Ralph Stanley the Bluegrass Legend’S Latest Album Is a Family Affair

Total Page:16

File Type:pdf, Size:1020Kb

Ralph Stanley the Bluegrass Legend’S Latest Album Is a Family Affair ISSUE #34 MMUSICMAG.COM INDIEINDIE SCENE SCENE uire G c M Jim RALPH STANLEY The bluegrass legend’s latest album is a family affair RALPH STANLEY COMES RIGHT TO of the honorary doctorate of music he was playing on only one track. “I don’t play the the point when asked about his legacy. awarded by Lincoln Memorial University banjo much anymore,” he admits, “just a “I’m proud of it,” he says of his iconic near in 1976—seems most pleased with his little bit of clawhammer sometimes. I have seven-decade career. “I’m really thankful induction into the Grand Ole Opry in arthritis, and my fingers aren’t exactly what the good Lord has kept me around and 2000. “I’m thankful that I’ve done well,” they were a few years back. I figured I’d shown me what to do and all. I’m real he says. “But I’m real proud of that. That quit, because I didn’t want to mess up. proud of that.” was something I always wanted for several There are plenty who play just like me, so Renowned for his distinctive vocals years because that’s a very big thing. When I can always get someone to play those and banjo technique, Stanley, 87, formed you get there, you’ve reached the top.” parts. There’s always someone wanting to his first band, the Clinch Mountain Boys, Over the decades, Stanley has also record with me.” in 1946, while also performing with his been responsible for fostering new talent, So will Stanley head into the studio brother Carter as the Stanley Brothers. including future stars Ricky Skaggs and again? “I haven’t thought much about it,” he Stanley is recognized as a master of Keith Whitley. “They started with me when says. “I’ve been doing this for 67 years, and the clawhammer banjo style—a three- they were 15 or 16,” he says. “I certainly I’m still going good. But I couldn’t tell you finger technique distinguished by a rapid saw their talent immediately. Keith stayed at this point one way or another. If things fire “forward roll” that’s played close with me six or seven years and Ricky stayed come around the right way, and I feel like I to the banjo’s bridge. maybe two or three years—but he was with can do it justice, then it could happen. But Stanley’s contributions to American me a couple of different times.” like I said, I might not. You never know what music were officially recognized in 2006 The bluegrass veteran’s latest might come around.” when he was awarded the National Medal collaboration is with an artist closer to For now, Stanley is happy performing of the Arts. A member of the International home—son Ralph Stanley II, who has live at a snappy pace. “As long as I’m able, Bluegrass Music Hall of Fame and a performed on his father’s albums since he I’m glad to do it,” he maintains. “I still play Library of Congress Living Legend, he won was a teen. Their new album, Side by Side, with the Clinch Mountain Boys—we go out the Grammy for Best Male Country Vocal finds the two co-billed for the first time. “He and work a week or two and then come Performance in 2002 for his performance just thought of it,” Stanley says. “I don’t home for five or six days. That makes a of “O Death” from the O Brother, Where know why he hadn’t thought of it before. I pretty good life, to be able to express Art Thou? soundtrack, which has sold more was proud to help him out. I didn’t do it for yourself like that. I’m well pleased with it. than 8 million copies. me, I did it for him.” I don’t think my voice has faded any, and Despite the accolades, the plainspoken The new album finds the legend's that’s something I’m real thankful for.” Mr. Stanley—make that Dr. Stanley, courtesy mournful vocals in fine form, although he's –Lee Zimmerman 72 M mag 34.indd 72 4/24/14 4:22 PM.
Recommended publications
  • The Stanley Legacy Mountain Music Creators and Ambassadors
    East Tennessee State University Digital Commons @ East Tennessee State University ETSU Faculty Works Faculty Works Spring 2017 The tS anley Legacy: Mountain Music Creators and Ambassadors Ted Olson East Tennessee State University, [email protected] Follow this and additional works at: https://dc.etsu.edu/etsu-works Part of the Appalachian Studies Commons, and the Music Commons Citation Information Olson, Ted. 2017. The tS anley Legacy: Mountain Music Creators and Ambassadors. The Crooked Road's Mountains of Music Homecoming: The Official Homecoming Guide. 23. https://www.myswva.org/tcr/mountains-music This Article is brought to you for free and open access by the Faculty Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in ETSU Faculty Works by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The tS anley Legacy: Mountain Music Creators and Ambassadors Copyright Statement This document was published with permission from the publisher. It was originally published in the The Crooked Road's Mountains of Music Homecoming: The Official Homecoming Guide. This article is available at Digital Commons @ East Tennessee State University: https://dc.etsu.edu/etsu-works/1198 SOUTHWEST VIRGINIA MUSIC The Stanley legacy mountain music creators and ambassadors The most traditional-sounding of first-generation bluegrass music greats, Carter (1925-1966) and Ralph Stanley (1927-2016) were from Dickenson County, Virginia. In 1946, following military service in World War II, the Stanleys formed a band fronted by Carter on guitar and lead vocal and Ralph on banjo and tenor vocal.
    [Show full text]
  • Criffel Creek 07.06.2015 41 Songs, 1.7 Hours, 238.4 MB
    Page 1 of 2 Criffel Creek 07.06.2015 41 songs, 1.7 hours, 238.4 MB Name Time Album Artist 1 Cripple Creek 1:32 Blue Grass Favorites The Scottsville Squirrel Barkers 2 I'll Meet You In Church Sunday Morning 2:47 The Father Of Bluegrass Bill Monroe 3 Here Comes A Broken Heart Again 2:59 Band Of Ruhks (M) Band Of Ruhks 4 Wide River To Cross 4:01 Papertown Balsam Range 5 Ashoken Farewell 3:09 Anything Goes Bonnie Phipps 6 Criffel ... (Pause) ... Son Into Your Sunday - DRY 0:05 Jingles Alive Radio 7 Already There 3:02 Anna Laube Anna Laube 8 Old Brown County Barn 2:44 Bill Monroe Centennial Celebration: A Classic Blueg… Michael Cleveland 9 You'd Better Get Right 1:50 Bill Monroe Centennial Celebration: A Classic Blueg… The Vern Williams Band 10 Voice From On High 2:21 Bill Monroe Centennial Celebration: A Classic Blueg… Joe Val & The New England Bluegrass Boys 11 Lonesome Moonlight Waltz 3:52 Bill Monroe Centennial Celebration: A Classic Blueg… The Bluegrass Album Band 12 Dog House Blues 3:17 Bill Monroe Centennial Celebration: A Classic Blueg… Nashville Bluegrass Band 13 Criffel ... Bluegrass & Americana - DRY 0:05 Jingles Alive Radio 14 Walls Of Time 3:49 Bill Monroe Centennial Celebration: A Classic Blueg… The Johnson Mountain Boys 15 Big Mon 2:52 Bill Monroe Centennial Celebration: A Classic Blueg… Tony Rice 16 Footprints In The Snow 2:39 Bill Monroe Centennial Celebration: A Classic Blueg… IIIrd Tyme Out 17 Jerusalem Ridge 4:39 Bill Monroe Centennial Celebration: A Classic Blueg… Michael Cleveland 18 Mansions For Me 3:38 Bill Monroe Centennial Celebration: A Classic Blueg… Bobby Osborne 19 In Despair 2:13 Bill Monroe Centennial Celebration: A Classic Blueg… Ralph Stanley & The Clinch Mountain Boys 20 Criffel ..
    [Show full text]
  • CCC&TI's J.E. Broyhill Civic Center Announces 2009-10 Showcase of Stars Line-Up and Lower Ticket Prices
    CCC&TI’s J.E. Broyhill Civic Center Announces 2009­10 Showcase of Stars Line­up and Lower Ticket Prices Caldwell Community College and Technical Institute’s J.E. Broyhill Civic Center has announced the line‐up for its 2009‐2010 season which features music, comedy and other family friendly acts. In addition, ticket prices have been reduced for the upcoming season to bring you the best entertainment at affordable prices. Along with lower ticket prices, several other changes have been made to ticket options for the 2009‐2010 Showcase of Stars. All seats will now be the same price and all events will have reserved seating. Subscriptions are available for the season, which now features a “Pick 4” series in which subscribers get reduced rates for four of their favorite shows or choose from the “Classic,” “Comedy,” “Bluegrass,” or “CCC&TI Performing Artist” Series and receive the season subscriber discount. With a season subscription, any additional tickets may be purchased at the season subscriber rate. Individual tickets will go on sale August 1. The line‐up for the season features several well‐known acts and kicks off with an exciting night of music with the Coasters, Platters, and Marvelettes on Thursday, September 17, at 7:30 pm. Experience rock and roll history as these legends perform an evening full of hits. The Platters are one of the top 25 best‐selling artists of all time and have had 14 top 20 hits, including “The Great Pretender,” “Only You” and “Twilight Time.” Cornell Gunter’s Coasters are known for such hits as “Poison Ivy,” “Charlie Brown” and “Yakety Yak.” Cornell Gunter’s Coasters will make you laugh and reminisce.
    [Show full text]
  • 2020 Winter BMAM Newsletter
    Bluegrass Music Association of Maine Winter 2020 75TH ANNIVERSARY OF BLUEGRASS BOOKS ABOUT BLUEGRASS MUSIC by Stan Keach I can think of three reasons why writing a short article covering books about bluegrass music might be a good idea for the winter newsletter: 1. There’s just not much current “news” about bluegrass music — not here in Maine, and not anywhere. Bands are mostly pretty inactive; there are no jams. 2. Some people have more time to read than usual, because there are no live concerts right now, no festivals, no jams. And, though I think a lot of bluegrass fans don’t realize this, there are many excellent books available about our fa- vorite subject. 3. If we can get this edition of The Bluegrass Express out early enough, it may spur a few Bill Monroe and Earl Scruggs on the Grand Ole Opry, Dec. 8, 1945 people to buy a book or 2 for their favorite blue- grass music fans for a holiday gift. Seventy-five years ago, on December 8th, 1945, Bill Monroe and the So . here are seven of my favorite books Bluegrass Boys appeared on the Grand Ole Opry with a new line-up that related to bluegrass music. Most of these books, included 21-year-old Earl Scruggs playing a style of syncopated 3-finger though not brand new, are readily available from picking on the banjo that had never been heard before, and it absolutely booksellers of all kinds. And even if your local electrified the audience. Scruggs’ fiery banjo picking, Monroe’s frantic library doesn’t have one of these books, it can mandolin picking, and Chubby Wise’s bluesy fiddling, all done at a blis- likely get it through interlibrary loan; ask your tering pace; the bass thumping on the down beat, Monroe’s chop on the off librarian about that.
    [Show full text]
  • Old Time Music at Clarence Ashley's”--Doc Watson, Clarence Ashley, Et.Al
    “Old Time Music at Clarence Ashley's”--Doc Watson, Clarence Ashley, et.al. (1960-1962) Added to the National Registry: 2012 Essay by Steve Kaufman (guest post)* Album cover In 1960, Smithsonian historian Ralph Rinzler convinced the virtually unknown Clarence “Tom” Ashley, Doc Watson, Gather Carlton, Jack Johnson, Fred Price and Clint Howard to walk into the studio and record their mountain heritage music. Ralph Rinzler met Clarence at an Old Time Fiddler’s Convention. Ashley hadn’t played banjo for many years, but Ralph convinced him to pick it back up again and record it. Doc Watson didn’t own an acoustic guitar at the time. He had been playing in a rockabilly band playing square dances and the like. Doc honed his instrumental skills playing fiddle tunes on the guitar. Doc told me that the square dance bands he played in did not have a fiddle player so he played the tune as the fiddle would. This combination of Clarence on banjo and Doc on guitar and banjo, along with Fred Price and Gaither Carlton on fiddle, make an old-time band that is authentic and powerful. Seventeen songs make up this collection, of which T. Clarence Ashley wrote nine. It seems odd that he would credit the song as being by T.C. Ashley. He would credit his singing as Tom Ashley. Doc would credit him as Clarence throughout Doc’s long career. I’ve heard Doc mention Clarence on many occasions. These are the original tracks to this classic “Old Time” recording. It was recorded in Shouns, Tennessee; Saltville, Virginia; and Deep Gap, North Carolina.
    [Show full text]
  • Ctba Newsletter 1607
    Volume 38, No. 7 © Central Texas Bluegrass Association July 2016 Sunday, July 3: Band Scramble and Garage Sale at Threadgill’s s in previous years, our annual band scramble and musical garage sale will take place at A Threadgill’s North location (6416 North Lamar, Austin) from 2-6 PM on Sunday. We test the boundaries of musical chaos while you watch. Here’s the schedule: 2:00 - 4:30: Buy new/used music-related items (instruments, CDs, DVDs, strings, books, etc.). 3:00: Up to six new, on-the-spot bands are formed from bluegrass/old-time pickers with stage experi- ence who sign up ahead of time. 4:00 - 6:00 Bands perform their tunes. Last year we had a total of 51 pickers in seven dif- ferent bands and raised over $2400. The garage sale portion of the event will be where the buffet is usu- ally set up. We’ll have CDs, T-shirts, magazines, instructional materials, maybe even some instru- ments for sale, and if you want to renew your mem- bership or join the CTBA for the first time, there’ll be some board members at the tables to help you. Last year we had some late arrivals who wanted to sign up even after some of the bands had started practicing. This year, it will help if everyone who wants to scramble can sign up by 3 PM so Eddie can get the bands properly sorted out. Mikaela, Derek, and Logan Pausewang, this year’s CTBA Jim Wiederhold participates in last year’s scholarship winners, will perform a few tunes for us band scramble.
    [Show full text]
  • Bluegrass Legend Ralph Stanley to Make Rare Stop in Greenville Bluegrass Pioneer Plays Municipal Auditorium Oct
    Bluegrass legend Ralph Stanley to make rare stop in Greenville Bluegrass pioneer plays Municipal Auditorium Oct. 22 By Lance Martin Special to the Kenneth Threadgill Concert Series The blues has B.B. King. Rock and roll has James Brown. Country has Willie Nelson and bluegrass has Ralph Stanley. Greenville will get Ralph Stanley for one night on Oct. 22 when he and the Clinch Mountain Boys headline the Kenneth Threadgill Music Series. It’s a show music fans will not want to miss. Ralph Stanley first found fame with his late brother, Carter, after forming the Stanley Brothers in 1946, bringing their form of bluegrass music down from the Appalachian mountains of rural Dickenson County, Va. Their music today is known as the Stanley style of bluegrass music. “It’s more of a mountain style of bluegrass music,” explained James Alan Shelton, lead guitarist for the Clinch Mountain Boys since 1996. “It’s got a little bit more of a raw emotion to it. They sang a lot of songs about mother and home and tragedies and everyday life. Things that people could relate to. They didn’t just sing love ballads or whatever – they had songs that could be true to life. I think people just latched onto that.” The Stanley Brothers’ influence and popularity earned them both a spot in the International Bluegrass Music Association Hall of Fame right next to other pioneers Bill Monroe and Flatt & Scruggs. After Carter’s death in 1966, Ralph carried on with the music but changed the band to Ralph Stanley and the Clinch Mountain Boys.
    [Show full text]
  • Northern Kentucky Bluegrass Music Association 2016 Keeping Bluegrass Music Alive in the Northern Kentucky Area
    Summer August Edition 2016 Jerry Schrepfer Editor Summer August Edition Northern Kentucky Bluegrass Music Association 2016 Keeping Bluegrass Music Alive in the Northern Kentucky Area In This Edition International Bluegrass Music Museum! Owensboro, KY featuring First Generation musicians including Bill Monroe, Lester Flatt and Earl Scruggs. The Classic Band display tells the story of how Bill Monroe, Earl Scruggs, Lester Flatt, Chubby Wise and Howard Watts changed the Page 1 - 2 musical world defining the instruments in International today’s Bluegrass band. On display are Bluegrass historically significant instruments such as Music Museum the fiddle played by James Pendleton Page 3 Vandiver, an uncle of Bill Monroe’s Crossroads News Owensboro, KY. Just a short drive from immortalized in the tune Uncle Pen. And Festival Info Northern KY. If you haven’t visited the The Timeline of Bluegrass Music is a International Bluegrass Music Museum special display filling a long hallway. It Page 4-5 located in Owensboro, you are missing a outlines the history of Bluegrass music from Just A Reminder treasure chest of Bluegrass related the Scots-Irish string bands to camp meetings experiences. Located in the newly renovated and gospel quartets, through the era of Page 5-6 business district, just one block from the Ohio fiddling conventions, bluegrass during the Parmley, Goins Obits River and adjacent to the new waterfront jazz era, and the influences of the folk music Rabbit Hash Update park, it is within walking distance of great revival on up to modern day bluegrass. hotels and conveniences. As their slogan goes In March of 2013, the Museum opened to Page 7 ‘Discover the Richness and the Excitement the public its database of digital images of Grey Fox Update of Bluegrass Music’.
    [Show full text]
  • FEBRUARY 26, 2007 ARTIST BILL MONROE TITLE My Last Days on Earth (1981 – 1994) LABEL Bear Family Records CATALOG # BCD 16637 PRICE-CODE DK EAN-CODE
    SHIPPING DATE: JANUARY 15, 2007 (estimated) STREET DATE: FEBRUARY 26, 2007 ARTIST BILL MONROE TITLE My Last Days On Earth (1981 – 1994) LABEL Bear Family Records CATALOG # BCD 16637 PRICE-CODE DK EAN-CODE 4 0 0 0 1 2 7 1 6 6 3 7 1 ISBN-CODE 978-3-89916-292-9 FORMAT 4-CD Box-Set with 84-page book GENRE Bluegrass TRACKS 89 PLAYING TIME 237:16 KEY SELLING POINTS • Complete studio recordings by the Father of Bluegrass from 1981 – 1994! • Bear Family’s incredible project of reissuing every studio recording by Bill Monroe is now finished! • Collectors and fans can own everything that Monroe recorded from 1936 - 1994. • This set includes recordings with the legendary Outlaws like Willie Nelson, Waylon Jennings, Johnny Cash, and others. • It also includes the recordings with country legends, bluegrass stars and Monroe disciples like Emmylou Harris, the Country Gentlemen, Seldom Scene, Mac Wiseman, Carl Story, and others. SALES NOTES Mission Accomplished! Back in 1988, we began the monumental task of issuing every recording by the Father of Bluegrass, Bill Monroe. Nearly 20 years and five boxed sets later, we’ve finished. When we started, Monroe was still alive, and bluegrass was a minority-interest music. In the intervening years, Monroe has died, but bluegrass music has gone from strength to strength. The industry bible, 'Billboard' magazine, actually started a Bluegrass chart, and bluegrass/old time country music formed the soundtrack to one of the most successful movies of recent times, 'O Brother.' Our final Bill Monroe box captures the great man in the autumn of his years.
    [Show full text]
  • “Blue Moon of Kentucky”—Bill Monroe and His Blue Grass Boys (1947) Added to the National Registry: 2002 Essay by Richard D
    “Blue Moon of Kentucky”—Bill Monroe and his Blue Grass Boys (1947) Added to the National Registry: 2002 Essay by Richard D. Smith (guest post)* Bill Monroe Illuminating a major juncture in American popular music history--the crossroads of country music and rock 'n’ roll–is the “Blue Moon of Kentucky.” Originally composed as a lonesome but lovely waltz by Bill Monroe (1911-1996)--the innovative Rosine, Kentucky-born singer/bandleader/mandolinist who became a pillar of the Grand Ole Opry, was a major figure in the Folk Music Revival and is renowned as “The Father of Bluegrass”--it was later covered by the young Elvis Presley during his first commercial recording sessions. Indeed, it is musically and culturally significant that Presley's first single consisted of his crooning and insinuating version of Delta blues singer/guitarist Arthur Crudup's “That's All Right” on one side and a rollicking rockabilly arrangement (in 4/4 time) of Monroe's waltz on the other. The roots of rock in African American music are well known, but the parallel influence of white country music deserves greater understanding. The story of “Blue Moon of Kentucky” provides this. Bill Monroe’s earliest-known performance of “Blue Moon of Kentucky” was on the Grand Ole Opry on August 25, 1945. Monroe recorded it during his first session for Columbia Records (having previously been on RCA Victor Bluebirds) on September 16, 1946. The session was historic, both for its material and Monroe’s sidemen in the Blue Grass Boys. Participating in their first recordings with Monroe were superb lead vocalist/guitarist/songwriter Lester Flatt and the brilliant and seminal three-finger-style banjo picker Earl Scruggs.
    [Show full text]
  • The Cleverlys Bring a New Blue to Bluegrass
    PRESS RELEASE – FOR IMMEDIATE RELEASE Mountain Home Music Company The Cleverlys bring a new Blue to Bluegrass Arden, North Carolina (January 29, 2019) — From the deep Ozark hollows of Cane Spur, Arkansas, The Cleverlys have been plucked from obscurity and landed in the studio to produce their first national label release, Blue, available March 22 from Mountain Home Music Company. With songs like Beyonce’s “Irreplaceable,” LMFAO’s “Party Rock Anthem,” Justin Bieber’s “Baby” and The Zombies’ “She’s Not (Ain’t) There,” this music would be at the edge of being full camp if it weren't for the obvious vocal talent and stellar picking that holds up to any of today’s progressive acoustic bands. “If Earl Scruggs, Dolly Parton, and Spinal Tap spawned a litter of puppies, it would be The Cleverlys.” — The New York Times. The group brings the comedy it's been hailed for in national touring to this new recording, the first on the award-winning Bluegrass label, Mountain Home Music Company. The 5-piece includes vocalist and guitarist Dr. Digger Cleverly, the band patriarch who often refers to the outfit as the Cleverly Trio; Ricky Lloyd Cleverly on bass and vocals; DVD Cleverly on banjo and vocals; Cub Cleverly on mandolin and vocals; and Sock Cleverly on fiddle and vocals. Digger says, “I believe young folks, older folks, thicket thugs, librarians, college students, truck drivers, spam eaters, crop dusters, county fairs to livermush festivals, eyelash studios to tattoo parlors, mail carriers to body wax unions, Champaign to Pabst Blue Ribbon, will get something out of this project.” The lead-off track “Baby” is a cover of the Justin Bieber hit, but with The Cleverlys’ Bluegrass treatment, it sounds like Flatt and Scruggs could’ve written and recorded it.
    [Show full text]
  • A Senatorial Statement Honoring the Life and Accomplishments of John Ray "Curly" Seckler and the Yodeling Rangers/Trail Riders
    A SENATORIAL STATEMENT HONORING THE LIFE AND ACCOMPLISHMENTS OF JOHN RAY "CURLY" SECKLER AND THE YODELING RANGERS/TRAIL RIDERS WHEREAS, John Ray "Curly" Sechler (later changed to Seckler) was born on December 25, 1919, in China Grove, North Carolina to Calvin Sechler and Carrie Sechler; and WHEREAS, Curly Seckler developed a love for music from his parents, who played a number of instruments; and WHEREAS, Curly Seckler began working at a local cotton mill at a very young age to help support his family and during this time acquired a used five-string banjo from local musician, Happy Trexler, and soon after began performing with his brother, Marvin, and Happy; and WHEREAS, Curly Seckler and his brothers later formed the group, Yodeling Rangers, which consisted of Curly on tenor banjo and vocals, Marvin on guitar and lead vocals, George on fiddle, and Duard on guitar and vocals, and played at schools and social events; and WHEREAS, in 1935, the Yodeling Rangers received greater exposure when they began performing on a daily show for WSTP radio in Salisbury, North Carolina, which broadcasted the show on several other radio stations across the State and, in 1937, the Yodeling Rangers became known as the Trail Riders and performed throughout the Carolinas, Virginia, and West Virginia; and WHEREAS, in 1939, Curly Seckler was lured to sing tenor with a new group known as the Kentucky Pardners formed by Charlie Monroe, formerly of the Monroe Brothers, leaving the group in 1940 to resume playing with his brothers until the band split up a few years
    [Show full text]