Blue Jeans (Edited from Wikipedia)
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Section 881 Fabrics
Section 881—Fabrics 881.1 General Description This section includes the requirements for the following fabrics: Plain cotton duck Rubber-impregnated cotton duck Burlap and cotton bags Plastic filter fabric Pavement reinforcement fabric Silt fence filter fabric 881.1.01 Related References A. Standard Specifications Section 106—Materials Certification B. Referenced Documents Federal Specification CCC-C 419 Type III ASTM D 36 ASTM D 146 ASTM D 412 ASTM D 1777 ASTM D 3786 ASTM D 4355 ASTM D 4632, GRAB ASTM D 4751 ASTM D 4833 GDT 87 GDT 88 GDT 95 QPL 28 QPL 36 QPL 40 QPL 47 881.2 Materials 881.2.01 Plain Cotton Duck A. Requirements 1. Use plain cotton duck that meets the requirements of Federal Specification CCC-C 419 Type III. Page 1 Section 881—Fabrics 2. Ensure that the duck weighs at least 8 oz./yd² (270 g/m²). B. Fabrication General Provisions 101 through 150. C. Acceptance General Provisions 101 through 150. D. Materials Warranty General Provisions 101 through 150. 881.2.02 Rubber-Impregnated Cotton Duck A. Requirements 1. Use preformed rubber-impregnated fabric pads made of multiple layers of 8 oz (270 g) cotton duck, impregnated and bound with high quality natural rubber, or made of equivalent materials compressed into resilient pads of uniform thickness. 2. Use enough plies to reach the specified thickness after compression and vulcanizing. 3. Ensure that the finished pad withstands compression loads of not less than 10,000 psi (70 MPa) when applied perpendicular to the plane of the laminations. Ensure that the pad does not extrude or harmfully reduce in thickness. -
Tate Report 08-09
Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements. -
Historic Furnishings Assessment, Morristown National Historical Park, Morristown, New Jersey
~~e, ~ t..toS2.t.?B (Y\D\L • [)qf- 331 I J3d-~(l.S National Park Service -- ~~· U.S. Department of the Interior Historic Furnishings Assessment Morristown National Historical Park, Morristown, New Jersey Decemb r 2 ATTENTION: Portions of this scanned document are illegible due to the poor quality of the source document. HISTORIC FURNISHINGS ASSESSMENT Ford Mansion and Wic·k House Morristown National Historical Park Morristown, New Jersey by Laurel A. Racine Senior Curator ..J Northeast Museum Services Center National Park Service December 2003 Introduction Morristown National Historical Park has two furnished historic houses: The Ford Mansion, otherwise known as Washington's Headquarters, at the edge of Morristown proper, and the Wick House in Jockey Hollow about six miles south. The following report is a Historic Furnishings Assessment based on a one-week site visit (November 2001) to Morristown National Historical Park (MORR) and a review of the available resources including National Park Service (NPS) reports, manuscript collections, photographs, relevant secondary sources, and other paper-based materials. The goal of the assessment is to identify avenues for making the Ford Mansion and Wick House more accurate and compelling installations in order to increase the public's understanding of the historic events that took place there. The assessment begins with overall issues at the park including staffing, interpretation, and a potential new exhibition on historic preservation at the Museum. The assessment then addresses the houses individually. For each house the researcher briefly outlines the history of the site, discusses previous research and planning efforts, analyzes the history of room use and furnishings, describes current use and conditions, indicates extant research materials, outlines treatment options, lists the sources consulted, and recommends sourc.es for future consultation. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
Maya Lin Price List
Maya Lin KnollStudio Vol. One Stones Seats and Coffee Table textile req. leather grades COM COL description w d h material fabric yds. sq. ft. weight pattern no. unuphol. A BCDEFGHIUVWXY Designer(s): 83Y Stones adult seat 27Љ 19Љ 15Љ molded 22 lbs. 83YMW-( ) $717. Maya Lin, 1998 polyethylene with weight Award(s): Best of Neocon Silver Award, 1998; Good Design Award, Chicago Athenaeum, 1998; Good Design Award, 2006 83YM Stones adult seat 27Љ 19Љ 15Љ molded 13 lbs. 83YM-( ) 607. polyethylene no weight 83Y-K Seat cushion for adult seat 1.3 30 83Y-K-( ) 630. 662. 695. 729. 759. 780. 816. 882. 930. 1,292. 1,456. 1,796. 1,866. 1,950. Order Code Construction Approved KnollTextiles Grades/Fabrics Spinneybeck Leather Example: 84YM-W-KHRC-K642/5 Upholstery/COM information: Security Kit: Molded Polyethylene Stones: A B continued C continued D F continued H U X 84YM Stones child seat Prices shown include fabric or leather Security kit hooks onto latch on Polyethylene stones have integral color Alignmentf Ludlow Empire Stripe Compass CR Glider Arno Vicenza Ducale f W With weight upholstery. Contact your Knoll underside of polyethylene Stone directly with a light texture and a low gloss finish, Beacon Mini Stitch Enmesh Coterie Icon Bavaria Volo Ducale Velour representative for colors. Only approved into the ground for permanent available in one color. Bocce Night Life Entourage Eclat Weave Liberty Constance KHRC Khaki KnollTextiles and Spinneybeck leathers applications. Due to variations in Cat’s Cradle Nonchalant CR Fable CR Hologram Mod Plaid Gezelle V Y K642/5 Mariner, Steel may be ordered. -
Schott NYC Perfecto Jacket Black Leather and Metal Circa 1980, USA the Museum at FIT, P89.29.1 Museum Purchase
Schott NYC Perfecto jacket Black leather and metal Circa 1980, USA The Museum at FIT, P89.29.1 Museum purchase This Perfecto jacket has the same construction as the original 1928 horsehide design, first created by the Schott Brothers for manufacture by Harley-Davidson. Its black leather, chrome hardware, asymmetrically zipped front, and belted waist have been so successful that Schott still produces the Perfecto design today. Anatomy of the Perfecto biker jacket Illustration by Paula Sim School of Graduate Studies Catalog page (reproduction) “Two-Collar Motorcycle Jacket” Sears, Roebuck and Co. Fall/Winter 1951, p. 511 Fashion Institute of Technology|SUNY, FIT Library Dept. of Special Collections and FIT Archives Mass manufacturers were inspired by the pragmatic design of the Perfecto long before its inclusion in high-fashion collections. This version, by Sears, Roebuck and Co., includes special zippered pockets for a map and cigarettes, a leather harness to support the rider’s kidneys, and a detachable lambskin collar. Harley-Davidson Jacket Black leather and metal 1983, USA The Museum at FIT, 2013.30.1 Gift of Pepper Hemingway This is likely a woman’s jacket, as indicated by the orientation of the front zipper closure to the wearer’s left. In its 1954 catalog, Harley-Davidson featured its first woman’s jacket—called the “Ladies Companion Jacket.” The Wild One Film still 1953 © Bettman/Corbis Marlon Brando epitomized the mid-century American “bad boy” when he played Johnny Strabler in the film The Wild One. Many teenagers adopted his cuffed jeans, t-shirt,Perfecto jacket— and delinquent attitude. -
Robert Beverley and the Furniture Ofblandfield, Essex County, Virginia, 1760-1800
Robert Beverley and the Furniture ofBlandfield, Essex County, Virginia, 1760-1800 Christopher Harvey Jones Submitted in partial fulfillment ofthe requirements for the degree Master ofArts in the History ofDecorative Arts Masters Program in the History ofDecorative Arts The Smithsonian Associates And Corcoran College ofArt + Design 2006 ©2006 Christopher Harvey Jones All Rights Reserved TABLE OF CONTENTS List of Illustrations 11 Acknowledgments IV Introduction 1 Chapter One - Robert Beverley -- Colonial Gentleman 5 Chapter Two - Choices and Constraints 19 Chapter Three - Blanc!field 28 Chapter Four - Conspicuous Consumption -- English Furniture at Blanetfield 42 . Chapter Five - American Pragmatist -- Virginia Furniture at Blanetfield 53 Conclusion - Robert Beverley -- American 69 Bibliography 72 Appendix One 77 Illustrations 80 TABLE OF CONTENTS List of Illustrations II Acknowledgments IV Introduction 1 Chapter One - Robert Beverley -- Colonial Gentleman 5 Chapter Two - Choices and Constraints 19 Chapter Three - Blanctfield 28 Chapter Four - Conspicuous Consumption -- English Furniture at Blan4field 42 . Chapter Five - American Pragmatist -- Virginia Furniture at Blan4field 53 Conclusion - Robert Beverley -- American 69 Bibliography 72 Appendix One 77 Illustrations 80 LIST OF ILLUSTRATIONS Figure One -- Essex County, Virginia, 1755, A New Map ofthe Most Inhabited Part of Virginia ...by Thomas Frye and Peter Jefferson, Detail, Library of Congress. Figure Two -- Blandfield, East (River) Front, Historic American Buildings Survey Photograph, Ca. 1983, Library of Congress. Figure Three -- Blandfie1d, West (Entry) Front, Historic American Buildings Survey Photograph, ca.1983, Library of Congress. Figure Four -- Conjectural Floor Plan, Blandfie1d, Essex County, Virginia. Figure Five -- Side Chair, Solid Splat, Mahogany (?) England, Ca. 1750 - 1775, Private Collection, Author Photograph. Figure Six -- Side Chair, Diamond Splat, Walnut, England, Ca. -
LEVI's Strauss &
LEVI’S Strauss & Co. Levis Strauss & Co. Overview of the Retailer Created by: Yuto Sakurai Contact info: [email protected] Tel: 604-443-0430 LEVI’S Strauss & Co. Table of Contents I NTRODUCTION ....................................................................... 3 Company ............................................................................... 4 Organization ............................................................................... 4 History ....................................................................................... 5 Product Description and Pricing ............................................. 6 Men’s Denim (Description and Pricing Based on North American Regions) ...................................................................................... 6 Women’s Denim (Pricing based on North American Region) .......... 7 Target Market ....................................................................... 8 Marketing ............................................................................. 8 S.W.O.T. Analysis of Levi’s Strauss & Co. ............................. 9 Competition ........................................................................... 9 Prospecting ......................................................................... 10 Pre-Approach ...................................................................... 10 The Approach ...................................................................... 10 Needs Discovery Questions .................................................. 11 Dominant Buying -
Identifying Woven Textiles 1750-1950 Identification
Identifying Woven Textiles 1750–1950 DATS in partnership with the V&A 1 Identifying Woven Textiles 1750–1950 This information pack has been produced to accompany two one-day workshops taught by Katy Wigley (Director, School of Textiles) and Mary Schoeser (Hon. V&A Senior Research Fellow), held at the V&A Clothworkers’ Centre on 19 April and 17 May 2018. The workshops are produced in collaboration between DATS and the V&A. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying woven textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the wider public and is also intended as a stand-alone guide for basic weave identification. Other workshops / information packs in the series: Identifying Textile Types and Weaves Identifying Printed Textiles in Dress 1740–1890 Identifying Handmade and Machine Lace Identifying Fibres and Fabrics Identifying Handmade Lace Front Cover: Lamy et Giraud, Brocaded silk cannetille (detail), 1878. This Lyonnais firm won a silver gilt medal at the Paris Exposition Universelle with a silk of this design, probably by Eugene Prelle, their chief designer. Its impact partly derives from the textures within the many-coloured brocaded areas and the markedly twilled cannetille ground. Courtesy Francesca Galloway. 2 Identifying Woven Textiles 1750–1950 Table of Contents Page 1. Introduction 4 2. Tips for Dating 4 3. -
The Complete Costume Dictionary
The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.