BSA Annual Report 2016
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Drugs, Guns and Gangs’: Case Studies on Pacific States and How They Deploy NZ Media Regulators
‘BACK TO THE SOURCE’ 7. ‘Drugs, guns and gangs’: Case studies on Pacific states and how they deploy NZ media regulators ABSTRACT Media freedom and the capacity for investigative journalism have been steadily eroded in the South Pacific in the past five years in the wake of an entrenched coup and censorship in Fiji. The muzzling of the Fiji press, for decades one of the Pacific’s media trendsetters, has led to the emergence of a culture of self-censorship and a trend in some Pacific countries to harness New Zealand’s regulatory and self-regulatory media mechanisms to stifle unflattering reportage. The regulatory Broadcasting Standards Authority (BSA) and the self-regulatory NZ Press Council have made a total of four adjudications on complaints by both the Fiji military-backed regime and the Samoan government and in one case a NZ cabinet minister. The complaints have been twice against Fairfax New Zealand media—targeting a prominent regional print journalist with the first complaint in March 2008—and twice against television journalists, one of them against the highly rated current affairs programme Campbell Live. One complaint, over the reporting of Fiji, was made by NZ’s Rugby World Cup Minister. All but one of the complaints have been upheld by the regulatory/self-regulatory bodies. The one unsuccessful complaint is currently the subject of a High Court appeal by the Samoan Attorney-General’s Office and is over a television report that won the journalists concerned an investigative journalism award. This article examines case studies around this growing trend and explores the strategic impact on regional media and investigative journalism. -
Clothing Upcycling in Otago (Ōtākou) and the Problem of Fast Fashion
Clothing Upcycling in Otago (Ōtākou) and the Problem of Fast Fashion Kirsten Michelle Koch A thesis submitted in fulfilment of the requirements for a Master of Arts in Sociology at the University of Otago. Abstract Clothing Upcycling in Otago (Ōtākou) This dissertation employs qualitative inductive research methods to address the ‘problem of global fast fashion’. Currently the global production of garments is 62 million tonnes per annum with the majority of production occurring in the world’s poorest countries with limited human rights and labour and environmental protections. From 1994 to 2018 following the easing of trade protections in Developing countries and internationally, there has been a 400% increase in the tonnage of clothing produced internationally. This figure is only escalating. As the level of global clothing waste grows following global clothing consumption rates, the drive to expand the market is fuelling the production of vast amounts of poor-quality textiles and resultant textile waste. In Developed countries 67% of textile waste is commercially on-sold as second-hand clothing to mostly Developing countries. The need for ever cheaper fashion production processes creates ethical concerns for global garment workers and those who sort and dispose of garment waste. Garment workers are 80% women and often women of colour living in Developing countries with few employment options. Meanwhile, textile practitioners and clothing designers in Westernised countries such as New Zealand, are experiencing heightened job precarity and an increasingly diminished space to exercise creativity, sustainable innovation, and social critique. The research interviews local Otago (Ōtākou) textile practitioners who upcycle clothing within their practice assessing how these localised creative actions connect to the larger global ‘slow fashion’ movement, including the ‘clothing upcycling’ movement. -
Damian Golfinopoulos
Damian Golfinopoulos. Phone: 021-023-95075 Email: [email protected] Website: damian.pictures Work History • News Video Editor at Mediaworks New Zealand • Freelance Sound Technician / Stage Management March 2013 - Present (3 years 6 months) 2006 - 2012 News and current affairs video editing for all of TV3/NewsHub News Corporate to mayhem - Ive done the lot. I have worked as a venue Programmes: Firstline, 12News, 6 O Clock, Nightline, Campbell Live, technician for Mainline Music (2006), The International Comedy Fes- The Nation, 360 and The Nation. tival (2007 /2008), Kings Arms, Bacco & Monte Cristo Room,Wham- my Bar, Wine Cellar, The Powerstation, Leigh Sawmill, DogsBollix, Big • Media Exchange Operator at Mediaworks New Zealand Day Out (2010) and more! I have worked with international perform- ers, bankers through to Tool Cover bands. March 2012 - Present (1 year 1 month) General ingest and data wrangling duties for TV3/NewsHub News. Honors and Awards • Director/Writer at Candlelit Pictures • The Sun Hates Me - Vimeo Staff Pick 2014 January 2013 - Present (3 years 8 months) • Show Me Shorts - Semi Finalist ‘Best Music Video’ I joined Candlelit Productions in 2013 to help edit and Direct ‘The Sun Hates Me’ which was staff picked on Vimeo and since then have gone through the Candlelit ‘Emerging Directors Program’ where I pitched for, and won 4 NZ On Air Music Video projects. From this ex- Education perience I have been lucky to work as a Director with many profes- sional film crews. Candlelit is currently helping me develop a short • AUT - 1 year Communications film to go into production. -
Attachment Otago Museum's Report to Contr
2020/21 At a Glance Target: 350,000 Target: 65,000 Target: 15,000 YTD Total: 119,707 YTD Total: 33,269 YTD Total: 7,905 Prior Year YTD: 139,823 Prior Year YTD: 25,681 Prior Year YTD: 5,403 Visitor Numbers Tuhura Paid Admits Planetarium Paid Admits 32,457 10,775 3,070 28,405 9,799 2,356 19,643 19,354 19,848 4,880 4,056 3,759 1,023 811 645 JUL AUG SEP OCT NOV JUL AUG SEP OCT NOV JUL AUG SEP OCT NOV 2020 2020 Website Hits People Engaged Through Science Outreach Science Outreach by Region Clutha 20,000 Central Otago 3% 4% Rest of NZ 18,000 6% 1,620 16,000 14,000 1,390 12,000 10,000 969 8,000 777 6,000 594 4,000 2,000 0 Jul Aug Sep Oct Nov Jul Aug Sep Oct Nov Dunedin 2020 2020 87% 2020/21 At a Glance Target: 10,000 Target: 5,000 Target: 20 YTD Total: 3,844 YTD Total: 5,605 YTD Total: 8 Prior Year YTD: 2,780 Prior Year YTD: 7,932 Prior Year YTD: 22 Collection Items Digitised Student participation in Education Publications Based on Collections Programmes Nov 27 3 3 2,037 Oct 610 Sep 2,168 1,335 2020 951 767 Aug 41 1 1 515 Jul 998 JUL AUG SEP OCT NOV Jul Aug Sep Oct Nov 0 500 1,000 1,500 2,000 2,500 2020 2020 . OTAGO MUSEUM Report to Contributing Local Authorities December 2020 Covering the period 1 October to 30 November 2020 DIRECTOR’S REPORT Eventful is one word which comes to mind when thinking generally about 2020 at the Otago Museum. -
THE PACIFIC-ASIAN LOG January 2019 Introduction Copyright Notice Copyright 2001-2019 by Bruce Portzer
THE PACIFIC-ASIAN LOG January 2019 Introduction Copyright Notice Copyright 2001-2019 by Bruce Portzer. All rights reserved. This log may First issued in August 2001, The PAL lists all known medium wave not reproduced or redistributed in whole or in part in any form, except with broadcasting stations in southern and eastern Asia and the Pacific. It the expressed permission of the author. Contents may be used freely in covers an area extending as far west as Afghanistan and as far east as non-commercial publications and for personal use. Some of the material in Alaska, or roughly one half of the earth's surface! It now lists over 4000 this log was obtained from copyrighted sources and may require special stations in 60 countries, with frequencies, call signs, locations, power, clearance for anything other than personal use. networks, schedules, languages, formats, networks and other information. The log also includes longwave broadcasters, as well as medium wave beacons and weather stations in the region. Acknowledgements Since early 2005, there have been two versions of the Log: a downloadable pdf version and an interactive on-line version. My sources of information include DX publications, DX Clubs, E-bulletins, e- mail groups, web sites, and reports from individuals. Major online sources The pdf version is updated a few a year and is available at no cost. There include Arctic Radio Club, Australian Radio DX Club (ARDXC), British DX are two listings in the log, one sorted by frequency and the other by country. Club (BDXC), various Facebook pages, Global Tuners and KiwiSDR receivers, Hard Core DXing (HCDX), International Radio Club of America The on-line version is updated more often and allows the user to search by (IRCA), Medium Wave Circle (MWC), mediumwave.info (Ydun Ritz), New frequency, country, location, or station. -
Television Current Affairs Programmes on New Zealand Public Television
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by AUT Scholarly Commons Death of a Genre? 1 The Death of a Genre?: Television Current Affairs Programmes on New Zealand Public Television Sarah Baker School of Communication Studies, Auckland University of Technology Abstract “We need the angry buzz of current affairs programmes” (Professor Sylvia Harvey in Holland, 2006, p. iv) “In a public system, television producers acquire money to make programmes. In a commercial system they make programmes to acquire money” (Tracey, 1998, p.18). Television current affairs programmes have from their inception been a flagship genre in the schedules of public service broadcasters. As a television form they were to background, contextualise and examine in depth issues which may have appeared in the news. They clearly met the public broadcasters' brief to 'inform and educate' and contribute to the notional 'public sphere'. Over the past two decades policies of deregulation and the impact of new media technologies have arguably diminished the role of public broadcasting and profoundly affected the resources available for current or public affairs television with subsequent impacts on its forms and importance. This paper looks at the output of one public broadcaster, Television New Zealand (TVNZ), and examines its current affairs programming through this period of change Communications, Civics, Industry – ANZCA2007 Conference Proceedings Death of a Genre? 2 Introduction From their inception current affairs programmes have played an important part in the schedules of public broadcasters offering a platform for citizens to debate and assess issues of importance. They are part of the public sphere in which the audience is considered to be made up of thoughtful, participating citizens who use the media to help them learn about the world and debate their responses and reach informed decisions about what courses of action to adopt (Dahlgren & Sparks, 1991). -
CRL Mediaworks
IN THE MATTER of the Resource Management Act 1991 AND Notices of Requirement by AUCKLAND TRANSPORT pursuant to section 168 of the Act to the Auckland Council relating to the proposed City Rail Link in Auckland ______________________________________________________________ EVIDENCE OF PETER CROSSAN ON BEHALF OF MEDIAWORKS NZ LIMITED (IN RECEIVERSHIP) AND TVWORKS LIMITED (IN RECEIVERSHIP) Dated: 26 July 2013 ______________________________________________________________ CEK-100742-1-31-V4 INTRODUCTION My full name is PETER GARY CROSSAN and I am the Chief Financial Officer at MediaWorks NZ Limited (in receivership). 1. I joined MediaWorks NZ Limited in December 1999 following a 15 year career in various manufacturing industries. After 13 years at MediaWorks NZ Limited, I believe I have insight and in-depth knowledge of the wider television industry. 2. I am a qualified Chartered Accountant and have a B Comm from Auckland University. 3. I am authorised to give evidence on behalf of MediaWorks NZ Limited and TVWorks Limited (in receivership) (collectively referred to in this statement as “MediaWorks”) in relation to the City Rail Link Project (“the Project”). TVWorks Limited is a wholly owned subsidiary of MediaWorks NZ Limited. MEDIAWORKS 4. MediaWorks is an independent commercial (non-state funded) broadcaster. It provides TV, Radio and Interactive services: a. MediaWorks TV encompasses the national stations TV3 and FOUR. b. MediaWorks Radio operates out of 23 markets and consists of the nationwide brands MORE FM, RadioLIVE, The Sound, The Edge, The Breeze, The Rock, Mai FM, George FM, LiveSPORT and Kiwi FM, as well as Times FM in Orewa, Radio Dunedin and Coromandel FM. c. -
Epochality, Temporality and Media-Communication Ownership in Aotearoa-New Zealand
MEDIANZ VOL 17 NO 1 • 2017 https://DOI.org/10.11157/medianz-vol17iss1id179 - ARTICLE - Epochality, Temporality and Media-Communication Ownership in Aotearoa-New Zealand Wayne Hope Abstract Amidst academic policy debates over the proposed Fairfax-NZME and Sky-Vodafone mergers, the historical patterns of media-communication ownership received little mention. The purpose of this article is to explain, firstly, how the very possibility of such mergers eventuated and, secondly, why associated epochal reconfigurations in the political economy of New Zealand capitalism eluded public depiction. Initially I examine the repercussions which arose from: the restructuring of Radio New Zealand and Television New Zealand into State-Owned Enterprises (1987); the arrival of TV3 (1989); the formation of pay-subscription Sky Television (1990); and the abolition of all legal restrictions on foreign media ownership (1991). Together these events signalled the hollowing out of New Zealand’s media-communication system and the unfolding ownership patterns of conglomeration, transnationalisation and financialisation. Behind this critical narrative, I explore how the simultaneous restructuring of the national political economy, mediated public life and the vocabulary of economics obfuscated the epochal shift that was taking place. An ongoing lack of public awareness about this shift has debilitated normatively-grounded critiques of the contemporary media landscape and the ownership patterns which came to prevail. Prologue: From National to Transnational Media Ownership in Epochal Context In simple terms, an epoch is an identifiable period of history marked by special events. Natural-scientific conceptions of evolutionary epochal change can be distinguished from the idea that epochs are brought into historical being by manifestations of collective self- consciousness. -
ANNUAL Report for the Year Ended 30 June 2013
ANNUAL REPORT For the year ended 30 june 2013 NZ On Air / Irirangi Te Motu Annual REPORt 2013 / TABLE OF CONTENTS Part 1 / Highlights 2 Chair's Introduction 4 Who We Are 5 Achieving Our Outcomes 6 Audiences / Focus On Online 8 Audiences / Focus On Prime-Time 10 Audiences / Focus On Documentaries 13 Audiences / Focus On New Zealand Music 14 Audiences / Focus On Ma- ori 18 Audiences / Focus On Pasifika 19 Audiences / Focus On Special Interest 20 Environment 21 Research 22 Operations 24 Part 2 / AccoUntabILITY StateMents Independent Auditor’s Report 30 Statement Of Comprehensive Income 31 Statement Of Financial Position 32 Statement Of Changes In Equity 33 Statement Of Cash Flows 34 Notes To The Financial Statements 35 Statement Of Service Performance 51 APPENDICES 56 DIRECTORY 72 NZ On Air / Annual Report 2013 1 HIGHLIGHTS N g a- Taumata Diversity Nga- Rerenga We focused the Digital Media Fund on Our MakingTracks funding scheme We delivered something for everyone content for special interest audiences backed 247 recordings and videos, on television – with more than 93 hours because these audiences are less well both mainstream and alternative. of drama and comedy, 169 hours of served by mainstream media. This documentary and current affairs, and 600 The funded songs span a wide range year we offered special opportunities to hours of childrens’ and special interest of genres including pop, rock, folk, create Pacific content. programmes. country, te reo, roots and reggae, The successful web-series musical The heavy metal, urban and hip hop. We maintained a balance of mainstream Factory created a strong community and special interest programming. -
Annual Report 2008-2009 PDF 5.9 MB
NZ On Air Annual Report For the year ended 30 June 2009 Proudly supporting local content for 20 years 1989-2009 Annual Report For the year ended 30 June 2009 Table of contents Table of contents Part 1 Our year 1 Highlights 1 Who we are 2 Mission statement and values 2 Chair’s introduction 3 Key achievements 4 Television funding 4 Maori broadcasting 10 Radio funding 11 Digital funding 13 NZ Music funding 14 Archiving funding 16 Research 17 Consultation 18 Operations 18 Main performance measures 20 Part 2 Accountability statements 21 Statement of responsibility 21 Audit report 22 Statement of financial performance 23 Statement of financial position 24 Statement of changes in equity 25 Statement of cash flows 26 Notes to the financial statements 27 Statement of service performance 42 Appendices 1. Television funding 51 2. Radio funding 55 3. NZ Music funding 56 4. Music promotion 58 5. Digital and Archiving funding 58 6. Maori broadcasting 59 Directory 60 Download the companion PDF document to see: 20 years of NZ On Air NZ On Air Annual Report to 30 June 2009 1 Part 1: Our Year Highlights • The website NZ On Screen was launched, showcasing historic New Our investments helped create some Zealand television and film online and outstanding success stories this year: winning a Qantas Media Award in its first year • The Top 10 funded television • Our Ethnic Diversity Forum brought programmes had some of our highest all relevant broadcasters together viewing numbers ever around a subject of increasing importance • New Zealand drama successfully -
Reaching the Community Through Community Radio
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UC Research Repository REACHING THE COMMUNITY THROUGH COMMUNITY RADIO Readjusting to the New Realities A Case Study Investigating the Changing Nature of Community Access and Participation in Three Community Radio Stations in Three Countries New Zealand, Nepal and Sri Lanka __________________________________________________________________________ A thesis submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy By Ahmed Zaki Nafiz University of Canterbury 2012 _____________________________________________________________________________ Dedicated to my beloved parents: Abdulla Nafiz and Rasheeda Mohammed Didi i ABSTRACT Community radio is often described as a medium that celebrates the small community life and where local community members plan, produce and present their own programmes. However, many believe that the radio management policies are now increasingly sidelining this aspect of the radio. This is ironic given the fact that the radio stations are supposed to be community platforms where members converge to celebrate their community life and discuss issues of mutual interest. In this case study, I have studied three community radio stations- RS in Nepal, KCR in Sri Lanka and SCR in New Zealand- investigating how the radio management policies are positively or negatively, affecting community access and participation. The study shows that in their effort to stay economically sustainable, the three stations are gradually evolving as a ‘hybrid’; something that sits in-between community and commercial radio. Consequently, programmes that are produced by the local community are often replaced by programmes that are produced by full-time paid staff; and they are more entertaining in nature and accommodate more advertisements. -
NZL FM Master List to 23Jan18
NEW ZEALAND FM LISTING IN REGION ORDER to 23 January 2018 Changes after 2018 WRTH Deadline are in RED MHz City Station kW Region Owner/Group 88.6 Auckland Mai FM 10 Auckland MediaWorks 89.4 Auckland Newstalk ZB Auckland NZME 90.2 Auckland The Rock Auckland MediaWorks 90.6 Waiheke Island Chinese R 90.6FM 1.6 Auckland Independent 91.0 Auckland ZM-FM Auckland NZME 91.8 Auckland More FM Auckland MediaWorks 92.6 Auckland RNZ Concert Auckland RNZ 92.9 Orewa Radio Live Auckland MediaWorks 93.4 Auckland The Breeze Auckland MediaWorks 93.8 Auckland The Sound Auckland MediaWorks 94.2 Auckland The Edge Auckland MediaWorks 95.0 Auckland 95bFM 12.6 Auckland Student 95.8 Auckland Flava Auckland NZME 96.6 Auckland George Auckland MediaWorks 97.4 Auckland The Hits Auckland NZME 98.2 Auckland Mix Auckland NZME 99.0 Auckland Radio Hauraki Auckland NZME 99.4 Auckland Chinese R. FM99.4 1.6 Auckland Independent 99.8 Auckland Life FM Auckland Rhema 100.6 Auckland Radio Live Auckland MediaWorks 101.4 Auckland RNZ National 10 Auckland RNZ 102.2 Auckland OnRoute FM Auckland Independent 103.8 Auckland Niu FM 15.8 Auckland Pacific Media 104.2 Auckland Chinese Radio FM104.2 3 Auckland Independent 104.6 Auckland Planet FM 15.8 Auckland Access 105.4 Auckland Coast Auckland NZME 106.2 Auckland Humm FM 10 Auckland Independent 89.6 Russell Coast Bay of Islands NZME 92.0 Kerikeri The Sound 1 Bay of Islands MediaWorks 94.4 Russell TAB Radio Trackside 0.5 Bay of Islands TAB 95.2 Paihia/Russell More FM Bay of Islands MediaWorks 106.1 Russell The Hits 0.3 Bay of Islands NZME