Issue 28 June 2001 Complex Weavers’ ISSN: 1531-1910 Medieval Textiles Coordinator: Nancy M McKenna 507 Singer Ave. Lemont, Illinois 60439 e-mail:
[email protected] In this issue: Woven “Viking” Wall Hanging Woven “Viking” Wall Hanging p.1 By Jacqueline James, York 2001 Medieval Color and Weave Textiles p.1 Hangings About The Hall p.3 One of the most interesting custom orders I have ever The Discovery of Woad Pigment p.7 undertaken was in 1989 when I was approached by A Renaissance Cheese p.7 Heritage Projects Ltd. and asked to weave a wall Trade Cloaks p.8 hanging for permanent display in one of the recon- structed houses at the Jorvik Viking Centre, Coppergate, York. Medieval Color & Weave Textiles by Nancy M. McKenna Research for the project began with consultation with Penelope Walton Rogers at the textile conservation Color has always been important to people. As noted lab of York Archeological Trust. I was privileged to in Textiles and Clothing, plaids are not uncommon in see some of the results of Penelope’s research of textile fragments from Coppergate Viking-age site. One of the woven fragments I examined was thought to have originated from a curtain or wall hanging. The sample, wool twill 1263, was used as a reference to determine the fiber content, weave structure, sett and dye I would use to produce the woven fabric. Al- though the piece has two adjacent hemmed sides, and is not square, it is easily seen that it has been pulled out of square by hanging from the corner and other points along one edge, an indication of it having been used as a wall hanging or curtain.