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Listening-Post-June-2015.Pdf
Listening POSTJUNE 2015 Vol 38 - No 2 ANZAC 2015 The Official Journal of The Returned & Services League of Australia WA Branch Incorporated 2 The Listening Post JUNE 2015 contents 3 Records broken on ANZAC Day 4 VP Day – bitter sweet memories contact: 5 President’s Pen Editorial and Advertising 6 Your Letters Information Acting Editor: Amy Hunt 9287 3700 7 Bits & Pieces Email: [email protected] 8 The Horrors of the Somme Media & Marketing Manager: John Arthur 0411 554 480 11 Fun Run hides burning Email: [email protected] ambition Graphic Design: Type Express 12 Couple recall WWII Printer: Rural Press 14 Domingos de Oliviera Contact Details 16 Memorable Sunset The Returned & Services League Cover: of Australia - WA Branch Incorporated Services Flags of New Zealand and Australia were ANZAC House, 28 St Georges Tce carried together through Perth on ANZAC PERTH WA 6000 17-47 ANZAC Day Services Day to mark the Centenary of the combined PO Box 3023, EAST PERTH WA 6892 around the State forces landing at Gallipoli. Email: [email protected] 48 New Members Website: www.rslwahq.org.au The march by more than 7,000 veterans, Facebook: www.facebook.com/rslwahq ADF personnel, bands and descendants 49 Christmas in July drew tens of thousands of people onto Perth Telephone: 9287 3799 streets to honour our fallen. 50-52 Sub-Branch News Fax: 9287 3732 WA Country Callers: 1800 259 799 In this edition, we devote nearly 30 pages 53 Notices to ANZAC Day services held throughout Contact Directory the State. The RSL hosted services at 54 Crossword and Suduko more than 100 locations and in many towns CEO / State Secretary: these services included events leading up to 55 Last Post and Solutions Philip Orchard AFNI RAN (Rtd) ANZAC Day and involved school children. -
COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ]
[ COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ] 001 PRODUCTIONS >> BIG BROTHER THEME 10CC >> ART FOR ART SAKE 10CC >> DREADLOCK HOLIDAY 10CC >> GOOD MORNING JUDGE 10CC >> I'M NOT IN LOVE {K} 10CC >> LIFE IS A MINESTRONE 10CC >> RUBBER BULLETS {K} 10CC >> THE DEAN AND I 10CC >> THE THINGS WE DO FOR LOVE 112 >> DANCE WITH ME 1200 TECHNIQUES >> KARMA 1910 FRUITGUM CO >> SIMPLE SIMON SAYS {K} 1927 >> IF I COULD {K} 1927 >> TELL ME A STORY 1927 >> THAT'S WHEN I THINK OF YOU 24KGOLDN >> CITY OF ANGELS 28 DAYS >> SONG FOR JASMINE 28 DAYS >> SUCKER 2PAC >> THUGS MANSION 3 DOORS DOWN >> BE LIKE THAT 3 DOORS DOWN >> HERE WITHOUT YOU {K} 3 DOORS DOWN >> KRYPTONITE {K} 3 DOORS DOWN >> LOSER 3 L W >> NO MORE ( BABY I'M A DO RIGHT ) 30 SECONDS TO MARS >> CLOSER TO THE EDGE 360 >> LIVE IT UP 360 >> PRICE OF FAME 360 >> RUN ALONE 360 FEAT GOSSLING >> BOYS LIKE YOU 3OH!3 >> DON'T TRUST ME 3OH!3 FEAT KATY PERRY >> STARSTRUKK 3OH!3 FEAT KESHA >> MY FIRST KISS 4 THE CAUSE >> AIN'T NO SUNSHINE 4 THE CAUSE >> STAND BY ME {K} 4PM >> SUKIYAKI 5 SECONDS OF SUMMER >> DON'T STOP 5 SECONDS OF SUMMER >> GIRLS TALK BOYS {K} 5 SECONDS OF SUMMER >> LIE TO ME {K} 5 SECONDS OF SUMMER >> SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER >> SHE'S KINDA HOT {K} 5 SECONDS OF SUMMER >> TEETH 5 SECONDS OF SUMMER >> WANT YOU BACK 5 SECONDS OF SUMMER >> YOUNGBLOOD {K} 50 CENT >> 21 QUESTIONS 50 CENT >> AYO TECHNOLOGY 50 CENT >> CANDY SHOP 50 CENT >> IF I CAN'T 50 CENT >> IN DA CLUB 50 CENT >> P I M P 50 CENT >> PLACES TO GO 50 CENT >> WANKSTA 5000 VOLTS >> I'M ON FIRE 5TH DIMENSION -
MUSIC LIST Email: Info@Partytimetow Nsville.Com.Au
Party Time Page: 1 of 73 Issue: 1 Date: Dec 2019 JUKEBOX Phone: 07 4728 5500 COMPLETE MUSIC LIST Email: info@partytimetow nsville.com.au 1 THING by Amerie {Karaoke} 100 PERCENT PURE LOVE by Crystal Waters 1000 STARS by Natalie Bassingthwaighte {Karaoke} 11 MINUTES by Yungblud - Halsey 1979 by Good Charlotte {Karaoke} 1999 by Prince {Karaoke} 19TH NERVIOUS BREAKDOWN by The Rolling Stones 2 4 6 8 MOTORWAY by The Tom Robinson Band 2 TIMES by Ann Lee 20 GOOD REASONS by Thirsty Merc {Karaoke} 21 - GUNS by Greenday {Karaoke} 21 QUESTIONS by 50 Cent 22 by Lilly Allen {Karaoke} 24K MAGIC by Bruno Mars 3 by Britney Spears {Karaoke} 3 WORDS by Cheryl Cole {Karaoke} 3AM by Matchbox 20 {Karaoke} 4 EVER by The Veronicas {Karaoke} 4 IN THE MORNING by Gwen Stefani {Karaoke} 4 MINUTES by Madonna And Justin 40 MILES OF ROAD by Duane Eddy 409 by The Beach Boys 48 CRASH by Suzi Quatro 5 6 7 8 by Steps {Karaoke} 500 MILES by The Proclaimers {Karaoke} 60 MILES AN HOURS by New Order 65 ROSES by Wolverines 7 DAYS by Craig David {Karaoke} 7 MINUTES by Dean Lewis {Karaoke} 7 RINGS by Ariana Grande {Karaoke} 7 THINGS by Miley Cyrus {Karaoke} 7 YEARS by Lukas Graham {Karaoke} 8 MILE by Eminem 867-5309 JENNY by Tommy Tutone {Karaoke} 99 LUFTBALLOONS by Nena 9PM ( TILL I COME ) by A T B A B C by Jackson 5 A B C BOOGIE by Bill Haley And The Comets A BEAT FOR YOU by Pseudo Echo A BETTER WOMAN by Beccy Cole A BIG HUNK O'LOVE by Elvis A BUSHMAN CAN'T SURVIVE by Tania Kernaghan A DAY IN THE LIFE by The Beatles A FOOL SUCH AS I by Elvis A GOOD MAN by Emerson Drive A HANDFUL -
Graduation Day’ for Police Federation of Australia’S Mental Health Campaign
Media Release Level 1, 21 Murray Cres, GRIFFITH ACT 2603 Phone (02) 6239 8900 / Fax (02) 6239 8999 Web www.pfa.org.au / Email [email protected] ACCLAIMED AUSTRALIAN SONGWRITER JOHN SCHUMANN PENS NEW SONG ‘GRADUATION DAY’ FOR POLICE FEDERATION OF AUSTRALIA’S MENTAL HEALTH CAMPAIGN. Singer-songwriter John Schumann, credited with changing the way Australia thinks and helping to bring our Vietnam veterans home with his song “I was only 19”, has written and recorded ‘Graduation Day’ to support the Police Federation of Australia’s mental health campaign. Graduation Day will be released on 8th April and sales of the single via https://www.fineprint.net.au/graduation-day will go towards supporting police officers (serving and retired) and their families who are in need. Graduation Day – hear it here “Police all around Australia now have their own song, ‘Graduation Day’. It will remind them that they’re not alone - and it will give the broader Australian community an empathetic insight into the lives of the men and women who hold the ‘thin blue line’,” said Mr Mark Carroll APM, President of the Police Federation of Australia (PFA). “I have yet to meet a police officer who hasn’t been stopped in his or her tracks while listening to this song,” he said. Mr Carroll said the job of keeping our communities safe can carry very significant psychological costs for the people involved - and their families. These costs include mental ill-health, psychological injuries and, in the worst cases, suicide. Mr Carroll referred to the recent Beyond Blue study of first-responders, which showed that suicidal thoughts among police officers are twice as common than in the general population. -
Song List by Artist
Song List by Artist Artist Song Name 10,000 MANIACS BECAUSE THE NIGHT EAT FOR TWO WHAT'S THE MATTER HERE 10CC RUBBER BULLETS THINGS WE DO FOR LOVE 112 ANYWHERE [FEAT LIL'Z] CUPID PEACHES AND CREAM 112 FEAT SUPER CAT NA NA NA NA 112 FEAT. BEANIE SIGEL,LUDACRIS DANCE WITH ME/PEACHES AND CREAM 12TH MAN MARVELLOUS [FEAT MCG HAMMER] 1927 COMPULSORY HERO 2 BROTHERS ON THE 4TH FLOOR COME TAKE MY HAND NEVER ALONE 2 COW BOYS EVERYBODY GONFI GONE 2 HEADS OUT OF THE CITY 2 LIVE CREW LING ME SO HORNY WIGGLE IT 2 PAC ALL ABOUT U BRENDA’S GOT A BABY Page 1 of 366 Song List by Artist Artist Song Name HEARTZ OF MEN HOW LONG WILL THEY MOURN TO ME? I AIN’T MAD AT CHA PICTURE ME ROLLIN’ TO LIVE & DIE IN L.A. TOSS IT UP TROUBLESOME 96’ 2 UNLIMITED LET THE BEAT CONTROL YOUR BODY LETS GET READY TO RUMBLE REMIX NO LIMIT TRIBAL DANCE 2PAC DO FOR LOVE HOW DO YOU WANT IT KEEP YA HEAD UP OLD SCHOOL SMILE [AND SCARFACE] THUGZ MANSION 3 AMIGOS 25 MILES 2001 3 DOORS DOWN BE LIKE THAT WHEN IM GONE 3 JAYS FEELING IT TOO LOVE CRAZY EXTENDED VOCAL MIX 30 SECONDS TO MARS FROM YESTERDAY 33HZ (HONEY PLEASER/BASS TONE) 38 SPECIAL BACK TO PARADISE BACK WHERE YOU BELONG Page 2 of 366 Song List by Artist Artist Song Name BOYS ARE BACK IN TOWN, THE CAUGHT UP IN YOU HOLD ON LOOSELY IF I'D BEEN THE ONE LIKE NO OTHER NIGHT LOVE DON'T COME EASY SECOND CHANCE TEACHER TEACHER YOU KEEP RUNNIN' AWAY 4 STRINGS TAKE ME AWAY 88 4:00 PM SUKIYAKI 411 DUMB ON MY KNEES [FEAT GHOSTFACE KILLAH] 50 CENT 21 QUESTIONS [FEAT NATE DOGG] A BALTIMORE LOVE THING BUILD YOU UP CANDY SHOP (INSTRUMENTAL) CANDY SHOP (VIDEO) CANDY SHOP [FEAT OLIVIA] GET IN MY CAR GOD GAVE ME STYLE GUNZ COME OUT I DON’T NEED ‘EM I’M SUPPOSED TO DIE TONIGHT IF I CAN’T IN DA CLUB IN MY HOOD JUST A LIL BIT MY TOY SOLDIER ON FIRE Page 3 of 366 Song List by Artist Artist Song Name OUTTA CONTROL PIGGY BANK PLACES TO GO POSITION OF POWER RYDER MUSIC SKI MASK WAY SO AMAZING THIS IS 50 WANKSTA 50 CENT FEAT. -
A Study Guide by Fiona Hall
© ATOM 2016 A STUDY GUIDE BY FIONA HALL http://www.metromagazine.com.au ISBN: 978-1-74295-939-9 http://theeducationshop.com.au friendship grew between Australians and Asians. OVERVIEW Those bonds remained and after the war, Team veterans helped Vietnamese refugees find a new ‘Vietnam: The War That Made Australia’ is a major home in Australia. In doing so, this unsung unit of 3-part series that tells the extraordinary story of the soldiers played their part in transforming Australia Australian Army Training Team Vietnam (aka ‘The into a multicultural nation. Team’), an elite unit of soldiers sent to Vietnam in 1962 to train the South Vietnamese Army to fight The series opens in 1962, when the Cold War is at the communists. its height and communist forces threaten to over- run South East Asia. Red paranoia stalks Australia The first Australian soldiers in and the last to leave, and many fear that Asian communists will be on The Team would become the most highly deco- our shores if not stopped. Australia responds by rated unit of the war with four Victoria Crosses to sending the Australian Army Training Team to its name. It’s a little-known story and many of its Vietnam to train the South Vietnamese Army. The veterans are talking for the first time. Revelatory US Central Intelligence Agency (CIA) is waging its and moving, the Vietnam War they experienced own war, using native tribesmen to form clan- is unlike that of any other Australians who fought destine guerrilla units, and seizes on the Team’s there. -
Songlines: Eric Bogle & John Schumann In
STATE LIBRARY OF SOUTH AUSTRALIA J. D. SOMERVILLE ORAL HISTORY COLLECTION OH 598 Transcript of SONGLINES: ERIC BOGLE & JOHN SCHUMANN IN CONCERT & CONVERSATION on 18 February 2001 Recording available on CD Access for research: Unrestricted Right to photocopy: Copies may be made for research and study Right to quote or publish: Publication only with written permission from the State Library 1 J.D. SOMERVILLE ORAL HISTORY COLLECTION, MORTLOCK LIBRARY OF SOUTH AUSTRALIANA: INTERVIEW NO. OH 598 A concert event held early in the year 2001 featuring South Australian singer- songwriters Eric Bogle and John Schumann for the Songlines project of the Somerville Oral History Collection. The event took place at the Governor Hindmarsh Hotel. TAPE 1 SIDE A Thank you, ladies and gentlemen. Thank you for coming out on what’s been such a hot day, but what is going to be a very hot evening. I’m the Director of the State Library, my name is Bronwyn Halliday, and on behalf of the Board and of the staff of the State Library I’d really like to welcome everybody here tonight. Tonight’s event, Songlines, is the first of a series of events designed to promote the collections of the State Library, and in particular the audio-visual collections. Our collections are much more than books. They’re audio recordings, they’re films, they’re gramophone records there’s even some waxed cylinders out there. And we just want the rest of the community to know about our collections. Some of you will know that we’re planning a forty million dollar redevelopment at the State Library. -
Dear Cardholder Music Credits
music Michael Atkinson (cast) Singing Hobo Russell Newman Music Performed by Ken Schroder Allan Browne Peter Gaudion John Withers Pip Avery Peter Cleaver Hugh McDonald Michael Spicer Michael Atkinson Music in the film: Russell Newman has a double role, appearing as a singing hobo in a Sydney underground railway station, and able to take credit cards (his other role is as the bank manager who gets Hec into trouble with credit cards). Hec's daughter Jo has aspirations in music, and wants to go to the NSW Conservatorium. Hec buys her a Yamaha PortaSound electronic keyboard (the PSS-460), but when she gets to the Con, she ends up playing a penny whistle and fleeing: Composer Michael Atkinson: Atkinson started his feature film composing career by doing the score for director Bill Bennett’s A Street to Die. He would go on to score a number of Bennett’s feature films, Backlash, Jilted and Dear Cardholder. As well as Stan and George's New Life, he also did Mull, Craig Lahiff's Heaven's Burning, three episodes of the telemovie crime series Halifax f.p. and in the first decade of the new millennium, many episodes of the TV cop show Blue Heelers. (Atkinson collaborated with Michael Easton on the Halifax f.p. scores). Atkinson started as a member of the folk rock band Redgum, and Redgum singer John Schumann's site provides this history of the band, online at time of writing here, later WM here, and Michael Atkinson's role in the band: When Brian Medlin, convenor of the Politics and Art course in 1975, suggested that some people might like to co-operate on a music project, three people raised their hands. -
Newsletter September 2020
President: John Pollock [email protected] Secretary: Brian Collins 0407162620 [email protected] Treasurer: Ross Teschendorff 0418408034 [email protected] NEWSLETTER SEPTEMBER 2020 PRESIDENT’S REPORT Where is 2020 going with another Newsletter going out for members? It only seems like yesterday that I was writing my last report. This year will be one of those years we will all remember as being a total disaster because of the terrible outbreak and the huge impact that the Corona virus has on not only us but the whole world. The Committee and I hope sincerely that apart from the impact of lockdowns, travel restrictions and disruptions to your normal life etc., that none of our members, families and extended families have been directly affected by the Virus and have been able to stay safe during these troubled times. We continue to have more members come forward these last few months to renew their membership, several who had never joined before. This is most gratifying for the Committee and we welcome them to this great organisation. If you are in contact with other mates from 101 Field Battery, who served either in SVN or in peacetime please ask if they are current members of the Association. It certainly lets people know what is happening to their mates from the past. The Committee still has not received very many profiles of our members, in particular the 1969/70 tour. We get a lot of comments from members who have read the previous profiles stating how much they enjoy them and to have questions answered as to what had happened to mates they lost touch with over the years. -
I Was Only Nineteen
I Was Only Nineteen* Jeff Kildea I would like to express my sincere thanks to the committee for inviting me to speak at the 18th Annual Gathering at the Irish Famine Monument at Sydney’s Hyde Park Barracks. When I look at the list of distinguished men and women who have previously addressed this gathering I feel honoured having been asked to speak today. Like most of you I have been coming to these events for many years. Previously, I have come as a spectator and a supporter of this worthy event, attending in solidarity with the descendants of the more than 4000 Irish famine orphans. These were girls and young women who between 1848 and 1850 were recruited from workhouses run by the local Poor Law Unions in famine-ravaged Ireland and sent to Australia under a scheme attributed to the Secretary of State for the Colonies Earl Grey. But, by a quirk of serendipity, with which those among you who are family historians will be familiar, I discovered only late last year that I too am a descendant of an Irish famine orphan, one whose name is engraved on the glass panelling of the monument. So, perhaps it was more than curiosity and solidarity that drew me to this place each year. I will leave it to the aficionados of the X-files to advance that thesis. My talk today will concentrate on the past. Given that I am an historian, you would expect no less. As they say, ‘History is just one thing after another’. However, I would first like to commend the committee for having transcended beyond recollecting the past to supporting programs to assist today’s refugees. -
SIXTY YEARS of AUSTRALIAN UNION SONGS the Australian Folk Revival and the Australian Labour Movement Since the Second World War
SIXTY YEARS OF AUSTRALIAN UNION SONGS The Australian Folk Revival and The Australian Labour Movement Since The Second World War Mark Gregory Books, magazines, concerts and recordings !is book was made available with the generous support of CFMEU (Mining and Energy Division) Maritime Union of Australia NSW Teachers Federation Peter Neilson CONTENTS Summary i Acknowledgements ii Introduction 1 Chapter One 5 The Australian Folk Revival and the Union Movement Chapter Two 23 Folk Song and Unions - Political Songs Chapter Three 37 Art and Working Life Program Chapter Four 48 MUA centenary CD and the Union Songs website Chapter Five 61 Rights at Work: Contemporary Song and Poetry Chapter Six 71 Conclusion Bibliography 76 Discography 80 Websites cited 82 Listen to MUA centenary CD tracks online at http://unionsong.com/wtatracks.html SUMMARY This thesis, Sixty Years of Australian Union Songs, comprises three parts: a CD - With These Arms, a website – Union Songs, and a critical review of union songs written in Australia over the past sixty years. The thesis explores the relationship between the Australian folk revival and Australian Trade Unions. It provides a detailed study of events in the post war history of the union movement and the folk revival as evidence of a long relationship between them. Through a series of interviews with songwriters, and a discussion of folk revival magazines and folk song books, the thesis investigates the details of the connections between the two movements, and the social and political effects of these movements on changes that have occurred in Australia since the end of World War 2. -
The Creation of the Torrens : a History of Adelaide's River to 1881
The Creation of the Torrens: A History of Adelaide's River to 1881 by Sharyn Clarke This is submitted for the degree of Master of Arts in History School of Social Sciences University of Adelaide CONTENTS List of Paintings and Maps Introduction 1 Chapter One: Conceiving the Torrens t4 Chapter Two: Black and White 4t Chapter Three: The Destruction of the Torrens 76 Chapter Four: Meeting the Demand for Progress 105 Chapter Five: The Torrens Lake 130 Conclusion 157 Bilbiography ABSTRACT The River Torrens in Adelaide is a fragile watercourse with variable seasonal flows which was transformed in the nineteenth century into an artificial lake on a European scale. This thesis presents the reasons behind the changes which took place. The creation of the Torrens covers both physical changes and altering conceptions of the river from a society which, on the whole, desired a European river and acted as though the Torrens was one. The period of study ranges from the Kaurna people's life, which adapted around the river they called Karrawirraparri, to the damming of the river in 1881, Being the major river forthe city, the relatively higher population density meant huge environmental pressure, an inability to assess its limits lead to it being heavily polluted and degraded only a decade after white settlement. Distinct stages in the use of the river can be observed and a variety of both positive and negative responses towards it were recorded. By studying the interactions with, and attitudes towards, the River Torrens, and the changes it has undergone, we learn much about the societies that inhabited the river and their values towards a specific and crucial part of the natural environment.