TABLE of CONTENTS 1 Before Driving 2 When Driving 3 Interior
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
"Catch the Wind"
DESCENDANTS IRISH THE OF BEST THE GOOD SO FAR SO fall the in nationally Touring Wind" The "Catch single/video the including songs, .19 Contains , " ". ! '"'. 08141 No. Registration Mail Publication GST) .20 plus ($2.80 $3.00 1999 6, September - 20 No. 69 Volume 3 paae See - GiElesValtquetie.., and re Mo Socan'slinda from plaques 01 iecehies -SARAHCLACHL1 a. 100 HIT TRACKS New Bowie release a David Bowie, one of music's most innc will take the recording industry anothe & where to find them in September, when his new album, h( available for download via the interne Record Distributor Codes: Canada's Only National 100 Hit Tracks Survey BMG - N EMI - F Universal - J Virgin Records America announce Polygram - Q Sony - H Warner - P indicates biggest mover in conjunction with fifty leading music album will be available on the 'net S TW LW WOSEPTEMBER 6, 1999 Bruce Barker name 1 1 13 IF YOU HAD MY LOVE 35 39 6 SMILE 68 67 40 BABY ONE MORE TIME Jennifer Lopez - On The 6 Vitamin C - Self Titled Britney Spears - Baby One More Time Work 69351 (pro single) - P Elektra 62406 (comp 405) - P Jive 41651 (pro single) -N Bruce "The Barkman" Barker has been 1M 7 13 GENIE IN A BOTTLE 36 25 21 SOMETIMES 69 64 26 ANYTHING BUT DOWN director of Toronto's CFRB. He succee Christina Aguilera - Self Titled Britney Spears - ... Baby One More Time Sheryl Crow - The Globe Sessions RCA (CD Track) - N Jive 41651 (CD Track) - N ARM 540959 (CD Track) - J Bill Stephenson, a sports broadcast let 3 2 14 ALL STAR 37 29 20 CLOUD #9 70 63 20 UNTIL YOU LOVED ME covered forty years of sports, most ofi Smash Mouth - Astro Lounge Bryan Adams - On A Day Like Today eA The Moffatts - Never Been Kissed O.S.T. -
BJ Thomas (00:00): but Then, the Tonight Show and Johnny, He Kinda Liked Me and I Could Come Over and Talk to Him
BJ Thomas (00:00): But then, The Tonight Show and Johnny, he kinda liked me and I could come over and talk to him. One night in particular, he says, "You know, BJ, you're working. I looked at your schedule. I mean, you're doing like 245 shows this year." And he says, "How do you do that?" And I said, "Well, I take a lot of pills." It really threw him off. And he goes, "Oh..." And he got shook up. And of course it shook me up. And so then, at a certain point, I just stopped doing TV. And I really didn't do any of those shows again until I got sober. Bryan Smith (00:33): Brian Smith here and welcome to the DreamPath podcast, where I try to get inside the heads of talented creatives from all over the world. My goal is to demystify and humanize the creative process and make it accessible to everyone. Now, let's jump in. Bryan Smith (00:50): BJ. Thomas is on the show. BJ has sold over 70 million records with hits, like Hooked on a Feeling which peaked at number five on the billboard charts [plays song clip]. First number one hit was the song Raindrops Keep Falling on My Head from the film Butch Cassidy and the Sundance kid [plays song clip]. His second number one hit, Hey, won't you play another, Somebody Done Somebody Wrong Song, I first heard when I was probably seven-years-old when my dad was singing along to it in the car. -
Big Sugar Sweetens the Barn
Lethbridge Community Expanding Vol: XXXIV Issue: 7 Wednesday, Nov.24, 1999 Big Sugar sweetens the Barn TINA COBB and held the beat for Big Sugar like a pro. Staff Writer " The most memorable jam of the night, The Barn was buzzing Friday night in was If I had my way, off the band's fourth anticipation of Toronto's rock band Big album, Hemi-Vision which has surpassed Sugar. The stage sported a multitude of platinum. It incorporated powerful coloured lights and a sound system that melodies and a stellar guitar solo from rattled eardrums was in the middle of the Johnson. bar, a foreboding of things to come. During his solo, Johnson raised his gui Scratching Post, the opening band for tar above his head, and flipped it around Big Sugar, was a solid power pop band to reveal a Canada flag painted on the that blended 80 punk with 90 heavy metal back. The patriotic crowd went crazy, and guitar licks. the dance floor swelled. Lead singer Nicole Hughes, 24, belted The show didn't end there. A rendition out five songs off tJieir new album: of James Brown's Get on up, The Scene, Destruction of the Universe. The band also off the album Heated and Ride like Hell, covered Crash by The Primitives, and per off the album Five Hundred Pounds, were formed two previously unreleased tracks. gems. The combination of sound, lighting As Big Sugar took stage, fans at The and musical talent was pure genius. Barn flooded the dance floor, and didn't The closing song of the night was none budge all night. -
Creativity, Consumption, and Copyright in the Mashup Community
Mashnography: Creativity, Consumption, and Copyright in the Mashup Community By Liam McGranahan B.A., San Francisco State University, 2003 A.M., Brown University, 2005 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Program in Music: Ethnomusicology at Brown University Providence, Rhode Island May 2010 © 2010 Liam McGranahan This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. This dissertation by Liam McGranahan is accepted in its present form by the Department of Music as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date__________ ___________________________________ Kiri Miller, Advisor Recommended to the Graduate Council Date__________ ___________________________________ Wayne Marshall, Reader Date__________ ___________________________________ Marc Perlman, Reader Date__________ ___________________________________ Jeff Titon, Reader Approved by the Graduate Council Date__________ ___________________________________ Sheila Bonde, Dean of the Graduate School iii Curriculum Vitae Education 2010 Ph.D., Ethnomusicology, Brown University Dissertation: Mashnography: Creativity, Consumption, and Copyright in the Mashup Community, advised by Kiri Miller 2005 M.A., Music (Ethnomusicology), Brown University Master’s Thesis: A Survey of Garifuna Musical Genres with an Emphasis on Paranda, advised by Paul Austerlitz 2003 B.A., with honors, Anthropology, minor in World Music and Dance, San Francisco State University 1981 Born, July 31, Portland, OR Teaching and Professional Activities 2009 – 2010 Guest Teacher, African-American Studies, Lincoln High School, Portland, Oregon I am currently collaborating with head teacher Michael Sweeney to design and teach an African-American music unit in spring 2010. -
Jamaican Migrant and Canadian Host in Toronto's Transnational Re
King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 by John Jason Collins Wilson A dissertation Presented to The University of Guelph In partial fulfilment of requirements for the degree of Doctor of Philosophy in History Guelph, Ontario, Canada © John Jason Collins Wilson, May 2013 ABSTRACT King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 John Jason Collins Wilson Advisor: University of Guelph, 2013 Doctor Catharine Wilson Reggae music facilitated a cultural dialogue between Jamaican migrant and Canadian host in Toronto during the 1970s and 1980s. Exchanges flowed across the city’s ethnic frontier, bridging black and white youth together in an ‘oppositional’ and musical movement. While migrants enacted their Jamaican ethnicity in places where reggae was played, many non-Jamaicans satisfied a curiosity in the music of their migrant friends. This study examines the process of migration of people and music as seen from both the migrant and the host’s perspective. It is as much about black Jamaicans as it is about white Torontonians. Twenty Jamaicans and twenty non-Jamaicans were interviewed for this project. Though reggae became an expected part of Toronto’s musical vernacular, the Canadian version meant different things to different people. Indeed, sometimes the only thread that tied the varied experiences together was that Toronto was the place where reggae happened. Still, as a hybrid, reggae had rather evolved outside of place. It was a transnational musical form, constantly updated by influences traversing the ‘Black Atlantic’ in an on-going and triangular musical conversation. -
Texas Co-Op Power • January 2018
1801_local covers custom.qxp 12/11/17 6:35 PM Page 7 MAGIC VALLEY ELECTRIC COOPERATIVE JANUARY 2018 Texas Co-ops in Haiti Snow Day Photos Nourishing Soups TEXAS’ POETSMUSICAL Songwriters’ association honors hit-makers SONGWRITER BRUCE ROBISON SEE PAGE 18 MVEC ESPAÑOL PÁG. 20D COUNTTRY LIVING MADE EASIER WITH MUELLER STEEL BUILDINGS 2018 Since 1944 January FAVORITES 5 Letters 6 Currents 18 Local Co-op News Get the latest information plus energy and safety tips from your cooperative. 29 Texas History The Abernathy Boys By Martha Deeringer 31 Recipes Nourishing Soups 35 Focus on Texas Photo Contest: Snow Day 36 Around Texas List of Local Events 38 Hit the Road Weekend in The Woodlands By Melissa Gaskill Joe Ely, 2016 Texas Heritage Songwriters’ Association ONLINE Hall of Fame inductee TexasCoopPower.com Find these stories online if they don’t FEATURES appear in your edition of the magazine. Texas USA Musical Frontier Texas Heritage Songwriters’ Associa- Saving the Globe 8 tion spotlights state’s lyrical poets. By LaDawn Fletcher By Gene Fowler Observations Grand County Courthouses Co-op Family Ties Lineworkers volunteer profession- By Lonn Taylor 12 ally—and personally—to help international community. By Zuraidah Hoffman NEXT MONTH Thursday Night Lights The largely unknown story of segregated African- American high school football programs 29 35 31 38 JOE ELY: TED PARKER JR. FOOTBALL PLAYER: COURTESY UNIVERSITY OF TEXAS PRESS ON THE COVER Bruce Robison was inducted into the Texas Heritage Songwriters’ Association Hall of Fame in 2007. Photo by Kenny Braun TEXAS ELECTRIC COOPERATIVES BOARD OF DIRECTORS: Bryan Lightfoot, Chair, Bartlett; Blaine Warzecha, Vice Chair, Victoria; Alan Lesley, Secretary-Treasurer, Comanche; Mark Boyd, Douglassville; William F. -
Natural Language Processing for Music Information Retrieval : Deep Analysis of Lyrics Structure and Content Michael Fell
Natural language processing for music information retrieval : deep analysis of lyrics structure and content Michael Fell To cite this version: Michael Fell. Natural language processing for music information retrieval : deep analysis of lyrics structure and content. Document and Text Processing. Université Côte d’Azur, 2020. English. NNT : 2020COAZ4017. tel-02587910v2 HAL Id: tel-02587910 https://tel.archives-ouvertes.fr/tel-02587910v2 Submitted on 8 Feb 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE DE DOCTORAT Traitement Automatique des Langues pour la Recherche d'Information Musicale: Analyse Profonde de la Structure et du Contenu des Paroles de Chansons Michael FELL Wimmics, CNRS, I3S, Inria Présentée en vue de l’obtention Devant le jury, composé de: du grade de docteur en Informatique Claire Gardent, Senior Researcher, CNRS de l’Université Côte d’Azur Carlo Strapparava, Senior Researcher, FBK Dirigée par Philipp Cimiano, PR, Universität Bielefeld Elena Cabrio et Fabien Gandon Frédéric Precioso, PR, Université Côte d’Azur Soutenue -
Virtual Events
2020 VIRTUAL EVENTS PRESENTED BY: 2020 SUMMER EVENTS GUIDE | A EXPLORE SUMMER! With Children & Youth Programming Programs will be running from July 13th-August The City of Thunder Bay offers 28th in various sites with limited capacity. All programs for Summer 2020 will be a variety of safe and inclusive registered for a weekly basis. programs for children and youth Please call 625-8463 to register. aged 5-18. NOTE: Due to COVID-19, program dates, times and Each program offers themed locations will be announced at a later date. Please check website (www.thunderbay.ca/kids) activities, sports, games and crafts. or our Facebook Page (@ChildrenYouthThunderBay) for confirmed programming. You can find our programs in several locations throughout the City. Our programs are a place where children WE ALSO OFFER THE FOLLOWING: Trained Staff - Staff are trained in Standard First and youth can make friendships, Aid /Level C CPR and the HIGH FIVE Principles of Healthy Childhood Development, as well as learn something new, and most of all program specific training. – have fun! Nut Safe Program - Our programs are nut safe. Check out our website for Summer Junior Inclusion Services - Junior Inclusion Services facilitates the inclusion of children and 2020 Program updates at youth with disabilities in our programs. If you are interested in accessing JIS, please contact www.thunderbay.ca/kids. 625-3220. 2020 SUMMER EVENTS GUIDE VIRTUAL EVENTS DATES JUNE JUNE JULY Virtual Page 4 29 30 1 Canada Day JULY JULY 8 15 JULY JULY 22 29 Pages Virtual Live 12-29 AUGUST AUGUST 5 12 AUGUST AUGUST 19 26 PRESENTED BY: Visit: thunderbay.ca/events 2020 SUMMER EVENTS GUIDE | 1 GROCERY, FASHION, HOME DECOR & MORE! 349 Main Street, Thunder Bay GIANT TIGER, TIGRE GÉANT, TIGER HEAD DESIGNS AND OTHER TRADEMARKS IN THIS AD ARE REGISTERED AND UNREGISTERED CANADIAN TRADEMARKS OF GIANT TIGER STORES LIMITED AND ARE LICENSED TO ITS FRANCHISEES. -
STYX: SET an OPEN COURSE for the VIRGIN SEA by Chuck Miller Originally Published in Goldmine Issue 502
STYX: SET AN OPEN COURSE FOR THE VIRGIN SEA By Chuck Miller Originally published in Goldmine issue 502 As the intro to "Come Sail Away" began, Todd Sucherman was ready to play. Imaginary sticks were hovering over pretend drum skins, Todd's foot ready to strike a fantasy bass pedal. He knew the song backwards and forwards, both the LP and 7" versions; and he practiced it hundreds of nights on the air-drum in his Chicago bedroom in 1978. Except this wasn't 1978 in his bedroom. He was at the World Theater in Chicago, in 1996, playing the drums as a member of Styx, with a hundred friends and teachers and family in the audience. Dennis DeYoung was playing the intro on the keyboards, Tommy Shaw and James Young were ready on the guitars, Chuck Panozzo looking over from his bass setup to the drum kit, with a knowing smile of confidence. "It was an epiphany," he recalled. "I had a literal flashback during the song, where I was in fourth grade, sitting at the edge of my bed, and I remember vividly, air-drumming to records after school, imagining that I was doing the big hometown rock show. And it struck me like lightning behind the drum set at that very moment." Sucherman's dream may have been to play in Styx, but for Dennis DeYoung, James Young, Tommy Shaw, Chuck Panozzo and John Panozzo, their dream of a successful rock and roll band became a 35- year-long rollercoaster. They had four multiplatinum records in a row; they also recorded in studios where the paneling fell around their heads. -
Nielsen Music & Billboard
NIELSEN MUSIC & BILLBOARD PRESENT CANADA 150 CHARTS A CELEBRATION OF CANADA’S 150TH ANNIVERSARY — THE TOP CANADIAN ARTISTS, ALBUMS AND SONGS IN THE NIELSEN MUSIC CANADA ERA Copyright © 2017 The Nielsen Company 1 Copyright © 2017 The Nielsen Company In celebration of Canada's 150th birthday — Billboard's top Canadian artists, albums and songs in the Nielsen Music Canada era by Karen Bliss The official 150th birthday of Canada — commemorating confederation — is this Saturday, July 1, known as Canada Day, but it’s been a year-long celebration with the government putting in a half-billion dollars towards the branded A CELEBRATION OF CANADA’S ”Canada 150” festivities and businesses commemorating the sesquicentennial their own way. Nielsen Music Canada, in collaboration with Billboard, has compiled its own celebratory lists of the biggest artists, albums and songs since the TH data-tracking system came into Canada in 1996 (and cut off Dec. 31, 2016). 150 ANNIVERSARY “We’re excited to celebrate the success of Canadian artists at home, in partnership with Billboard, as we honour [sic] THE TOP CANADIAN ARTISTS, ALBUMS & SONGS Canada’s 150th anniversary,” said Paul Shaver, Head of Nielsen Music Canada. Nielsen Music Canada’s recap charts include all-format and radio charts (started April 1995), album sales (1996 -) and IN THE NIELSEN MUSIC CANADA ERA digital song sales (2005 - ). The most recent chart for streaming (July 2014 -) extends to March 2017. The top-selling Canadian artist (by album sales in Canada) during the 20-year “Nielsen Music Canada era,” is, not surprisingly, Celine Dion when tallying up all her physical and digital sales for the Top Overall Artist chart.