Essay Catalougue 2012 Txt English Artists
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Jews and the West Legalization of Marijuana in Israel?
SEPTEMBER 2014 4-8 AMBASSADOR LARS FAABORG- ANDERSEN: A VIEW ON THE ISRAELI – PALESTINIAN CONFLICT 10-13 H.Е. José João Manuel THE FIRST AMBASSADOR OF ANGOLA TO ISRAEL 18-23 JEWS AND THE WEST AN OPINION OF A POLITOLOGIST 32-34 LEGALIZATION OF MARIJUANA IN ISRAEL? 10 Carlibah St., Tel-Aviv P.O. Box 20344, Tel Aviv 61200, Israel 708 Third Avenue, 4th Floor New York, NY 10017, U.S.A. Club Diplomatique de Geneva P.O. Box 228, Geneva, Switzerland Publisher The Diplomatic Club Ltd. Editor-in-Chief Julia Verdel Editor Eveline Erfolg Dear friends, All things change, and the only constant in spectrum of Arab and Muslim opinions, Writers Anthony J. Dennis the Middle East is a sudden and dramatic just as there is a spectrum of Jewish Patricia e Hemricourt, Israel change. opinions. Ira Moskowitz, Israel The Middle East is a very eventful region, As one of the most talented diplomats in Bernard Marks, Israel where history is written every day. Here history of diplomacy, Henry Kissinger Christopher Barder, UK you can witness this by yourself. It could said: “It is not a matter of what is true that Ilan Berman, USA be during, before or after a war – between counts, but a matter of what is perceived wars. South – North, North – South, to be true.” war – truce, truce – war, enemy – friend, Reporters Ksenia Svetlov Diplomacy, as opposed to war, facilitates Eveline Erfolg friend – enemy… Sometimes, these words (or sometimes hinders) conflict prevention David Rhodes become very similar here. and resolution, before armed conflict Neill Sandler “A la guerre comme à la guerre” and begins. -
10Sa Jewish Report
friday 16 november 2012 / 2 Kislev 5773 volume 16 - number 41 news opinion letters tapestry community columns youth sports Silberhaft’s south african compassionate humanity brought to life (page 12) jewish report www.sajewishreport.co.za Labelling: SAJBD makes its final submission DAVID SAKS material used to produce the goods rules of origin be “prepared and ap- originated there. plied in an impartial, transparent, In the latest development regard- It lists Gaza along with the predictable, consistent and neutral ing the Department of Trade and West Bank and East Jerusalem as manner”. Industry’s controversial move to being “Israeli Occupied Territory”, It also would fall foul of the relabel Israeli products emanating even though seven years have now requirement that rules of origin from Jewish enclaves in the West passed since Israel withdrew in toto should be so applied as not to create Bank, the SAJBD has made another both its military forces and Jewish unnecessary obstacles to trade. formal submission detailing its residents from Gaza. The second main requirement objections to the measure. The SAJBD’s submission lists in the Board’s submission was This follows Minister of Trade two essential requirements for the that labelling legislation should and Industry Rob Davies’ issuing proposed measures to be regarded not discriminate but should apply of a Final Notice a month ago, in as acceptable. It accepted that it consistently to all of South Africa’s which the public was invited to was technically incorrect to label trading partners. submit their comments within a products emanating from the West In its current form, the notice prescribed 30-day period. -
Fatih Akin's Cinema and the New Sound of Europe Seda Öz University of Delaware, [email protected]
Journal of Religion & Film Volume 23 Article 11 Issue 2 October 2019 10-1-2019 Fatih Akin's Cinema and the New Sound of Europe Seda Öz University of Delaware, [email protected] Recommended Citation Öz, Seda (2019) "Fatih Akin's Cinema and the New Sound of Europe," Journal of Religion & Film: Vol. 23 : Iss. 2 , Article 11. Available at: https://digitalcommons.unomaha.edu/jrf/vol23/iss2/11 This Book Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Fatih Akin's Cinema and the New Sound of Europe Abstract This is a book review of Berna Gueneli's Fatih Akin's Cinema and the New Sound of Europe (Bloomington: Indiana University Press, 2019). Keywords Islam, Turkey, Germany, Transnationalism Author Notes Seda Öz, a PhD candidate at the University of Delaware Department of English, is working on adaptation studies with a special emphasis on transnational film remakes. A member of the AAS, LFA and SAMLA, she has published on adaptation in Critical Survey and Adaptation. This book review is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol23/iss2/11 Öz: Fatih Akin's Cinema and the New Sound of Europe Gueneli, Berna. Fatih Akin's Cinema and the New Sound of Europe. Bloomington: Indiana University Press, 2019. Thomas Elsaesser claims that “any book about European cinema should start with a statement that there is no such a thing as European cinema.”1 In the heyday of globalization, cross-cultural communication, multiculturalism, immigration, a refugee crisis stemming from the latest wars in the Middle East and Eastern Europe, the crisis within European Union politics, and the changing borders of the Schengen zone, concepts like Europe and Europeanness refer at once to nothing and many things and become an area of constant struggle among different groups. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
AMS/SMT Milwaukee 2014 Abstracts Thursday Afternoon
AMS/SMT American Musicological Society Society for Music Theory Program & Abstracts & Abstracts Program 2014 Milwaukee Milwaukee 6-9 November 2014 Abstracts g Abstracts of Papers Read at the American Musicological Society Eightieth Annual Meeting and the Society for Music Theory Thirty-seventh Annual Meeting 6–9 November 14 Hilton Hotel and Wisconsin Center Milwaukee, Wisconsin g AMS/SMT 2014 Annual Meeting Edited by Judy Lochhead and Richard Will Chairs, 14 SMT and AMS Program Committee Local Arrangements Committee Mitchell Brauner, Chair, Judith Kuhn, Rebecca Littman, Timothy Miller, Timothy Noonan, Gillian Rodger Performance Committee Catherine Gordon-Seifert, Chair, Mitchell Brauner, ex officio, David Dolata, Steve Swayne Program Committees AMS: Richard Will, Chair, Suzanne Cusick, Daniel Goldmark, Heather Hadlock, Beth E. Levy, Ryan Minor, Alejandro Planchart SMT: Judy Lochhead, Chair, Poundie Burstein, ex officio, Michael Klein, Sherry Lee, Alexander Rehding, Adam Ricci, Leigh VanHandel The AMS would like to thank the following people and organizations for their generous support: Calvary Presbyterian Church, Milwaukee Joan Parsley Charles Sullivan and Early Music Now Milwaukee Symphony Orchestra University of Wisconsin-Milwaukee Program and Abstracts of Papers Read (ISSN 9-1) is published annually for the An- nual Meeting of the American Musicological Society and the Society for Music Theory, where one copy is distributed to attendees free of charge. Additional copies may be purchased from the American Musicological Society for $1. per copy plus $. U.S. shipping and handling (add $. shipping for each additional copy). For international orders, please contact the American Musicological Society for shipping prices: AMS, 61 College Station, Brunswick ME 411-41 (e-mail [email protected]). -
NR 04/3 Citroengeel-Mira Calex
v.u. Jo Lijnen, Burg. Bollenstr. 54-56+, 3500 Hasselt BELGIE-BELGIQUE P. B. 3500 Hasselt 1 12/741 E E 3500-HASSELT BURG.BOLLENSTR.54-56+ KUNSTENCENTRUM 3500-HASSELT BURG.BOLLENSTR.54-56+ KUNSTENCENTRUM B B L L WARP NIGHT-MIRACALIX (UK)-29mei‘04 WARP NIGHT-MIRACALIX (UK)-29mei‘04 WARP NIGHT-MIRACALIX (UK)-29mei‘04 WARP NIGHT-MIRACALIX (UK)-29mei‘04 WARP NIGHT-MIRACALIX (UK)-29mei‘04 G G I I E E ”NEW-RELEASES” / 14°jaargang / 5 X per jaar:jan.-mrt-mei-juli-okt/ editie:mei. 2004 Afgiftekantoor: 3500 Hasselt 1 - P 206555 ✯ ININ THETHE CUTCUT (AUS/USA/UK / 2003 / 120’ / 35 mm) Cast Meg Ryan, Mark Ruffalo, Jennifer Jason Leigh, Nick Damici, Regie: Jane Campion Sharrieff Pugh, Michael Nuccio, Alison Nega, Dominick Aries, Susan Gardner, Heather Litteer, Daniel T. Booth, Kevin Bacon Muziek Hilmar Örn Hilmarsson (zie Sigur Ros, Psychic TV, Current 93) Frannie (Meg Ryan) is een in zichzelf gekeerde, alleenstaande Engelse literatuur- docente die les geeft aan een middelbare school in Manhattens East Village. Behalve haar studie over het gebruik van slangwoorden bij jongeren en haar passie voor politieromans houdt ze zich ver van de donkere kant van het grootstadsleven. Tijdens een bezoek aan een bar is ze ongewild getuige van een intiem moment tussen een man en een vrouw. Verschrikt, maar evenzeer gefascineerd door de passie tussen deze twee vreemden, merkt ze slechts de zwoele blik en een tatoeage op van de man. Als er daags nadien een moord blijkt te zijn gepleegd in de buurt van Franny’s huis, wordt ze benaderd door detective Malloy (Mark Ruffalo), die vermoedt dat Franny meer weet. -
Description Basic Data
[ Weitere Angaben: https://berlin.museum-digital.de/index.php?t=objekt&oges=91270 vom 25.09.2021 ] Objekt: Minimal Compact 15.9.1987 I Museum: SchwulesMuseum L¨utzowstraße 73 10785 Berlin 030 69 59 92 52 [email protected] Rita Maier / Schwules Museum Berlin [RR-P] Sammlung: Nachlass Petra Gall, Fotosammlung Inventarnummer: F-NL-PGA-1-475 Beschreibung Kontaktabzug von 24 Schwarzweißnegativen, die Petra Gall am 15. September 1987 bei einem Konzert der israelischen Post-Punk-Band Minimal Compact aufgenommen hat. Das Konzert fand im Loft am Nollendorfplatz in Berlin statt. Minimal Comapct bestanden aus Malka Spigel (Bass, Gesang), Samy Birnbach (Gesang + Texte), Berry Sakharof (Guitars, Keyboards, Gesang), Max Franken (Schlagzeug) und Rami Fortis (Gitarre, Gesang). Der Schlagzeuger, vermutlich Franken, ist auf den Fotos nicht zu sehen. Die Band existierte von 1981 bis 1988 und arbeitete u.a. mit Tuxedomoon und Wire zusammen. 1987 steuerten Minimal Compact den Song ”When I’m Gone” zu Wim Wenders Film ”Der Himmel ¨uber Berlin” (”Wings of Desire”) bei. Sakharof wurde sp¨ater einer der erfolgreichsten israelischen Rockstars. Die ersten vier Bilder zeigen vermutlich die Band Set Fatale, die als Vorband spielte. Grunddaten Maße 18,3x23,8cm Material/Technik Silbergelatine-Print, KODAK TMX 5052 Ereignisse Wurde abgebildet (Akteur) ... Minimal Compact Wurde abgebildet (Akteur) ... Malka Spigel (1954-) Wurde abgebildet (Akteur) ... Samy Birnbach (1948-) Wurde abgebildet (Akteur) ... Berry Sakharof (1957-) Wurde abgebildet (Akteur) ... Rami Fortis (1954-) Wurde abgebildet (Akteur) ... Max Franken Wurde abgebildet (Akteur) ... Set Fatale Wurde abgebildet (Akteur) ... Cem Oral Wurde abgebildet (Akteur) ... Robert Cobernus Aufgenommen ... wann 15.09.1987 wer Petra Gall (1955-2018) wo Loft (Berlin, Nollendorfplatz) Schlagworte ❼ Ereignis ❼ Fotografie (Methode) ❼ Konzert ❼ Post Punk. -
Various It's a Crammed, Crammed World! 2 Mp3, Flac, Wma
Various It's A Crammed, Crammed World! 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: It's A Crammed, Crammed World! 2 Country: Greece Released: 1989 Style: Synth-pop, Experimental MP3 version RAR size: 1577 mb FLAC version RAR size: 1512 mb WMA version RAR size: 1415 mb Rating: 4.6 Votes: 943 Other Formats: MPC MMF VOX MOD AHX MP1 AU Tracklist Hide Credits The Traitor A1 –Minimal Compact Producer – Colin NewmanRemix – Gilles Martin, Marc Hollander Atlantis A2 –Tuxedomoon Producer – Gilles MartinRemix – Frankie Lievaart Wedding With God A3 –Sonoko Producer – Marc HollanderRemix – Vincent Kenis New York A4 –Volti Mixed By – Gilles Martin, Marc HollanderProducer – Geordie Gillespie Nostalgie A5 –Zazou Bikaye Producer – Marc Hollander Bolingo A6 –Poto Doudongo* Producer – Vincent Kenis But I... B1 –Colin Newman Producer – Gilles Martin –Sussan Deihim* & Richard B2 Got Away Horowitz B3 –Bel Canto Agassiz Les Memes Histoires B4 –Karl Biscuit Producer – Gilles Martin B5 –John Lurie The Lampposts Are Mine B6 –Mahmoud Ahmed Sidetegnash Negn Companies, etc. Phonographic Copyright (p) – Crammed Discs Copyright (c) – Minos Notes (P) 1987 CRAMMED DISCS / (P)1989 MINOS Barcode and Other Identifiers Rights Society: AEPI Other versions Category Artist Title (Format) Label Category Country Year It's A Crammed, CRAM 053 Various Crammed World! 2 Crammed Discs CRAM 053 Germany 1987 (LP, Comp) It's A Crammed, CRAM C 053 Various Crammed World! 2 Crammed Discs CRAM C 053 Belgium 1987 (Cass, Album, Comp) It's A Crammed, CRAM 053, Crammed Discs, CRAM 053, Various Crammed World! 2 Belgium 1987 cram 053 Crammed Discs cram 053 (LP, Comp) It's A Crammed, Tokuma Japan 32CRD-101 Various Crammed World! 2 32CRD-101 Japan 1988 Communications (CD, Comp) Related Music albums to It's A Crammed, Crammed World! 2 by Various Minimal Compact - Live Zazou Bikaye - Mr. -
Turkish Psychedelia: the Revival of Anatolian Pop
KADİR HAS UNIVERSITY SCHOOL OF GRADUATE STUDIES PROGRAM OF COMMUNICATION STUDIES TURKISH PSYCHEDELIA: THE REVIVAL OF ANATOLIAN POP SETENAY GÜLTEKİN SUPERVISOR: ASSOC. PROF. LEVENT SOYSAL MASTER’S THESIS ISTANBUL, AUGUST, 2019 TURKISH PSYCHEDELIA: THE REVIVAL OF ANATOLIAN POP SETENAY GÜLTEKİN SUPERVISOR: ASSOC. PROF. LEVENT SOYSAL MASTER’S THESIS Submitted to the School of Graduate Studies of Kadir Has University in partial fulfillment of the requirements for the degree of Master’s in the Discipline Area of Communication Studies under the Program of Communication Studies. ISTANBUL, AUGUST, 2019 I, SETENAY GULTEKIN OF THE CANDIDATE,hereby declare that; e this Master’s Thesis is my own original work and that due references have been appropriately provided on all supporting literature and resources; this Master’s Thesis contains no material that has been submitted or accepted for a degree or diploma in any other educational institution; © I have followed “Kadir Has University Academic Ethics Principles” prepared in accordance with the “The Council of Higher Education’s Ethical Conduct Principles” In addition, I understand that any false claim in respect of this work will result in disciplinary action in accordance with University regulations. Furthermore, both printed and electronic copies of my work will be kept in Kadir Has Information Center underthe following condition as indicated below The full content of my thesis/project will be accessible only within the campus of Kadir Has University. The full content of my thesis/project will not be accessible for 2 years. If no extension is required by the end of this period, the full content of my thesis will be automatically accessible from everywhere by all means. -
= No Future? Een Studie Naar De Nederlandse Jeugdcultuur Van De Vroege Jaren Tachtig
Ultra = No Future? Een studie naar de Nederlandse jeugdcultuur van de vroege jaren tachtig Bachelorwerkstuk Janne Pisters S4141962 Begeleider: Remco Ensel 15-01-2015 2 Inhoudsopgave Inleiding 4 - 6 Popmuziek en Jeugdcultuur = Samen één heel ei Status Quaestionis 7 - 14 Punk, Postpunk en Ultra Hoofdstuk 1 15 - 17 Ultramoderne Muziek = Experimenteel, Elektronisch, Heterogeen en Kunstzinnig Hoofdstuk 2 18 - 23 Ultramoderne Boodschap = Onbewogen en Vernieuwend Hoofdstuk 3 24 - 31 De Minny Pops = Een Geoliede Machine Conclusie 32 - 33 Ultra = Uiterst Toekomstgericht Bibliografie 34 - 38 3 Inleiding Popmuziek en Jeugdcultuur = Samen één heel ei Wie aan jeugdcultuur denkt, denkt vaak automatisch aan de jeugdcultuur van de jaren zestig. Hierbij wordt vooral gedacht aan het tegendraadse karakter van die jeugd: de Nozemrellen, de Provobeweging, de studentenprotesten en de hippiemuziek. Waar eigenlijk nooit aan wordt gedacht is de jeugdcultuur van de jaren tachtig, terwijl deze lichting ook genoeg teweeg heeft gebracht. De onderbelichting van de jeugdcultuur in de jaren tachtig is ook terug te zien in het historisch onderzoek, want er is nog maar weinig geschreven over de jeugdcultuur in deze jaren. In de jaren tachtig wordt het woord ‘doemdenken’ geïntroduceerd door Van Kooten en De Bie.1 Dit zegt alles over de sombere tijd waarin de jongeren opgroeiden, Nederland verkeerde namelijk in een economische crisis. De arbeidsmarkt verzwakte en er waren oplopende begrotingstekorten. De inkomens van jongeren werden verlaagd, hun rechten afgezwakt en hun plichten versterkt, met jeugdwerkeloosheid tot gevolg.2 In het internationale politieke klimaat was er spanning vanwege de Koude Oorlog. Met name de dreiging van de atoombom maakte veel mensen bang. -
Hebräisches Groove-Festival | Norient.Com 28 Sep 2021 08:59:27
Hebräisches Groove-Festival | norient.com 28 Sep 2021 08:59:27 Hebräisches Groove-Festival by Eric Mandel Das erste hebräische Groove-Festival in Tel Aviv bot für 120 Schekel binnen acht Stunden vier Bands und eine Handvoll DJs – eine volle Packung, für wenig Geld. Mit dabei waren: Eyal Talmudi (Balkan Beat Box), Boom Pam, Digital Me, The Ramirez Brothers, The Apples with Yoram Arbel, Markey Funk, Soulico, Kuti, Karolina, Uzi Navon, Tree, Radio Trip, LEFT und MC Goga. Gut zweieinhalb tausend Zuschauer fasst der Hangar 11 im Hafen von Tel Aviv, in dem das erste hebräische Groove-Festival stattfindet. und die meisten von ihnen schienen bereits angekommen, als die erste Band, nach einem Warm-up von DJ Markey Funk und Left die Instrumente in Anschlag brachte. Die Ramirez Brothers, ein Trio aus Schlagzeug, Gitarre und Trompete, und gab den Ton vor, der die Ästhetik des ganzen Line-Ups prägte: Hochenergetische Groove-Musik mit einem Bein im Funk der 60er und 70er Jahre, so wie er seit den Poets of Rhythm in DJ-Taschen, Clubs und Festivals wieder lebendig ist. Was die Tel Aviv-Szene betrifft, die sich hier eine ganze lange Nacht feiern konnte, so steht ihr anderes Bein tief im vielstimmigen kulturellen Mix, der die Stadt – allen sozialen Schräglagen zum Trotz – auszeichnet: der israelische, sogenannte «Oriental Pop», Einflüsse aus dem https://norient.com/blog/groovefestival Page 1 of 7 Hebräisches Groove-Festival | norient.com 28 Sep 2021 08:59:27 Balkan, griechische, arabische, askenazische und sephardische Metren und Skalen, alles durchdrungen und zusammengehalten von den Mitteln der globalen Populärkultur: Funk, Hip-Hop, Rock und Reggae. -
Xango Music Distribution Release #2 – 2017 Pagina | 1
Xango Music local music from all over the world Office: Singelstraat 1, 3513 BL Utrecht, NL www.xmd.nl - [email protected] - +31 6 50 999 123 Warehouse: Berenkoog 53 C, 1822 BN, Alkmaar (NL) e: [email protected] t: +31 (0)72 - 567 3030 NEW RELEASES NO. 2-2017 Baba Zula: XX GBCD 42 / 4030433604229 / label: Glitterbeat / format: 2-CD / Turkey – Popular Baba Zula: XX GBLP 42 / 4030433604212 / label: Glitterbeat / format: 2-LP with CD / Turkey – Popular A kaleidoscopic, two-disc, career spanning compilation from Istanbul’s revered psychedelic explorers Baba Zula. Esteemed collaborators include Sly & Robbie, Mad Professor, Dr. Das of Asian Dub Foundation, Alexander Hacke (Einstürzende Neubaten) and more. Without a doubt one of the planet’s great musical adventures. Formed by Ertel and Levent Akman in 1996, Baba Zula took Turkish psychedelic pioneers of the 1960s like Moğollar as their inspiration and foundation for what they called Istanbul psychedelia, the fathers of a scene that’s since grown up around them. Baba Zula came into existence when Ertel’s previous outfit, ZeN, was asked to create a soundtrack by a director friend. Ertel and two other members were interested, and the band grew from that seed, with music for films very much a part of their output. Listen here. Out Now: El Leopardo: El Leopardo / El Acontista GBEP 41 / 4030433604175 / label: Glitterbeat / format: 12” / Colombia – Popular Glitterbeat doesn’t release many 12” singles (this is the second), but this 2-song beauty is so good they couldn’t pass up the chance to put it out.