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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
What Kubrick's Kelley O'brien University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2018 "He Didn't Mean It": What Kubrick's Kelley O'Brien University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation O'Brien, Kelley, ""He Didn't Mean It": What Kubrick's" (2018). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/7204 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “He Didn‟t Mean It”: What Kubrick‟s The Shining Can Teach Us About Domestic Violence by Kelley O‟Brien A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts With a concentration in Humanities Department of Humanities and Cultural Studies College Arts and Sciences University of South Florida Major Professor: Daniel Belgrad, Ph.D. Maria Cizmic, Ph.D. Amy Rust Ph.D. Date of Approval: March 8, 2018 Keywords: Patriarchy, Feminism, Gender Politics, Horror, American 1970s Copyright © 2018, Kelley O‟Brien Dedication I dedicate this thesis project to my mother, Terri O‟Brien. Thank you for always supporting my dreams and for your years of advocacy in the fight to end violence against women. I could not have done this without you. Acknowledgments First I‟d like to express my gratitude to my thesis advisor Dr. -
New Audiobooks 1/1/05 - 5/31/05
NEW AUDIOBOOKS 1/1/05 - 5/31/05 AVRCU = AUDIOBOOK ON CASSETTE AVRDU = AUDIOBOOK ON COMPACT DISC [ 1] Shepherds abiding :with Esther's gift and the Mitford snowmen /by Jan Karon. AVRCU3876 Karon, Jan,1937- [ 2] Kill the messenger /by Tami Hoag. AVRCU3889 Hoag, Tami. [ 3] Voices of the Shoah :remembrances of the Holocaust /[written by David Notowitz]. AVRDU0352 [ 4] We're just like you, only prettier :confessions of a tarnished southern belle /Celia Rivenbark. AVRCU4020 Rivenbark, Celia. [ 5] A mighty heart /by Mariane Pearl with Sarah Crichton ; narrated by Suzanne Toren. AVRCU4025 Pearl, Mariane. [ 6] The happiest toddler on the block :the new way to stop the daily battle of wills and raise a secure and well-behaved one- to four-year-old /Harvey Karp with Paula Spencer. AVRCU4026 Karp, Harvey. [ 7] Black water /T.J. MacGregor. AVRCU4027 MacGregor, T. J. [ 8] A rage for glory :the life of Commodore Stephen Decatur, USN /James Tertius de Kay. AVRCU4028 De Kay, James T. [ 9] Affinity /Sarah Waters. AVRCU4029 Waters, Sarah,1966- [ 10] Dirty laundry /Paul Thomas. AVRCU4030 Thomas, Paul,1951- [ 11] Horizon storms /Kevin J. Anderson. AVRCU4031 Anderson, Kevin J.,1962- [ 12] Blue blood /Edward Conlon. AVRCU4032 Conlon, Edward,1965- [ 13] Washington's crossing /by David Hackett Fischer. AVRCU4033 Fischer, David Hackett,1935- [ 14] Little children /Tom Perrotta. AVRCU4035 Perrotta, Tom,1961- [ 15] Above and beyond /Sandra Brown. AVRCU4036 Brown, Sandra,1948- [ 16] Reading Lolita in Tehran /by Azar Nafisi. AVRCU4037 Nafisi, Azar. [ 17] Thunder run :the armored strike to capture Baghdad /David Zucchino. AVRCU4038 Zucchino, David. [ 18] The Sunday philosophy club /Alexander McCall Smith. -
2017 Highlights
EIGHTH ANNUAL EDITION November 9-16, 2017 “DOC NYC has quickly become one of the city’s grandest film events.” Spans downtown Hailed as Manhattan from “ambitious” IFC Center to 250+ SVA Theatre and films & events “selective but Cinepolis Chelsea eclectic” ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Thom Powers programs for the Toronto Raphaela Neihausen & Powers run the weekly International Film Festival and hosts the series Stranger Than Fiction at IFC Center and podcast Pure Nonfiction. host WNYC’s “Documentary of the Week.” DOC NYC has welcomed over 50 sponsors through the years, most of which have returned for 3+ years. ACSIL Discovery Image Nation Abu Dhabi Participant Media Technicolor-Postworks NY Brooklyn Roasting Co. Docurama Impact Partners Peru Ministry of Tribeca Grand Hotel Tourism & Culture Chicago Media Project Essentia Water IndieWire VH1 & Logo Documentary Posteritati Films Chicken & Egg Pictures Goose Island JustFilms/Ford Foundation RADiUS Vulcan Cowan DeBaets Half Pops Abrahams & Sheppard Kickstarter The Screening Room Wheelhouse Creative Heineken CNN Films MTV Stoli The World Channel International City of New York Documentary Association NBCUniversal Archives SundanceNow The Yard Mayor’s Office for Doc Club Media & Entertainment Illy New York Magazine ZICO SVA Owl’s Brew DOCNYC.NET DOCNYCFEST Voted by Movie Maker Magazine as one of the top 5 coolest documentary film festivals in the world! DOC NYC 2016 FEATURED: 12k 200+ likes on Facebook 60k special guests visits DOCNYC.net 125k 92 reached by e-mail Largest premieres Documentary -
Nine Night at the Trafalgar Studios
7 September 2018 FULL CASTING ANNOUNCED FOR THE NATIONAL THEATRE’S PRODUCTION OF NINE NIGHT AT THE TRAFALGAR STUDIOS NINE NIGHT by Natasha Gordon Trafalgar Studios 1 December 2018 – 9 February 2019, Press night 6 December The National Theatre have today announced the full cast for Nine Night, Natasha Gordon’s critically acclaimed play which will transfer from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she has recently been nominated for the Best Writer Award in The Stage newspaper’s ‘Debut Awards’. She is joined by Oliver Alvin-Wilson (Robert), Michelle Greenidge (Trudy), also nominated in the Stage Awards for Best West End Debut, Hattie Ladbury (Sophie), Rebekah Murrell (Anita) and Cecilia Noble (Aunt Maggie) who return to their celebrated NT roles, and Karl Collins (Uncle Vince) who completes the West End cast. Directed by Roy Alexander Weise (The Mountaintop), Nine Night is a touching and exuberantly funny exploration of the rituals of family. Gloria is gravely sick. When her time comes, the celebration begins; the traditional Jamaican Nine Night Wake. But for Gloria’s children and grandchildren, marking her death with a party that lasts over a week is a test. Nine rum-fuelled nights of music, food, storytelling and laughter – and an endless parade of mourners. The production is designed by Rajha Shakiry, with lighting design by Paule Constable, sound design by George Dennis, movement direction by Shelley Maxwell, company voice work and dialect coaching by Hazel Holder, and the Resident Director is Jade Lewis. -
EDITORIAL Screenwriters James Schamus, Michael France and John Turman CA 90049 (310) 447-2080 Were Thinking Is Unclear
screenwritersmonthly.com | Screenwriter’s Monthly Give ‘em some credit! Johnny Depp's performance as Captain Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl is amazing. As film critic after film critic stumbled over Screenwriter’s Monthly can be found themselves to call his performance everything from "original" to at the following fine locations: "eccentric," they forgot one thing: the screenwriters, Ted Elliott and Terry Rossio, who did one heck of a job creating Sparrow on paper first. Sure, some critics mentioned the writers when they declared the film "cliché" and attacked it. Since the previous Walt Disney Los Angeles film based on one of its theme park attractions was the unbear- able The Country Bears, Pirates of the Caribbean is surprisingly Above The Fold 370 N. Fairfax Ave. Los Angeles, CA 90036 entertaining. But let’s face it. This wasn't intended to be serious (323) 935-8525 filmmaking. Not much is anymore in Hollywood. Recently the USA Today ran an article asking, basically, “What’s wrong with Hollywood?” Blockbusters are failing because Above The Fold 1257 3rd St. Promenade Santa Monica, CA attendance is down 3.3% from last year. It’s anyone’s guess why 90401 (310) 393-2690 this is happening, and frankly, it doesn’t matter, because next year the industry will be back in full force with the same schlep of Above The Fold 226 N. Larchmont Blvd. Los Angeles, CA 90004 sequels, comic book heroes and mindless action-adventure (323) 464-NEWS extravaganzas. But maybe if we turn our backs to Hollywood’s fast food service, they will serve us something different. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
False Authenticity in the Films of Woody Allen
False Authenticity in the Films of Woody Allen by Nicholas Vick November, 2012 Director of Thesis: Amanda Klein Major Department: English Woody Allen is an auteur who is deeply concerned with the visual presentation of his cityscapes. However, each city that Allen films is presented in such a glamorous light that the depiction of the cities is falsely authentic. That is, Allen's cityscapes are actually unrealistic recreations based on his nostalgia or stilted view of the city's culture. Allen's treatment of each city is similar to each other in that he strives to create a cinematic postcard for the viewer. However, differing themes and characteristics emerge to define Allen's optimistic visual approach. Allen's hometown of Manhattan is a place where artists, intellectuals, and writers can thrive. Paris denotes a sense of nostalgia and questions the power behind it. Allen's London is primarily concerned with class and the social imperative. Finally, Barcelona is a haven for physicality, bravado, and sex but also uncertainty for American travelers. Despite being in these picturesque and dynamic locations, happiness is rarely achieved for Allen's characters. So, regardless of Allen's dreamy and romanticized visual treatment of cityscapes and culture, Allen is a director who operates in a continuous state of contradiction because of the emotional unrest his characters suffer. False Authenticity in the Films of Woody Allen A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree MA English by Nicholas Vick November, 2012 © Nicholas Vick, 2012 False Authenticity in the Films of Woody Allen by Nicholas Vick APPROVED BY: DIRECTOR OF DISSERTATION/THESIS: _______________________________________________________ Dr. -
The Gold Coast Trail Under the Highway and Cut West Toward TEN MUST-SEE DESTINATIONS ALONG the MOST SPECTACULAR— Sequit Point
1) Wild Child LEO CARRILLO BEACH WHERE MULHOLLAND HIGHWAY The c ollides with PCH and leather-clad bikers r»oar up the coast to Neptune’s Net is one of California’s m ost welcoming stretches of sand. Bring the kids and make a weekend of it: Camp under the sycamores at Leo Carrillo State Park, and use the fi re pits to get your clambake on. When the tide is low, follow the Gold Coast trail under the highway and cut west toward TEN MUST-SEE DESTINATIONS ALONG THE MOST SPECTACULAR— Sequit Point. As you scramble over mussel- AND HIGHLY CONTESTED—SHORELINE IN SOUTHERN CALIFORNIA encrusted boulders, you can scour tide pools for nudibranchs and anemones before pushing BY THOMAS HARLANDER AND MARY MELTON a little farther to explore s ea caves. 1 2 3 5 4 2) Triple Crown EL PESCADOR, LA PIEDRA & EL MATADOR 3) Sand Dollars JAGGED ROCK BROAD BEACH formations, lazy piles of» driftwood, and crashing ITS NAME NO longer applies, since surf draw weekend crowds erosion has taken its toll (see page 87) 4) Call Your Bluff POINT DUME to this insanely photogenic o»n this once-wide strand that is alternately triad of “pocket beaches” called Trancas. Homeowners have built rock FAVORABLE WINDS exceptionally clean (beware (known co llectively as the wall fortifi cations to stave o f the waves. make Zuma Beach, just the strong currents). The Robert H. Meyer Memorial As you walk along t he lovely beach at low we»st o f the Point, a primo surf- neighborhood on the clif over- State Beach). -
Kids Classics
SAT/SUN AUG SAT/SUN AUG Launch Party Friday July 24th 11:30PM 1ST & 2ND, 4PM 8TH & 9TH, 4PM WITH FOLLOWING SESSIONS ON SATURDAY & SUNDAY 25 & 26TH AT 4PM Come in Fancy dress and win prizes for best dressed . First prize winner gets to take home a GOLD PASS valued at over $5000 granting unlimited free movies for a year. The runner up will walk away with a six month membership for Snap Fitness and various other door prizes will be available. Don’t miss out! Bring your own props (Please don’t bring rice or confetti) TICKETS ON SALE NOW SAT/SUN AUG SAT/SUN AUG SAT/SUN AUG SAT/SUN SEPT SAT/SUN SEPT SAT/SUN SEPT SAT/SUN SEPT 15TH & 16TH, 4PM 22ND & 23RD, 4PM 29TH & 30TH, 4PM 5TH & 6TH, 4PM 12TH & 13TH, 4PM 19TH & 20TH, 4PM 26TH & 27TH, 4PM SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN NOV SAT/SUN NOV 3RD & 4TH, 4PM 10TH & 11TH, 4PM 17TH & 18TH, 4PM 24TH & 25TH, 4PM 31ST & NOV 1ST, 4PM 7TH & 8TH, 4PM 14TH & 15TH, 4PM IN 3D SAT/SUN NOV DOUBLE FEATURE (INCLUDING INTERMISSION) DOUBLE FEATURE (INCLUDING INTERMISSION) SAT/SUN DEC SAT/SUN DEC 21ST & 22ND, 4PM SAT/SUN NOV 28TH & 29TH, 4PM SAT/SUN DEC 5TH & 6TH, 4PM 12TH & 13TH, 4PM 19TH & 20TH, 3PM KIDS CLASSICS SAT/SUN AUG SAT/SUN AUG SAT/SUN SEPT SAT/SUN OCT SAT/SUN OCT SAT/SUN NOV SAT/SUN NOV SAT/SUN DEC 8TH & 9TH 22ND & 23RD 5TH & 6TH 10TH & 11TH 24TH & 25TH 7TH & 8TH 21ST & 22ND 5TH & 6TH IN 3D IN 3D TICKET PRICES LIKE OUR CULT CLASSICS? HOW TO FIND US Adults: 2D $12.50/3D $15.50 WHY NOT TRY: Concession/Child: 2D $9.50/3D $12.50 3-5 Hewish Rd, Seniors:2D $7.50/3D $10.50 Family: -
Bates, National Spokesperson, Lymphatic Education & Research Network
House Committee on Appropriations Subcommittee on Labor, Health and Human Services, Education, and Related Agencies Public Witnesses Hearing Tuesday, April 9th, 2019 | 2:00 PM Witness Biography: Kathy Bates, National Spokesperson, Lymphatic Education & Research Network Honored numerous times for her work, Kathy is an undeniable force on stage, screen and television. Bates won an Academy Award® and a Golden Globe® for her portrayal of obsessed fan 'Annie Wilkes' in Rob Reiner's 1990 hit Misery, based on Stephen King's novel. On television Bates has received 14 Emmy® nominations, winning her first in 2003 playing 'Ghost of Charlie Harper' in Chuck Lorre's Two and a Half Men. Bates won rave reviews and her second Emmy® as the deliciously evil 'Madame LaLaurie' in Ryan Murphy's American Horror Story: Coven on FX. She received two more Emmy® nods for 'Ethel' in American Horror Story: Freak Show and 'Iris' in Hotel. Additional film credits include: The Blind Side with Sandra Bullock; Sam Mendes' drama Revolutionary Road, which reunited her with Leonardo DiCaprio and Kate Winslet, Adam Sandler's The Waterboy, Dolores Claiborne and Woody Allen’s Midnight in Paris, James Cameron’s Titanic, Robert Altman's Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, Straight Time with Dustin Hoffman and Milos Forman's Taking Off. For the past several years, Bates has served as a Spokesperson for the Lymphatic Education and Research Network (LE&RN). LE&RN is an internationally recognized non-profit organization founded in 1998 to fight lymphatic diseases and lymphedema through education, research and advocacy. -
Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’S the Hinins G Bethany Miller Cedarville University, [email protected]
Cedarville University DigitalCommons@Cedarville Department of English, Literature, and Modern English Seminar Capstone Research Papers Languages 4-22-2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g Bethany Miller Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ english_seminar_capstone Part of the Film Production Commons, Literature in English, North America Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Other Film and Media Studies Commons, and the Screenwriting Commons Recommended Citation Miller, Bethany, "“Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g" (2015). English Seminar Capstone Research Papers. 30. http://digitalcommons.cedarville.edu/english_seminar_capstone/30 This Capstone Project is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in English Seminar Capstone Research Papers by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Miller 1 Bethany Miller Dr. Deardorff Senior Seminar 8 April 2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The Shining Stanley Kubrick’s horror masterpiece The Shining has confounded and fascinated viewers for decades. Perhaps its most mystifying element is its final zoom, which gradually falls on a picture of Jack Torrance beaming in front of a crowd with the caption “July 4 th Ball, Overlook Hotel, 1921.” While Bill Blakemore and others examine the film as a critique of violence in American history, no scholar has thoroughly established the connection between July 4 th, 1921, Jack Torrance, and the rest of the film.