Visit Us on the Web at DECADES.Com

Total Page：16

File Type：pdf, Size：1020Kb

Monday Tuesday Wednesday Thursday Friday Weekend 9/21/15 9/22/15 9/23/15 9/24/15 9/25/15 9/26/15 - 9/27/15 7a / 1p / 7p / 1a Through the Decades 150921 {CC} Through the Decades 150922 {CC} Through the Decades 150923 {CC} Through the Decades 150924 {CC} Through the Decades 150925 {CC} 8a / 2p / 8p / 2a The Young Lawyers Firefighter Richard Pryor, Zalman King (1969) - The War Between Men and Women Nancy McKeon, Vincent Irizarry (1986) - Drama Jack Lemmon, Jason Robards (1972) - The China Syndrome Flyboys Drama TV-PG V {CC} Comedy Jane Fonda, Jack Lemmon - Drama 9a / 3p / 9p / 3a James Franco, Jean Reno (2006) - TV-PG CBSD028 TV-PG {CC} TV-PG {CC} Action SONYD011 Weekend Binge: That Girl TV-PG {CC} CBSD003 SONYD015 Perry Mason 75 {CC} MGM1248 10a / 4p / 10p / 4a Classic Commercials: 08 The Big Valley 1XAC15 {CC} M*A*S*H T424 {CC} I Love Lucy 056 {CC} The Untouchables 3 {CC} 11a / 5p / 11p / 5a I Love Lucy 150 {CC} The Mary Tyler Moore Show 2YAN10 {CC} I Love Lucy 067 {CC} The Fugitive 176 {CC} The Phil Silvers Show 22 {CC} Our Miss Brooks 078 The Twilight Zone 22 {CC} The Mary Tyler Moore Show 5YAN25 {CC} 12p / 6p / 12a / 6a The Mary Tyler Moore Show 2YAN17 {CC} The Mary Tyler Moore Show 3YAN20 {CC} The Phil Silvers Show 95 {CC} Mission: Impossible 46 {CC} Mission: Impossible 35 {CC} M*A*S*H K417 {CC} The Loretta Young Show 5434 {CC} M*A*S*H K418 {CC} One of the hallmarks of fall is On September 22, 2006, During the 1980s television Starring two-time Oscar Award Oscar-winning actor Michael the start of a new television feature film 'Flyboys' opened movies were all the rage on winner Jack Lemmon and Oscar-Douglas was born on this day season. On September 21, in theatres. Starring James broadcast networks. Feature nominated Barbara Harris, in 1944. Starring Jane Fonda, 1970, ABC premiered the 90- Franco, the film follows a film 'Firefighter' tells the true feature film 'The War Between Jack Lemmon and Michael minute pilot of 'The Young group of young Americans story of Cindy Fralick, the first Men and Women' was playing in Douglas, feature film 'The Lawyers,' starring Oscar who volunteer for the female firefighter at the Los theatres this week in 1972. China Syndrome' follows an nominee Lee J. Cobb. Another French military before the Angeles County Fire Oscar Award winner Jack ambitious reporter who risks September tradition is the U.S. enters WWI. Next, we Department. The film originally Lemmon stars as a grouchy her career trying to expose the Emmy Awards, and this week showcase Emmy-winning aired on this day in 1986 on cartoonist whose negativity coverup of a serious accident we are featuring Emmy- performers and programs. CBS. As we continue our isolates him as much as his at a nuclear power plant. winning performers and Today we remember crime weeklong showcase of Emmy- diminishing eye sight. Next, our Finally, we wrap up our week programs. Today, we dramas that were honored winning television week of Emmy-winning of Emmy-winning remember those who took with Emmys for Best Drama programming, today we focus programming continues with programming with series that home the Emmy for Best Actor Series. on award-winning actresses. shows that were honored in the took home the trophy for Best and Best Supporting Actor. Best Writing category. Comedy Series. Visit us on the web at DECADES.com.

Copy Link

Recommended publications

Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
[Show full text]
O'neill Society News
Boston International Conference June 17-20, 2020 @ Suffolk University Fall 2019 O’Neill Society News The official newsletter of the Eugene O’Neill International Society Contents • EON Society at ALA 2019 .................2 • A Tribute to Kurt Eisen ......................2 • Society Annual Business Mtg .........3 • ALA Conference May 2019 in Boston and 2020 Conference Update....................................................3 • Peter Quinn wins O’Neill Award ....3 • O’Neill Festivals in Danville, CA and New Ross, Ireland ...............................4 • Eisel Reflections on Long Day’s ......5 • Babson Students to Tao House ......5 • Dowling on NPR Radio Show .........5 • Grad Student Paper Competition .5 • New Film on Charles Gilpin ............5 • 2020 Conferences for O’Neillians .6 • Garvey Comes Full Circle .................6 • Photos from Recent Productions of O’Neill plays .........................................7 O’Neill Conferences, Festivals and • Opportunity for ePublishing ..........8 • Review celebrates 5th Decade .......8 Performances Around the Globe The summer and fall were filled with multiple conferences, festivals and regional performances of plays by Eugene O’Neill. The activities took place in the hills of Danville, CA, at Tao House; at the American Literature Association Conference in Boston, MA; in New Ross, Ireland at the Eugene O’Neill Theatre Festival, and many stops in between. We’ll highlight these events in this edition of the newsletter! Word came just as we were going to press that O’Neill Society member, celebrated scholar and poet George Monteiro died suddenly from a heart attack on Tuesday, November 5. His wife Brenda Murphy reported that he had been dealing with debilitating neurological problems for several years, a “Parkinsonism” not unlike Eugene O’Neill’s.
[Show full text]
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz,
[Show full text]
Adventure Playground: Essentially, to a Place of Pleasure—That Today It Surrounds Us, Everywhere, Having Quietly John V
The city’s onscreen prominence is so taken for granted today that it is hard to imagine that as late as 1965, the last year of Robert F. Wagner’s mayoralty, New York hardly appeared in films at all. That year, only two features were shot substantially in the city: The Pawnbroker, an early landmark in the career of veteran New York director Sidney Lumet, and A Thousand Clowns, directed by Fred Coe, which used extensive location work to “open up” a Broadway stage hit of a few years earlier by the playwright Herb Gardner. The big change came with Wagner’s successor, John V. Lindsay—who, soon after taking office in 1966, made New York the first city in history to encourage location filmmaking: establishing a simple, one-stop permit process through a newly created agency (now called the Mayor’s Office of Film, Theatre and Broadcasting), creating a special unit of the Police Department to assist filmmakers, and ordering all city agencies and departments to cooperate with producers and directors (1). The founding of the Mayor’s Film Office—the first agency of its kind in the world—remains to this day one of the Lindsay administration’s signal achievements, an innovation in governance which has been replicated by agencies or commissions in almost every city and state in the Union, and scores of countries and provinces around the world. In New York, it helped to usher in a new industry, now generating over five billion dollars a year in economic activity and bringing work to more than 100,000 New Yorkers: renowned directors and stars, working actors and technicians, and tens of thousands of men and women employed by supporting businesses—from equipment rental houses, to scenery shops, to major studio complexes that now rival those of Southern California.
[Show full text]
An Analysis of Boogie Nights and Magnolia Andrew C
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2009 "New" Hollywood Narratives: an Analysis of Boogie Nights and Magnolia Andrew C. Cate Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the American Film Studies Commons, and the Film and Media Studies Commons Recommended Citation Cate, Andrew C., ""New" Hollywood Narratives: an Analysis of Boogie Nights and Magnolia" (2009). Honors Projects Overview. 23. https://digitalcommons.ric.edu/honors_projects/23 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. “NEW” HOLLYWOOD NARRATIVES: AN ANALYSIS OF BOOGIE NIGHTS AND MAGNOLIA By Andrew C. Cate An Honors Project Submitted in Partial Fulfillment of the Requirements for Honors in The Department of Film Studies The School of Arts and Sciences Rhode Island College 2009 Cate 1 “New” Hollywood Narratives: An Analysis of Boogie Nights and Magnolia Introduction To discuss Paul Thomas Anderson the filmmaker is to consider the current age of Hollywood filmmaking and the idea of the “new” Hollywood narrative. As writer- director of such acclaimed films as Magnolia (1999) and There Will Be Blood (2007), Anderson was praised for appearing to have “arrived at his mastery virtually overnight” with his first major release, the 1997 ensemble film Boogie Nights (Gleiberman). Anderson has long been compared to veteran filmmaker Robert Altman, whose take on the typical Hollywood narrative format has clearly influenced Anderson’s films.
[Show full text]
CASA Continuing Education Approved Movie List
Movie List for CASA Continuing Education with Optima Categories [Rev. 8/2020] 13 Reasons Why [Optima: Mental Health Issues] [Stars: Dylan Minnette, Katherine Langford, Christian Navarro][ TV Series 49 episodes and counting] Follows teenager Clay Jensen, in his quest to uncover the story behind his classmate and crush, Hannah, and her decision to end her life. [from a Literary Novel see Reading List] A Girl Like Her [Optima: Communicating with Children and Families, Education, Mental Health Issues] [Stars: Lexi Ainsworth, Hunter King, Jimmy Bennett] [1 hr 31 min] Jessica Burns enlists the help of her best friend, Brian, in order to document the relentless harassment she has received from her former friend, Avery Keller, one of South Brookdale High School's most popular students. A Million Little Pieces [Optima: Substance Abuse] [Stars: Aaron Taylor-Johnson, Billy Bob Thornton, Odessa Young] [1 hr 53 minutes] A drug dependent young man faces his past and his inner demons after he is interned in an institution for addicted. An American Crime [Optima: Child Abuse and Neglect] [Stars: Ellen Page, Hayley McFarland, Nick Searcy] [Run time: 1 hr 38 minutes] The true story of suburban housewife Gertrude Baniszewski, who kept a teenage girl locked in the basement of her Indiana home during the 1960s. Antwone Fisher [Optima: Administration of the System, Child Abuse and Neglect, Cultural Competency, Independent Living and Emancipation] [2hr] Antwone Fisher, a young navy man, is forced to see a psychiatrist after a violent outburst against a fellow crewman. During the course of treatment a painful past is revealed and a new hope begins.
[Show full text]
Original Writer Title Genre Running Time Year Director/Writer Actor
Original Running Title Genre Year Director/Writer Actor/Actress Keywords Writer Time Katharine Hepburn, Alcoholism, Drama, Tony Richardson; Edward Albee A Delicate Balance 133 min 1973 Paul Scofield, Loss, Play Edward Albee Lee Remick Family Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. I Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 54 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. II Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. III Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. IV Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 50 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. V Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 52 min 1995 Austen,
[Show full text]
NEA Chronology Final
THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com strengthening the artistic life of this country – was created. panies as there were in 1965.
[Show full text]
Hughie Begins New Year As Playwrights' Theatre Offering
NEWSLETTER WINTER 2014 HUGHIE BEGINS NEW YEAR AS PLAYWRIGHTS’ THEATRE OFFERING For the sixth year in a row, the Eugene O’Neill Foundation, Tao House returns to the Museum of the San Ramon Valley as the venue for the first of the Playwrights’ Theatre series of staged readings for 2015. O’Neill’s one act play, Hughie, will be seen for only two performances on Saturday, January 10 at 8:00 p.m., and on Sunday, January 11 at 2:00 p.m. Following the overwhelming response to the Eugene O’Neill Festival production of The Iceman Cometh last September, theatre-goers will want to reserve seats early. Seating for both performances at the Museum is limited. Reservations for Hughie are available online at the Foundation website www.eugeneoneill.org or by phone at (925) 820-1818. Tickets are $25.00 per person. “Hughie is a great complement to last September’s production,” says the Foundation’s Vice President of Programs Eric Fraisher Hayes. “Like Iceman, Hughie also tells the tale of the lonely, late night struggles of a traveling man. In this case, he spends the midnight hours with the world’s most disinterested lobby clerk in a small New York hotel in 1928. Hughie provides a lot more humor than most playgoers expect from O’Neill “, says Hayes. continued on page 4 FOUNDATION SALUTES TWO CHAMPIONS AT 40TH ANNIVERSARY DINNER 40th Anniversary Celebration Montage…….…...2 The setting was the Eugene O’Neill Room at Crow Canyon Hughie’s Long Journey...………….………...…….3 Country Club in San Ramon. The event was to celebrate the Welcome New Board Members & Officers….….5 Foundation’s 40th Anniversary and to honor Congressman Residency Program is a “Go”………..……….….6 George Miller (11th District of California), and the East Bay Plans for Student Days 2015……………..……....7 Regional Park District.
[Show full text]
FILM SENIOR MOMENT (Goff Productions) Director: Giorgio Serafini
Pat McCorkle, CSA Jeffrey Dreisbach, Casting Partner Katja Zarolinski, CSA Kristen Kittel, Casting Assistant FILM SENIOR MOMENT (Goff Productions) Director: Giorgio Serafini. Starring: William Shatner, Christopher Lloyd, Jean Smart. THE MURPHYS (Independent Feature; Producer(s): The Murphy's LLC). Director: Kaitlan McGlaughlin. BERNARD & HUEY (In production. Independent Feature; Producer(s): Dan Mervish/Bernie Stein). Director: Dan Mervish. AFTER THE SUN FELL (Post Production. Independent feature; Producer(s): Joanna Bayless). Director: Tony Glazer. Starring: Lance Henriksen, Chasty Ballesteros, Danny Pudi. FAIR MARKET VALUE (Post Production. Feature ; Producer(s): Judy San Romain). Director: Kevin Arbouet. Starring: Jerry Adler, D.C. Anderson, Michael J. Arbouet. YEAR BY THE SEA (Festival circuit. Feature; Producer(s): Montabella Productions ). Director: Alexander Janko. Starring: Karen Allen, Yannick Bisson, Michael Cristofer. CHILD OF GRACE (Lifetime Network Feature; Producer(s): Empathy + Pictures/Sternamn Productions). Director: Ian McCrudden. Starring: Ted Lavine, Maggy Elizabeth Jones, Michael Hildreth. POLICE STATE (Independent Feature; Producer(s): Edwin Mejia\Vlad Yudin). Director: Kevin Arbouet. Starring: Sean Young, Seth Gilliam, Christina Brucato. MY MAN IS A LOSER (Lionsgate, Step One Entertainment; Producer(s): Step One of Many/Imprint). Director: Mike Young. Starring: John Stamos, Tika Sumpter, Michael Rapaport. PREMIUM RUSH (Columbia Pictures; Producer(s): Pariah). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. JUNCTION (Movie Ranch; Producer(s): Choice Films). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. GHOST TOWN* (Paramount Pictures; Producer(s): Dreamworks SKG). Director: David Koepp. Starring: Ricky Gervais, Tea Leoni, Greg Kinnear. WAR EAGLE (Empire Film; Producer(s): Downstream Productions). Director: Robert Milazzo. Starring: Brian Dennehy, Mary Kay Place, Mare Winningham.
[Show full text]
Celluloid Heroes" (August 15, 2008)
On The Media: Transcript of "Celluloid Heroes" (August 15, 2008) http://ijpc.org/Celluloid%20Heroes%20Joe%20Saltzman.htm Celluloid Heroes August 15, 2008 Filmmakers have long been fascinated by the idea of the grizzled reporter chasing a scoop. In the silent era, titles like “The Daring of Diana” and “The Final Extra” treated journalism as adventure – and it’s no different in the modern age. Joe Saltzman, director of the Image of the Journalist in Popular Culture, discusses the movie reporter. BROOKE GLADSTONE: We've devoted this hour to investigative journalism, as practiced by real reporters. Obviously, most of us don't have first-hand experience in tracking down and writing up a scoop. What we do have is the movies. Filmmakers have long been fascinated with the idea of the ink-stained gumshoe. In the silent era, movies with titles like "The Daring of Diana" and "The Final Extra" treated journalism as an adventure, and it’s no different in the modern age. Joe Saltzman is director of the Image of the Journalist in Popular Culture, or IJPC, at the University of Southern California Annenberg School for Communication. He’s seen thousands of such movies, and he joins us now. Joe, welcome to On the Media. JOE SALTZMAN: Nice to be with you. BROOKE GLADSTONE: Let's start with a noirish take from 1948. It’s called "Call Northside 777." [CLICKING SOUNDS/PHOTOS] Finally the guy on duty gets a little bit suspicious and says, who the heck are you? And he said, I'm McNeal from The Times.
[Show full text]
“I'm Just a Cowboy”: Transnational Identities of the Borderlands In
European journal of American studies 1 (2012) Varia ................................................................................................................................................................................................................................................................................................ Matthew Carter “I’m Just a Cowboy”: Transnational Identities of the Borderlands in Tommy Lee Jones’ The Three Burials of Melquiades Estrada. ................................................................................................................................................................................................................................................................................................ Warning The contents of this site is subject to the French law on intellectual property and is the exclusive property of the publisher. The works on this site can be accessed and reproduced on paper or digital media, provided that they are strictly used for personal, scientific or educational purposes excluding any commercial exploitation. Reproduction must necessarily mention the editor, the journal name, the author and the document reference. Any other reproduction is strictly forbidden without permission of the publisher, except in cases provided by legislation in force in France. Revues.org is a platform for journals in the humanites and social sciences run by the CLEO, Centre for open electronic publishing (CNRS, EHESS, UP, UAPV). ...............................................................................................................................................................................................................................................................................................
[Show full text]