William Shakespeare

Total Page:16

File Type:pdf, Size:1020Kb

William Shakespeare INSTITUTE OF DISTANCE & ONLINE LEARNING BACHELOR OF ARTS ENGLISH LITERATURE - I BAQ105 Self Learning Material R101 BACHELOR OF ARTS ENGLISH LITERATURE - I BAQ105 Dr. Manjushree Vikrant Sardeshpande CHANDIGARH UNIVERSITY Institute of Distance and Online Learning Course Development Committee Chairman Prof. (Dr.) R.S. Bawa Vice Chancellor, Chandigarh University, Punjab Advisors Prof. (Dr.) Bharat Bhushan, Director, IGNOU Prof. (Dr.) Majulika Srivastava, Director, CIQA, IGNOU Programme Coordinators & Editing Team Master of Business Administration (MBA) Bachelor of Business Administration (BBA) Co-ordinator - Prof. Pragya Sharma Co-ordinator - Dr. Rupali Arora Master of Computer Applications (MCA) Bachelor of Computer Applications (BCA) Co-ordinator - Dr. Deepti Rani Sindhu Co-ordinator - Dr. Raju Kumar Master of Commerce (M.Com.) Bachelor of Commerce (B.Com.) Co-ordinator - Dr. Shashi Singhal Co-ordinator - Dr. Minakshi Garg Master of Arts (Psychology) Bachelor of Science (Travel & Tourism Management) Co-ordinator - Ms. Nitya Mahajan Co-ordinator - Dr. Shikha Sharma Master of Arts (English) Bachelor of Arts (General) Co-ordinator - Dr. Ashita Chadha Co-ordinator - Ms. Neeraj Gohlan Master of Arts (Mass Communication and Bachelor of Arts (Mass Communication and Journalism) Journalism) Co-ordinator - Dr. Chanchal Sachdeva Suri Co-ordinator - Dr. Kamaljit Kaur Academic and Administrative Management Prof. (Dr.) Pranveer Singh Satvat Prof. (Dr.) S.S. Sehgal Pro VC (Academic) Registrar Prof. (Dr.) H. Nagaraja Udupa Prof. (Dr.) Shiv Kumar Tripathi Director – (IDOL) Executive Director – USB © No part of this publication should be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording and/or otherwise without the prior written permission of the author and the publisher. SLM SPECIALLY PREPARED FOR CU IDOL STUDENTS Printed and Published by: Himalaya Publishing House Pvt. Ltd., E-mail: [email protected], Website: www.himpub.com For: CHANDIGARH UNIVERSITY Institute of Distance and Online Learning CU IDOL SELF LEARNING MATERIAL (SLM) English Literature - I Course Code: BAQ105 Credits: 3 Course Objectives: To motivate and encourage the students to understand and appreciate short lyrical poems. To study world famous poets such as Shakespeare, Blake, Tagore, etc. To develop in the students communicative competence by encouraging them to learn to listen. Syllabus Unit 1 – Marriage of True Minds – William Shakespeare Unit 2 – The School Boy – William Blake Unit 3 – The Education of Nature – William Wordsworth Unit 4 – All Things will Die – Alfred Lord Tennyson Unit 5 – Still I Rise – Maya Angelou Unit 6 – Where the Mind is without Fear – Rabindranath Tagore Unit 7 – Refugee Mother and Child – Chinua Achebe Unit 8 – Stanza Forms: 1. The Heroic Couplet, 2. The Blank Verse, 3. The Spenserian Stanza Unit 9 – Composition (Letter/Application Writing, Comprehension of Unseen Passage) Reference Books: 1. Khanna, V.K. and Paul, F.M. (2014), As Elaborated in the Blossoming Mind, New Delhi: Laxmi Publications. 2. Wren & Martin (2017), English Grammar and Composition, New Delhi: S. Chand Publishing. 3. Abrams, M.H. and Harpham, G.G. (2015), A Glossary of Literary Terms,Mumbai: Macmillan Publishers Indian Ltd. 4. Murphy, R. (2013), Elementary Grammar (Intermediate Level), UK: Cambridge University Press. 5. Hewing, M. (2012), Advanced English Grammar, UK: Cambridge University Press. 6. John, E. (2012), Oxford Practice Grammar (Intermediate Level), New Delhi: Oxford University Press. CU IDOL SELF LEARNING MATERIAL (SLM) CONTENTS Unit 1: The Marriage of True Minds 1 – 27 Unit 2: The School Boy 28 – 49 Unit 3: The Education of Nature 50 – 76 Unit 4: All Things will Die 77 – 97 Unit 5: Still I Rise 98 – 118 Unit 6: My Grandmother 119 – 132 Unit 7: Where the Mind is Without Fear 133 – 156 Unit 8: Refugee Mother and Child 157 – 183 Unit 9: Stanza Forms 184 – 202 Unit 10: Composition 203 – 228 Model Question Paper 229 – 230 CU IDOL SELF LEARNING MATERIAL (SLM) UNIT 1 THE MARRIAGE OF TRUE MINDS – WILLIAM SHAKESPEARE Structure: 1.0 Learning Objectives 1.1 Introduction 1.2 Themes 1.3 Art vs. Time 1.4 Symbols 1.5 Form and Structure of the Sonnets 1.6 Summary 1.7 Unit End Questions (MCQ and Descriptive) 1.8 References 1.0 Learning Objectives After studying this unit, students will be able to understand: The universal acceptance of Shakespeare, understanding why Shakespeare is not of a particular age but for all times and Shakespeare’s relevance in today’s modern world make him very important. He is considered a master in English Literature. Shakespeare’s plays have transcended even the category of brilliance and have had a profound impact on the course of Western literature and culture ever after. CU IDOL SELF LEARNING MATERIAL (SLM) 2 English Literature - I 1. Illumination of the Human Experience: Shakespeare’s ability to summarize the range of human emotions in simple yet profoundly eloquent verse is perhaps the greatest reason for his enduring popularity. If you cannot find words to express how you feel about love or music or growing older, Shakespeare can speak for you. No author in the Western world has penned more beloved passages. Shakespeare’s work is the reason John Bartlett compiled the first major book of familiar quotations. 2. Great Stories: Marchette Chute, in the Introduction to her famous retelling of Shakespeare’s stories, summarizes one of the reasons for Shakespeare’s immeasurable fame: William Shakespeare was the most remarkable storyteller that the world has ever known. Homer told of adventure and men at war, Sophocles and Tolstoy told of tragedies and of people in trouble. Terence and Mark Twain told comedic stories, Dickens told melodramatic ones, Plutarch told histories and Hand Christian Andersen told fairy tales. But Shakespeare told every kind of story – comedy, tragedy, history, melodrama, adventure, love stories and fairy tales – and each of them so well, that they have become immortal. In all the world of storytelling, he has become the greatest name. (Stories from Shakespeare, 11) Shakespeare’s stories transcend time and culture. Modern storytellers continue to adapt Shakespeare’s tales to suit our modern world, whether it be the tale of Lear on a farm in Iowa, Romeo and Juliet on the mean streets of New York City, or Macbeth in feudal Japan. 3. Compelling Characters: Shakespeare invented his share of stock characters, but his truly great characters – particularly his tragic heroes – are unequalled in literature, dwarfing even the sublime creations of the Greek tragedians. Shakespeare’s great characters have remained popular because of their complexity; for example, we can see ourselves as gentle Hamlet, forced against his better nature to seek murderous revenge. For this reason Shakespeare is deeply admired by actors, and many consider playing a Shakespearean character to be the most difficult and most rewarding role possible. CU IDOL SELF LEARNING MATERIAL (SLM) The Marriage of True Minds 3 4. Ability to Turn a Phrase: Many of the common expressions, now thought to be cliches, were Shakespeare’s creations. Chances are you use Shakespeare’s expressions all the time even though you may not know it is the Bard you are quoting. You may think that fact is “neither here nor there”, but that is “the short and the long of it.” Bernard Levin said it best in the following quote about Shakespeare’s impact on our language: If you cannot understand my argument, and declare “It’s Greek to me”, you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger, if your wish is father to the thought, if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool’s paradise - why, be that as it may, the more fool you, for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; 1.1 Introduction About the Poet William Shakespeare William Shakespeare, often called England’s national poet, is considered the greatest dramatist of all time. His works are loved throughout the world, but Shakespeare’s personal life is shrouded in mystery. Who was William Shakespeare? William Shakespeare was an English poet, playwright and actor of the Renaissance era. He was an important member of the King’s Men company of theatrical players from roughly 1594 onward. CU IDOL SELF LEARNING MATERIAL (SLM) 4 English Literature - I Known throughout the world, Shakespear’s writings capture the range of human emotions and conflicts and have been celebrated for more than 400 years. And yet, the personal life of William Shakespeare is somewhat a mystery. There are two primary sources that provide historians with an outline of his life. One is his work — the plays, poems and sonnets — and the other is official documentation, such as church and court records. However, these provide only brief sketches of specific events in his life and yield little insight into the man himself. When was Shakespeare Born? No birth records exist, but an old church record indicates that a William Shakespeare was baptized at Holy Trinity Church in Stratford-upon-Avon on April 26, 1564. From this, it is believed he was born on or near April 23, 1564, and this is the date scholars acknowledge as Shakespeare’s birthday.
Recommended publications
  • Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
    Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd.
    [Show full text]
  • PAPER-III MUSIC Signature and Name of Invigilator 1
    PAPER-III MUSIC Signature and Name of Invigilator 1. (Signature) __________________________ OMR Sheet No. : ............................................... (Name) ____________________________ (To be filled by the Candidate) 2. (Signature) __________________________ Roll No. (Name) ____________________________ (In figures as per admission card) Roll No.________________________________ J1316 (In words) 1 Time : 2 /2 hours] [Maximum Marks : 150 Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 75 Instructions for the Candidates ¯Ö¸üßõÖÖÙ£ÖμÖÖë Ûêú ×»Ö‹ ×®Ö¤ìü¿Ö 1. Write your roll number in the space provided on the top of 1. ¯ÖÆü»Öê ¯Öéšü Ûêú ‰ú¯Ö¸ü ×®ÖμÖŸÖ Ã£ÖÖ®Ö ¯Ö¸ü †¯Ö®ÖÖ ¸üÖê»Ö ®Ö´²Ö¸ü ×»Ö×ÜÖ‹ … this page. 2. ‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö“ÖÆü¢Ö¸ü ²ÖÆãü×¾ÖÛú»¯ÖßμÖ ¯ÖÏ¿®Ö Æïü … 2. This paper consists of seventy five multiple-choice type of 3. ¯Ö¸üßõÖÖ ¯ÖÏÖ¸ü´³Ö ÆüÖê®Öê ¯Ö¸ü, ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ †Ö¯ÖÛúÖê ¤êü ¤üß •ÖÖμÖêÝÖß … ¯ÖÆü»Öê questions. ¯ÖÖÑ“Ö ×´Ö®Ö™ü †Ö¯ÖÛúÖê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê ŸÖ£ÖÖ ˆÃÖÛúß ×®Ö´®Ö×»Ö×ÜÖŸÖ 3. At the commencement of examination, the question booklet •ÖÖÑ“Ö Ûêú ×»Ö‹ פüμÖê •ÖÖμÖëÝÖê, וÖÃÖÛúß •ÖÖÑ“Ö †Ö¯ÖÛúÖê †¾Ö¿μÖ Ûú¸ü®Öß Æîü : will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö‹ ¯Öã×ßÖÛúÖ ¯Ö¸ü »ÖÝÖß ÛúÖÝÖ•Ö Ûúß ÃÖᯙ / (i) To have access to the Question Booklet, tear off ¯ÖÖê×»Ö£Öß®Ö ²ÖîÝÖ ÛúÖê ±úÖ›Ìü »Öë … ÜÖã»Öß Æãü‡Ô μÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖᯙ / the paper seal / polythene bag on the booklet.
    [Show full text]
  • Issues) and Begin (Cambridge UP, 1995), Has Recently Retired from Mcgill with the Summer Issue
    AN ILLUSTRATED QUARTERLY VOLUME 31 NUMBER 1 SUMMER 1997 s-Sola/ce AN ILLUSTRATED QUARTERLY VOLUME 31 NUMBER 1 SUMMER 1997 CONTENTS Articles Angela Esterhammer, Creating States: Studies in the Performative Language of John Milton Blake, Wollstonecraft, and the and William Blake Inconsistency of Oothoon Reviewed by David L. Clark 24 by Wes Chapman 4 Andrew Lincoln, Spiritual History: A Reading of Not from Troy, But Jerusalem: Blake's William Blake's Vala, or The Four Zoas Canon Revision Reviewed by John B. Pierce 29 by R. Paul Yoder \7 20/20 Blake, written and directed by George Coates Lorenz Becher: An Artist in Berne, Reviewed by James McKusick 35 Switzerland by Lorenz Becher 22 Correction Reviews Deborah McCollister 39 Frank Vaughan, Again to the Life of Eternity: William Blake's Illustrations to the Poems of Newsletter Thomas Gray Tyger and ()//;<•/ Tales, Blake Society Web Site, Reviewed by Christopher Heppner 24 Blake Society Program for 1997 39 CONTRIBUTORS Morton D. Paley, Department of English, University of Cali• fornia, Berkeley CA 94720-1030 Email: [email protected] LORENZ BECHER lives and works in Berne, Switzerland as artist, English teacher, and househusband. G. E. Bentley, Jr., 246 MacPherson Avenue, Toronto, Ontario M4V 1A2. The University of Toronto declines to forward mail. WES CHAPMAN teaches in the Department of English at Illi• nois Wesleyan University. He has published a study of gen• Nelson Hilton, Department of English, University of Geor• der anxiety in Thomas Pynchon's Gravity's Rainbow and gia, Athens, GA 30602 has a hypertext fiction and a hypertext poem forthcoming Email: [email protected] from Eastgate Systems.
    [Show full text]
  • William Blake's “The Little Vagabond” and Organized Religion
    International Journal of English Literature and Social Sciences, 5(2) Mar-Apr 2020 |Available online: https://ijels.com/ William Blake’s “The Little Vagabond” and Organized Religion Sun Shuting English Department, North China Electric Power University, China Abstract—This article is an analysis of William Blake’s poem “The Little Vagabond” from the angle of Blake’s views on organized religion. The article identifies three main themes of the poem; happiness, the sacred and the profane and assesses the tension between them. The article assesses the tension between these three in the poem to show Blake’s criticism of organized religion, later developed in his prophetic books. The little vagabond unwittingly identifies a dichotomy of organized religion in its inability to combine happiness with the sacred. Its strictures against happiness make happiness profane. As happiness is exiled to only keep company with the profane, the boy innocently suggests making the sacred the profane. Blake develops these ideas in molding his character of Urizon, the cold lawgiver, father of stern and somber organized religion. Keywords— Christianity, organized religion, Songs of Innocence and Experience, The Little Vagabond, William Blake. I. INTRODUCTION of the poems also hint at the vulnerability of Innocence and “The Little Vagabond” is a William Blake poem of 1794. It the dangerous encroachment of the world of Experience on appears in his Songs of Innocence and Experience, a its simple joys. These poems are usually accompanied by compendium of two poetry anthologies. This book illustrations of bucolic harmony. Experience corresponds appeared in two phases. At first Songs of Innocence to the Fallen world of division and hostility, which arises in appeared in 1789 on its own with Blake illuminating and the rule-governed, cold world of scientific objectivity.
    [Show full text]
  • Booklet and Duplicate Copy of OMR Sheet on ÖÏ×ŸÖ †Ö®Öê ÃÖÖ£Ö »Öê ÖÖ Ãöûúÿöê Æïü … Conclusion of Examination
    PAPER-II MUSIC Signature and Name of Invigilator 1. (Signature) __________________________ OMR Sheet No. : ............................................... (Name) ____________________________ (To be filled by the Candidate) 2. (Signature) __________________________ Roll No. (Name) ____________________________ (In figures as per admission card) Roll No.________________________________ J1 6 1 4 (In words) 1 Time : 1 /4 hours] [Maximum Marks : 100 Number of Pages in this Booklet : 24 Number of Questions in this Booklet : 50 Instructions for the Candidates ¶Ö¸üßõÖÖÙ£Ö¨ÖÖë Ûêú ×»Ö ×®Ö¤ìü¿Ö 1. Write your roll number in the space provided on the top of 1. ‡ÃÖ ¶ÖéÂü Ûêú ú¶Ö¸ü ×®Ö¨ÖÖ Ã£ÖÖ®Ö ¶Ö¸ü ¶Ö®ÖÖ ¸üÖê»Ö ®Ö´²Ö¸ü ×»Ö×ÜÖ … this page. 2. ÃÖ ¶ÖÏ¿®Ö-¶Ö¡Ö ´Öë ¶Ö“ÖÖÃÖ ²ÖÆãü×¾ÖÛú»¶Öß¨Ö ¶ÖÏ¿®Ö Æïü … 2. This paper consists of fifty multiple-choice type of questions. 3. ¶Ö¸üßõÖÖ ¶ÖÏÖ¸ü´³Ö ÆüÖê®Öê ¶Ö¸ü, ¶ÖÏ¿®Ö-¶Öã×ÃÖÛúÖ Ö¶ÖÛúÖê ¤êü ¤üß èÖÖ¨ÖêÝÖß … ¶ÖÆü»Öê 3. At the commencement of examination, the question booklet ¶ÖÖÑ“Ö ×´Ö®Ö™ü Ö¶ÖÛúÖê ¶ÖÏ¿®Ö-¶Öã×ÃÖÛúÖ ÜÖÖê»Ö®Öê Ö£ÖÖ ÃÖÛúß ×®Ö´®Ö×»Ö×ÜÖÖ will be given to you. In the first 5 minutes, you are requested èÖÖÑ“Ö Ûêú ×»Ö ×¤üÖê èÖÖ¨ÖëÝÖê, ×èÖÃÖÛúß èÖÖÑ“Ö Ö¶ÖÛúÖê ¾Ö¿¨Ö Ûú¸ü®Öß Æîü : to open the booklet and compulsorily examine it as below : (i) ¶ÖÏ¿®Ö-¶Öã×ÃÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö ÃÖÛêú Ûú¾Ö¸ü ¶ÖêÖ ¶Ö¸ü »ÖÝÖß ÛúÖÝÖèÖ (i) To have access to the Question Booklet, tear off the Ûúß ÃÖᯙ ÛúÖê ±úÖÌü »Öë … ÜÖã»Öß ÆãüÔ ¨ÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖᯙ Ûúß paper seal on the edge of this cover page.
    [Show full text]
  • Rabindranath Tagore Passed Away - [August 7, 1941] This Day in History
    Rabindranath Tagore Passed Away - [August 7, 1941] This Day in History Rabindranath Tagore was an important figure in the Indian freedom struggle and served an inspiration to many. In this article, you can read about his life and contributions to the IAS Exam. Rabindranath Tagore Biography Rabindranath Tagore, also called ‘Gurudev’ passed away on 7 August 1941 at Jorasanko, Calcutta in his ancestral home. He was 80. • Rabindranath Tagore was born on 7 May 1861 to an upper-class Bengali family in his ancestral home in Calcutta. • He became the most influential writer, poet and artist in Bengal and also India in the early 20th century • He was a polymath and his mastery spread over many arenas like art, literature, poetry, drama, music and learning. • He became the first non-European to win the Nobel Prize for Literature when he won the award in 1913 for his translation of his own work in Bengali, Gitanjali. He was the first non-white person to win a Nobel Prize. • Tagore is said to have composed over 2000 songs and his songs and music are called ‘Rabindrasangeet’ with its own distinct lyrical and fluid style. • The national anthems of both India and Bangladesh were composed by Tagore. (India’s Jana Gana Mana and Bangladesh’s Amar Shonar Bangla.) • The Sri Lankan national anthem is also said to have been inspired by him. • Tagore had composed Amar Shonar Bangla in 1905 in the wake of the Bengal partition to foster a spirit of unity and patriotism among Bengalis. He also used the Raksha Bandhan festival to bring about a feeling of brotherhood among Bengal’s Hindus and Muslims during the partition of 1905.
    [Show full text]
  • Dus Mahavidyas
    Newsletter Archives www.dollsofindia.com Rabindranath Tagore – A Beacon of Light Copyright © 2011, DollsofIndia Jeebono Jokhon Shukaey Jaey When the heart is hard and parched up Korunadharaey Esho come upon me with a shower of mercy. Shokolo Madhuri Lukaey Jaey When grace is lost from life Geetoshudharoshe Esho come with a burst of song. Kormo Jokhon Probolo Aakar When tumultuous work raises its din Goroji Uthiya Dhake Chari Dhar on all sides shutting me out from beyond, Hridoyprante, Hey Jibononath come to me, my lord of silence Shanto Chorone Esho with thy peace and rest. Aaponare Jobe Koriya Kripon When my beggarly heart sits crouched Kone Pore Thake Deenohino Mon shut up in a corner, Duraar Khuliya, Hey Udaaro Nath break open the door, my king Raajoshomarohe Esho and come with the ceremony of a king Bashona Jokhon Bipulo Dhulaey When desire blinds the mind Ondho Koriya Obodhe Bhulaey with delusion and dust Ohe Pobitro, Ohey Onidro O thou holy one, thou wakeful Rudro Aaloke Esho come with thy light and thy thunder - a poem from the collection - Transalated by Rabindranath Tagore "Gitanjali" Original writing of Rabindranath Tagore Courtesy Gitabitan.net This song was sung by Rabindranath Tagore for Mahatma Gandhi, on September 26, 1932, right after Gandhi broke his fast unto death, undertaken to force the colonial British Government to abjure its decision of separation of the lower castes as an electorate in India. Tagore was and will remain one of the greatest poets and philosophers the world has ever seen. His contribution to Indian literature, music, arts and drama endeared him not only to Bengalis but to Indians and the world at large.
    [Show full text]
  • Nandan Gupta. `Prak-Bibar` Parbe Samaresh Basu. Nimai Bandyopadhyay
    BOOK DESCRIPTION AUTHOR " Contemporary India ". Nandan Gupta. `Prak-Bibar` Parbe Samaresh Basu. Nimai Bandyopadhyay. 100 Great Lives. John Cannong. 100 Most important Indians Today. Sterling Special. 100 Most Important Indians Today. Sterling Special. 1787 The Grand Convention. Clinton Rossiter. 1952 Act of Provident Fund as Amended on 16th November 1995. Government of India. 1993 Vienna Declaration and Programme of Action. Indian Institute of Human Rights. 19e May ebong Assame Bangaliar Ostiter Sonkot. Bijit kumar Bhattacharjee. 19-er Basha Sohidera. Dilip kanti Laskar. 20 Tales From Shakespeare. Charles & Mary Lamb. 25 ways to Motivate People. Steve Chandler and Scott Richardson. 42-er Bharat Chara Andolane Srihatta-Cacharer abodan. Debashish Roy. 71 Judhe Pakisthan, Bharat O Bangaladesh. Deb Dullal Bangopadhyay. A Book of Education for Beginners. Bhatia and Bhatia. A River Sutra. Gita Mehta. A study of the philosophy of vivekananda. Tapash Shankar Dutta. A advaita concept of falsity-a critical study. Nirod Baron Chakravarty. A B C of Human Rights. Indian Institute of Human Rights. A Basic Grammar Of Moden Hindi. ----- A Book of English Essays. W E Williams. A Book of English Prose and Poetry. Macmillan India Ltd.. A book of English prose and poetry. Dutta & Bhattacharjee. A brief introduction to psychology. Clifford T Morgan. A bureaucrat`s diary. Prakash Krishen. A century of government and politics in North East India. V V Rao and Niru Hazarika. A Companion To Ethics. Peter Singer. A Companion to Indian Fiction in E nglish. Pier Paolo Piciucco. A Comparative Approach to American History. C Vann Woodward. A comparative study of Religion : A sufi and a Sanatani ( Ramakrishana).
    [Show full text]
  • In the World of Men: Tagore's Arrival in the Spiritual Domain of Nationalism
    In the World of Men: Tagore’s Arrival in the Spiritual Domain of Nationalism Banibrata Goswami Panchakot Mahavidyalaya, India Abstract Rabindranath Tagore was born in a family which, on one hand, inherited a legacy of rich Indian culture, and on the other, did not hesitate to welcome the modernism, freshly arrived from Europe through waves of Enlightenment. He was sent early to England to imbibe the gifts of modern science and rationalism that could lead him to a standard and secured career. But even though the discipline of work, love for liberalism and quest after scientific truth and technological perfection there impressed him much, in its over all effect the West’s efforts of de-humanization disappointed Tagore and disillusioned him as well. This led him finally to the realization and reconstruction of the motherland that is India. He came to meet the common man and his everyday sorrows and tears in rural Bengal, in Silaidaha, Patisar and Sazadpur where he was given the duty to look after the family estate. The raw and rough smell of the soil, the whirl of the waves in river Padma, the play of seasons on the strings of nature lent him a unique insight. He learnt to weave his words offering a perfect slide show of mutual reciprocation of man and nature, accompanied by a hitherto unheard melody of folk tune that glorifies the struggles of that life and thereby consolidating it gradually to a consciousness out of which a nation is born. The present essay intends to seek and understand the secrets of that story, which, though lacking miserably in sound and fury, strives towards a steady self emergence and emancipation paving the way for political freedom.
    [Show full text]
  • Yvor Winters: the Critic As Moralist
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1972 Yvor Winters: the Critic as Moralist. Shirley Sternberg Fraser Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Fraser, Shirley Sternberg, "Yvor Winters: the Critic as Moralist." (1972). LSU Historical Dissertations and Theses. 2208. https://digitalcommons.lsu.edu/gradschool_disstheses/2208 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image.
    [Show full text]
  • British and American New Criticism William E
    1 British and American New Criticism William E. Cain For much of the twentieth century, the New Criticism was the dominant method of textual interpretation. Most critics and teachers of literature in college and universities, both in Great Britain and the United States, were committed to “close reading”—the intensive study of the words on the page, the careful examination of the poem in itself, which was the theory and practice that the New Criticism described and promoted. The New Critics were different in important respects from one another, but, as one of their leaders, Cleanth Brooks, observed: “The one common element that I can discern among those loosely grouped together as New Critics was the special concern they exhibited for the rhetorical structure of the literary text” (Brooks 1984: 42). Few today would claim to be or would aspire to become a New Critic. The movement expired, it is generally agreed, decades ago. Yet when it arose and established itself, the New Criticism was viewed not only as significantly “new” but also as superior to ­everything that had preceded it. In the mid‐1950s, Hyatt H. Waggoner identified the New Criticism as “the best criticism we have or are likely to have for a long time. Certainly, it is the chief reason why it is perfectly correct to characterize our age as, whatever its other failings, a brilliant age for criticism.” In Waggoner’s judgment, “the greatest contribution” that the New Criticism had made was “its creation and demonstration of a way of talking about literature at once objective and literary … There are no extrinsic or irrelevant standards applied, there is no subjectivism,COPYRIGHTED and there is no mystique.
    [Show full text]
  • Elective English - III DENG202
    Elective English - III DENG202 ELECTIVE ENGLISH—III Copyright © 2014, Shraddha Singh All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara SYLLABUS Elective English—III Objectives: To introduce the student to the development and growth of various trends and movements in England and its society. To make students analyze poems critically. To improve students' knowledge of literary terminology. Sr. Content No. 1 The Linguist by Geetashree Chatterjee 2 A Dream within a Dream by Edgar Allan Poe 3 Chitra by Rabindranath Tagore 4 Ode to the West Wind by P.B.Shelly. The Vendor of Sweets by R.K. Narayan 5 How Much Land does a Man Need by Leo Tolstoy 6 The Agony of Win by Malavika Roy Singh 7 Love Lives Beyond the Tomb by John Clare. The Traveller’s story of a Terribly Strange Bed by Wilkie Collins 8 Beggarly Heart by Rabindranath Tagore 9 Next Sunday by R.K. Narayan 10 A Lickpenny Lover by O’ Henry CONTENTS Unit 1: The Linguist by Geetashree Chatterjee 1 Unit 2: A Dream within a Dream by Edgar Allan Poe 7 Unit 3: Chitra by Rabindranath Tagore 21 Unit 4: Ode to the West Wind by P B Shelley 34 Unit 5: The Vendor of Sweets by R K Narayan 52 Unit 6: How Much Land does a Man Need by Leo Tolstoy 71 Unit 7: The Agony of Win by Malavika Roy Singh 84 Unit 8: Love Lives beyond the Tomb by John Clare 90 Unit 9: The Traveller's Story of a Terribly Strange Bed by Wilkie Collins 104 Unit 10: Beggarly Heart by Rabindranath Tagore 123 Unit 11: Next Sunday by
    [Show full text]