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CLOSING MEDLEY I Hear the Train a Comin' It's Rolling Round The
Free Music resources from www.traditionalmusic.co.uk for personal education purposes only CLOSING MEDLEY I hear the train a comin' It's rolling round the bend And I ain't seen the sunshine since I don't know when, Lord, I'm stuck in Folsom prison, and time keeps draggin' on And that train keeps a rollin' on down to San Antone.. [Spoken:] Let's give her a big hand, June Carter Helen, Anita, Mother Maybelle The Carter Family I keep a close watch on this heart of mine I keep my eyes wide open all the time I keep the ends out for the tie that binds Because you're mine, I walk the line Hey alright Now The Tennessee Three: Marshall Grant, Bob Wootton, W.S. Holland [Spoken:] The Statler Brothers I Fell Into A Burning ring of Fire I Went Down, Down, down And The Flames Went Higher And It Burns, Burns, Burns The Ring Of Fire The Ring of Fire [Spoken:] Yeah Carl Perkins Well, when I was a baby my mama told me "Son, That I want you to be a good boy, I don't want you to play with guns." But I shot a man in Reno, I shot him just to watch him die, Lord yeah Now that train keeps a rollin', I hang my head down and cry.. Johnny Yuma was the rebel he roamed through the west Yeah Johnny Yuma the rebel he wandered alone He got fightin' mad this rebel lad he packed no star as he wandered far Where the only law was a hook and a draw the rebel Johnny Yuma [Spoken:] I wanna thank you for being so good to us. -
Johnny Cash the Rambler Mp3, Flac, Wma
Johnny Cash The Rambler mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Rambler Country: Australia Released: 1977 Style: Country Rock MP3 version RAR size: 1554 mb FLAC version RAR size: 1493 mb WMA version RAR size: 1767 mb Rating: 4.1 Votes: 156 Other Formats: AC3 DMF AU FLAC MP3 VOC VOX Tracklist A1 Hit The Road And Go 2:26 A2 Dialogue #1 2:40 A3 If It Wasn't For The Wabash River 2:39 A4 Dialogue #2 2:27 A5 Lady 3:09 A6 Dialogue #3 2:32 A7 After The Ball 3:02 B1 Dialogue #4 2:05 B2 No Earthly Good 3:02 B3 Dialogue #5 1:53 B4 A Wednesday Car 2:27 B5 Dialogue #6 0:59 B6 My Cowboy's Last Ride 2:40 B7 Dialogue #7 2:50 B8 Calilou 3:32 B9 Dialogue #8 1:25 Companies, etc. Recorded At – Sound Spectrum Recording, Inc. Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Credits Arranged By [Strings] – Cam Mullins Bass – Marshall Grant Cello – Michael Bacon Drums – W.S. Holland Engineer – Charlie Bragg, Chuck Bragg, Ed Hudson, Roger Tucker Guitar – Bob Wootton, Jerry Hensley Guitar [Flattop] – Ray Edenton Percussion – Mark Morris Photography By [Liner] – John Berg Piano – Earl Ball Producer – Charlie Bragg Producer, Voice Actor [The Fisherman] – Jack Routh Recorded By [Mobile Recording] – Jerry Baker Voice Actor [Badgirls] – Carlene Routh, Rosanne Cash Voice Actor [Rambler], Photography By [Cover], Written-By – Johnny Cash Voice Actor [The Cowgirl] – Kathleen Brimm Notes Made in Australia Other versions Category Artist Title (Format) Label Category Country Year The Rambler (LP, KC 34833 Johnny Cash -
Register Now for Jack-O-Lantern Event at the Dwight Library and Get a Free Pumpkin by ANNE JOHNSON Hall, Hwy
A20 THE FORESTER, Wednesday, October 15, 2008 The sound of Johnny Cash heard once again BY KAREN LONGWELL “It is a very distinctive sound that nobody else It is a show Johnny Cash fans will not want to does,” said Wootton. “There are several Johnny Cash miss. imitators, but they don’t have that sound.” The Tennessee Three, featuring a member of Perkins died in a house fire in 1968 and in Sep- Johnny Cash’s band Bob Wootton, will perform two tember of that same year Wootton helped the band in nights in the Muskoka area, one at the Algonquin Fayetteville, Arkansas when the guitarist was delayed Theatre. on a flight. Wootton was a member of Cash’s band The Ten- Wootton said the sound is distinct yet simple — a nessee Three from 1968 to 1997. sound other guitar players have yet to duplicate. Reached on the telephone while on tour, Wootton “I have had people say, Boy, if I close my eyes I said at the age of 66, he still likes touring. These days swear Johnny Cash was on stage,’ but I don’t get it his whole family travels with him and plays music. because I don’t think I sound like him (when sing- His dog Cuddles, heard barking in the background, ing).” comes along for the ride. Wootton believes the years he spent working with “Even got the dog with us,” said Wootton in a Cash rubbed off on him. southern drawl. “I was there doing it with Johnny Cash and when Wootton said he was about to board a ferry near you are with somebody that long, you kind of take on Nelson, British Columbia during the call. -
01. Early Gig Notes
01. Early Gig Notes BILL and SUE-ON HILLMAN: A 50-YEAR MUSICAL ODYSSEY 50 Years on the Road with Bill and Sue-On Hillman www.hillmanweb.com/book GIG NOTES SECTION www.hillmanweb.com/book/gigs Presents Part I: The Roots Years Memory Take Me Back :: Roots and Wings www.hillmanweb.com/book/gigs/01.html PDF PRINT: www.hillmanweb.com/book/gigs/01.pdf East Meets West www.hillmanweb.com/cards/60/roots2all.jpg From the Hillman Photo Collage Archive www.hillmanweb.com/cards http://www.hillmanweb.com/book/gigs/01.html[2014-12-21 1:29:34 PM] 01. Early Gig Notes PART I: CONTENTS Quick Links to the Anecdotes and Photos in this Chapter www.hillmanweb.com/cards/60/roots2all.jpg China Doll Family Roots and Jams Luther Played the Boogie Woogie www.hillmanweb.com/cards/early/earlyall.jpg www.hillmanweb.com/cards/roots/sunall.jpg War Baby Follows The Muse: Strathclair to Newfie Simon Crumb www.hillmanweb.com/cards/early/rcnall.jpg WWII Music: Big Bands and Hong Kong Girl Singers Window to the World. and Brandon Magic Portal: Googling the Dial A Really Big Shew Trips to Paris www.hillmanweb.com/cards/roots/schoolall.jpg www.hillmanweb.com/cards/roots/warworldsall.jpg Air Cadet PQ Jams and Bawdy Ballads 50 Top Hits On 78 RPM! www.hillmanweb.com/cards/early/rememberall.jpg Life Revolving at 78 RPM Electric Silver Tones 10 Inch Magic Platters Campbell Christie Orchestra That Ain't How Jerry Lee Plays It Neepawa Variatones Hello Monterey Don't Worry 'bout Marty Rewards of Myopia The King of Skiffle Invades Manitoba Up Around The Bend www.hillmanweb.com/cards/roots/doneganall.jpg Elvis And Chet Come To Town Lonnie Donegan Launches a Thousand Picks and Licks Lonnie's Farewell www.hillmanweb.com/cards/roots/bendall.jpg Royal American Shows www.hillmanweb.com/cards/roots/elvis1all.jpg || www.hillmanweb.com/cards/roots/elvisall.jpg http://www.hillmanweb.com/cards/early/earlyall.jpg http://www.hillmanweb.com/book/gigs/01.html[2014-12-21 1:29:34 PM] 01. -
Cash Box N Y
NEWSPAPER OLIVIA NEWTON-JOHN/ PLEASING EVERYONE Yetnikoff, Segelstein, Taylor Challenge CBS Team At Confab; Announce Guercio, White Deals Henry Stone’s T.K. Records Comes Of Age In A Hurry Gortikov Attacks Broadcasters On Anti-Performance Royalties Arista Operating Profit Up 600% Over Last Year Dr. John Inks UA Pact Disco — Out Of Control? (Ed) 1 Produced by James William Guercio “NEVER BEEN IN LOVE BEFORE” 3-10185 IS THE NEW SINGLE FROM CHICAGO’S VIII™ GREAT PLATINUMALBUM. THE INTERNATIONAL MUSIC-RECORD WEEKLY C4SHBGX VOLUMEXXXVII— NUMBER 11 — August2. 1975 GEORGE ALBERT President and Publisher MARTY OSTROW Executive Vice President EDADLUM Managing Editor Editorial Disco — Out Of Control? DAVID BUDGE Editor In Chief IAN DOVE The current “disco scene” has been with us for about a year now in any substantial East Coast Editorial Director form. Primarily a phenomenon of the eastern urban centers (mainly New York), the New York BARRY TAYLOR increase in number of dance clubs using recorded music has been accompanied by the BOB KAUS development of a very specific style of music which has been deemed appropriate to Hollywood these establ ishments. PHIL ALEXANDER JESS LEVITT Despite the limited nature of the disco market on a national scale, the phrase “it's MARC SHAPIRO really big in discos” has come to take on near-magical connotations. In recent weeks STEPHEN PEEPLES we have heard increasing grumblings from various individuals who feel that the industry may have created a “monster’’ which is in danger of being more injurious than Research HOWARD LOWELL good for business. It is perhaps time to take a closer look at the nature of the disco STEVE OSTROW scene and critically examine its beneficial/detrimental effects on the music industry. -
June Carter Cash Keep on the Sunny Side: June Carter Cash- Her Life in Music Mp3, Flac, Wma
June Carter Cash Keep On The Sunny Side: June Carter Cash- Her Life In Music mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Keep On The Sunny Side: June Carter Cash- Her Life In Music Country: US Released: 2005 Style: Country MP3 version RAR size: 1927 mb FLAC version RAR size: 1274 mb WMA version RAR size: 1959 mb Rating: 4.6 Votes: 209 Other Formats: AU ADX MIDI MP4 FLAC XM AA Tracklist Hide Credits Keep On The Sunny Side –The Original 1-1 MC [Announcer] – Brother Bill GuildVocals, Guitar – Maybelle Carter, 0:33 Carter Family* Sara Carter Written-By, Vocals – A. P. Carter Oh! Susannah 1-2 –June Carter Interviewer – Brother Bill GuildVocals – June CarterWritten-By – S. 0:54 Foster* Root, Hog Or Die –The Carter Accordion – Helen Carter Bass – Anita CarterElectric Guitar – Chet Sisters And 1-3 AtkinsGuitar – Maybelle CarterProducer – Charles Grean, Steve 2:30 Mother SholesVocals, Autoharp – June CarterWritten-By – J. Carter Cash*, M. Maybelle* Foree* Baby, It's Cold Outside –Homer & Electric Guitar – Chet AtkinsProducer – Steve SholesVocals – June 1-4 Jethro* With 2:54 CarterVocals, Guitar – Henry "Homer" Haynes*Vocals, Mandolin – June Carter Kenneth "Jethro" Burns*Written-By – Frank Loesser Country Girl –Homer & Electric Guitar – Chet AtkinsProducer – Steve SholesVocals – June 1-5 Jethro* With 2:52 CarterVocals, Guitar – Henry "Homer" Haynes*Vocals, Mandolin – June Carter Kenneth "Jethro" Burns*Written-By – B. Bryant*, F. Bryant* –The Carter Foggy Mountain Top Sisters And 1-6 Producer – Don LawVocals – Helen Carter , June CarterVocals, Bass – 2:50 Mother Anita CarterVocals, Guitar – Maybelle CarterWritten-By – A. P. -
BEAR Tips / STAFF SELECTIONS . 114 DEUTSCHE OLDIES
1 COUNTRY .......................2 BEAT, 60s/70s ..................136 AMERICANA/ROOTS/ALT. .............54 SURF .............................140 TEXAS MUSIC SPECIAL ................60 CLASSIC ROCK/BIKER/SOUTHERN... .....141 OUTLAWS/SINGER-SONGWRITER .......60 WESTERN .......................74 REVIVAL/NEO ROCKABILLY .....142 WESTERN SWING....................78 PSYCHOBILLY ......................146 TRUCKS & TRAINS ...................80 BRITISH R&R ........................146 C&W SOUNDTRACKS.................81 SKIFFLE ...........................147 C&W SPECIAL COLLECTIONS...........83 AUSTRALIAN R&R ....................148 COUNTRY CANADA..................84 INSTRUMENTAL R&R/BEAT .............148 COUNTRY AUSTRALIA/NEW ZEALAND....85 COUNTRY DEUTSCHLAND/EUROPE......87 BLUEGRASS.....................89 POP VOCAL .....................148 NEWGRASS ........................97 POP INSTRUMENTAL .................154 INSTRUMENTAL .....................99 POP COMEDY & SPECIAL INTEREST ......157 OLDTIME ..........................102 LATIN ............................157 HAWAII ...........................106 JAZZ .............................158 CAJUN/ZYDECO ....................106 SOUNDTRACKS .....................159 TEX-MEX ..........................108 FOLK .............................108 WORLD ...........................112 BEAR TIPs / STAFF SELECTIONS . 114 DEUTSCHE OLDIES ..............159 KLEINKUNST / KABARETT ..............161 ROCK & ROLL ...................116 DEUTSCHLAND - SPECIAL INTEREST .....161 REGIONAL R&R .....................122 OPER/OPERETTE/MUSICAL.............162 -
Still on the Road Session Pages 1969
STILL ON THE ROAD 1969 FEBRUARY 12 Nashville, Tennessee Columbia Studio A, 1st Nashville Skyline session 13 Nashville, Tennessee Columbia Studio A, 2nd Nashville Skyline session 14 Nashville, Tennessee Columbia Studio A, 3rd Nashville Skyline session 17 Nashville, Tennessee Columbia Studio A, 4th Nashville Skyline session 18 Nashville, Tennessee Columbia Studio A, 5th Nashville Skyline session 19 Nashville, Tennessee Columbia Studio A, 6th Nashville Skyline session 20 Nashville, Tennessee Columbia Studio A, 7th Nashville Skyline session 21 Nashville, Tennessee Columbia Studio A, 8th Nashville Skyline session APRIL 24 Nashville, Tennessee Columbia Studio A, 1st Self Portrait Skyline session 26 Nashville, Tennessee Columbia Studio A, 2nd Self Portrait Skyline session MAY 1 Nashville, Tennessee Ryman Auditorium, Johnny Cash Show 3 Nashville, Tennessee Columbia Studio A, 3rd Self Portrait Skyline session JUNE 26 New York City, New York Jann Wenner Interview. Unidentified Hotel JULY 14 Edwardsville, Illinois Southern Illinois University AUGUST 27 Seaview At Isle Of Wight, England Halland Hotel 31 Near Ryde, Isle Of Wight Woodside Bay Bob Dylan recording sessions and concerts 1969 1679 Columbia Studio A Nashville, Tennessee 12 February 1969 1st Nashville Skyline session, produced by Bob Johnston. Bob Dylan (vocal, guitar & harmonica), Kelton D. Herston (probably guitar), Charlie McCoy (bass), Kenneth Buttrey (drums). Notes. • No recordings sheets are available from this session. • Heylin has an unknown song, NCO98921, attributed to 13 February 1969. • Recorded 6:00-10:30 pm. References: Michael Krogsgaard: Bob Dylan: The Recording Sessions (Part 2). The Telegraph #53, Winter 1995, page 72. Clinton Heylin: Bob Dylan. The Recording Sessions [1960 – 1994]. St. Martin’s Press December 1995, pp. -
03. Gigs: Sue-On Arrives
03. Gigs: Sue-On Arrives BILL and SUE-ON HILLMAN: A 50-YEAR MUSICAL ODYSSEY 50 Years on the Road with Bill and Sue-On Hillman www.hillmanweb.com/book GIG NOTES SECTION www.hillmanweb.com/book/gigs Presents Part III: Sue-On Arrives On Stage East Meets West www.hillmanweb.com/book/gigs/03.html PDF PRINT FORMAT www.hillmanweb.com/book/gigs/03.pdf Photo Source: Hillman Photo Collage Archive PART III: CONTENTS Quick Links to the Anecdotes and Photos in this Chapter Long Distance Drive to Memphis China Lady Music Row, Music City www.hillmanweb.com/cards/sue-on/sueon1all.jpg Back to Tennessee Storms Never Last Opryland and Southern Belles www.hillmanweb.com/cards/sue-on/sueon2all.jpg Guess Who Wants to Jam? June 3 . At Last. The Journey Begins www.hillmanweb.com/book/gigs/shilogw.jpg www.hillmanweb.com/cards/60/weddingall.jpg The Pas Festival Trap Television Remotes Rock 'n' Roll Bagpipes - Command Performance Birth of the Western Union Rockin' With the German Army: G.A.T.E.S. and www.hillmanweb.com/cards/sue-on/sueon3all.jpg The Nashville / Hong Kong / Manitoba Connection Panzers www.hillmanweb.com/cards/roots/patsyall.jpg Tommy Hunter TV Show Cast: Our Turn to Tape That Funky Music Farmboy Entertain Ridin' the Grain Train Entertaining the Cash Show: Johnny's On the Western Union: The Third Man Theme Begins Wagon www.hillmanweb.com/cards/60/jakeall.jpg www.hillmanweb.com/cards/roots/cashall.jpg Songbird of the North Folk Harmony Roots www.hillmanweb.com/cards/60/barall.jpg Three Lashes Across the Eyes CHINA CUTIES Channeling Stompin' Tom Viking Strippers She Can Sing. -
46.2-Aug2015-Br.Pdf
Reviews Backwater Blues: The Mississippi rately terms the “Yazoo-Mississippi River Delta.” Flood of 1927 in the African Along with his treatment of how the 1927 flood is important within African-American history, American Imagination. By Richard Mizelle also uses Delta blues music as a vibrant M. Mizelle, Jr. (Minneapolis: Uni- resource for understanding both the symbolism versity of Minnesota Press, 2014. and the experiences of surviving the cataclysm. Pp. ix–xii + 160, notes, selected The book begins with a strong and engag- ing study of the historical context for the mas- discography, index. $25, paper- sive deluge. Mizelle provides a fine balance of back) historical context and narrative to show the im- portance of this region within African-Ameri- Research on a region’s social history often can history, and he outlines how the flood control system was initially constructed and focuses on the most salient events with a com- maintained over time. In these introductory munity’s historical memory. In this respect, the chapters, he makes and develops a strong case 1927 flood holds a prominent place in the col- for using scholarship in blues music to augment lective memory of the written record. Crediting Clyde Wood with communities located an approach of “blues epistemology,” Mizelle along the Mississippi emphasizes how blues music and its related nar- River. The rebuilt rative tradition can yield insight into how levee system and the African-Americans have sought resistance as continuing engi- well as healing in the face of racial oppression. neering projects for The author mines dozens of blues songs and var- flood control are not ious biographies of blues musicians to show how only visible re- the experience of surviving the flood not only minders of the flood is directly narrated but also symbolically ex- but they also serve to pressed in music. -
Marty Stuart Is Busier Than He's Ever Been and Loving
Musician and Late Marty Stuart is busier Show With David Let- terman sidekick Paul than he’s ever been Shaffer (far left) sits in with Marty and The and loving it. Fabulous Superlatives. Story By Lorie HollabaugH Photos By CHris Hollo arty Stuart has ence at the taping of Marty’s televi- the world of Marty Stuart. a habit of calling sion show, which airs on RFD-TV. This incarnation of his world, as people around It’s been 25 years since Marty played host of his own half-hour TV show, him “cuz,” as if with Johnny’s band, but as he greets began over two years ago, when he they were one the audience and prepares to tape decided country needed a family Mof his long-lost cousins or various an episode featuring Keith Urban, program in the vein of vintage shows relatives. But with him, it’s more he quickly acknowledges Bob in the such as The Wilburn Brothers Show than the lingo of his hip, retro audience so the crowd will know and the old Al Gannaway produc- world. He treats the people close that hillbilly royalty is in their midst. tions of the 1950s, which featured to him as if they were his cousins, Some artists might do that out of artists such as Minnie Pearl and The sisters or brothers and, seemingly, courtesy, or for the sake of appear- Louvin Brothers. But it also reaches loves them just as much. ances, but how many would pull Bob back even deeper to Marty’s child- Take Bob Wootton, once Johnny out of the crowd after the taping to hood and those Saturday afternoons Cash’s guitar player, who on this join the cast and Keith for pictures spent watching priceless musical mo- particular day is sitting in the audi- and the show promo? Welcome to ments on television with his father. -
Bob Dylan the Complete Guide
Bob Dylan The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 24 Sep 2013 23:21:01 UTC Contents Articles Overview 1 Bob Dylan 1 Studio Albums 31 Bob Dylan 31 The Freewheelin' Bob Dylan 36 The Times They Are a-Changin' 51 Another Side of Bob Dylan 58 Bringing It All Back Home 64 Highway 61 Revisited 74 Blonde on Blonde 85 John Wesley Harding 101 Nashville Skyline 108 Self Portrait 114 New Morning 120 Pat Garrett & Billy the Kid 126 Dylan 130 Planet Waves 131 Blood on the Tracks 138 The Basement Tapes 143 Desire 156 Street-Legal 164 Slow Train Coming 169 Saved 176 Shot of Love 178 Infidels 184 Empire Burlesque 191 Knocked Out Loaded 199 Down in the Groove 203 Oh Mercy 206 Under the Red Sky 210 Good as I Been to You 213 World Gone Wrong 217 Time Out of Mind 220 Love and Theft 228 Modern Times 232 Together Through Life 239 Christmas in the Heart 244 Tempest 248 Live Albums 254 Before the Flood 254 Hard Rain 258 Bob Dylan at Budokan 260 Real Live 263 Dylan & the Dead 265 The 30th Anniversary Concert Celebration 268 MTV Unplugged 271 Live 1961–2000: Thirty-Nine Years of Great Concert Performances 274 Live at the Gaslight 1962 275 Live at Carnegie Hall 1963 278 The Bootleg Series 279 The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 279 The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert 283 The Bootleg Series Vol.