Joe Dante's Burying the Ex, Which
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
The Edward R. Murrow of Docudramas and Documentary
Media History Monographs 12:1 (2010) ISSN 1940-8862 The Edward R. Murrow of Docudramas and Documentary By Lawrence N. Strout Mississippi State University Three major TV and film productions about Edward R. Murrow‟s life are the subject of this research: Murrow, HBO, 1986; Edward R. Murrow: This Reporter, PBS, 1990; and Good Night, and Good Luck, Warner Brothers, 2005. Murrow has frequently been referred to as the “father” of broadcast journalism. So, studying the “documentation” of his life in an attempt to ascertain its historical role in supporting, challenging, and/or adding to the collective memory and mythology surrounding him is important. Research on the docudramas and documentary suggests the depiction that provided the least amount of context regarding Murrow‟s life (Good Night) may be the most available for viewing (DVD). Therefore, Good Night might ultimately contribute to this generation (and the next) having a more narrow and skewed memory of Murrow. And, Good Night even seems to add (if that is possible) to Murrow‟s already “larger than life” mythological image. ©2010 Lawrence N. Strout Media History Monographs 12:1 Strout: Edward R. Murrow The Edward R. Murrow of Docudramas and Documentary Edward R. Murrow officially resigned from Life and Legacy of Edward R. Murrow” at CBS in January of 1961 and he died of cancer AEJMC‟s annual convention in August 2008, April 27, 1965.1 Unquestionably, Murrow journalists and academicians devoted a great contributed greatly to broadcast journalism‟s deal of time revisiting Edward R. Murrow‟s development; achieved unprecedented fame in contributions to broadcast journalism‟s the United States during his career at CBS;2 history. -
The Diviners' Is Magicai
The Observer • Augustana College • Rock Island, IL • Friday, Feb. 12, 1993 ARTS First terrific film ofnew year... The Diviners' is magicai Dante explores By Angela Mikoslavic Special to the Observer fear in "Matinee" "Mant!" ("Part man, part hat a magicai event By Brian Crowley ant...all terror!"). As the town the theatre is! Itisaplace Staff Repórter creates an uproar over the where characters have the graphic violence of "Mant!", the potential to exist, where /\dvertisements for "Matinee" world teeters on near-destruc- actors breathe life into the sell the film as a screw-ball com- tion nearly one hundred miles likes of a 17 year old edy full of pratfalls and sight- away. "idiot-boy", and a charis- gags. Thepreviewsletyouknow To give more details would matic preacher who has that "Matinee" was directed by ruin the fun of the film. Dante given up the faith. It is a Joe Dante, most famous for the and Haas move the film along at place where the combina- light-weight "Gremlins" and a quick pace that never lets it- tion of lighting and a "Innerspace." Judging by the self fali into slap-stick or high painted backdrop create way the promotional people have drama. A perfect balance of for us the spark of a storm sold this film, you would think goofiness and sentiment is and the beauty of a sunset. that "Matinee" is just another maintained as every aspect of The elements of costume: wacky comedy starring John American life in the sixties is overalls, a work shirt, an Goodman. tackled. (The duo did the same apron, or a staw hat sig- for theeightiesin "Gremlins 2".) nify the typesof people we FilmReview The performances also comple- will meet in this small Susanna Turunen / Observer ment the tone of the picture, with town. -
Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24
BAMcinématek presents Joe Dante at the Movies, 18 days of 40 genre-busting films, Aug 5—24 “One of the undisputed masters of modern genre cinema.” —Tom Huddleston, Time Out London Dante to appear in person at select screenings Aug 5—Aug 7 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Jul 18, 2016/Brooklyn, NY—From Friday, August 5, through Wednesday, August 24, BAMcinématek presents Joe Dante at the Movies, a sprawling collection of Dante’s essential film and television work along with offbeat favorites hand-picked by the director. Additionally, Dante will appear in person at the August 5 screening of Gremlins (1984), August 6 screening of Matinee (1990), and the August 7 free screening of rarely seen The Movie Orgy (1968). Original and unapologetically entertaining, the films of Joe Dante both celebrate and skewer American culture. Dante got his start working for Roger Corman, and an appreciation for unpretentious, low-budget ingenuity runs throughout his films. The series kicks off with the essential box-office sensation Gremlins (1984—Aug 5, 8 & 20), with Zach Galligan and Phoebe Cates. Billy (Galligan) finds out the hard way what happens when you feed a Mogwai after midnight and mini terrors take over his all-American town. Continuing the necessary viewing is the “uninhibited and uproarious monster bash,” (Michael Sragow, New Yorker) Gremlins 2: The New Batch (1990—Aug 6 & 20). Dante’s sequel to his commercial hit plays like a spoof of the original, with occasional bursts of horror and celebrity cameos. In The Howling (1981), a news anchor finds herself the target of a shape-shifting serial killer in Dante’s take on the werewolf genre. -
Sxsw Film Festival Announces 2018 Features and Opening Night Film a Quiet Place
SXSW FILM FESTIVAL ANNOUNCES 2018 FEATURES AND OPENING NIGHT FILM A QUIET PLACE Film Festival Celebrates 25th Edition Austin, Texas, January 31, 2018 – The South by Southwest® (SXSW®) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9-18, 2018 in Austin, Texas. The acclaimed program draws thousands of fans, filmmakers, press, and industry leaders every year to immerse themselves in the most innovative, smart and entertaining new films of the year. During the nine days of SXSW 132 features will be shown, with additional titles yet to be announced. The full lineup will include 44 films from first-time filmmakers, 86 World Premieres, 11 North American Premieres and 5 U.S. Premieres. These films were selected from 2,458 feature-length film submissions, with a total of 8,160 films submitted this year. “2018 marks the 25th edition of the SXSW Film Festival and my tenth year at the helm. As we look back on the body of work of talent discovered, careers launched and wonderful films we’ve enjoyed, we couldn’t be more excited about the future,” said Janet Pierson, Director of Film. “This year’s slate, while peppered with works from many of our alumni, remains focused on new voices, new directors and a range of films that entertain and enlighten.” “We are particularly pleased to present John Krasinski’s A Quiet Place as our Opening Night Film,” Pierson added.“Not only do we love its originality, suspense and amazing cast, we love seeing artists stretch and explore. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
1 Nominations Announced for the 19Th Annual Screen Actors Guild
Nominations Announced for the 19th Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, Jan. 27, 2013 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) LOS ANGELES (Dec. 12, 2012) — Nominees for the 19th Annual Screen Actors Guild Awards® for outstanding performances in 2012 in five film and eight primetime television categories as well as the SAG Awards honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA Executive Vice President Ned Vaughn introduced Busy Philipps (TBS’ “Cougar Town” and the 19th Annual Screen Actors Guild Awards® Social Media Ambassador) and Taye Diggs (“Private Practice”) who announced the nominees for this year’s Actors®. SAG Awards® Committee Vice Chair Daryl Anderson and Committee Member Woody Schultz announced the stunt ensemble nominees. The 19th Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 27 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT at 10 p.m. (ET)/7 p.m. (PT). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the tntdrama.com and tbs.com live pre-show webcasts, which begin at 6 p.m. (ET)/3 p.m. (PT). Of the top industry accolades presented to performers, only the Screen Actors Guild Awards® are selected solely by actors’ peers in SAG-AFTRA. -
Dept Web Forsythe Act-Dir
Eric Forsythe Acting Experience (See Key, below). Julius Caesar (Shakespeare) Brutus DC: 1966 (w/Charles Morey) Julius Caesar (Shakespeare) Trebonius PL&T: 1984 (Murphy Guyer) King Lear (Shakespeare) Lear DC: 1975 (Errol Hill) Henry V (Shakespeare) Exeter DC: 1967 Comedy of Errors (Shakespeare) Aegeon DC: 1968 (Don Marcus) Macbeth (Shakespeare) Banquo PL&T: 1985 (Murphy Guyer) Macbeth (Shakespeare) MacD’s Son/Bl. Child CSF: 1958 (Jason Robards) The Tempest (Shakespeare) Trinculo PL&T: 1980 Pericles (Shakespeare) Gower CMU: 1971 (Larry Carra) A Midsummer Night’s Dream (Shakes.) Oberon/Theseus MWVT: 1978 (Karen Trott) Twelfth Night (Shakespeare) Antonio PDG: 1980 (Paxton Whitehead) The Miser (Moliere) Harpagon DC: 1969 Tartuffe (Moliere) Tartuffe MWV: 1979 (David Strathairn) Tartuffe (Moliere) Tartuffe PL&T: 1982 Les Precieuses Ridicules (Moliere) Mascarille DC: 1969 Scapino! (Moliere/Dale/Dunlop) Geronte MWVT: 1978 (Marisa Smith) Prometheus Bound (Lowell) Prometheus PPC: 1972 Dennis Boutsikaris) An Enemy of the People (Ibsen) Mr. Vik DC: 1967 (Richmond Hoxie) The Seagull (Chekhov) Trigorin FT: 1981 Anatol (Schnitzler) Max CC: 1971 La Ronde (Schnitzler) Young Gent TLD: 1970 (Keith Michael) Arms and the Man (Shaw) Russian Officer. MWVT: 1979 (Mandy Carlin) St. Joan (Shaw) Polly/Courcelles McT: 1984 (Nagle Jackson) Augustus Does His Bit (Shaw) Augustus PL&T: 1980 Slasher and Crasher (Morton) Slasher DC: 1968 Charley’s Aunt (Thomas) Spettigue MWVT: 1976 (Jean Passanante) Eric Forsythe 1 The Pirates of Penzance (Gilbert/Sullivan) Major General UI: 1987 Patience (Gilbert/Sullivan) Bunthorne DC: 1968 The Sorceror (Gilbert/Sullivan) J.W. Wells DC: 1967 Yeoman of the Guard (G&S) Sgt. Meryll CMU: 1970 Cox and Box (Burnand & Sullivan) Cox DC: 1967 Cox and Box (Burnand/Sullivan) Sgt. -
You Mentioned That Some Scenes from James Ellroy's LA CONFIDENTIAL
89 FAQ 6 6.1 Q: You mentioned that some scenes from James Ellroy’s L.A. CONFIDENTIAL were filmed inside the Hodel/Franklin House. I didn’t see any. Which ones? Yes, two separate scenes were filmed inside the Franklin House, but if you blink you miss them. George Hodel 1949 David Strathairn as “Pierce Patchett” 90 L.A. CONFIDENTIAL FRANKLIN HOUSE SCENE 1 Scene between Kevin Spacey and James Cromwell (Capt. Dudley Smith) This 1996-7 scene filmed in Hodel-Franklin House kitchen five years before residential interior renovation in 2002 L.A. CONFIDENTIAL FRANKLIN HOUSE SCENE 2 Scene at Franklin House with partygoers (Hookers and tricks) This scene filmed in Hodel-Franklin House living-room in 1996-7 91 Kevin Spacey as detective Sgt. Jack Vincennes holding Pierce Patchett’s Fleur dy Lis business card George Hodel’s “Whatever You Desire” Fleur dy Lis photo album As in CHINATOWN, there are some fascinating coincidences related to the real life George Hodel and the characters in the fictional Ellroy novel, masterfully adapted to film in 1997 by director, Curtis Hanson. First is the character, Pierce Patchett, who not only resembles George Hodel in physical appearance and voice, but is presented in the film as a powerful L.A. behind-the-scenes shadow figure, running a vice operation and working with corrupt cops. Pimp Patchett has high class prostitutes going to cocktail parties and entertaining wealthy and connected businessmen AT THE FRANKLIN HOUSE. (See above clips) Incredibly, this is something that Dr. George Hodel did in real life, at the same location, in the very same room! Patchett’s logo is the Fluer dy Lis, which we see on George Hodel’s private, personal album of loved ones. -
Stars Gather
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Starlog Magazine Issue
'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws: -
That Guy Dick Miller Long Synopsis 140520
“That Guy Dick Miller” Bronx born Dick Miller got his start where so many movie mavericks also began: with “The King of the B’s”, director and producer Roger Corman. Dick was a struggling writer, and so when a mutual friend introduced them, naturally he thought he’d gotten his big break. He did, but not as a writer… As an actor! Dick Miller might not be a household name, but his face is known in millions of households as everything from a busboy/beatnik turned murderer to a by-the-book cop, and from a pickup artist to a priest. His career spans 6 decades in which he has appeared in more than 175 motion pictures, had 4 television series and over 2000 television appearances under his belt. Dick has worked for such directors as Steven Spielberg, Martin Scorsese, Joe Dante, Roger Corman, James Cameron, Ernest Dickerson, and the great Sam Fuller, just to name a few. He has shared the silver screen with Boris Karloff, Arnold Schwarzenegger, Jack Nicholson, Robert De Niro, William Sadler, a misbehaving monkey, The Ramones, John Goodman and countless others. In this unprecedented documentary, we follow Dick from his first big role in Bucket of Blood, on to Gremlins, The Terminator, to the E.R. TV series, and up to one of his latest roles in Cutaways. “That Guy Dick Miller” is so much more than a dissertation of a life’s work, so much more than a collection of anecdotes, Hollywood history, home movies and rare film clips; it is Dick Miller’s story in his own words.