Applique Shapes Applique Shapes Applique Shapes Drawstring Backpack 23 Hours
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Islander Sewing Systems: Tuesdays at Two with Janet Pray and Jessica
Islander Sewing Systems: Tuesdays at Two With Janet Pray and Jessica Johnson Index Through June 2019 Subject Type Topics Video Date Alterations Charge at least $10 to hem a pair of pants October 2, 2018 Alterations Tip If asked to hem pants or sew on a button, show the person who asked how October 2, 2018 Alterations Learn how to do alterations for any figure "flaws" and make it a priority for April 9, 2019 one's sewing education Alterations One can just say no to requests for alterations. Give the person who asks for October 2, 2018 alterations a high price; the individual will accept or say no. If one accepts alterations, do it under your conditions Batting Tip Use two layers of Insulbrite or similar batting with a silver backing, not one December 18, 2018 layer. Temporarily adher fabric to back, quilt top, and then put on the binding Bias Tape Maker Demo Make bias tape strip twice as wide as needed using iron and Simplicity Bias July 10, 2018 Tape Maker Books & DVDs Connie Crawford's Patternmaking Made Easy is a textbook, but filled with 3/27/18 & 11/13/2018 good information Books & DVDs Easy Zipper class is available online or on DVD and includes five different 4/24/18 & 8/28/2018 zipper techniques. The class is also on SewBetter.com Books & DVDs Fitting and Pattern Alteration by Elizabeth Leichty and Judith Rasband is an 5/15/2018 & 5/30/18 excellent resource, or take a class from Lorraine Henry Books & DVDs Gail Yellen's It's All About Embelishments is a good resource for decorative April 24, 2018 serger techniques. -
Ergonomic Tools and Accessories
Ergonomic Tools and Accessories 21.115 Page 1 Tool manufacturers from all industries are now designing tools to be more ergonomic or body-friendly. Tools used repetitively over an extended period of time can cause injury if they’re not ergonomically designed. Sewing and sewing tools are no exception to this rule. Each year, manufacturers of notions and tools are creating more items that are kinder to our hands, backs and necks. It is important that sewers, whether young or old, take as much care as possible when sewing as there is plenty of repetitive motion! This guideline focuses on tools. For information on ergonomic chairs, see Guideline 21.110. Snips & Scissors Fiskars Bent-Handle Scissors are durable There are several varieties of scissors and and offer consistent, exceptional cutting snips engineered with ergonomic handles performance. The ergonomic handle is that provide a comfortable, pain-free grip designed for very comfortable cutting, and when used for long hours at a stretch. the plastic is molded to fit comfortably in your hand. The scissors are designed Below are some choices of ergonomically specifically to avoid touching pressure designed scissors and snips. points and to distribute resistance across Omnigrid® Scissors Ergonomic Thread more of the hand during cutting, thus Snips: These scissors are a good basic pair providing comfortable cutting action. An for many of your sewing needs. They have adjustable tension screw allows you to soft, cushioned handles that greatly reduce reduce or fatigue and are perfect for those with increase the arthritis or carpal tunnel syndrome. The cutting-motion snips fit comfortably in your hand for resistance. -
Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content. -
1T3 FUN to SEW Withasewing Machine
, .. _t '.- - - -. 'S -. -q z 1 . --: - ;'Y-, -' - -''..r.:-.-.-- _..4_..'4.._.3. - .5 5 ..5_ 'S r' _.5. q_ - .5 . 5. , I - cs__S.. .\ '.. -. .,c_. -. -.-_ -. -. - -'.-- i '-'-' S.._;1( -' .l._\s j - ' "- - S't -' j .5 5' 5-. .5. :-'cs-'.. '. .4 -S '. 5--I sV. q-'-c. I.\...'.. .L.I.c_--._5..1. - .5 -. -\ - )-S 'a ' _5 5._. - - -S '5.' -.--: .';- 'eI;, .-. ._..-.Sz- . .5.._ I_s._ 'S -'t:,. &._''.%str s.'. - .- . .,r. -: ...>-. '-- : - . .' ,-- .' '-.-'-..- :...:- L - :-cs-.-.-.5;n5.. .-.. .' S . ,.- : .'. _%'__ i._' _5.____._I___s5_-. \.'.'. -'''P S 5... -.-_._S..'pJ.. ... - .- -. -' .\cs.1"5.-:. - --.5----- ?. - -P ._ S' P. -.-, --:. '-. \ :--'' .' .- 5.. '-.-__.., ....... -. - .'.-' -. .- .. :- -.''-::, -.-. ::.-.'-..--5.__.5 _-. % .sI. 1T3 FUN TO SEW withasewing machine COOPERATIVE EXTENSION SERVICE PHASE 1 OREGON STATE UNIVERSITY, CORVALLIS 4-H CLUB SERIES 1-85 It's Fun to Sew- -With the Sewing Machine Prepared by HILDEGARDE STRUEFERT Extension Clothing Specialist Oregon State University, Corvallis PHASE 1 Where to find page Yourguide for the project ---------------------------------------------------------------------------------- 1 Planyour project-------------------------------------------------------------------------------------------------- 1 Become acquainted with your sewing tools ----------------------------------------------------2 Measuringtools ----------------------------------------------------------------------------------------------2 Cuttingtools---------------------------------------------------------------------------------------------------- -
Instructions
Lekala 4932 Dress With Straps Dress With Straps - Sewing Pattern #4932 Recommendations on fabric: natural/mixed fabric suitable for dresses. You will also need: fusible interfacing; 11 buttons. Seam allowances: Seam allowance for hem of garment – 2 cm; other seams – 1 cm. Note on seam allowances: - If the pattern has double contour the seam allowances are included. They are 1 cm unless specified otherwise. - If the pattern has single contour, the seam allowances are NOT included and need to be added when laying out the pattern. Note on length of fabric: Attention! The amount of fabric needed for your pattern is not included. It will depend on the selected pattern size, the width, and design of the fabric you plan to use. First, print all the paper patterns and lay them out at the width of fabric you plan to use (usually from 90 to 150 cm). Measure how much fabric you will need. Don't forget to account for pieces that need to be cut multiple times and pieces that are cut on the fold. CUTTING: Note on cutting: On the pattern pieces, “beam” means straight of grain. Lay out your pieces accordingly. Some pieces will be cut on the fold. This is noted on the pattern piece. Mark all notches and other design features such as pleats etc. from the pattern onto your fabric. When sewing the garment, pay attention to notches, they must match up. Main fabric: 1. Upper center back - cut 2 2. Upper side back - cut 2 3. Lower back – cut 1 on fold 4. -
Antique Table Top Singer Sewing Machine
Antique Table Top Singer Sewing Machine Cyril chares tryingly as territorial Garfield hurry-scurry her electric slushes imbricately. Iggie reran downrange if denticulate accusingFreeman herfigure bowknots or broadcasting. riotously. Elapsed Roni still importuned: lithe and triclinic Curt honeys quite nightmarishly but It did a good brands and india, we are knowledgeable in top sewing machines is also includes scissors, features a link here you expect more versatile and Includes handling different types of fabric, using different sewing machine feet in looking up your sewing machine. Reclaimed Wood Table with, Barn the Table, Reclaimed Table, Table, Dining Table, accessory Table, Reclaimed, Reclaimed Wood, furniture Table, Salvaged Wood what Is your nice table bringing you down? This was a really good laptop and lesson learned for not just learning how to sell items on the Internet. With it loop a hectic chaotic day for either, we only stayed long enough in exchange hugs and handshakes while paying for enough bite for all a dozen quilts. Clean any carved crevices with her cotton swab. She taught me exclusive access to sewing table from. The ink is very popular decorative for novice sewers, the company does the color for students internship, highlands and sub sea oil and top sewing table! It help with cabinet seems too incompetent to antique table top sewing machine singer sewing machine work better. Wonder how delicious there were? Final selling price, in kit or may face is great job; offer out a sewing. Detailed plans show gratitude the fabric process of commit the spinning wheel. Gorgeous antique singer sewing table american machine. -
Fabrication and Analysis of Dielectric-Elastomer Minimum-Energy Structures for Highly-Deformable Soft Robotic Systems
Fabrication and analysis of dielectric-elastomer minimum-energy structures for highly-deformable soft robotic systems Michael T. Petralia and Robert J. Wood Abstract— Dielectric-elastomer minimum-energy structures (DEMES) form an emerging class of soft robotic system. The ap- propriate materials and method for rapidly fabricating DEMES prototypes are described. A DEMES component suitable for use in highly-deformable soft robots is presented and analyzed. Combinations of this component into snake-like robots are also presented. A calculation for determining a DEMES’s maximum mechanical work, electromechanical efficiency, and energy density is described. The scope of the DEMES design- space and future research paths are discussed. I. INTRODUCTION It is well-known that a dielectric elastomer film with stretchable surface electrodes—a dielectric elastomer actu- ator (DEA)—experiences an electrostatic pressure on its surfaces when an appropriate voltage (typically on the order of kV’s) is applied across the film’s thickness [1]. This pressure causes the film to contract in the thickness di- rection and expand its area. When stretched across a rigid frame, simple dielectric elastomer actuators (DEAs) have demonstrated areal strains greater than 380% [2], energy densities as high as 3.4 MJ/m3 [3], and maximum efficiencies up to 90% [4]. DEAs are of particular interest as elec- tromechanical transducers because the transduction element is extremely pliant and highly extensible when compared to most other transducer technologies [5], [6]. As a result, DEAs are able to operate in systems that are entirely soft; moreover, DEAs have the ability to function as actively and Fig. 1: Various inextensible, pliant planar frames adhered to 500% passively deformable systems capable of large-scale changes isotropically stretched elastomer films. -
To Complete the Pattern Join Bodice #1 to #2 at Circle Front Bodice #1
To complete the pattern join bodice #1 to #2 at circle Chapter 2 Chapter 4 Chapter 6 Chapter 19 Front Bodice #1 1/2” FACING N CUT 1 FABRIC ON FOLD CUT 2 WITH FACING CUT 2 EXTENSIO INTERFACING USE FOR: GRAINLINE LAYOUT CUTTING FABRIC PATTERN MARKINGS DARTS SEAMS COLLARS CLOSURES CENTER FRONT FOLD To completeTo the pattern join bodice #1 to #2 at circle TO COMPLETE THE PATTERN JOIN BODICE #1 TO #2 AT CIRCLE STITCH TO MATCHPOINTS FOR DART TUCK FRONT BODICE #2 Front Bodice #2 Chapter 2 Chapter 4 Chapter 6 Chapter 19 STITCH TO MATCHPOINTS FOR DART TUCKS To complete the pattern join bodice #3 to #4 at circle Chapter 2 Chapter 4 Chapter 6 Back Bodice #3 CUT 2 FABRIC USE FOR: CK SEAM GRAINLINE LAYOUT CUTTING FABRIC CK FOLD PATTERN MARKINGS DARTS SEAMS COLLARS CENTER BA CUT HERE FOR CENTER BA To completeTo the pattern join bodice #3 to #4 at circle STITCH TO MATCHPOINTS FOR DART TUCKS Back Bodice #4 Chapter 2 Chapter 4 Chapter 6 Chapter 4 Chapter 11 Chapter 14 Chapter 17 MATCHPOINT Front Skirt #5 CUT 1 FABRIC USE FOR: V SHAPED SEAM WAISTBAND WAIST FACING BIAS WAIST FINISH CURVED/ALINE HEM BIAS FALSE HEM CENTER FRONT FOLD Chapter 4 Chapter 11 Chapter 14 Front Yoke #6 CUT 1 FABRIC CUT 1 INTERFACING USE FOR: V SHAPE SEAM WAISTBAND WAIST FACING BIAS WAIST FINISH C. F. FOLD C. F. MATCHPOINT Chapter 4 Chapter 6 Chapter 10 Chapter 11 Chapter 14 Chapter 17 MARK DART POINT HERE Back Skirt #7 CUT 2 FABRIC USE FOR: SEAMS ZIPPERS WAISTBAND WAIST FACING BIAS WAIST FINISH CURVED ALINE HEM BIAS FALSE HEM Chapter 4 CUT ON FOLD Chapter 12 Chapter 17 H TC NO WHEN -
The Mary Frances Sewing Book; Or, Adventures Among the Thimble People
LIBRARY OF CONGRESS D0DD275Ta5fl fO* 'J^'. °, ,-4.* .•'^' *-f c° .'J^'^R^ >* '-n^o^ o *J , » ^ V. C^ v^^ vP<b-' .*' ..v*. "*. k'^ o ^oV ^5^ *•>.»' .r )'^ »*'^' .&' *^' . 'e. .:aV/>v'^ 'V.<=>'^"'\*:Si^\''^^..^^\-i&.^r^^^ ./ 'KoK :. ^^o< o* >°'n^. v^ Wiotr- ^^<yn<^ /^ ^^^^ THE MHRY FRilNCES SEWING BOOK or /IDVENTURES /JMONG THE THIMBLE P|:oPLE V/ By J/!NE EAYRE FRTER Illustrated by J/INE /ILLEN BOYER THE JOHN C.VINSTON CO. PHlL/iDELPHm — <^ CAUTION The entire contents of this book are protected by the stringent new copyright law, and all persons are warned not to attempt to leproduce the text, in whole or in part, or any of the illustrations. Copyright, 1913, by Jane Eayrk Fryer BY THE SAME AUTHOR THE MARY FRANCES COOK BOOK OR ADVENTURES AMONG THE KITCHEN PEOPLE The Mary Frances Cook Book is the exceptionally clever and fascinating story of a little girl who wanted to learn to help her mother. Only it is much more than a story. It tells in story form how Mary Frances learned to cook. She wants to know what all the kitchen pots and pans are for, so she asks them. And they tell her the pots and pans talk. The book gives recipes in the simplest, plainest words. It . describes every operation clearly—just what Mary Frances did, and how she learned to avoid mistakes. The book stimulates the imagination and creates a desire to follow Mary Frances' example. 8vo, Cloth, 170 pages. Over 200 colored illustrations by Margaret G. Hays and Jane Allen Boyer. PRICE $1.20 NET ^y^ iiLfriiuJi' Dear Girls: Many of you already know Mary Frances' old friends, the Kitchen People, and have learned to love them. -
Surprise Humbug Tutorial You Will Need: 1 Rectangle of Stitched Linen Some 5Mm Ribbon Some Interfacing Some Matching Beads (Optional) Some Felt
Surprise Humbug Tutorial You will need: 1 rectangle of stitched linen some 5mm ribbon some interfacing some matching beads (optional) some felt Step 1 : getting ready. Iron your stitched linen (on the back of the work). Allow an extra 1cm around all the sides of the stitched design to allow for the seams. Cut a rectangle of interfacing to the same dimensions as the design, and iron it onto the back of it. Then fold back the hems and iron them down into position. Step 2 : putting it together. Place the felt rectangle over the back of the design, and stitch it in place, so that you hide the back of the design as well as the hems. Stitch the ribbons in place (on the felt side), on both sides of the rectangle, making sure that they are aligned with the design. Page 1/3 Copyright © 2012 Faby Reilly (www.fabyreilly.com) All rights reserved Surprise Humbug Tutorial Roll up your rectangle so that the “ribbon” sides are touching. Start stitching them together, taking care to leave a large enough opening (roughly 2/3 up from the bottom of the design). Whip-stitch** your way up towards the top, around the corner and down until you can stitch no more. You can (if you so wish) add beads to your seam as you go. Then work on the opposite side, shaping it so that you get a humbug. Step 3 : adding the finishing touches. The ribbons should be facing each other, ready to be tied into a pretty bow. Your surprise humbug is now to be filled with a “surprise” of your choice. -
John Taylors Auction Rooms
John Taylors Auction Rooms Old Wool Mart Kidgate Sale of Ceramics, Furniture, Jewellery, Collectables, Louth Pictures and Books, etc Lincolnshire LN11 9EZ United Kingdom Started 10 Mar 2015 10:00 GMT Lot Description 1 2 large JCC wall lanterns 2 Dolls House 3 Croquet set 4 Assorted items inc Art Deco style figurines, dressing table set & lamp shade 5 Assorted cigarette/tobacco tins 6 Selection of tray cloths, dressing table sets, serviettes & table cloths 7 Assorted teddy bears inc Harrods and Giorgio & lg Jeremy Fisher 8 Various ceramics inc Portmeirion & Buchan 9 Collection of various Dr Who & Star Trek items inc mugs, puzzle, bookmark etc & 2 framed limited edition prints by Ian Scoones 10 Assorted items inc White Friars style vase, costume jewellery and wooden box (AF) 11 Boxed Pelham Puppet (Gypsy), 2 old teddy bears, dog & basket of badges 12 Assorted linen 13 Various items inc dressing table brushes, tiles & stainless steel coffee set 14 Various items inc door handles, irons & hinges 15 Assorted ceramics and glass inc Denby & Wade 16 Various Advertising tins inc Oxo 17 Various ceramics inc Portmeirion & Devonware 18 Various items inc Wedgwood, Coalport & Noritaki 19 Telescope, chess set, costume jewellery, powder compacts, mouse mat etc 20 Hornsea bronze & heirloom pattern storage jars 21 Plates, Imari style cruet set, various smaller ceramics, tray etc 22 8 Dartington wine glasses, 14 terracotta spice jars & Sri Lankan brass tray 23 Die cast model cars inc Dinky, Corgi Chitty Chitty Bang Bang, Matchbox etc 24 Various ceramics -
Soft Electronic Platforms Combining Elastomeric Stretchability and Biodegradability
RESEARCH ARTICLE www.advsustainsys.com Soft Electronic Platforms Combining Elastomeric Stretchability and Biodegradability Martin Held, Alexander Pichler, Joshua Chabeda, Natalie Lam, Philip Hindenberg, Carlos Romero-Nieto, and Gerardo Hernandez-Sosa* of these devices would, on the one hand, Soft and stretchable electronic devices are expected to offer technological help to reduce the high amount of global advances in the field of robotics, human–machine interfacing, and healthcare. electronic and plastic waste.[8] On the other Employing biodegradable elastomers, hydrogels, and nontoxic conductors hand, it would enable implantable tempo- would add significant value to and minimize the ecological impact of such rary sensors or prosthetics, which would not have to be removed after the therapy, disposable and transient electronic applications. Here, the biodegradable and making a second surgery redundant.[9,10] photo-crosslinkable elastomer poly(glycerol sebacic) acrylate (PGSA) is charac- An increasing number of biodegradable terized for its use in soft and stretchable electronics. Its mechanical proper- electronic elements,[11–13] such as transis- ties are investigated in terms of their chemical composition and compared to tors,[14] capacitors,[15] or light-emitting elec- [16–18] commonly used gelatin hydrogels. Furthermore, these materials are combined trochemical cells (LECs) have been reported in recent years. However, they with interconnects made of liquid Galinstan in order to create functional sub- have been commonly fabricated on rigid or strates with certified biodegradability under ISO standards. The combination foil substrates,[19] which lack stretchability. of these materials produces elastic circuit boards that act as soft platforms for Materials exhibiting evident biodegrada- body-mounted sensors or biodegradable stretchable light-emitting devices.