Mathmagic User Guide - Personal Edition & Pro Edition V5.0 1 Contents
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Prepared for Leslie Cabarga's "Learn Fontlab Fast" Book* PC Truetype
Prepared for Leslie Cabarga's "Learn FontLab Fast" book* PC TrueType / OpenType TT (Also known as: Data-fork TrueType, Windows TrueType, TrueType-flavored OpenType, TTF) Pros: Works on Windows, Linux and Mac OS X. May contain up to 65,535 characters, supports Unicode and can contain OpenType layout features, making the format suitable for multilingual fonts, non-latin fonts and advanced typographic features (such as automatic ligatures, small caps). TrueType hinting allows precise control in small screen sizes, can also contain bitmaps. Can include embedding rights information defining whether or not the font may be attached to electronic documents. Cons: Does not work on Mac OS 8/9; not completely cross-platform. May cause output problems on ten-year-old PostScript output and printing devices. The designer usually needs to convert the outlines from beziers which may introduce slight changes in the shape. When converted back to beziers (e.g. in Illustrator), the resulting curves have superfluous points. Manual TrueType hinting is laborious to create. The multilingual and advanced typography features only work with new OpenType-savvy applications, otherwise just the basic character set is available. For font families, requires two versions of the family name within each font: the first may contain any number of styles; the second "mini-family" may contain only four styles. OpenType PS (Also known as: OpenType-CFF, PostScript-flavored OpenType, OTF) Pros: Works on Windows, Linux, Mac OS 8.6, 9, and OS X. Uses the bezier curve system preferred by designers and used in drawing apps such as Illustrator and Freehand so letterforms can be drawn precisely and outlines need not be converted. -
Introducing Opentype Ab
UBS AG ab Postfach CH-8098 Zürich Tel. +41-44-234 11 11 Brand Management Visual Identity Stephanie Teige FG09 G5R4-Z8S Tel. +41-1-234 59 09 Introducing OpenType Fax +41-1-234 36 41 [email protected] July 2005 www.ubs.com OpenType is a new font format developed collaboratively by Adobe and Microsoft. OpenType enhances the TrueType and PostScript technologies and extends their capabilities. Most fonts today are released in the OpenType format, now considered the industry standard. The resulting new generation of UBSHeadline and Frutiger fonts offers improved typographic and layout features. 1. What is OpenType? Frutiger is not always Frutiger Due to the wide variety of Frutiger styles available world- A single font format wide, be sure to install and use only the client-specific UBS OpenType provides a single universally acceptable font licensed version of this font. Do not use any other versions format that can be used on any major operating system of Frutiger to create UBS media. and in any application. Using the client-specific UBS Frutiger guarantees access to Macintosh Windows UBS-relevant cuts. It also prevents changes to kerning and line-break in comparison to random Frutiger styles. UBSHeadline, Frutiger UBSHeadline, Frutiger (PostScript) (TrueType) Linotype Frutiger UBS Frutiger Frutiger LT 45 Light Frutiger 45 Light Macintosh and Frutiger LT 46 Light Italic Frutiger 45 Light Italic Windows Frutiger LT 55 Roman Frutiger 55 Roman Frutiger LT 56 Italic Frutiger 55 Roman Italic UBSHeadline, Frutiger Frutiger LT 65 Bold Frutiger 45 Light Bold (OpenType) Frutiger LT 75 Black Frutiger 55 Roman Bold Frutiger LT 47 Light Condensed Frutiger 47 Light CN Unicode OpenType supports Unicode, which allows much larger Comparison of common Linotype Frutiger versus UBS client- character sets – more than 65,000 glyphs per font in many specific Frutiger. -
Advanced Printer Driver Ver.4.13
Advanced Printer Driver for South Asia Ver.4 TM Printer Manual APD Overview Descriptions of the APD features. Using the APD Descriptions of simple printings and useful functions. Reference Descriptions of property seings of the printer driver. TM Flash Logo Setup Utility Ver.3 Descriptions of how to set and use the TM Flash Logo Setup Utility Ver3. Restrictions Descriptions of restrictions on use of the APD. Printer Specification Descriptions of the specifications of TM-T81. M00024103-2 Rev. D Cautions • No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of Seiko Epson Corporation. • The contents of this document are subject to change without notice. Please contact us for the latest information. • While every precaution has taken in the preparation of this document, Seiko Epson Corporation assumes no responsibility for errors or omissions. • Neither is any liability assumed for damages resulting from the use of the information contained herein. • Neither Seiko Epson Corporation nor its affiliates shall be liable to the purchaser of this product or third parties for damages, losses, costs, or expenses incurred by the purchaser or third parties as a result of: accident, misuse, or abuse of this product or unauthorized modifications, repairs, or alterations to this product, or (excluding the U.S.) failure to strictly comply with Seiko Epson Corporation’s operating and maintenance instructions. • Seiko Epson Corporation shall not be liable against any damages or problems arising from the use of any options or any consumable products other than those designated as Original EPSON Products or EPSON Approved Products by Seiko Epson Corporation. -
Font HOWTO Font HOWTO
Font HOWTO Font HOWTO Table of Contents Font HOWTO......................................................................................................................................................1 Donovan Rebbechi, elflord@panix.com..................................................................................................1 1.Introduction...........................................................................................................................................1 2.Fonts 101 −− A Quick Introduction to Fonts........................................................................................1 3.Fonts 102 −− Typography.....................................................................................................................1 4.Making Fonts Available To X..............................................................................................................1 5.Making Fonts Available To Ghostscript...............................................................................................1 6.True Type to Type1 Conversion...........................................................................................................2 7.WYSIWYG Publishing and Fonts........................................................................................................2 8.TeX / LaTeX.........................................................................................................................................2 9.Getting Fonts For Linux.......................................................................................................................2 -
Steps to Install Your New Font
Steps to Install your new font: • Go to Control Panel. Click on your Start button and select Settings > Control Panel (or Open My Computer then Control Panel) • Go to your Fonts folder. Open (Doubleclick) the Fonts folder. • Go to Install New Font. Select File | Install New Font. Check the Font FAQ if your Install New Font command is missing. • Find the directory/folder with the font(s) you want to install. Use the Folders: and Drives: windows to move to the folder on your hard drive, a disk, or CD where your new TrueType or OpenType fonts are located. • Find the font(s) you want to install. TrueType fonts have the extension .TTF and an icon that is a dog-eared page with two overlapping Ts and require only this one file for installation and use. OpenType fonts have the extension .TTF or .OTF and a little icon with an O and require only this one file for installation and use. Highlight the TrueType or OpenType font to install from the List of fonts window. • Install the font(s). Click OK. This completes your TrueType or OpenType font installation. Tips: 1. Put Installed Fonts on Your Hard Drive. If you are going to install TrueType or OpenType fonts from a CD be sure the 'Copy fonts to folder' box is checked; otherwise, fonts may not be available to use if the CD is not in the drive at all times. 2. Use the Right Fonts for Windows. There are slight differences in the TrueType fonts designed for each OS therefore Mac and Windows users cannot share TrueType fonts. -
Advancements in Web Typography (Webfonts and WOFF)
Advancements in Web Typography (WebFonts and WOFF) Aaron A. Aliño Graphic Communication Department California Polytechnic State University 2010 Advancements in Web Typography (WebFonts and WOFF) Aaron A. Aliño Graphic Communication Department California Polytechnic State University 2010 Table of Contents Chapter I: Introduction………………………………………………………….…………..2 Chapter II: Literature Review……………………………………………………….………5 Chapter III: Research Methods………………………………………………….…..…....18 Chapter IV: Results………………………………………………………………….……..24 Chapter V: Conclusions……………………………………………………………….…..38 References……………………………………………………………………………...…..41 1 Chapter I: Introduction When it comes to the control one has in designing and creating content for the World Wide Web, typography should be no different. Print designers have had the advantage for a long time over their ability to choose exactly how type is printed, limited only by their imagination and the mechanical limits of setting and printing type. Web designers, on the other hand, have been held back by the inherent hardware and software limitations associated with web design and font selection. What this means is that web designers have not been able to control type exactly the way they want. Web designers have been limited to fonts that can safely be displayed on most computers and web browsers. If web designers wanted to display type with a special font, they had to resort to a workaround that was not always effective. Web designers should have the same absolute control over typography as print designers. Control of web typography has gotten much better compared to the early days of web design, but 2 considering how powerful and robust computers and web browsers are now, it seems unfortunate that control over web typography is so primitive That has changed now. -
GUI Input Tools for Mathematics
GUI input tools for Mathematics Gregory Tappero [email protected] UK Mathematical Content Workshop Milton Keynes 9 September 2009 http://groups.google.com/group/uk-math-content-2009/files/ 1 GUI is nice to end users Using emacs to edit LaTeX code then run command lines to compile and output a pdf may be fun, but only to a particular type of people. GUI input tools UKMCW 2009 2 Their Purpose From: To: A portable, standardised, digital format that we can share integrate and reuse. GUI input tools UKMCW 2009 3 Tools Survey: What's around ? ● MathType ● Formulator ● MathTran ● Publicon (Wolfram Research) ● Wiris ● Math Magic ● Edoboard ● Detexify ● Sitmo ● Math Input Panel (Windows 7) ● Word 2007 GUI input tools UKMCW 2009 4 MathType http://www.dessci.com/en/products/mathtype/ GUI input tools UKMCW 2009 5 MathType Pros Cons Point-and-click editing Desktop client. (WYSIWYG). Non Free (100$ for v6.5). TeX/LaTeX/MathML compatible. Feature Rich. Interoperable with many apps. http://www.dessci.com/en/products/mathtype/ GUI input tools UKMCW 2009 6 MathTran http://www.mathtran.org GUI input tools UKMCW 2009 7 MathTran Pros Cons Uses a variant of TeX. No visual shortcuts to input equations. Realtime output rendering. Web based. TeX knowledge required. Free & Open Source. FAB (formula autobuild) editing. http://www.mathtran.org GUI input tools UKMCW 2009 8 Edoboard http://edoboard.com GUI input tools UKMCW 2009 9 Edoboard Pros Cons Uses Mathtran as Flash Based. a Web Service (TeX). - Slow on Linux. - Takes some time to Load. Fit for simple Maths. Live collaboration. -
IBM Printers and Print Software Now Support Truetype/Opentype Fonts and Unicode Print Data
Software Announcement October 28, 2003 IBM printers and print software now support TrueType/OpenType Fonts and Unicode print data Overview IBM now offers support for TrueType/OpenType fonts in printer hardware, print server software on various platforms, and new font offerings. The TrueType font technology, developed by Apple and Microsoft , is the most prevalent font technology in the industry today. It is an open font standard that is widely published. The OpenType font format is an extension of the TrueType format that allows better support for international character sets, and broader multi-platform support. OpenType includes information needed to fully support Unicode data for multilingual print and presentation using a single font. It also provides the flexibility of allowing either TrueType outlines or the other standard font technology, Adobe Type 1, to be packaged as an OpenType font. These new offerings provide significant benefits: • You will have more choices in selecting typefaces, especially for non-Latin languages • They provide a truly multilingual environment through support of Unicode, enabling the globalization of applications • You can print from Windows applications with the same fonts that appear on the screen Planned availability dates • Already available − IBM Infoprint 4000 High-Speed Printer Models IS1, IS2, ID2, ID4, ID6, IR2, and IR4 − IBM Infoprint 4100 High-Speed Printer Models HS1, PS1, HD2, PD4, HD4, and HS2. • December 12, 2003 − IBM Print Services Facility for z/OS V3R4 − IBM Infoprint Fonts for Multiplatforms − IBM Page Printer Formatting Aid/370 This announcement is provided for your information only. For additional information, contact your IBM representative, call 800-IBM-4YOU, or visit the IBM home page at: http://www.ibm.com. -
Tools and Methodologies for Developing Interactive Electronic Books
Tools and Methodologies for Developing Interactive Electronic Books Case Study: A Physics Textbook for High School Students MARTINA BRAJKOVIĆ FACULTAD DE INFORMÁTICA UNIVERSIDAD COMPLUTENSE DE MADRID Proyecto de Sistemas Informáticos Ingeniería Informática ERASMUS program June 2014 Advisor: Prof. Federico Peinado Co-advisor: doc.dr.sc. Lidija Mandić I would like to thank my advisor Federico Peinado and co-advisor Lidija Mandić for their help and support throughout this work. Martina Brajkovć autoriza a la Universidad Complutense a difundir y utilizar con fines académicos, no comerciales mencionando expresamente a su autor, tanto la propia memoria, como él código, los contenidos audiovisuales incluso si incluyen imágenes de los autores, la documentación y/o el prototipo desarrollado. Martina Brajković ABSTRACT Electronic books are electronic copy of a book or a book-length digital publication. In the past decade they have become very popular and widely used. Each day more and more publishers digitalize their textbooks and more and more devices are suitable for reading of the electronic books. Huge changes in human communication happened in the late 20th and early 21st century. Due to invention of Internet, information became widely available which changed every segment of human life, especially education. One of the most important applications of electronic books is electronic learning. Electronic learning includes various types of media, such as video, audio, text, images and animations. Interactivity of an electronic book can increase the attention in the classroom and result with better educational performance In this work the process of creation of an interactive electronic book is researched and analyzed. The process includes use of popular Adobe software: InDesign, Photoshop, Illustrator, Captivate and Edge Animate. -
Phaser 4400 Laser Printer Features Guide
Phaser™ 4400 Laser Printer Features Guide Copyright © 2002, Xerox Corporation. All Rights Reserved. Unpublished rights reserved under the copyright laws of the United States. Contents of this publication may not be reproduced in any form without permission of Xerox Corporation. Copyright protection claimed includes all forms of matters of copyrightable materials and information now allowed by statutory or judicial law or hereinafter granted, including without limitation, material generated from the software programs which are displayed on the screen such as styles, templates, icons, screen displays, looks, etc. XEROX®, The Document Company®, the stylized X, CentreWare®, DocuPrint®, and Workset® are registered trademarks of Xerox Corporation. infoSMART™, Phaser™, PhaserPort™, PhaserSMART™, and PhaserTools™ are trademarks of Xerox Corporation. Adobe®, Acrobat®, Acrobat® Reader®, Illustrator®, PageMaker®, Photoshop®, and PostScript®, ATM®, Adobe Garamond®, Birch®, Carta®, Mythos®, Quake®, and Tekton® are registered trademarks and Adobe Jenson™, Adobe Brilliant Screens™ technology, and IntelliSelect™ are trademarks of Adobe Systems Incorporated or its subsidiaries which may be registered in certain jurisdictions. Apple®, LaserWriter®, LocalTalk®, Macintosh®, Mac® OS, AppleTalk®, TrueType2®, Apple Chancery®, Chicago®, Geneva®, Monaco®, and New York® are registered trademarks, and QuickDraw™ is a trademark of Apple Computer Incorporated. Marigold™ and Oxford™ are trademarks of AlphaOmega Typography. Avery™ is a trademark of Avery Dennison Corporation. PCL® and HP-GL® are registered trademarks of Hewlett-Packard Corporation. Hoefler Text was designed by the Hoefler Type Foundry. ITC Avant Guard Gothic®, ITC Bookman®, ITC Lubalin Graph®, ITC Mona Lisa®, ITC Symbol®, ITC Zapf Chancery®, and ITC Zapf Dingbats® are registered trademarks of International Typeface Corporation. Bernhard Modern™, Clarendon™, Coronet™, Helvetica™, New Century Schoolbook™, Optima™, Palatino™, Stempel Garamond™, Times™, and Univers™ are trademarks of Linotype-Hell AG and/or its subsidiaries. -
Higher Quality 2D Text Rendering
Journal of Computer Graphics Techniques Vol. 2, No. 1, 2013 Higher Quality 2D Text Rendering http://jcgt.org Higher Quality 2D Text Rendering Nicolas P. Rougier INRIA No hinting Native hinting Auto hinting Vertical hinting Figure 1. When displaying text on low-resolution devices (DPI < 150), one typically has to decide if one wants to respect the pixel grid (e.g., Cleartype technology / Microsoft / native hinting) for crisp rendering or, to privilege glyph shapes (Quartz technology / Apple / no hinting) at the cost of blurring. There is, however, a third way that may combine the best of the two technologies (vertical hinting). Abstract Even though text is pervasive in most 3D applications, there is surprisingly no native sup- port for text rendering in OpenGL. To cope with this absence, Mark Kilgard introduced the use of texture fonts [Kilgard 1997]. This technique is well known and widely used and en- sures both good performances and a decent quality in most situations. However, the quality may degrade strongly in orthographic mode (screen space) due to pixelation effects at large sizes and to legibility problems at small sizes due to incorrect hinting and positioning of glyphs. In this paper, we consider font-texture rendering to develop methods to ensure the highest quality in orthographic mode. The method used allows for both the accurate render- ing and positioning of any glyph on the screen. While the method is compatible with complex shaping and/or layout (e.g., the Arabic alphabet), these specific cases are not studied in this article. 50 Journal of Computer Graphics Techniques Vol. -
The Difference Between Truetype®, Postscript® and Opentype™ Fonts
THE DIFFERENCE BETWEEN TRUETYPE®, POSTSCRIPT® AND OPENTYPE™ FONTS There are three types of fonts you need to be aware of: TrueType, PostScript and OpenType. They are stored in different directories on the different operating systems. POSTSCRIPT FONTS There are generally two main components to PostScript typefaces. The first file contains the actual PostScript typeface itself and is often called the “binary” or “printer” file. The second file contains the typeface’s complete name, the spacing characteristics (font metrics) and information to help the computer display the typeface on the screen and for printing the font. Both files must be submitted. PostScript typefaces are the preferred typeface format for use in publishing. MACINTOSH POSTSCRIPT FONTS There are at least two parts to this font: a Screen font and a Printer font. Both files must be submitted and there may be more than one Printer font. Screen fonts will be in the Suitcase. Inside the Suitcase are files that have icons that look like pieces of paper with one A on them. Printer fonts can take a variety of forms. One file is needed for each instance of the font. Adobe printer fonts viewed by icon look like this: Other printer fonts could look like: Note: PostScript “printer” files usually have abbreviated file names, but are typically easy to interpret. The first five characters are the abbreviated typeface name, followed by one or more three-character typeface attributes. Some examples of these three-character typeface attributes are “Bol” (bold), “Ita (italic), “Rom” (roman or plain), “Con” (condensed)”, “Obl” (oblique, similar to italic), “Ser” (serif) and “San” (sans serif).