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Standards Checklist for a Professionally Published

The purpose of this checklist is to give both and industry professionals an at-a-glance gauge of the professional presentation of any book. It must be acknowledged that book development is a creative process and that quality can be subjec- tive. This list does not address editorial content except to recommend that any book be professionally edited (developmentally edited, copyedited, and proofread). To meet professional standards, any book should be grammatically accurate and free of spelling and typographical errors. This checklist is broken into two sections: (1) Content and (2) Production.

CONTENT print and e-book on this page, if they are clearly What follows are the elements all must include. identifi ed) ☐ Credits for design, , , and cover artwork, as applicable Half- ☐ Any applicable waivers or disclaimers, especially The half-title page is optional, but recommended. It’s the for works with legal or medical content, and fi ction very fi rst page of the book and typically includes: and memoirs ☐ Title and subtitle of the book ☐ Title type that matches the cover fonts (Optional) A dedication is customary in books but is not required. Title Page When included, it should be given its own page, typically a The title page is often the very fi rst page of the book (if recto page following the page. you don’t include a half-title page) and typically includes: ☐ Title and subtitle of the book ☐ Name of the (or editors, if an anthology) (Optional) A table of contents is customary in books but not ☐ Name of the illustrator, when applicable required. When included, it should follow the dedication ☐ Name of the publisher and location (or copyright page, if no dedication is included). It should ☐ Title type that matches the cover fonts also be concise, listing the titles and subtitles and ☐ Design elements that might tie in to the cover no other information or descriptive content. (optional) Note: The verso page (any left-hand page in ) is ☐ Information included should take into account the typically blank, or is integrated into the design of the title page. reader’s needs Half-title and title pages are always recto (any right-hand page ☐ Page numbers noted must be correct in publishing). ☐ Typically does not exceed one or two typeset pages ☐ Should be typeset in a style that matches the rest Copyright Page* of the book The copyright page is typically a verso page following the title page, although in some illustrated books it is placed in Grammar and Copyediting* the back matter. It must include: ☐ Correct grammatical style should be followed Copyright date and holder (e.g., “© [Author Name], ☐ faithfully and consistently throughout a book; 2016”) while the industry standard for grammatical style Copyright notice ☐ leans toward The Chicago Manual of Style, authors information ☐ and publishers are free to choose their own correct of Congress CIP Data (in full) or a reference ☐ grammatical style, as long as they follow to the book’s LCCN (Library of Congress Control it consistently. Number, applied for via PCN, Preassigned Control ☐ Content should be free of grammatical and typo- Number, at www.loc.gov/publish/pcn) graphical errors. (While reviewers, judges, and other history (if applicable) ☐ industry members can’t be expected to read every Country of printing (necessary especially if book is ☐ word of every book, they will perform tests of several printed overseas, to clear customs; not necessary randomly selected passages, checking for errors.) for print-on-demand books) ☐ Additional consideration: ARCs (Advance Reader Name of publishing company ☐ Copies) need to be submitted so far in advance that Contact information for publishing company ☐ they may be “uncorrected proofs”; typically they Name of author ☐ are not yet proofread, and therefore “Uncorrected Title of book ☐ ” or “Advance Reader ” should be 13-digit ISBN (you may include the ISBN for both ☐ noted prominently on the front or back cover.

www.ibpa-online.org 1020 Manhattan Beach Blvd., Suite 204 • Manhattan Beach, California 90266 • Tel: 310.546.1818 • Fax: 310.546.3939 • [email protected] Quality of ☐ Human-readable BISAC subject heading ☐ Content should be well written and in a style that is ☐ Publisher name and/or logo appropriate to the book’s genre and topic ☐ All endorsements/ included are relevant, real, ☐ Good writing is “inviting, direct, nicely phrased, and properly credited free of clichés” ( Reviews) ☐ Industry-standard EAN bar code with price and ☐ Content, including facts presented, names, dates, 13-digit ISBN encoded/embedded into the barcode. and timelines, must be consistent and accurate Publisher must purchase and own its own ISBN(s) through Bowker at www.myidentifi ers.com, rather Acknowledgments Page (Optional) than obtaining one through CreateSpace, Ingram, Sources should be credited on an acknowledgments or another entity. page whenever applicable, but especially with works of nonfi ction. The acknowledgments page can come at Correct: the beginning of a work or at the end (for fi ction works). ISBN: 978-1-63152-802-6 ☐ For nonfi ction works, sources might be credited inline, with footnotes, or with endnotes in lieu of a formal acknowledgments page ☐ Photo credits should be included consistently in one of three ways: (1) on the acknowledgments page, (2) with the photos, or (3) within the captions. ☐ Work must be free of (which is theft and never acceptable) Incorrect:

About the Author ISBN: 978-0-99062XX-X-X The about the author page belongs somewhere in the work’s front matter, back matter, or jacket copy, and should include: ☐ A brief, informative biography, appropriate to the genre and topic of the book 9 78099062XXXX ☐ The author’s credentials for writing on the topic, if the book covers a specialized topic ☐ Author URL and social media links (optional) ADDITIONAL CONSIDERATIONS ☐ Do the title and front cover copy immediately PRODUCTION identify the benefi ts of the book, the subject What follows is the design protocol all books must matter, or the category? include and follow. ☐ Are the book’s cover art and design competitive with those of other titles of a similar topic and quality? Interior* ☐ Are the book’s interior art and design competitive with those of other titles of a similar topic and quality? ☐ Professional interior design Library of Congress policy is that it cannot promptly ☐ Appropriate, easily readable font for the main body ☐ of the text catalog books for publishers that release fewer than fi ve books per year. It might take two to three ☐ Appropriate leading and kerning for the font chosen. years to get LOC cataloging information. This is why ☐ Consistent running heads or running feet all publishers should apply for PCNs (Preassigned ☐ Proper and consistent treatment of special characters, such as accent marks, em dashes, Control Numbers) and display LCCNs for all hyphens, etc. books. You may also consider obtaining Publishers Cataloging Information from a cataloging company. ☐ Appropriate margins Consider paper quality. Does the text bleed ☐ Carefully considered and strategic trim size ☐ through? Is readability a problem? ☐ Always order a proof of your fi nal book before Front Cover printing, or, if you’re using an o set , ask the ☐ All text, especially title, subtitle, and author name, printer for multiple samples to check the binding is legible on print version and when the cover is and the way the book holds together. Check your made into a digital thumbnail own proof for errors but also for legibility, aesthetic, ☐ Colors translate well to both print and digital and durability.

Spine * For samples of industry-standard copyright pages, ☐ Title interior designs, and placement of elements on ARCs, ☐ Subtitle (optional) visit: http://www.ibpa-online.org/page/standardschecklist. ☐ Author name Front matter is any content that falls before a book’s ☐ Publisher name and/or logo ** or fi rst chapter; back matter is any content that falls after a book’s fi nal chapter; jacket copy is a book’s descriptive copy, whether it Back Cover falls on the back cover of a book or on the inside fl ap of ☐ Price should be competitive with other books in a book. the same category; for hardcover, price could also be placed on the fl ap Additional resources: Chicago Manual of Style and IBPA’s The Lan- guage of Publishing: An A-to-Z Glossary of Book Publishing Terms. ☐ Human-readable ISBN

www.ibpa-online.org 1020 Manhattan Beach Blvd., Suite 204 • Manhattan Beach, California 90266 • Tel: 310.546.1818 • Fax: 310.546.3939 • [email protected]