Fractals, Self-Similarity, and Beyond Rohitha Goonatilake, Ray A
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Using Fractal Dimension for Target Detection in Clutter
KIM T. CONSTANTIKES USING FRACTAL DIMENSION FOR TARGET DETECTION IN CLUTTER The detection of targets in natural backgrounds requires that we be able to compute some characteristic of target that is distinct from background clutter. We assume that natural objects are fractals and that the irregularity or roughness of the natural objects can be characterized with fractal dimension estimates. Since man-made objects such as aircraft or ships are comparatively regular and smooth in shape, fractal dimension estimates may be used to distinguish natural from man-made objects. INTRODUCTION Image processing associated with weapons systems is fractal. Falconer1 defines fractals as objects with some or often concerned with methods to distinguish natural ob all of the following properties: fine structure (i.e., detail jects from man-made objects. Infrared seekers in clut on arbitrarily small scales) too irregular to be described tered environments need to distinguish the clutter of with Euclidean geometry; self-similar structure, with clouds or solar sea glint from the signature of the intend fractal dimension greater than its topological dimension; ed target of the weapon. The discrimination of target and recursively defined. This definition extends fractal from clutter falls into a category of methods generally into a more physical and intuitive domain than the orig called segmentation, which derives localized parameters inal Mandelbrot definition whereby a fractal was a set (e.g.,texture) from the observed image intensity in order whose "Hausdorff-Besicovitch dimension strictly exceeds to discriminate objects from background. Essentially, one its topological dimension.,,2 The fine, irregular, and self wants these parameters to be insensitive, or invariant, to similar structure of fractals can be experienced firsthand the kinds of variation that the objects and background by looking at the Mandelbrot set at several locations and might naturally undergo because of changes in how they magnifications. -
Fractal (Mandelbrot and Julia) Zero-Knowledge Proof of Identity
Journal of Computer Science 4 (5): 408-414, 2008 ISSN 1549-3636 © 2008 Science Publications Fractal (Mandelbrot and Julia) Zero-Knowledge Proof of Identity Mohammad Ahmad Alia and Azman Bin Samsudin School of Computer Sciences, University Sains Malaysia, 11800 Penang, Malaysia Abstract: We proposed a new zero-knowledge proof of identity protocol based on Mandelbrot and Julia Fractal sets. The Fractal based zero-knowledge protocol was possible because of the intrinsic connection between the Mandelbrot and Julia Fractal sets. In the proposed protocol, the private key was used as an input parameter for Mandelbrot Fractal function to generate the corresponding public key. Julia Fractal function was then used to calculate the verified value based on the existing private key and the received public key. The proposed protocol was designed to be resistant against attacks. Fractal based zero-knowledge protocol was an attractive alternative to the traditional number theory zero-knowledge protocol. Key words: Zero-knowledge, cryptography, fractal, mandelbrot fractal set and julia fractal set INTRODUCTION Zero-knowledge proof of identity system is a cryptographic protocol between two parties. Whereby, the first party wants to prove that he/she has the identity (secret word) to the second party, without revealing anything about his/her secret to the second party. Following are the three main properties of zero- knowledge proof of identity[1]: Completeness: The honest prover convinces the honest verifier that the secret statement is true. Soundness: Cheating prover can’t convince the honest verifier that a statement is true (if the statement is really false). Fig. 1: Zero-knowledge cave Zero-knowledge: Cheating verifier can’t get anything Zero-knowledge cave: Zero-Knowledge Cave is a other than prover’s public data sent from the honest well-known scenario used to describe the idea of zero- prover. -
Measuring the Fractal Dimensions of Empirical Cartographic Curves
MEASURING THE FRACTAL DIMENSIONS OF EMPIRICAL CARTOGRAPHIC CURVES Mark C. Shelberg Cartographer, Techniques Office Aerospace Cartography Department Defense Mapping Agency Aerospace Center St. Louis, AFS, Missouri 63118 Harold Moellering Associate Professor Department of Geography Ohio State University Columbus, Ohio 43210 Nina Lam Assistant Professor Department of Geography Ohio State University Columbus, Ohio 43210 Abstract The fractal dimension of a curve is a measure of its geometric complexity and can be any non-integer value between 1 and 2 depending upon the curve's level of complexity. This paper discusses an algorithm, which simulates walking a pair of dividers along a curve, used to calculate the fractal dimensions of curves. It also discusses the choice of chord length and the number of solution steps used in computing fracticality. Results demonstrate the algorithm to be stable and that a curve's fractal dimension can be closely approximated. Potential applications for this technique include a new means for curvilinear data compression, description of planimetric feature boundary texture for improved realism in scene generation and possible two-dimensional extension for description of surface feature textures. INTRODUCTION The problem of describing the forms of curves has vexed researchers over the years. For example, a coastline is neither straight, nor circular, nor elliptic and therefore Euclidean lines cannot adquately describe most real world linear features. Imagine attempting to describe the boundaries of clouds or outlines of complicated coastlines in terms of classical geometry. An intriguing concept proposed by Mandelbrot (1967, 1977) is to use fractals to fill the void caused by the absence of suitable geometric representations. -
Fractal Curves and Complexity
Perception & Psychophysics 1987, 42 (4), 365-370 Fractal curves and complexity JAMES E. CUTI'ING and JEFFREY J. GARVIN Cornell University, Ithaca, New York Fractal curves were generated on square initiators and rated in terms of complexity by eight viewers. The stimuli differed in fractional dimension, recursion, and number of segments in their generators. Across six stimulus sets, recursion accounted for most of the variance in complexity judgments, but among stimuli with the most recursive depth, fractal dimension was a respect able predictor. Six variables from previous psychophysical literature known to effect complexity judgments were compared with these fractal variables: symmetry, moments of spatial distribu tion, angular variance, number of sides, P2/A, and Leeuwenberg codes. The latter three provided reliable predictive value and were highly correlated with recursive depth, fractal dimension, and number of segments in the generator, respectively. Thus, the measures from the previous litera ture and those of fractal parameters provide equal predictive value in judgments of these stimuli. Fractals are mathematicalobjectsthat have recently cap determine the fractional dimension by dividing the loga tured the imaginations of artists, computer graphics en rithm of the number of unit lengths in the generator by gineers, and psychologists. Synthesized and popularized the logarithm of the number of unit lengths across the ini by Mandelbrot (1977, 1983), with ever-widening appeal tiator. Since there are five segments in this generator and (e.g., Peitgen & Richter, 1986), fractals have many curi three unit lengths across the initiator, the fractionaldimen ous and fascinating properties. Consider four. sion is log(5)/log(3), or about 1.47. -
Writing the History of Dynamical Systems and Chaos
Historia Mathematica 29 (2002), 273–339 doi:10.1006/hmat.2002.2351 Writing the History of Dynamical Systems and Chaos: View metadata, citation and similar papersLongue at core.ac.uk Dur´ee and Revolution, Disciplines and Cultures1 brought to you by CORE provided by Elsevier - Publisher Connector David Aubin Max-Planck Institut fur¨ Wissenschaftsgeschichte, Berlin, Germany E-mail: [email protected] and Amy Dahan Dalmedico Centre national de la recherche scientifique and Centre Alexandre-Koyre,´ Paris, France E-mail: [email protected] Between the late 1960s and the beginning of the 1980s, the wide recognition that simple dynamical laws could give rise to complex behaviors was sometimes hailed as a true scientific revolution impacting several disciplines, for which a striking label was coined—“chaos.” Mathematicians quickly pointed out that the purported revolution was relying on the abstract theory of dynamical systems founded in the late 19th century by Henri Poincar´e who had already reached a similar conclusion. In this paper, we flesh out the historiographical tensions arising from these confrontations: longue-duree´ history and revolution; abstract mathematics and the use of mathematical techniques in various other domains. After reviewing the historiography of dynamical systems theory from Poincar´e to the 1960s, we highlight the pioneering work of a few individuals (Steve Smale, Edward Lorenz, David Ruelle). We then go on to discuss the nature of the chaos phenomenon, which, we argue, was a conceptual reconfiguration as -
Fractals, Self-Similarity & Structures
© Landesmuseum für Kärnten; download www.landesmuseum.ktn.gv.at/wulfenia; www.biologiezentrum.at Wulfenia 9 (2002): 1–7 Mitteilungen des Kärntner Botanikzentrums Klagenfurt Fractals, self-similarity & structures Dmitry D. Sokoloff Summary: We present a critical discussion of a quite new mathematical theory, namely fractal geometry, to isolate its possible applications to plant morphology and plant systematics. In particular, fractal geometry deals with sets with ill-defined numbers of elements. We believe that this concept could be useful to describe biodiversity in some groups that have a complicated taxonomical structure. Zusammenfassung: In dieser Arbeit präsentieren wir eine kritische Diskussion einer völlig neuen mathematischen Theorie, der fraktalen Geometrie, um mögliche Anwendungen in der Pflanzen- morphologie und Planzensystematik aufzuzeigen. Fraktale Geometrie behandelt insbesondere Reihen mit ungenügend definierten Anzahlen von Elementen. Wir meinen, dass dieses Konzept in einigen Gruppen mit komplizierter taxonomischer Struktur zur Beschreibung der Biodiversität verwendbar ist. Keywords: mathematical theory, fractal geometry, self-similarity, plant morphology, plant systematics Critical editions of Dean Swift’s Gulliver’s Travels (see e.g. SWIFT 1926) recognize a precise scale invariance with a factor 12 between the world of Lilliputians, our world and that one of Brobdingnag’s giants. Swift sarcastically followed the development of contemporary science and possibly knew that even in the previous century GALILEO (1953) noted that the physical laws are not scale invariant. In fact, the mass of a body is proportional to L3, where L is the size of the body, whilst its skeletal rigidity is proportional to L2. Correspondingly, giant’s skeleton would be 122=144 times less rigid than that of a Lilliputian and would be destroyed by its own weight if L were large enough (cf. -
Complex Numbers and Colors
Complex Numbers and Colors For the sixth year, “Complex Beauties” provides you with a look into the wonderful world of complex functions and the life and work of mathematicians who contributed to our understanding of this field. As always, we intend to reach a diverse audience: While most explanations require some mathemati- cal background on the part of the reader, we hope non-mathematicians will find our “phase portraits” exciting and will catch a glimpse of the richness and beauty of complex functions. We would particularly like to thank our guest authors: Jonathan Borwein and Armin Straub wrote on random walks and corresponding moment functions and Jorn¨ Steuding contributed two articles, one on polygamma functions and the second on almost periodic functions. The suggestion to present a Belyi function and the possibility for the numerical calculations came from Donald Marshall; the November title page would not have been possible without Hrothgar’s numerical solution of the Bla- sius equation. The construction of the phase portraits is based on the interpretation of complex numbers z as points in the Gaussian plane. The horizontal coordinate x of the point representing z is called the real part of z (Re z) and the vertical coordinate y of the point representing z is called the imaginary part of z (Im z); we write z = x + iy. Alternatively, the point representing z can also be given by its distance from the origin (jzj, the modulus of z) and an angle (arg z, the argument of z). The phase portrait of a complex function f (appearing in the picture on the left) arises when all points z of the domain of f are colored according to the argument (or “phase”) of the value w = f (z). -
Fractal Initialization for High-Quality Mapping with Self-Organizing Maps
Neural Comput & Applic DOI 10.1007/s00521-010-0413-5 ORIGINAL ARTICLE Fractal initialization for high-quality mapping with self-organizing maps Iren Valova • Derek Beaton • Alexandre Buer • Daniel MacLean Received: 15 July 2008 / Accepted: 4 June 2010 Ó Springer-Verlag London Limited 2010 Abstract Initialization of self-organizing maps is typi- 1.1 Biological foundations cally based on random vectors within the given input space. The implicit problem with random initialization is Progress in neurophysiology and the understanding of brain the overlap (entanglement) of connections between neu- mechanisms prompted an argument by Changeux [5], that rons. In this paper, we present a new method of initiali- man and his thought process can be reduced to the physics zation based on a set of self-similar curves known as and chemistry of the brain. One logical consequence is that Hilbert curves. Hilbert curves can be scaled in network size a replication of the functions of neurons in silicon would for the number of neurons based on a simple recursive allow for a replication of man’s intelligence. Artificial (fractal) technique, implicit in the properties of Hilbert neural networks (ANN) form a class of computation sys- curves. We have shown that when using Hilbert curve tems that were inspired by early simplified model of vector (HCV) initialization in both classical SOM algo- neurons. rithm and in a parallel-growing algorithm (ParaSOM), Neurons are the basic biological cells that make up the the neural network reaches better coverage and faster brain. They form highly interconnected communication organization. networks that are the seat of thought, memory, con- sciousness, and learning [4, 6, 15]. -
FRACTAL CURVES 1. Introduction “Hike Into a Forest and You Are Surrounded by Fractals. the In- Exhaustible Detail of the Livin
FRACTAL CURVES CHELLE RITZENTHALER Abstract. Fractal curves are employed in many different disci- plines to describe anything from the growth of a tree to measuring the length of a coastline. We define a fractal curve, and as a con- sequence a rectifiable curve. We explore two well known fractals: the Koch Snowflake and the space-filling Peano Curve. Addition- ally we describe a modified version of the Snowflake that is not a fractal itself. 1. Introduction \Hike into a forest and you are surrounded by fractals. The in- exhaustible detail of the living world (with its worlds within worlds) provides inspiration for photographers, painters, and seekers of spiri- tual solace; the rugged whorls of bark, the recurring branching of trees, the erratic path of a rabbit bursting from the underfoot into the brush, and the fractal pattern in the cacophonous call of peepers on a spring night." Figure 1. The Koch Snowflake, a fractal curve, taken to the 3rd iteration. 1 2 CHELLE RITZENTHALER In his book \Fractals," John Briggs gives a wonderful introduction to fractals as they are found in nature. Figure 1 shows the first three iterations of the Koch Snowflake. When the number of iterations ap- proaches infinity this figure becomes a fractal curve. It is named for its creator Helge von Koch (1904) and the interior is also known as the Koch Island. This is just one of thousands of fractal curves studied by mathematicians today. This project explores curves in the context of the definition of a fractal. In Section 3 we define what is meant when a curve is fractal. -
A New Digital Signature Scheme Based on Mandelbrot and Julia Fractal Sets
American Journal of Applied Sciences 4 (11): 848-856, 2007 ISSN 1546-9239 © 2007 Science Publications A New Digital Signature Scheme Based on Mandelbrot and Julia Fractal Sets Mohammad Ahmad Alia and Azman Bin Samsudin School of Computer Sciences, Universiti Sains Malaysia, 11800 Penang, Malaysia Abstract: This paper describes a new cryptographic digital signature scheme based on Mandelbrot and Julia fractal sets. Having fractal based digital signature scheme is possible due to the strong connection between the Mandelbrot and Julia fractal sets. The link between the two fractal sets used for the conversion of the private key to the public key. Mandelbrot fractal function takes the chosen private key as the input parameter and generates the corresponding public-key. Julia fractal function then used to sign the message with receiver's public key and verify the received message based on the receiver's private key. The propose scheme was resistant against attacks, utilizes small key size and performs comparatively faster than the existing DSA, RSA digital signature scheme. Fractal digital signature scheme was an attractive alternative to the traditional number theory digital signature scheme. Keywords: Fractals Cryptography, Digital Signature Scheme, Mandelbrot Fractal Set, and Julia Fractal Set INTRODUCTION Cryptography is the science of information security. Cryptographic system in turn, is grouped according to the type of the key system: symmetric (secret-key) algorithms which utilizes the same key (see Fig. 1) for both encryption and decryption process, and asymmetric (public-key) algorithms which uses different, but mathematically connected, keys for encryption and decryption (see Fig. 2). In general, Fig. 1: Secret-key scheme. -
Ensembles Fractals, Mesure Et Dimension
Ensembles fractals, mesure et dimension Jean-Pierre Demailly Institut Fourier, Universit´ede Grenoble I, France & Acad´emie des Sciences de Paris 19 novembre 2012 Conf´erence au Lyc´ee Champollion, Grenoble Jean-Pierre Demailly, Lyc´ee Champollion - Grenoble Ensembles fractals, mesure et dimension Les fractales sont partout : arbres ... fractale pouvant ˆetre obtenue comme un “syst`eme de Lindenmayer” Jean-Pierre Demailly, Lyc´ee Champollion - Grenoble Ensembles fractals, mesure et dimension Poumons ... Jean-Pierre Demailly, Lyc´ee Champollion - Grenoble Ensembles fractals, mesure et dimension Chou broccoli Romanesco ... Jean-Pierre Demailly, Lyc´ee Champollion - Grenoble Ensembles fractals, mesure et dimension Notion de dimension La dimension d’un espace (ensemble de points dans lequel on se place) est classiquement le nombre de coordonn´ees n´ecessaires pour rep´erer un point de cet espace. C’est donc a priori un nombre entier. On va introduire ici une notion plus g´en´erale, qui conduit `ades dimensions parfois non enti`eres. Objet de dimension 1 ×3 ×31 Par une homoth´etie de rapport 3, la mesure (longueur) est multipli´ee par 3 = 31, l’objet r´esultant contient 3 fois l’objet initial. La dimension d’un segment est 1. Jean-Pierre Demailly, Lyc´ee Champollion - Grenoble Ensembles fractals, mesure et dimension Dimension 2 ... Objet de dimension 2 ×3 ×32 Par une homoth´etie de rapport 3, la mesure (aire) de l’objet est multipli´ee par 9 = 32, l’objet r´esultant contient 9 fois l’objet initial. La dimension du carr´eest 2. Jean-Pierre Demailly, Lyc´ee Champollion - Grenoble Ensembles fractals, mesure et dimension Dimension d ≥ 3 .. -
Turtlefractalsl2 Old
Lecture 2: Fractals from Recursive Turtle Programs use not vain repetitions... Matthew 6: 7 1. Fractals Pictured in Figure 1 are four fractal curves. What makes these shapes different from most of the curves we encountered in the previous lecture is their amazing amount of fine detail. In fact, if we were to magnify a small region of a fractal curve, what we would typically see is the entire fractal in the large. In Lecture 1, we showed how to generate complex shapes like the rosette by applying iteration to repeat over and over again a simple sequence of turtle commands. Fractals, however, by their very nature cannot be generated simply by repeating even an arbitrarily complicated sequence of turtle commands. This observation is a consequence of the Looping Lemmas for Turtle Graphics. Sierpinski Triangle Fractal Swiss Flag Koch Snowflake C-Curve Figure 1: Four fractal curves. 2. The Looping Lemmas Two of the simplest, most basic turtle programs are the iterative procedures in Table 1 for generating polygons and spirals. The looping lemmas assert that all iterative turtle programs, no matter how many turtle commands appear inside the loop, generate shapes with the same general symmetries as these basic programs. (There is one caveat here, that the iterating index is not used inside the loop; otherwise any turtle program can be simulated by iteration.) POLY (Length, Angle) SPIRAL (Length, Angle, Scalefactor) Repeat Forever Repeat Forever FORWARD Length FORWARD Length TURN Angle TURN Angle RESIZE Scalefactor Table 1: Basic procedures for generating polygons and spirals via iteration. Circle Looping Lemma Any procedure that is a repetition of the same collection of FORWARD and TURN commands has the structure of POLY(Length, Angle), where Angle = Total Turtle Turning within the Loop Length = Distance from Turtle’s Initial Position to Turtle’s Final Position within the Loop That is, the two programs have the same boundedness, closing, and symmetry.