snaps!" "I Uke the Way" Hi-Five's album Billboard's Top 5 Rap Singles rose to number one on Billboards Hot R&B Album Chart. Hi Five's first single "Just Can't Handle It" was a hit 1. Daddy's Little Girl — Nikki D. 1 Got To Have It — ED O.G and da Bulldogs for the group . As I forecast in the 2. Mama Said Knock You Out — L.L. Cool J. last issue "I Like the Way(Kissing 3. New Jack Hustler (Nino's Theme) — Ice -T Game)" went to number one on 4. Billboards Hot R&B Singles Chart. 5. Mind Blowin' — the D.O.C. This is a cute little love song that has caught everyone's ear. I'm sure we Billboard's Top 5 R&B Singles will be hearing more from these young men. I'll give them "3 snaps." 1. I'm Dreamin'(From "New Jack City") — Christopher Williams "Heaven Knows" that LaLah 2. Whatever You Want — Tony! Toni! Tone'! Hathaway is "Somethin'!" She has 3. It Should've Been You — Teddy Pendegrass had three hot singles from her CD 5; Call Me - Phil Perry entitled Lalah Hathaway. As the 5. Backyard-Pebbles with Salt-N-Peppa daughter of the late Donnie Hathaway, she has definitely Billboard's Top 5 Hot R&B Albums inherited her father's style and sound. Her new single "Somethin'" is a 1. Sound Track — New Jack City smooth tune that is good for those 2. Hi-Five ■— Hi-Five mellow times. There is another cut 3. Alexander O'Neal — All True Man on her CD that may catch your ear, 4. Q'jays — Emotionally Yours it's called "Obvious." It is just loo 5. Whiuiey Houston-I’m Your Baby Tonight smooth, check it out! I'll give Lalah "3 snaps" •vrjt Sweating" is what Keith Sweat will have you doin^ as h<- is ve-ybody knows my love of grea; can't play w/ith my Yo-Y climbing the charts with his latest "slamming" cut entitled :j ~iaie voices, Lisa Fischer without a about says it all for the new -dy "Your Love Part 2." AlthDUgh watch out lovers! Keith's love - - tbl is among the best," says Luther rap, Yo-Yo, as well as title to her ■ .^ndross. Her first release Is ballot contribution to the "New Jack City"movie soundtrack single climbing the charts at 0 . r. imbing the charts, a sexy love ballot entitled "There You (Jo Telling MefNo Again)," will dermitelj with the "gangster" of rap Ice-C -i ititled, "How Can I Ease the Pam." be heating the airways all sum m er long!.
Recommended publications
  • The Clique Song List 2000
    The Clique Song List 2000 ­ Now Ain’t It Fun (​Paramore) All About That Bass (​Meghan Trainor) American Boy (​Estelle & Kanye West) Applause (​Lady Gaga) Before He Cheats (​Carrie Underwood) Billionaire ​(​Travie McCoy & Bruno Mars) Birthday (​Katy Perry) Blurred Lines (​Robin Thicke) Can’t Get You Out Of My Head (​Kylie Minogue) Can’t Hold Us (​Macklemore & Ryan Lewis) Clarity (​Zedd) Counting Stars (​OneRepublic) Crazy (​Gnarls Barkley) Dark Horse (​Katy Perry) Dance Again (​Jennifer Lopez) Déjà vu ​(​Beyoncé) Diamonds (​Rihanna) DJ Got Us Falling In Love (​Usher & Pitbull) Don’t Stop The Party (​The Black Eyed Peas) Don’t You Worry Child (​Swedish House Mafia) Dynamite (​Taio Cruz) Fancy (​Iggy Azalea) Feel This Moment (​Pitbull & Christina Aguilera) Feel So Close (​Calvin Harris) Find Your Love (​Drake) Fireball (​Pitbull) Get Lucky (​Daft Punk & Pharrell) Give Me Everything (Tonight) (​Pitbull & Ne­Yo) Glad You Came (​The Wanted) Happy (​Pahrrell) Hey Brother (​Avicii) Hideaway (​Kiesza) Hips Don’t Lie (​Shakira) I Got A Feeling (​The Black Eyed Peas) I Know You Want Me (Calle Ocho) (​Pitbull) I Like It (​Enrique Iglesias & Pitbull) I Love It (​Icona Pop) I’m In Miami Trick (​LMFAO) I Need Your Love (​Calvin Harris & Ellie Goulding) Lady (Hear Me Tonight) (​Modjo) Latch (​Disclosure & Sam Smith) Let’s Get It Started (​The Black Eyed Peas) Live For The Night (​Krewella) Loca (​Shakira) Locked Out Of Heaven (​Bruno Mars) More (​Usher) Moves Like Jagger (​Maroon 5 & Christina Aguliera) Naughty Girl (​Beyoncé) On The Floor (​Jennifer
    [Show full text]
  • The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis
    The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship.
    [Show full text]
  • New Jack Swing Era Artist
    New jack swing era artist The New Jack Swing era was truly the first major wave of These new R&B artists weren't averse to hip-hop edge and welcomed aggressively. Street rap and grunge took over as the New Jack Era met its decline near The show was also known for the variety of New Jack artists who. Few genres encapsulate an era more than New Jack Swing, the music that blended street hip hop rhythms and verses with silky R&B and. Find album reviews, stream songs, credits and award information for New Jack Swing Era - Various Artists on AllMusic - - The new jack swing sound is. Johnny Kemp, Keith Sweat, Bobby Brown, Jodeci, Mary J. Blige, New Edition, Troop, Boyz I II Men, Janet Jackson, Michael Jackson, Guy, Chucki Booker. "My Prerogative" by Bobby Brown. "Rumors" by Timex Social Club. "Motownphilly" by Boyz II What are some artists from the New Jack Swing era? What does. Three decades since New Jack Swing's inception, the Albumism team of the only artists closely associated with the New Jack era to sustain a. Contemporary urban and pop radio formats where supplying the nation with these infectious hits from New Jack Swing artists from the east and. I selected "New Jack Swing" as my first "specific genre" because I haven't .. I applaud you young man, you. 50 New Jack Swing Jams That'll Take You Back. God Bless Teddy Riley. Posted on February 10, , GMT. This is a personal, non-sponsored post by a. New jack swing, a contemporary sound born and bred in the New York City club scene, took over during this era.
    [Show full text]
  • *'10P40* with Shtdjoe STEVENS
    rai~IIN(f41~1 *'10P40* WITH SHtdJOE STEVENS PLBASB AUDITION BACH DISC IHKBDlAXBLY. IF YOU HAVB ANY QUESTIONS, PLBASB CONTACT US TOLL PRBB AT 1-800-423-2502 . ... COMPACT DISC 11, TRACK 10, HAS 1KHz REFERENCE TONE ... TOPICAL PROMO$ TOPICAL PROMO$ FOR SHOW fat ABE LOCATED ON DISC 4. JBACKS 8 AND 7. DO NOT USE AFTER SHOW up. 1. ADORAM VJBRADQNS :29 Hi, Shadoe Stevena, AT40. Last week, Oklahoma's a Clll)pella angels, Color Me Badd, were devirlshly clever and colorful enough on the BUiboard chart to score their first 111 with 'I Adore Mi Amor'. But will they still adore the pop PMk thi<l -v.? Coming up fast from below and c1irnhing '" 112. ~ Ma!r!(y Mltrk and The Funky !'lunch with 'Good IIIJrations'. Are there 111 vibes in their immediate future? Ah, D'Shadoe knows. And you can too - when we count 'em down •• right here •• on American Top 40. (LOCAL TAG) 2. TOP TENS TO TALK ABOUT :36 Hi, Shadoe Stevena, AT40. Her first four singles·· all from her debut allum- hit 111. And now Mariah Carey is looking top ten bound with her latest hit caUec! 'Emotions'. But also moving up, looking for a top ten follow-up to 'Losing My Religion', it's MTV Award Winnens R.E.M. with 'Shiny Happy People'. And looking to IT'Bke her first top 40 hit ever her first top tenner, it's last year's big Grammy winner, Bonnie Raitt with 'Something To Talk About'. We've got the hits everybody talks aboul - listens to and buys - the 40 biggest in the U.S.A.
    [Show full text]
  • View Full Article
    ARTICLE ADAPTING COPYRIGHT FOR THE MASHUP GENERATION PETER S. MENELL† Growing out of the rap and hip hop genres as well as advances in digital editing tools, music mashups have emerged as a defining genre for post-Napster generations. Yet the uncertain contours of copyright liability as well as prohibitive transaction costs have pushed this genre underground, stunting its development, limiting remix artists’ commercial channels, depriving sampled artists of fair compensation, and further alienating netizens and new artists from the copyright system. In the real world of transaction costs, subjective legal standards, and market power, no solution to the mashup problem will achieve perfection across all dimensions. The appropriate inquiry is whether an allocation mechanism achieves the best overall resolution of the trade-offs among authors’ rights, cumulative creativity, freedom of expression, and overall functioning of the copyright system. By adapting the long-standing cover license for the mashup genre, Congress can support a charismatic new genre while affording fairer compensation to owners of sampled works, engaging the next generations, and channeling disaffected music fans into authorized markets. INTRODUCTION ........................................................................ 443 I. MUSIC MASHUPS ..................................................................... 446 A. A Personal Journey ..................................................................... 447 B. The Mashup Genre ....................................................................
    [Show full text]
  • Kentucky State Fair Announces Texas Roadhouse Concert Series Lineup 23 Bands Over 11 Nights, All Included with Fair Admission
    FOR IMMEDIATE RELEASE Contact: Ian Cox 502-367-5186 [email protected] Kentucky State Fair Announces Texas Roadhouse Concert Series Lineup 23 bands over 11 nights, all included with fair admission. LOUISVILLE, Ky. (May 26, 2021) — The Kentucky State Fair announced the lineup of the Texas Roadhouse Concert Series at a press conference today. Performances range from rock, indie, country, Christian, and R&B. All performances are taking place adjacent to the Pavilion and Kentucky Kingdom. Concerts are included with fair admission. “We’re excited to welcome everyone to the Kentucky State Fair and Texas Roadhouse Concert series this August. We’ve got a great lineup with old friends like the Oak Ridge Boys and up-and-coming artists like Jameson Rodgers and White Reaper. Additionally, we have seven artists that are from Kentucky, which shows the incredible talent we have here in the Commonwealth. This year’s concert series will offer something for everyone and be the perfect celebration after a year without many of our traditional concerts and events,” said David S. Beck, President and CEO of Kentucky Venues. Held August 19-29 during the Kentucky State Fair, the Texas Roadhouse Concert Series features a wide range of musical artists with a different concert every night. All concerts are free with paid gate admission. “The lineup for this year's Kentucky State Fair Concert Series features something for everybody," says Texas Roadhouse spokesperson Travis Doster, "We look forward to being part of this event that brings people together to create memories and fun like we do in our restaurants.” The Texas Roadhouse Concert Series lineup is: Thursday, August 19 Josh Turner with special guest Alex Miller Friday, August 20 Ginuwine with special guest Color Me Badd Saturday, August 21 Colt Ford with special guest Elvie Shane Sunday, August 22 The Oak Ridge Boys with special guest T.
    [Show full text]
  • Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
    Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research.
    [Show full text]
  • Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
    DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Amy Smith-Stewart
    Suzanne McClelland Just Left Feel Right Suzanne McClelland Just Left Feel Right The Aldrich Contemporary Art Museum third party by Amy Smith-Stewart I’m not sure what “coming out right” means. It often means that what you do holds a kind of energy that you wouldn’t just put there, that comes about through grace of some sort. - Jasper Johns1 Sweet, crazy conversations full of half sentences, daydreams and misunderstandings more thrilling than understanding could ever be. – Toni Morrison2 Suzanne McClelland has spent her thirty-year career collecting messaging. Words she overhears, sounds she absorbs, and data she gathers. Mining the methods of its application, and the implications of meaning, McClelland compiles research, combing what is said, what is streamed, what trends; hoarding symptomatic information that drops in and out of our lives. This focused twenty-seven-year survey, 1990 to 2017, concentrates on works that range from painting to installation, glass, ceramic, and works on paper, from specific periods of her career that all share a distinctive commonality; they capture the eruptive and disparate voices of a shifting American vernacular and its rippling effect on the way we communicate and, hence, how we understand each other. Many of the works in the exhibition are being presented for the first time, others have rarely been seen, and some haven’t been shown since their debut. McClelland’s rich and investigational practice tracks the ways we have changed our modalities of communication over three decades. She has said on numerous occasions that, for her, reading and listening represent “political actions”3 and her inimitable methodology envisages these activities.
    [Show full text]
  • Two Minute Brother: Contestation Through Gender,`Race' and Sexuality
    Title: Two minute brother: Contestation through gender,`race' and sexuality. Authors: Skeggs, Beverley Source: Innovation: The European Journal of Social Sciences; 1993, Vol. 6 Issue 3, p299, 24p Persistent link to this http://0- record: search.epnet.com.library.lib.asu.edu:80/direct.asp?an=9707202871&db=afh Database: Academic Search Elite TWO MINUTE BROTHER: CONTESTATION THROUGH GENDER 'RACE' AND SEXUALITY Is this all you got? Contents one minute and you go pop yous a big disgrace Rap music as I don't mush you all in yer face political dialogue telling me lies like you a real good lover yous a two-minute brother Black I hate guys who talk a lot of shit how they last long and got good dicks masculinities and talking shit and telling me lies . the best lover? Black male they all two-minute brothers sexuality Black girl kick it, Black girl just kick that shit Female rappers (repx6) talk Black, talk BWP in effect once again for all you females across America. back (Bytches with Problems, 1991) Talking back to So much for supporting the male ego, doing the work of emotional civilization management, being unable to express sexuality and being unable to Talking back challenge directly the male performance. This is not the reproduction of against femininity but the music which refuses to be contained by it. These lyrics explore the fraudulent myths of male sexual performance. They Speaking to: come from women who have no economic and/or emotional investment in men. They don't pander to politeness; this is an all-out battle within Conclusion sexual politics.
    [Show full text]
  • Automatic Recognition of Samples in Musical Audio
    Automatic Recognition of Samples in Musical Audio Jan Van Balen MASTER THESIS UPF / 2011 Master in Sound and Music Computing. Supervisors: PhD Joan Serr`a,MSc. Martin Haro Department of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona Acknowledgement I wish to thank my supervisors Joan Serr`aand Martin Haro for their priceless guidance, time and expertise. I would also like to thank Perfecto Herrera for his very helpful feedback, my family and classmates for their support and insightful remarks, and the many friends who were there to provide me with an excessive collection of sampled music. Finally I would like to thank Xavier Serra and the Music Technology Group for making all this possible by accepting me to the master. Abstract Sampling can be described as the reuse of a fragment of another artist's recording in a new musical work. This project aims at developing an algorithm that, given a database of candidate recordings, can detect samples of these in a given query. The problem of sample identification as a music information retrieval task has not been addressed before, it is therefore first defined and situated in the broader context of sampling as a musical phenomenon. The most relevant research to date is brought together and critically reviewed in terms of the requirements that a sample recognition system must meet. The assembly of a ground truth database for evaluation was also part of the work and restricted to hip hop songs, the first and most famous genre to be built on samples. Techniques from audio fingerprinting, remix recognition and cover detection, amongst other research, were used to build a number of systems investigating different strategies for sample recognition.
    [Show full text]
  • Moby Play Mp3, Flac, Wma
    Moby Play mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Play Country: Russia Style: Breakbeat, Leftfield, Downtempo MP3 version RAR size: 1587 mb FLAC version RAR size: 1293 mb WMA version RAR size: 1135 mb Rating: 4.2 Votes: 872 Other Formats: MP2 AC3 MP3 AUD MP1 MP4 ASF Tracklist Hide Credits Honey A1 Mixed By – Mario Caldato Jr. A2 Find My Baby Porcelain A3 Vocals – MobyVocals [Additional] – Pilar Basso Why Does My Heart Feel So Bad? A4 Vocals – Shining Light Gospel Choir* South Side B1 Vocals – Moby B2 Rushing Bodyrock B3 Vocals [Additional] – Nikki D.*Written-By [Sample] – Bobby Robinson Natural Blues B4 Mixed By [Mixed In Sheffield By] – I Monster Machete C1 Vocals – Moby C2 7 C3 Run On C4 Down Slow If Things Were Perfect C5 Vocals – MobyVocals [Additional] – Reggie Matthews C6 Everloving D1 Inside D2 Guitar Flute & String The Sky Is Broken D3 Vocals – Moby D4 My Weakness Companies, etc. Phonographic Copyright (p) – Mute Records Ltd. Copyright (c) – Mute Records Ltd. Licensed From – Atlantic Recording Corporation Licensed From – Warner Special Products Licensed From – Enjoy Records, Inc. Published By – Little Idiot Music Published By – Warner-Tamerlane Published By – Bobby Robinson Music Distributed By – Vital Mastered At – The Exchange Pressed By – P.R. Records Limited Credits Design [Album Design] – Ysabel Zu Innhausen Und Knyphausen Instruments [All Instruments Played By] – Moby Management [European] – DEF* Management [North American] – MCT Mastered By – GRAZ* Photography By – Corine Day Written-By, Producer, Engineer, Mixed By – Moby Notes Comes with two colour-printed die-cut photo-gimmick inner sleeves (picture is complete with the labels).
    [Show full text]