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Guillaume Lekeu, Correspondance, Liège, Mardaga, 1993

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Guillaume Lekeu, Correspondance, Liège, Mardaga, 1993 MENU — TRACKLIST p.4 ENGLISH p.12 FRANÇAIS p.50 DEUTSCH p.86 SUNG TEXTS p.126 TEXTES CHANTÉS p.126 VOKALTEXTE p.126 Recordings: Liège, Salle philharmonique, 1987-1994 Artistic direction, recording & editing: Jérôme Lejeune Cover illustration: Servais Dutilleux (1874-1940), Portrait of Guillaume Lekeu after a photography of the composer (see cover booklet), Liège, Musée de l'Art Wallon (photo: François Lahaut) Th e photos of Guillaume Lekeu as well as the original manuscripts, letters and other documents reproduced here form part of the collections of the libraries of the Conservatoires of Verviers and of Liège. GUILLAUME LEKEU 18701894 —COMPLETE WORKS Philippe Hirshhorn, Philippe Koch & Anne Leonardo: violin Luc Dewez & Marie Hallynck: cello Luc Devos, Jean-Claude Vanden Eynden, Catherine Mertens, Daniel Blumenthal & Dirk Herten: piano Bernard Foccroulle: organ Carl Delbart: tuba Greta de Reyghere & Dinah Bryant: soprano Lucienne Van Deyck: mezzo-soprano Guy De Mey & Zeger Vandersteene: tenor Philippe Huttenlocher: baritone Jules Bastin: bass DOMUS QUATUOR CAMERATA TRIO ARTHUR GRUMIAUX ORCHESTRE PHILHARMONIQUE DE LIÈGE (dir. Pierre Bartholomée) GRAND ORCHESTRE D'HARMONIE DES GUIDES ( dir. Norbert Nozy) CHŒUR SYMPHONIQUE DE NAMUR CD I 8. La Fenêtre de la maison paternelle V. 77 3'31 Lucienne Van Deyck: mezzo-soprano Sonate pour piano et violon V. 64 Luc Devos: piano 1. Très modéré 12'34 2. Très lent 11'15 9. Les Pavots V. 80 4'31 3. Très animé 10'11 Guy De Mey: tenor Philippe Hirshhorn: violine Luc Devos: piano Jean-Claude Vanden Eynden: piano 10. Méditation pour quatuor d'instruments Quatuor a clavier inachevé V. 62 à cordes V. 48 11'06 4. Dans un emportement douloureux QUATUOR CAMERATA (très animé) 14'10 Wlodzimierz Prominski 5. Lent et passionné 9'19 & Andrzej Kordykiewicz: violins DOMUS Piotr Reichert: viola Krysia Osotowicz: violin Roman Hoff mann: cello Timothy Boulton: viola Richard Lester: cello Susan Tomes: piano 6. Choral pour violon et piano V. 44 1'45 Philippe Koch: violin Luc Devos: piano 7. Andantino semplice pour piano V. 93 0'44 Luc Devos: piano Menu CD II 10. Andante pour piano V. 86 3'13 Luc Devos: piano 1. Menuet pour quatuor à cordes V. 49 3'06 11. Th ema con variazioni 2. Molto Adagio sempre cantate e doloroso pour trio à cordes V. 66 13'58 pour quatuor à cordes V. 52 12'06 Wlodzimierz Prominski: violin QUATUOR CAMERATA Piotr Reichert: viola Wlodzimierz Prominski Roman Hoff mann: cello & Andrzej Kordykiewicz: violins Piotr Reichert: viola 12. Andante pour piano V. 87 4'21 Roman Hoff mann: cello Luc Devos: piano 3. Adagio religioso pour piano V. 84 4'24 4. Tempo di Mazurka pour piano V. 106 10'15 5. Lento doloroso pour piano V. 100 10'39 6. Andante pour piano V. 88 3'23 7. Allegro marcato pour piano V. 85 1'02 8. Berceuse et Valse (pot pourri) pour piano V. 95 8'06 9. Andante malinconico pour piano V. 91 3'35 CD III CD IV 1. Adagio molto espressivo Sonate en fa mineur pour deux violons et piano V. 33 11'31 pour violoncelle et piano V. 65 Philippe Koch & Anne Leonardo: violins 1. Adagio malinconico 19'59 Luc Devos: piano 2. Allegro molto quasi presto 8'09 3. Lento assai 11'27 Quatuor en sol majeur V. 60 4. Épilogue 3'31 2. Allegretto quasi allegro 7'55 Luc Dewez: cello 3. Adagio sostenuto 10'38 Luc Devos: piano 4. Capriccio 1'55 5. Romance 6'38 5. Andante più tosto adagio 6. Poco allegro e molto scherzoso 2'02 pour violon et piano V. 38 6'08 7. Final 6'43 Philippe Koch: violine QUATUOR CAMERATA Luc Devos: piano Wlodzimierz Prominski & Andrzej Kordykiewicz: violins 6. Andante sostenuto Piotr Reichert: viola pour piano à quatre mains V. 92 7'33 Roman Hoff mann: cello Luc Devos & Catherine Mertens: piano 8. Minuetto pour deux violons V. 50 4'17 Introduction symphonique aux Burgraves V. 27 Philippe Koch & Anne Leonardo: violins 7. Première partie 13'07 8. Seconde partie 8'19 ORCHESTRE PHILHARMONIQUE DE LIÈGE Pierre Bartholomée: conductor CD V Seconde Étude symphonique 7. 1re partie : Hamlet V. 19 13'19 1. Moderato quasi largo 8. 2d partie : Ophélie V. 21 6'53 pour piano V. 103 8'50 9. 2d partie : Ophélie (2d version) V. 22 9'26 Luc Devos: piano ORCHESTRE PHILHARMONIQUE DE LIÈGE 2. Barberine, Prélude au 2e acte V. 14 8'36 Pierre Bartholomée: conductor Première Étude symphonique 3. Chant de triomphale délivrance pour orchestre V. 18 9'17 ORCHESTRE PHILHARMONIQUE DE LIÈGE Pierre Bartholomée: conductor 4. Quelque antique et lente danse V. 81 4'25 Greta De Reyghere: soprano Luc Devos: piano 5. L'ombre plus dense V. 79 5'21 Guy De Mey: tenor Luc Devos: piano 6. Fantaisie contrapuntique sur un cramignon liégeois V. 23 7'02 CD VI Trio à clavier en ut mineur V. 70 1. Lent 13'07 2. Très lent 12'06 3. Très animé 6'59 4. Lent 11'30 TRIO ARTHUR GRUMIAUX Philippe Koch: violin Luc Dewez: cello Luc Devos: piano Sonate en sol mineur pour piano V. 105 5. [Prélude] 1'53 6. [Fugue 1] 6'39 7. [Fugue 2] 3'46 8. Dans un mouvement plus lent 4'41 9. Finale 3'43 Luc Devos: piano 10. Adagio pour quatuor d'orchestre V. 13 12'37 ORCHESTRE PHILHARMONIQUE DE LIÈGE Pierre Bartholomée: conductor CD VII 9. Andromède et chœur : Parle, Révèle-nous la volonté suprême 3'40 1. Épithalame pour orgue et orchestre V. 1710'56 10. Le récitant : Éclate au même instant 2'17 Bernard Foccroulle: organ 11. Une voix : À ce qui vous opprime 0'27 ORCHESTRE PHILHARMONIQUE 12. Les Éthiopiens : Andromède ! À mort! 4'23 DE LIÈGE Pierre Bartholomée: conductor Seconde partie 13. Le récitant : L'oracle est satisfait 3'41 2. Chanson de Mai V. 73 5'44 14. Andromède : Guy De Mey: tenor La mort ! Ne plus penser jamais 6'12 Luc Devos: piano 15. Les Néréïdes : Brise la chaîne 1'43 16. Andromède : Bénis soient vos dédains 1'14 3. Chant lyrique 17. Persée : O Merveille 1'58 pour chœur et orchestre V. 7 6'18 18. Chœur, Persée, Andromède : CHŒUR SYMPHONIQUE DE NAMUR D'ors rayonnants le ciel s'innonde 5'14 ORCHESTRE PHILHARMONIQUE Dinah Bryant: soprano (Andromède) DE LIÈGE Zeger Vandersteene: tenor (Persée) Pierre Bartholomée: conductor Philippe Huttenlocher: baritone (Le récitant) Andromède V. 3 Jules Bastin: bass (Une Voix) Première partie: CHŒUR SYMPHONIQUE DE 4. [Prélude] 3'15 NAMUR 5. Le récitant : Et le monstre odieux 2'34 ORCHESTRE PHILHARMONIQUE 6. Les Éthiopiens : La mort nous a fauchés 2'49 DE LIÈGE 7. Le récitant : Mais la trompe sacrée 3'45 Pierre Bartholomée: conductor 8. Les prêtres d'Ammon : Ammon, principe de lumière 2'01 CD VIII Trois pièces pour piano V. 107 4. Chansonnette sans paroles 1'46 1. Larghetto 9'20 5. Valse oubliée 3'34 pour violoncelle et orchestre V. 28 6. Danse joyeuse 4'03 Marie Hallynck: cello ORCHESTRE PHILHARMONIQUE 7. Fantaisie sur deux airs poulaires angevins DE LIÈGE pour orchestre V. 25 13'03 Pierre Bartholomée: conductor ORCHESTRE PHILHARMONIQUE DE LIÈGE 2. Introduction et adagio 9'28 Pierre Bartholomée: conductor pour tuba et orchestre d'harmonie V. 26 Carl Delbart: tuba 8. Fantaisie sur deux airs populaires angevins, GRAND ORCHESTRE D'HARMONIE pour piano à quatre mains V. 25 14'41 DES GUIDES Dirk Herten & Daniel Blumenthal: piano Norbert Nozy: conductor Trois Poèmes V. 82 3. Plainte d'Andromède 7'34 9. Sur une tombe pour soprano et piano 3'57 pour soprano, piano et cordes V. 5 10. Ronde pour soprano et piano 3'54 Greta de Reyghere: soprano 11. Nocturne pour soprano, piano 4'44 Luc Devos: piano et quatuor à cordes Eric Mathot: double bass Greta de Reyghere: soprano QUATUOR CAMERATA Luc Devos: piano Wlodzimierz Prominski QUATUOR CAMERATA & Andrzej Kordykiewicz: violins Piotr Reichert: viola 12. Berceuse pour piano V. 94 2'38 Roman Hoff mann: cello Luc Devos: piano Menu LIEF AND DEATH Grief has laid me low Ill-chance seems to dog my steps Life has become only suff ering for me. Th erefore I call on Death, I wish to dive once more Into the void from which I came. Th ese lines appear as a foreword to the autograph manuscript of the unfi nished Sonata in D Minor for violin and piano (57)*. Th eir authorship is not stated, although if it were indeed Lekeu who penned these lines, they are undoubtedly the most disturbing that he would ever write. How could a youth of fi fteen come to express such sentiments? Who was he? Lekeu’s character and personality are clearly revealed in the many and frequent letters he wrote to the various members of his family and in particular to Marcel Guimbaud, his best friend and seven years his senior. Lekeu comes into sharp focus as we read the immense amount of letters that have survived. He was enthusiastic and overfl owing with vitality and the desire to compose; he was witty and appreciative of the pleasures of life and of the fl esh; he was curious about everything, a cultured and avid reader, and was passionate about painting; he also gave rather abrupt opinions on both classical and contemporary music. His writings are direct, frank, amusing, and sometimes sarcastic; he often also employs the Walloon dialect. In short, after having read his correspondence it is almost impossible to believe that sentiments such as those quoted above were predominant in his character. * Th ese numbers refer to the catalogue of Lekeu’s complete works drawn up by Luc Verdebout.
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