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Lighting and Byzantine Glass Tesserae
EVA London Conference ~ 11–13 July 2007 Eva Zányi, Carla Schroer, Mark Mudge, and Alan Chalmers _____________________________________________________________________ LIGHTING AND BYZANTINE GLASS TESSERAE Eva Zányi†, Carla Schroer‡, Mark Mudge‡, Alan Chalmers† † Warwick Digital Laboratory University of Warwick Coventry CV4 7AL United Kingdom [email protected], [email protected] http://www.warwickdigital.org ‡ Cultural Heritage Imaging San Francisco USA [email protected], [email protected] http://www.c-h-i.org Abstract – A key component of many Byzantine churches was the mosaics on the curved walls and ceilings, which included gold and silver glass tesserae. As the viewer or the light moved within the church, these tesserae sparkled. In this paper we describe how we captured a Polynomial Texture Map of the apse mosaic at the Angeloktisti Church at Kiti, Cyprus and used it to investigate how the position of the lighting may have affected the appearance of the mosaic. Our study showed that the appearance of the mosaics is indeed significantly different when lit from various directions. INTRODUCTION From the outside Byzantine churches look unimposing; without much decoration, no paint or precious materials. This is very different to the interior, which provided those inside the space with dramatic visual affects aiming at alleviating and engaging the viewer to approach God [14]. The architecture used light and shadow to symbolically represent different sacral hierarchies and direct the attention of the viewer. Therefore the upper parts of the churches, which represented heaven, were better lit than the lower parts. In early Byzantium this was achieved with the help of daylight through small xxxx Figure 1. -
Spray Systems and Packaging Solutions Made from Plastic Product
Ein Unternehmen der Spray systems and packaging solutions made from plastic Product portfolio • Processing high-quality plastics, seals and springs Compressed Air Sprayers for a long service life under heavy load • Equipping all compressed air sprayers with an Robust and innovative automatic overpressure valve spraying devices for large-area • 100% leakage and safety valve check within the and fl exible application with assembly line fi lling volumes of 1.0 to 1.6 • Traceability due to engraved device litres and maximum operating test number in the compressed air sprayer pressure of 3 to 4 bar • Bottle available made from 100 % bioplastic Trigger Sprayers • Application in industry, workshop, household and garden High-quality reusable and disposable Trigger Sprayers • Function test as an end check with long service life and • Standard colour combinations and threads ageless design, discharge rate • Can be combined with different plastic bottles of 0.8 ml to 1.2 ml per stroke Plastic Bottles • Comprehensive range of cylinder, conical, long-neck, square, fl at and pyramid bottles Standard product range of solid • Certain types of bottles available with tactile HDPE and PET-G packaging warning and view strip solutions in a sleek design with • Development of packaging solutions fi lling volumes from 20 ml up to specifi cally for the customer 1000 ml. • HDPE bottles available made from 100 % bioplastic UV Screen Printing • Glowing and high gloss fi nish for the best possible covering capability Decoration in UV screen printing • Good resistance to -
Aerosol Paint Can Safety in the Home and at Work
AEROSOL PAINT CAN SAFETY IN THE HOME AND AT WORK KEEP AWAY FROM CHIDREN Aerosol Spray Paint products are dangerous if used or stored improperly. ALWAYS READ THE SAFETY DATA SHEET PRIOR TO USE AEROSOL PAINT CAN SAFETY Table of Contents 1 Introduction ............................................................................................. 3 2 Aerosol Spray Paint Cans and Storage. ....................................................... 4 3 Aerosol Spray Paint cans and Heat ............................................................. 4 4 Aerosol Spray Paint cans and Impact .......................................................... 5 5 Aerosol Spray Paint cans contain Flammable Materials ................................. 5 6 Aerosol Spray Paint cans contain Materials Under Pressure ............................ 6 7 Aerosol Spray Paint cans and Corrosion ...................................................... 6 8 How to dispose of used Aerosol Spray Paint cans ......................................... 6 9 What to do with a Corroded Aerosol Can .................................................... 7 10 What to do if the Aerosol Spray Paint can blocks and fails to spray. ............... 9 11 Aerosol Paint and Volatile Substance Abuse ............................................... 10 DISCLAIMER: Any advice, recommendation, information, assistance or service provided by any of the divisions of DuluxGroup (Australia) Pty Ltd or its related entities (collectively, DuluxGroup) in relation to goods manufactured by it or their use and application -
Price List 2013 Systainer® for Industry, Dealers and Tradesman
TANOS Price list 2013 systainer® for industry, dealers and tradesman T-Loc Classic-Line Empty-systainer® Plus local T-Loc Art n˚ Price taxes systainer® T-Loc I light grey (T-Loc catch blue HKS 43 K) 80100001 44.80 € anthracite (complete) 80100006 44.80 € other colours/colour combinations* - 48.90 € systainer® T-Loc II light grey (T-Loc catch blue HKS 43 K) 80100002 48.65 € anthracite (complete) 80100007 48.65 € other colours/colour combinations* - 52.75 € systainer® T-Loc II light grey (T-Loc catch blue HKS 43 K) 80100051 57.65 € with lid sort-tray ( with 8 dividers) anthracite (complete) 80100052 57.65 € other colours/colour combinations* - on demand systainer® T-Loc III light grey (T-Loc catch blue HKS 43 K) 80100003 53.05 € anthracite (complete) 80100008 53.05 € other colours/colour combinations* - 57.15 € systainer® T-Loc IV light grey (T-Loc catch blue HKS 43 K) 80100004 56.90 € anthracite (complete) 80100009 56.90 € other colours/colour combinations* - 61.00 € systainer® T-Loc V light grey (T-Loc catch blue HKS 43 K) 80100005 62.40 € anthracite (complete) 80100010 62.40 € other colours/colour combinations* - 66.50 € MIDI-systainer® T-Loc III light grey (T-Loc catch blue HKS 43 K) 80101388 58.50 € anthracite (complete) 80101389 58.50 € other colours/colour combinations* from 528 pcs. on on demand ® NEW MINI-systainer T-Loc I light grey (T-Loc catch blue HKS 43 K) 80101365 14.20 € anthracite (complete) 80101366 14.20 € other colours/colour combinations* from 400 pcs. on 19.45 € * see catalogue Classic Line MAXI-systainer® II light grey (with 4 blue catches HKS 43 K) 80000029 73.30 € anthracite (complete) 80000030 73.30 € other colours/colour combinations* from 220 pcs. -
SAFETY DATA SHEET Direct to Plastic Aerosol
Report Date : 10/03/2009 REVISION DATE: 10/03/2009 REV. NO./REPL. SDS GENERATED : 2 SAFETY DATA SHEET Direct to Plastic Aerosol 1 IDENTIFICATION OF THE SUBSTANCE/PREPARATION AND OF THE COMPANY/UNDERTAKING PRODUCT NAME Direct to Plastic Aerosol PRODUCT NO. AE0030001E8, AE0030002E8 APPLICATION Intended for use as a spray applied coating for plastics SUPPLIER Rust-oleum Corporation Portobello Industrial Estate Birtley County Durham DH3 2RE +44 (0)191 4106611 +44 (0)1914920125 CONTACT PERSON [email protected] 2 HAZARDS IDENTIFICATION Extremely flammable. Irritating to eyes. Repeated exposure may cause skin dryness or cracking. Vapours may cause drowsiness and dizziness. CLASSIFICATION Xi;R36. F+;R12. R66, R67. ENVIRONMENT The product is not expected to be hazardous to the environment. PHYSICAL AND CHEMICAL HAZARDS The product is highly flammable, and explosive vapours/air mixtures may be formed even at normal room temperatures. HUMAN HEALTH In high concentrations, vapours and spray mists are narcotic and may cause headache, fatigue, dizziness and nausea. Risk of serious damage to eyes. Vapours/aerosol spray may irritate the respiratory system. Repeated exposure may cause skin dryness or cracking. 3 COMPOSITION/INFORMATION ON INGREDIENTS Name EC No. CAS-No. Content Classification ACETONE 200-662-2 67-64-1 10-30% F;R11 Xi;R36 R66 R67 XYLENE 215-535-7 1330-20-7 5-10% R10 Xn;R20/21 Xi;R38 ETHYLBENZENE 202-849-4 100-41-4 1-5% F;R11 Xn;R20 2-BUTOXYETHANOL 203-905-0 111-76-2 1-5% Xn;R20/21/22 Xi;R36/38 1,2,4-TRIMETHYLBENZENE 202-436-9 95-63-6 1-5% R10 Xn;R20 Xi;R36/37/38 N;R51/53 Solvent Naptha Light Aromatic 265-199-0 64742-95-6 1-5% Xn;R65. -
Presentazione Standard Di Powerpoint
Photo-guide for Beach litter monitoring COMMON is a project funded by the European Union under the ENI CBC MED Programme, with a budget of 2.2 million euros. This publication has been produced with the financial assistance of the European Union under the ENI CBC Mediterranean Sea Basin Programme. The contents of this document are the sole responsibility of COMMON project and can under no circumstances be regarded as reflecting the position of the European Union or the Programme management structure Artificial polymer materials 1 3 # Name 1 4/6-pack yokes & six-pack rings 2 Plastic Shopping/carrier/grocery bags 3 Small plastic bags 4 The part that remains from tear-off plastic 7 4 bags 5 Plastic Drink bottles <=0.5l 6 Plastic Drink bottles >0.5l Plastic bottles and containers of cleaning 7 products 8 9 11 8 Food containers Plastic beach use related body care and 9 cosmetic bottles and containers Plastic Non-beach use related body care and 10 cosmetic bottles and containers 13 14 11 Other plastic bottles & containers (drums) 12 Plastic Engine oil bottles & containers <50 cm 13 Plastic Engine oil bottles & containers >50 cm 14 Plastic jerry cans 16 17 15 Plastic injection gun containers/cartridges 16 Plastic Crates, boxes, baskets 17 Vehicle parts 18 Plastic caps/lids drinks 18 Plastic caps/lids chemicals, detergents (non- 19 food) 19 20 Plastic caps/lids unidentified 21 Plastic rings from bottle caps/lids Tobacco pouches/plastic cigarette box 22 20 21 packaging 23 Cigarette lighters Tobacco products with filters (cigarette butts 24 with -
Inside the World of Taylor Guitars / Volume 85 Summer 2016
The Taylor Neck Anatomy of a pitch-perfect design Rosewood Revisited The redesigned 700 Series Doobie Brother Pat Simmons Acoustic fingerstyle meets classic rock Dynamic Dreadnoughts 7 must-play models Baritone Basics Expand your musical palette 2 www.taylorguitars.com | dreamed of being involved with forest home I like to play and write with 11s. VOLUME 85 SUMMER 2016 development/management in the way So my answer? Buy another Taylor! I’m Full Recovery Taylor Guitars has been. thinking a new 710e or maybe even Letters The attached photo is of my 2014 First Edition 810e, just as it was Your response to Mr. McKee’s 810e... I’m a sucker for a dreadnought found, 13 days after our home was burglarized and it was stolen. I live in > CONTENTS < Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars inquiries re-affirmed everything I’ve and love the rosewood/spruce combo. Concord, Vermont, way up in the northeast corner of our state and just ever believed about our inherent I’m very excited for my next purchase! across the Connecticut River from Littleton, New Hampshire. Northern responsibility for good stewardship of Keep making these amazing instru- Lights Music in Littleton is where I fell in love with this guitar and purchased these precious natural resources. Good ments — I’m a fan and Taylor emissary it. Dan and Moocho Salomon at Northern Lights were phenomenal, as stewardship does not mean we — as for life. always, and their beautiful shop is a perfect place for a guitar nut to get lost the human beings whose lives and Kirk O’Brien FEATURES COLUMNS in. -
GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
Of Millburn and Short Hills Is Legendary
November 5, 2009 Newsstand 75¢ The Home-Delivered 53¢ www.theitemonline.com Serving our Community mmunitySince 1888 Item Candy Witch Anti-hazing plan Berkeley Road woman Brodow presents of Millburn and Short Hills is legendary. See A3 ideas. See A2 A REALLY SPOOKY BUG ELECTION 2009 Haimoff tops Dana in Committee race By Harry Trumbore Wednesday morning, Haimoff literature and became involved in of The Item said she was still waiting for a final the political process. “They’re our tally, but acknowledged that the future, and I was very touched by Although voting tallies were nearly 1,000 vote lead was likely it,” he said. incomplete the day after the elec- insurmountable. According to In the “Let’s Vote” program tion, both candidates for one seat local Republican Party officials, she conducted on Election Day in the on the Township Committee con- said, approximately 400 provision- elementary schools and the middle ceded that Mayor Sandra Haimoff al and mail-in votes remained to be school, Dana won the votes of has secured a third term on the counted. township students by a 2-to-1 mar- Township Committee. “I am, as always, appreciative gin over Haimoff, garnering 1,042 Haimoff, a Republican, led her that the voters put their trust in votes to Haimoff’s 503. Democratic challenger, Michael me,” she said. “I’m going to contin- Dana said he hopes that the Dana, by 957 votes as the final bal- ue to work for the residents and Township Committee will be more lots from voting machines from the this township and making it a great involved with youth-related issues. -
Technical Data Sheet Aron Alpha Aerosol Accelerator Last Updated Sept
Technical Data Sheet Aron Alpha Aerosol Accelerator Last Updated Sept. 11, 2008, Printed November 11, 2015 PRODUCT DESCRIPTION DIRECTIONS FOR USE ARON ALPHA Aerosol Accelerator (reorder # AA-705) provides the following product characteristics: Surface Activation: 1. Apply one coating of Aerosol Accelerator to the area to Technology Cyanoacrylate Activator be bonded by aerosol spray. Contaminated surfaces Chemical Type Amine (active ingredient) may need special cleaning or degreasing prior to Solvent Acetone activation to remove any soluble contamination Active Ingredient 2 2. Allow the solvent time to flash off until the surfaces are Concentration, % completely dry (approximately 30 seconds) Appearance Transparent colorless liquid 3. Apply the ARON ALPHA cyanoacrylate product Viscosity Very low (water-like) immediately after drying or not more than 45 seconds Cure N/A thereafter. Application CA adhesive cure accelerator 4. Setter can be re-applied if necessary if there is a delay of more than 45 seconds between original Setter and ARON ALPHA Aerosol Accelerator is used where increased cure adhesive application. speed of ARON ALPHA cyanoacrylate (instant) adhesives is required. It can be either pre- or post-applied to the bond. The Post Activation: product is especially suited for post-application on cyanoacrylate 1. Apply ARON ALPHA cyanoacrylate to the parts to be adhesive to ensure rapid fixturing. bonded or fixed. Typical applications include securing wires or coils to PC Boards, 2. Apply Setter over all exposed cyanoacrylate adhesive by tamper-proofing adjustable components, mounting stand-offs, edge aerosol spray. Typically use one puff of activator per guides and board stiffeners. drop of exposed adhesive. TYPICAL PROPERTIES TOAGOSEI MATERIAL SPECIFICATION Specific Gravity: 0.79 Aerosol Accelerator performance data is available for each batch. -
Caf Ar 419 Glassblowing
Calle Renier, Dorsoduro 3655 – 30125 Venezia tel. 041.296 0599 CAF AR 419 GLASSBLOWING INSTRUCTOR: Davide Penso [email protected] CLASS: every Tuesday from 3.00 pm to 7.00 pm (56 hours) SITE: Murano Isle COURSE DESCRIPTION The CFA AR 419 Glassblowing is a course that takes place on the Murano Isle, and it is an introduction to the real professional way to approach the torch and how to melt glass. During this course students learn about tools used for creating glass beads. Each student learns how to create his/her own bead and right out of his/her first jewelry, through the assistance and monitoring of the instructor. Each student is assigned a workstation equipped with its own workspace and torch. Each workspace has all the tools she/he needs, including: steel spindles or needles, safety glasses, pan pot of graphite, flat pliers to shape the glass, vermiculite to cool beads, etc. In addition, many glass rods of many different colors. The number of students per class is limited to 8. This allows the instructor a personalized evaluation, constant feedback and instructions. During the course, students will learn about tools for beads design and creation, most of glass fusion techniques, from the project to the professional production of the beads, designing jewelry, and strategy of sales. On the 3rd of December, students will visit the Glass Museum in Murano. In addition, the optional visit to the furnace where students can see Giancarlo Signoretto’s glass sculptures, on the 3rd or on the 10th of December. REQUIREMENTS For this course no requirements are asked. -
Authentication
AUTHENTICATION 1. LOGO Authentication starts with a logo. No logo, no Montici. True, Blow issued a limited number of mosaic pieces with no logo between the start of his mosaic career circa 1947 and the creation of the first Montici logo in 1951. But the odds are against finding such early pieces on the market. Pyramids and Dots On May 25, 1951, Blow registered with the U.S. Patent and Trademark office his famous, classic black- and-white “two-triangle” logo, Blow had impeccable style and taste, right down to his choice of material for his tiny, signature logo. These original logos were made out of legendary Murano glass from Venice, called murino in Italian. Per Lastrucci, the glass came out of the fire in the form of aa tube; the tube was then sliced into individual logos. According to scholars, Venetians have been making glass for over 1,500 years, and on the Venetian island of Murano since the 13th century. In addition to the original 1951 Logo, Blow also created and used a second logo, a stylized letter “M” with a white dot on top. This dot logo was registered in Italy on Feb. 23, 1956. Why he created a second logo is an interesting story, shared with our sister Rosemary by maestro Bruno Lastrucci. At some point in the 1950s, the workshop ran out of logos, due to the exploding demand for Blow’s art pieces. While impatiently waiting for the reorder from Venice, Blow created the second logo to fill the gap. The simple dot ended up as a “cap” when translated into material.