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The Dream of Morpheus: a Character Study of Narrative Power in Neil Gaiman’S the Sandman
– Centre for Languages and Literatur e English Studies The Dream of Morpheus: A Character Study of Narrative Power in Neil Gaiman’s The Sandman Astrid Dock ENGK01 Degree project in English Literature Autumn Term 2018 Centre for Languages and Literature Lund University Supervisor: Kiki Lindell Abstract This essay is primarily focused on the ambiguity surrounding Morpheus’ death in Neil Gaiman’s The Sandman. There is a divide in the character that is not reconciled within the comic: whether or not Morpheus is in control of the events that shape his death. Shakespeare scholars who have examined the series will have Morpheus in complete control of the narrative because of the similarities he shares with the character of Prospero. Yet the opposite argument, that Morpheus is a prisoner of Gaiman’s narrative, is enabled when he is compared to Milton’s Satan. There is sufficient evidence to support both readings. However, there is far too little material reconciling these two opposite interpretations of Morpheus’ character. The aim of this essay is therefore to discuss these narrative themes concerning Morpheus. Rather than Shakespeare’s Prospero and Milton’s Satan serving metonymic relationships with Morpheus, they should be respectively viewed as foils to further the ambiguous characterisation of the protagonist. With this reading, Morpheus becomes a character simultaneously devoid of, and personified by, narrative power. ii Table of Contents Introduction ........................................................................................................................... -
'Tis the Season To
NOVEMBER | DECEMBER 2019 Vol. 3 Issue 6 ‘Tis the season to get cozy with a great read. Events, Classes, and more Director’s Note NOVEMBER | DECEMBER 2019 It’s no secret that our Library customers love eBooks. Last year, over 800,000 digital items were checked out from Branch Locations the St. Charles City-County Library - nearly 14% of our total circulation. This trend is not unusual. Libraries across the & Phone Numbers country have seen more and more customers turn to apps and devices for reading materials. Unfortunately, this digital revolution hasn’t always been easy. � AUGUSTA BRANCH 198 Jackson St, Augusta - (636) 228-4855 For many years, libraries have been charged significantly more for eBook copies than typical customers would pay. In addition, Jason Kuhl, Director & Chief � BOONE’S TRAIL BRANCH many of these titles are available to libraries with only limited Executive Officer access - after 24 months or a certain number of checkouts licenses 10 Fiddlecreek Ridge Rd, Wentzville - (636) 398-6200 expire and the copy must be repurchased. As a result, in the past two years our Library has seen a 436% increase in spending on re-purchasing titles so we can � CORPORATE PARKWAY BRANCH continue to offer them to customers. 1200 Corporate Pkwy, Wentzville - (636) 332-8280 This summer, Macmillan Publishers escalated the struggle over library eBook purchases when they announced an eBook purchasing embargo on libraries. � DEER RUN BRANCH Beginning on November 1, 2019, libraries may purchase only ONE SINGLE COPY of 1300 North Main, O’Fallon - (636) 978-3251 each new Macmillan title in an eBook format for the first eight weeks after its release. -
Syllabus for English 200: Introduction to Literature
Syllabus for English 200: Introduction to Literature Section 001 Instructor: Billy Longino Semester: Spring 2015 email: [email protected] Location: Ferguson 181 Office: LAN 328 Time: MWF 10:00 – 10:50 Office Hours: M/W/F 9:00 – 10:00; Tues 1:30 – 3:30; or by appointment Course Description English 200: Introduction to Literature is an introductory level literature course designed with the goal to aid students, who may not be familiar or versed in the various genres of literature, in acquiring the skills necessary to engage, understand, critically analyze, and (hopefully!) enjoy the literary genres of the shorty story, poetry, the novel, drama, and the graphic novel. As they read a range of works belonging to these genres, students will explore the basic concepts of literary technique, narrative, poetic, and dramatic structures and innovations, and begin to engage with the more advanced cognitive aspects of literature. In addition to these theoretical skills, students will also read below the surface of the texts in this class for their historical, ethical, psychological, social, and philosophical value, developing insight in how literature gives us a window into both the experiences of others and wider appreciation for the human condition. In addition, through assignments in class (quizzes, exams, essays, and discussions) students will learn how to intelligently respond to the sometimes complicated concepts found in works of literature. The goal here is for students to be able to take skills of critical thought beyond engagement with literature only into their wider interactions with an increasingly complicated world, which of course will continue to be reflected in the human output of literary works. -
ESP-History-Overview.Pdf
EASTERN STATE PENITENTIARY A N A TIONAL HIST ORIC LANDMARK 1. History of Eastern State Penitentiary, Philadelphia In the ambitious age of reform following the American Revolution, the new nation aspired to change profoundly its public institutions, and to set an example for the world in social development. Every type of institution that we are familiar with today—educational, medical and governmental—was revolutionized in these years by the rational and humanistic principles of the Enlightenment. Of all of the radical innovations born in this era, American democracy was, of course, the most influ- ential. The second major intellectual export was prison design and reform. Most eighteenth century prisons were simply large holding pens. Groups of adults and children, men and women, and petty thieves and murderers, sorted out their own affairs behind locked doors. Physical punishment and mutilation were common, and abuse of the prisoners by the guards and overseers was assumed. In 1787, a group of well-known and powerful Philadelphians convened in the home of Benjamin Franklin. The members of The Philadelphia Society for Alleviating the Miseries of Public Prisons expressed growing concern with the conditions in American and European prisons. Dr. Benjamin Rush spoke on the Society’s goal, to see the Commonwealth of Pennsylvania set the international standard in prison design. He proposed a radical idea: to build a true penitentiary, a prison designed to create genuine regret and penitence in the criminal’s heart. The concept grew from Enlightenment thinking, but no government had successfully carried out such a program. It took the Society more than thirty years to convince the Commonwealth of Pennsylvania to build the kind of prison it suggested: a revolutionary new building on farmland outside Philadelphia. -
PDF Download the Sandman Overture
THE SANDMAN OVERTURE: OVERTURE PDF, EPUB, EBOOK J. H. Williams, Neil Gaiman | 224 pages | 17 Nov 2015 | DC Comics | 9781401248963 | English | United States The Sandman Overture: Overture PDF Book Writer: Neil Gaiman Artist: J. The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. This would have been a better first issue. Nov 16, - So how do we walk the line of being a prequel, but still feeling relevant and fresh today on a visual level? Variant Covers. By continuing to use this website, you agree to their use. Click on the different category headings to find out more. Presented by MSI. Journeying into the realm of his sister Delirium , he learns that the cat was actually Desire in disguise. On an alien world, an aspect of Dream senses that something is very wrong, and dies in flames. Most relevant reviews. Williams III. The pair had never collaborated on a comic before "The Sandman: Overture," which tells the story immediately preceding the first issue of "The Sandman," collected in a book titled, "Preludes and Nocturnes. Help Learn to edit Community portal Recent changes Upload file. It's incredibly well written, but if you are looking for that feeling you had when you read the first issue of the original Sandman series, you won't find it here. Retrieved 13 March Logan's Run film adaptation TV adaptation. Notify me of new posts by email. Dreams, and by extension stories as we talked about in issue 1 , have meaning. Auction: New Other. You won't get that, not in these pages. -
The Sand-Man by Ernst T.A
1 The Sand-Man By Ernst T.A. Hoffmann Translated by J.Y. Bealby, B.A. Formerly Scholar of Corpus Christi College, Cambridge Charles Scribner's Sons, New York, 1885 Nathanael to Lothair I KNOW you are all very uneasy because I have not written for such a long, long time. Mother, to be sure, is angry, and Clara, I dare say, believes I am living here in riot and revelry, and quite forgetting my sweet angel, whose image is so deeply engraved upon my heart and mind. But that is not so; daily and hourly do I think of you all, and my lovely Clara's form comes to gladden me in my dreams, and smiles upon me with her bright eyes, as graciously as she used to do in the days when I went in and out amongst you. Oh! how could I write to you in the distracted state of mind in which I have been, and which, until now, has quite bewildered me! A terrible thing has happened to me. Dark forebodings of some awful fate threatening me are spreading themselves out over my head like black clouds, impenetrable to every friendly ray of sunlight. I must now tell you what has taken place; I must, that I see well enough, but only to think upon it makes the wild laughter burst from my lips. Oh! my dear, dear Lothair, what shall I say to make you feel, if only in an inadequate way, that that which happened to me a few days ago could thus really exercise such a hostile and disturbing influence upon my life? Oh that you were here to see for yourself! but now you will, I suppose, take me for a superstitious ghost-seer. -
The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
LOGAN's RUN TRANSCRIPT [email protected] 20 December 1998
20 December 1998 LOGAN'S RUN (MGM, 1976) An Unofficial Transcription by Joseph Rauner [email protected] L = Logan 5 F = Francis 7 C = Computer - screen messages: (CAPS) J = Jessica 6 H = Holly S = Sandman R = Runner OM = Old Man Sometime in the 23rd century... the survivors of war, overpopulation and pollution are living in a great domed city, sealed away from the forgotten world outside. Here, in an ecologically balanced world, mankind lives only for pleasure, freed by the servo-mechanisms which provide everything. There's just one catch: Life must end at thirty unless reborn in the fiery ritual of carrousel. METRO-GOLDWYN-MAYER presents A SAUL DAVID production LOGAN’S RUN Starring MICHAEL YORK as Logan RICHARD JORDAN as Francis Co-Starring JENNY AGUTTER as Jessica ROSCOE LEE BROWNE as Box FARRAH FAWCETT-MAJORS as Holly MICHAEL ANDERSON, JR. as Doc and PETER USTINOV as Old Man Music by JERRY GOLDSMITH Filmed in TODD-AO, RICHARD VETTER, Consultant Special Visual Effects Designed by L.B. ABBOTT, A.S.C. Edited by BOB WYMAN Art Director DALE HENNESY Director of Photography ERNEST LASZLO, A.S.C. Screenplay by DAVID ZELAG GOODMAN Based on the novel “LOGAN’S RUN” by LOGAN'S RUN TRANSCRIPT [email protected] 20 December 1998 WILLIAM F. NOLAN and GEORGE CLAYTON JOHNSON Produced by SAUL DAVID Directed by MICHAEL ANDERSON ********************************** 1)-- [Wide shots of the City] 2)-- [In Nursery. Logan is tapping on the glass] 3)-- L: Wake up. 4)-- F: Logan, you *are* here. I couldn’t believe it when they told me. -
Open Shannon Kahle Final Dissertation.Pdf
The Pennsylvania State University The Graduate School College of Communications VISUALIZING THE CHAOTIC BODY IN POPULAR CULTURE A Dissertation in Mass Communications by Shannon A. Kahle Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2010 The dissertation of Shannon A. Kahle was reviewed and approved* by the following: Matthew P. McAllister Professor of Communications Dissertation Advisor Chair of Committee Dennis K. Davis Professor of Communications Matthew Jordan Assistant Professor of Communications Stephen H. Browne Professor of Communication Arts and Sciences John S. Nichols Professor of Communications Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School ii ABSTRACT The proliferation of traumatized bodies on screen is matched by the proliferation of body studies in the humanities and social sciences. The interest in the body has exploded among a number of fields of study and is a staple in visual culture. What is happening in contemporary representation and spectatorship of pain and ‘ruined bodies’? What is the relationship of contemporary visuality, the ruined body, and the social? Finally, what is the mode of selfhood deployed in contemporary visual culture and how is it related to other discursive-institutional realms of practice? In this dissertation I consider three fictional visual texts that elucidate particular institutional realms within which the body is centrally figured; these texts are the medical drama House M.D., the first three films of the horror series Saw, which draws heavily on religious discourse and iconography, and the forensic investigation drama Bones. The purpose is to consider the ways in which these texts represent the practices of each realm as well as the visualization of the body itself and the model of the self and the social deployed in each. -
Center for Change 7 05.Indd
Lonne Sterling and Christine Michaels, Licensed Mental Health Counselors (LMHC) and Certified Employee Assistance Professionals (CEAP) and the co-founders of the Center for Change of Florida, have Second worked in the mental health, employee assistance and substance abuse fields for over 25 years. Their Lonne L. Center provides clients with outpatient counseling Thoughts? Sterling LMHC, CEAP and area businesses with Employee Assistance Pro- gram (EAP) services. Together they have established a reputationreputation asas dynamicdynamic professionals,professionals, eacheach bringingbringing unique and varied experiences to their practice. The Center services a diverse client population hances are, buying your first dealing with a broad range of mental health issues, C or “dream” home is the single such as mood disorders, relationship and family most exciting purchase you have or will problems,problems, angeranger andand stressstress management,management, griefgrief andand ever make in your life. The excitement Christine loss,loss, addictions,addictions, eatingeating disordersdisorders andand relapserelapse preven-preven- Michaels tion.tion. TheThe Center’sCenter’s staffstaff isis highlyhighly skilled,skilled, utilizingutilizing a starts even before stepping into the first LMHC, CEAP brief,brief, solution-focused,solution-focused, therapeutictherapeutic approachapproach andand house—viewing home buyer magazines techniquestechniques suchsuch asas EMDREMDR andand Hypnotherapy.Hypnotherapy. with those fantastic pictures of properties with great views, large living spaces and close proximity to the beach. Maybe you then browse the Internet to check list- ings before actually cruising the neigh- borhoods and frequenting open houses. Next comes the really fun stuff—you meet with a realtor and begin seriously looking at homes. Full of imagination relinquishing control and being forced to you are unable to secure financing, the and optimism, the excitement mounts. -
SEASON THREE PRODUCTION NOTES “Survivor's Remorse
SEASON THREE PRODUCTION NOTES “Survivor’s Remorse is a show about an American family thrust into fame and fortune via the world of Pro Basketball. But it’s not about points scored on the court. It’s more about what happens to a family before tipoff and after the final buzzer. It’s about human beings dealing with human challenges and trying to evolve into the best versions of themselves.” -Mike O’Malley Back In Atlanta Season Three of “Survivor’s Remorse” returns with emotional family trauma after Uncle Julius is thrown from his car in a terrible crash. In the aftermath of the accident, the family must cope with issues of loss, acceptance, celebrity and responsibility. However, with Calloway-style flair, this family finds a way to pull each other through the challenges with love, insight and humor. The production filmed once again in Atlanta, where the story is set. Most filming took place at a mansion in Buckhead, an upscale neighborhood in Atlanta. The mansion serves as the Calloway residence, but because of the sheer size of the residence, it has also housed several sets such as a therapist’s office, sports show set and a San Francisco hotel suite. Production Designer Alex Hadju says that the house is the show’s de facto stage, “It’s nice to have one place to house most of our sets, like a studio.” And returning is the talented, sharp and cohesive ensemble cast of RonReaco Lee (Reggie Vaughn), Jessie T. Usher (Cam Calloway), Erica Ash (M-Chuck Calloway), Tichina Arnold (Cassie Calloway), Teyonah Parris (Missy Vaughn), and Mike Epps (Uncle Julius). -
Switchblade Comb" by Mobius Vanchocstraw
00:00:00 Music Music "Switchblade Comb" by Mobius VanChocStraw. A jaunty, jazzy tune reminiscent of the opening theme of a movie. Music continues at a lower volume as April introduces herself and her guest, and then it fades out. 00:00:08 April Wolfe Host Welcome to Switchblade Sisters, where women get together to slice and dice our favorite action and genre films. I'm April Wolfe. Every week, I invite a new female filmmaker on—a writer, director, actor, or producer—and we talk in-depth about one of their fave genre films, perhaps one that influenced their own work in some small way, and today I'm very excited to have writer-director Alice Waddington here with me. Hi, Alice! 00:00:28 Alice Guest Hi, April! How are you? Waddington [Music fades out.] 00:00:30 April Host Oh, I'm quite well. [Alice laughs.] Despite fires raging. 00:00:32 Alice Guest Oh my goodness. 00:00:33 April Host But I gotta say your pink jumpsuit—pink corduroy jumpsuit is really livening up the place. 00:00:39 Alice Guest [Laughs.] Thank you so much. I'm—you know, I am on my Logan's Run stuff already. So. [Laughs.] 00:00:44 April Host Absolutely. I mean, Halloween should be year-round. [Alice laughs.] Okay, so for those of you who are not as familiar with Alice's work, please let me give you an introduction. Alice Waddington was born in a rural background, but she was raised in the big city of Bilbao, Spain.