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Copland Appalachian Spring (Complete, Large Orchestra Version) First Philadelphia Orchestra Performances of This Version

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23 Season 2018-2019 Friday, November 23, at 8:00 The Philadelphia Orchestra Saturday, November 24, at 8:00 Cristian Măcelaru Conductor Garrick Ohlsson Piano Heggie/arr. Măcelaru Moby-Dick, Orchestral Suite First Philadelphia Orchestra performances Barber Piano Concerto, Op. 38 I. Allegro appassionato II. Canzone: Moderato III. Allegro molto Intermission Copland Appalachian Spring (complete, large orchestra version) First Philadelphia Orchestra performances of this version This program runs approximately 1 hour, 55 minutes. LiveNote® 2.0, the Orchestra’s interactive concert guide for mobile devices, will be enabled for these performances. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 24 ® Getting Started with LiveNote 2.0 » Please silence your phone ringer. » Make sure you are connected to the internet via a Wi-Fi or cellular connection. » Download the Philadelphia Orchestra app from the Apple App Store or Google Play Store. » Once downloaded open the Philadelphia Orchestra app. » Tap “OPEN” on the Philadelphia Orchestra concert you are attending. » Tap the “LIVE” red circle. The app will now automatically advance slides as the live concert progresses. Helpful Hints » You can follow different tracks of content in LiveNote. While you are in a LiveNote content slide you can change tracks by selecting the tabs in the upper left corner. Each track groups content by a theme. For example, “The Story” track provides historical information about the piece and composer. “The Roadmap” track gives the listener more in-depth information about the orchestration and music theory behind the piece. *Note: Some pieces only contain one track. » Tap in the middle of the screen to display player controls such as Glossary, Brightness, Text Size, and Share. » Tap a highlighted word in yellow or select the “Glossary” in the player controls to take you to an in-depth glossary of musical terms. » If during the concert the content slides are not advancing, or you have browsed to other slides, you can tap the “LIVE” button in the bottom right corner to get to the current live slide. LiveNote is funded by the John S. and James L. Knight Foundation, the National Endowment for the Arts, and the William Penn Foundation. 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research. orchestras in the world, to discover new and The Orchestra’s award- renowned for its distinctive inventive ways to nurture winning Collaborative sound, desired for its its relationship with its Learning programs engage keen ability to capture the loyal patrons at its home over 50,000 students, hearts and imaginations of in the Kimmel Center, families, and community audiences, and admired for and also with those who members through programs a legacy of imagination and enjoy the Orchestra’s area such as PlayINs, side-by- innovation on and off the performances at the Mann sides, PopUP concerts, concert stage. The Orchestra Center, Penn’s Landing, free Neighborhood is inspiring the future and and other cultural, civic, Concerts, School Concerts, transforming its rich tradition and learning venues. The and residency work in of achievement, sustaining Orchestra maintains a Philadelphia and abroad. the highest level of artistic strong commitment to Through concerts, tours, quality, but also challenging— collaborations with cultural residencies, presentations, and exceeding—that level, and community organizations and recordings, the on a regional and national by creating powerful musical Orchestra is a global cultural level, all of which create experiences for audiences at ambassador for Philadelphia greater access and home and around the world. and for the US. Having engagement with classical been the first American Music Director Yannick music as an art form. orchestra to perform in the Nézet-Séguin’s connection The Philadelphia Orchestra People’s Republic of China, to the Orchestra’s musicians serves as a catalyst for in 1973 at the request has been praised by cultural activity across of President Nixon, the both concertgoers and Philadelphia’s many ensemble today boasts critics since his inaugural communities, building an five-year partnerships with season in 2012. Under his offstage presence as strong Beijing’s National Centre for leadership the Orchestra as its onstage one. With the Performing Arts and the returned to recording, with Nézet-Séguin, a dedicated Shanghai Media Group. In four celebrated CDs on body of musicians, and one 2018 the Orchestra traveled the prestigious Deutsche of the nation’s richest arts to Europe and Israel. The Grammophon label, ecosystems, the Orchestra Orchestra annually performs continuing its history of has launched its HEAR at Carnegie Hall while also recording success. The initiative, a portfolio of enjoying summer residencies Orchestra also reaches integrated initiatives that in Saratoga Springs and Vail. thousands of listeners on the promotes Health, champions For more information on radio with weekly broadcasts music Education, eliminates The Philadelphia Orchestra, on WRTI-FM and SiriusXM. barriers to Accessing the please visit www.philorch.org. 26 Conductor Adriane White In May 2018 Cristian Măcelaru was announced as the next chief conductor of the WDR Symphony Cologne, beginning in the 2019-20 season. In 2017 he launched his inaugural season as music director and conductor of the Cabrillo Festival of Contemporary Music in Santa Cruz, CA. Among the Festival’s 2018 season highlights were three world premieres, a record-breaking 16 composers- in-residence, a stunning roster of international guest artists, and two special tributes to commemorate the 80th birthdays of American composers William Bolcom and John Corigliano. In 2017 he completed his tenure with The Philadelphia Orchestra as conductor-in-residence, a title he held for three seasons. Prior to that he was the Orchestra’s associate conductor for two seasons and assistant conductor for one season. He made his Philadelphia Orchestra subscription debut in 2013 and continues a close relationship with the ensemble, leading annual subscription programs. Mr. Măcelaru established his career with the leading orchestras in North America and has now risen to prominence in Europe, which has been characterized by immediate re-invitations from such ensembles as the Leipzig Gewandhaus and Royal Concertgebouw orchestras; the Bavarian Radio and City of Birmingham symphonies; and the Deutsches Symphonie-Orchester Berlin. In addition to these current performances, highlights of his 2018-19 season include opening the Scottish Chamber Orchestra’s season; guest conducting the orchestras of San Francisco, St. Louis, Baltimore, and Detroit; and returning to Philadelphia to conduct subscription concerts in February. In January 2019 he brings the National Symphony Orchestra of Romania on its first-ever tour to the US in commemoration of the 100th anniversary of the unification of Romania and Transylvania, including a concert at New York’s Jazz at Lincoln Center with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. An accomplished violinist, Mr. Măcelaru was the youngest concertmaster in the history of the Miami Symphony and made his Carnegie Hall debut with that orchestra at the age of 19. Born in Romania, he resides in Philadelphia with his wife, Cheryl, and children, Beniamin and Maria. 27 Soloist Dario Acosta Pianist Garrick Ohlsson is a familiar presence on stage with The Philadelphia Orchestra, having appeared as soloist dozens of times since making his debut in 1970, the same year he won the Gold Medal at the Chopin International Piano Competition. Long regarded as one of the world’s leading exponents of the music of Chopin, Mr. Ohlsson commands an enormous repertoire, ranging from Haydn and Mozart to works of the 21st century, many commissioned for him. This season he launches an ambitious project spread over two seasons exploring the complete solo piano works of Brahms in four different programs. The cycle will be heard in New York, San Francisco, and Montreal with individual programs in London, Warsaw, and a number of cities across North America. In concerto repertoire ranging from Beethoven to Brahms, Rachmaninoff, Barber, and Busoni, he also returns to the New York Philharmonic, the Cleveland Orchestra, and the Boston, Baltimore, Houston, and Seattle symphonies, concluding the season in Indianapolis with all the Rachmaninoff concertos programmed in one weekend. A frequent guest with orchestras in Australia, Mr. Ohlsson has recently visited Perth, Brisbane, Melbourne, Sydney, Adelaide, and Hobart, and he appeared with the New Zealand Symphony in Wellington and Auckland. An avid chamber musician, he has collaborated with the Cleveland, Emerson, and Tokyo string quartets, and in the spring he will tour with the Takács Quartet and also with the Boston Chamber Players in Istanbul, Berlin, Munich, Warsaw, Luxembourg, and Prague. Together with violinist Jorja Fleezanis and cellist Michael Grebanier, he is a founding member of the San Francisco-based FOG Trio. Passionate about singers, he has appeared in recital with such legendary artists as Magda Olivero, Jessye Norman, and Ewa Podleś. Mr. Ohlsson can be heard on the Arabesque, RCA Victor Red Seal, Angel, BMG, Delos, Hänssler, Nonesuch, Telarc, Hyperion,
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