DOCSLIB.ORG

Volumes December, 1971 Number 12

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Volumes December, 1971 Number 12 VOLUMES DECEMBER, 1971 NUMBER 12 Frank loob, President Roger Johnson, Vice President Ginny Billings, Publisher Bob Whiteley, Treasurer Roberta Cherney, Recording Secretary Dick Reutlinge r, Membership Secretary Mel luchetti, Advertising Secretary THE A1\tICA NEWS BULLETIN 1__-----------------------The AMICA News Bulletin __----.... Published by the Automatic Musical Instrument Collectors' Association, a non-profit club devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls. Contributions: All subjects of interest to readers of the bulletin are encouraged and invited by the publisher. AU articles must be received by the first of the month. Every attempt will be made to publish all articles of general interest to AMICA members at the earliest possible time and at the discretion of the Publisher, in the following areas: * Letters to the Publisher *Research Findings *Questions and Answers *Biographical Sketches of Artists and Composers *Photographs, Old Advertisements * Technical Information * Anything elseof general interest to AM ICA Advertisements: Personal ads are accepted by the AMICA Bulletin Board. Businesses which are interested in placing ads must follow these rules: - Each ad will consist of one full standard pagein the bulletin. - Payment of $25 must be included with the ad copy. - Ads must reach the publisher by the first of the month. - Ad copy must be complete and ready for print. - At least 50% of the ad must consist of photographs or art work that will be of specific interest to AMICA readers. PUBLICATION OF BUSINESS ADVERTISING IN NO WAY IMPLIES AMICA'S ENDORSEMENT OF ANY COMMERCIAL OPERATION. However AMICA reserves the right to refuse any ad that is not in keeping with AMICA's general standards or if complaints are received indicating that said business does not serve the best interests of the members of AMICA, according to its goals and by-laws. I THEAMICA WHO & WHERE THE AMICA BULLETIN AMICA PRESIDENT PHOTOGRAPHS REQUIRING HALF-TONE Frank Loob Sam Thompson 219 Montecito Boulevard 6809 Iris Circle Napa, California 94558 Hollywood, California 90028 AMICA BULLETIN MUSICAL JIGSAW Ginny Billings, Publisher Ruth Bingaman Smith 1428 Liberty Street 206 Tuttle Road EI Cerrito, CaHfornia 94530 San Antonio, Texas 78209 AMICA BULLETIN PAST ISSUES PARENT MINUTES & MEETINGS Dick Reutlinger Ginny Billings, Publisher 824 Grove Street 1428 Li berty Street San Francisco, California94117 EI Cerrito, California 94530 NEW MEMBERSHIPS & MAILING PROBLEMS BIOGRAPHICAL SKETCHES Dick Reutlinger, Membership Secretary Bob Pye, Editor 824 Grove Street 342 Leon Avenue San Francisco, California 94117 Kelowna, B.C., Canada MEMBERSHIP DUES & TREASURY SOUTHERN CALIFORNIA CHAPTER Bob Whiteley, Treasurer Karl Petersen, Reporter 175 Reservoir 314 South Halladay Street San Rafael, California Santa Ana, California 92701 BULLETIN BOARD INSTRUMENTS Mel Luchetti, Advertising Secretary Bob Billings, Editor 3449 Mauricia Avenue 1428 Liberty Street Santa Clara, California 95050 EI Cerrito, California 94530 AMICA AUCTION TECHNICALITIES Gar Britten, Auctioneer John A. Patten, Editor 642 Diamond Street 601 Penn Street San Francisco, California Pasadena, California 91104 THE AMICA NEWS BULLETIN 2 BOARDMINUTES Roberta moved that local chapters be notified inunedi­ by Roberta Cherney, Secretary iately to hold elections for their National Director, in accordance with Article V, Section 4(b) of the new by-laws; seconded and passed. November 5, 1971 The President appointed the following Committee 1428 Liberty St., Chairmen, as provided for in the by-laws, Article VII: El Cerrito (a) Membership, Dick Reutlinger; (b) Public Relations, The November AMICA Board Meeting was called to order Mel Luchetti; (c) Publications, Ginny Billings; (d) by the President, Frank Loob, at 8:30 pvm, The minutes Liaison, Roberta Cherney; (e) Research, Mel Luchetti; of the last meeting were read and approved. (f) Auction, Garner Britten; (g) Technical, Bob Billings; Roberta moved that Genevieve Pitot be accorded Honor­ (h) Convention, Sally Lawrence. Each Chairman was ary Membership in AMICA; seconded and passed. Mel moved directed to select the people he wants for committee Pearl White be invited to be an Honorary Member; seconded members. and passed. Dick Moved Mathilda Locust be voted into The next meeting will be at 8:00 p.m. Friday, Novem­ Honorary Membership; seconded and passed. Ginny moved ber 19, at Dick Reutlinger's , The meeting was adjourned J. Lawrence Cook be an Honorary Member; seconded and at 11:50 p.m. All members were present, plus our host passed. Bob Billings, Barbara Whiteley (Secretary to the Dick reported 18 new members, making the current mem­ Treasurer), and Bill Wherry. bership 525. He then moved a re-run of the April 1971 Bulletins be authorized as he only had one copy left. ''''''''''"""""""""""""" The motion was seconded and passed. The price of a proposed self-sealing membership form was prohibitive, so Dick moved Ginny be authorized to 1972 MEMBERSHIPS: SEND DUES NOW print 1,000 membership application forms which can also by Dick Reutlinger be used as notices for member renewal; seconded and passed. Dear Members wherever you are: Mel agreed to undertake the collecting of technical The 1971 membership year of AMICA is drawing to a information articles from past Bulletins with the idea close--a year that has seen the membership double in of pUblishing them in a separate booklet form. size. Our current membership strength stands at 525 • Mel moved the Corporate Seal for AMICA designed by I would like to thank all of you for your support during Ginny be approved; seconded and passed. this tremendously active year and most particularly for Bob reported a balance of $651.24 in the checking your patience. I apologize for the slow response to many account and $12,672.82 in another account(representing of your inquiries, but the volume of correspondence the money sent in with orders for roll recuts.) The never lets me catch up. Your Board has set up a member­ Treasurer presented the fiscal statement for this year, ship committee for the coming yoar which will have which show that each member has cost the club about representatives from each chapter as well as extra per­ $11.50 to service. Dues for 1972 were discussed and sons from this area--this will be a great help in keeping Ginny moved they be set at $12.50 per member; seconded membership activities up to date. and passed. At our last board meeting, we discovered that it had Bob presented a proposed budget for 1972; after some cost us $11.50 to process and service each individual amendments were made Roberta moved it be accepted as membership during 1971. Without the extra income from amended; seconded and passed. the clUb auction, you can see we would be in the hole. The club's attempts to establish a roll recutting The Board had no alternative (save cutting down the service were discussed; since Durrell Armstrong was un­ Bulletin which I believe would be unpopular) to raising able to meet his commitment, Ginny moved our agreement the dues to $12.50--it appears likely that there may be with him be cancelled; seconded and passed. Roger was another postal increase during 1972. authorized to pick up the rolls that club members had A new membership/renewal form is being mailed with so graciously loaned for recutting [this has since been this Bulletin for your convenience. Please fill it out accomplishedl. A letter will be sent out to all members exactly as you wish your membership listing to appear in who have roll orders pending, explaining the current the annual list. Please list your collection carefully, situation and urging them to give the Board time to try noting any changes within the past year. to find a new source for roll recutting; if they choose, their money will be refunded on request. The 1972 Membership List will be issued as of Feb­ Mel moved the request from Ivan Shapiro for his refund ruary 1, 1972, so please get your renewals in early. The be sent by the Treasurer with the notice that the refund forms, complete with your check made out to AMICA, should permanently cancels this roll order; seconded and passed. be sent to Bob Whiteley, 175 Reservoir Road, San Rafael, Dick moved the Treasurer be authorized to refund roll California 94901. JANUARY BULLETINS WILL BE SENT OUT ONLY recutting money if the orderer so requests; seconded and TO THOSE MEMBERS WHO HAVE RENEWED BY THE FIRST OF THE passed. YEAR -- we have found that no Bulletin is the most In accordance with the new by-laws, Article VI, Sec­ effective reminder. If you wish to receive your Bulletin tion 6, Dick moved that Garner Britten be appointed by by first class mail, please include an additional $5.00 the Board to fill the Director's position of Auctioneer; ($10.00 for foreign airmail) with your form. seconded and passed. Here's to an even bigger and better year in 19721 Election of a new slate of officers will be held at the next annual meeting, which will be in conjunction with the 1972 National AMICA Convention. 3 THE AMICA NEWS BULLETIN 1971 FINANCIAL STATEMENT California have had added growth also and are very by Bob Whiteley, Treasurer stable, solid chapters with many active meeting~ for their membership. INCOME AMICA has sponsored a public program through the University of California that was a success and even Spiral Bound Bulletin Sales •••••$ 735 made money for the association. We have had recitals by Auctions •••••••••••••••••••••••• 717 Honorary Members and have welcomed more Honorary Members Bulletin Board Ads •••••••..••••• 40 into the club. Leaders Sales ••••••••••••..••••• 40 I could go on and on about the work done by many of Special Event at U.C.Berkeley ••• 150 our members - but Just let me say that it has been a Mernbe rsh ips •.•••••••••••.••••••• 4480 privilege to work with our fine Directors and the many -- TOTAL: $6162 members who have corresponded with me.
Load more

Recommended publications
  • Guide to the Steinway & Sons Records and Family Papers
    Guide to the Steinway & Sons Records and Family Papers NMAH.AC.0178 John Fleckner August 1, 2008 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 3 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: William Steinway Diary, 1861-1896.......................................................... 5 Series 2: Steinway Business Records, 1858-1910................................................ 10 Series 3: Steinway Family Materials, 1877-1882................................................... 14 Series 4: Rev. Bathholomew Krüsi Materials, 1857-1919.....................................
    [Show full text]
  • ID-78-62 U.S. Munitions Export Controls Need Improvement
    BY THE COMPTROLLERGENERAL Report ToThe congress OF THEUNITED STATES U.S.Munitions Export Controls Need Improvement The U.S. munitions export control system is seriously weakened by lack of an export in- spection program which is essential to assure export compliance with regulations and li- censes. This report recommends ways to improve munitions export controls and provide assur- ance that such exports conform to law and authorized munitions export licenses. 10-78-62 APRIL 25, 1979 : . .( . .-. 1 COMPTROLLER QENERAL OF THE’UM1TED STATES w&swmToN. O.C. Nma B-172255 To the President of the Senate and the Speaker of the House of Representatives This report identifies weaknesses in current muntions export controls and recommends ways to improve the controls and provide reasonable assurance that such exports are in conformance with law and with authorized munitions export licenses. Copies of this report are being sent to the heads of executive agencies which participate in munitions export controls and to the Director, Office of Management and Budget. &*er 4ra& of the United States COMPTROLLER GENERAL'S U.S. MUNITIONS EXPORT REPORT TO THE CONGRESS CONTROLS NEED IMPROVEMENT ------DIGEST The U.S. munitions export control systp is not working as it should, and cannot‘xe depended upon to ensure that munitions are not exported without a license or that ship- ments made under license conform to the license terms.2 Controls over commercial munitions exports are less effective because munitions export shipments are not inspected for compliance with the law, regulations, or export license terms. c Responsibility for export controls is di- vided between the Commerce Department, the State Department's Office of Munitions Control,i':'f:)'ii" ') and the U.S.
    [Show full text]
  • The Piano Makers Working At
    2018 LAGUARDIA AND WAGNER ARCHIVES CALENDAR WORKING AT THE PIANO MAKERS STEINWAY ABOUT THE ART CASE PIANOS The first art case piano was made in 1855 by Steinway. Between 1855 and 1930, Steinway produced over 200 “fancy pianos” for special customers in the United States and Europe. Customers included the Goulds, Fricks, and Rothschilds. Art case pianos were custom-designed to suit particular clients. The designs were not always made into pianos. Cover: Louis XV art case piano, c. 1901 Below: Grecian art case piano, c. 1910 WORKING AT THE PIANO MAKERS STEINWAY here’s something magical about a piano – the shiny ebony case, erected a magnificent new hall on West 57th Street, down the street the “ivory” keys, and the gorgeous sounds that can come from it. from Carnegie Hall. For the people who build the Steinway piano, it is a labor of skill, But the century also brought the Great Depression of the 1930s and Tartistry and commitment. This calendar tells their story. war. Twice the United States went to war with Germany, and Steinway, The founders of Steinway & Sons, then called Steinweg, came as an American company with a factory in Germany, found itself on to New York from Germany in 1850. They had been piano makers in both sides of the conflict. During World War II, the Hamburg plant was the old country, but America was particularly good to this immigrant expropriated by the Germans, who made it part of their war machine. family; within seven years they had built an immense piano factory The New York factory was enlisted as part of the American effort – on Park Avenue at 53rd Street.
    [Show full text]
  • STEINWAY HALL, 109-113 West 57T1i Street (Aka 106-116 West 58L" Street), Manhattan
    Landmarks Preservation Commission November 13, 2001, Designation List 331 LP-2100 STEINWAY HALL, 109-113 West 57t1i Street (aka 106-116 West 58l" Street), Manhattan. Built 1924-25; [Whitney] Warren & [Charles D.] Wetmore, architects; Thompson-Starrett Co., builders. Landmark Site: Borough of Manhattan Tax Map Block 1010, Lot 25. October 16, 2001 , the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of Steinway Hall and the proposed designation of the related Landmark Site (Item No. 3). The hearing had been duly advertised in accordance with the provisions oflaw. Eight people spoke in favor of designation, including representatives of the property's owners, Community Board 5, Municipal Art Society, American Institute of Architects' Historic Buildings Committee, and Historic Districts Council. In addition, the Commission received two letters in support of designation, including one from the New York Landmarks Conservancy. Summary The sixteen-story Steinway Hall was constructed in 1924-25 to the design of architects Warren & Wetmore for Steinway & Sons, a piano manufacturing firm that has been a dominant force in its industry since the 1860s. Founded in 1853 in New York by Heinrich E. Steinweg, Sr., the firm grew to worldwide renown and prestige through technical innovations, efficient production, business acumen, and shrewd promotion using artists' endorsements. From 1864 to 1925, Steinway's offices/showroom, and famous Steinway Hall (1866), were located near Union Square. After Carnegie Hall opened in 1891, West 57t1i Street gradually became one of the nation's leading cultural and classical music centers and the piano companies relocated uptown. It was not until 1923, however, that Steinway acquired a 57th Street site.
    [Show full text]
  • Steinway & Sons Triumphant
    D FOLD AND GLUE THE SQUARES TO THE SQUARES SOUBI j AVMJMiaXS VJO '; I 3HX How to Build Your Own Piano Remove this cover and use it to build your own piano. Step 1. Cut out the four pieces on the cover. Be sure to cut from the inside of the cover. This way you will not accidentally DHId (UNO ' slice the tabs off. JVTHHAO Step 2. Note that the dotted lines indicate folds. Fold all of the dotted lines. Step 3. Take piece #1. Fold the squares to the squares, underneath the piano keys. Then glue the squares to the squares. The piano keys will now be on the same level as . the sounding board. I Step 4. Pick up piece #1 and piece #2. You are now (, ready to fasten these two pieces together. Glue tab A to A, tab B to B, tab C to C, tab D to D, and tab E to E. Step 5. Fold the leg of the piano on piece #2 up and inward. Glue tab F to F. Step 6. Pick up piece #3. You are now ready to fasten piece #3 to pieces #1 and #2. Glue tab G to G, I tab H to H, tab I to I, and tab J to J. / Step 7. Notice that piece #3 and #2 overlap in the / back of the piano. Glue the overlap of piece #3 on / the inside of the overlap of piece #2. / / ' Step 8. Take piece #4. You are now ready to / fasten piece #4 to the rest of the piano.
    [Show full text]
  • At the Head of All Classes After Two Decades in New York, Educational Reformer Jean-Claude Brizard Takes the Top School Job in the Second City
    FALL 2011-WINTER 2012, VOL. XVI, NO. 2 QUEENS THE MAGAZINE OF QUEENS COLLEGE AT THE HEAD OF ALL CLASSES After two decades in New York, educational reformer Jean-Claude Brizard takes the top school job in the Second City QUEENS: The Magazine of Queens College 1 Old school ties: students drum up spirit on the quad. 12 Yearof TURKEY Exploring Past, Present, Future 20 10 14 5 22 18 SECTIONS 8 Starr Reporter 12 Jean-Claude Brizard Have Passport, Enters Eighth Decade on Takes the Helm in the 18 4 Mailbox QUEENS the Beat | BOB SUTER Windy City | DONNA SHOEMAKER Will Travel | LESLIE JAY THE MAGAZINE OF QUEENS COLLEGE Over the summer, education extends 5 News David Starr has helped revive a newspaper Chicago tapped a veteran New York Outstanding Grads Fall 2011-Winter 2012, Vol. XVI, No. 2 and a community educator and QC alum to be CEO of its 16 beyond borders for faculty, students, 20 Year of Turkey Events public schools Face the Future and staff ASSISTANT VP FOR COMMUNICATIONS | Maria Terrone 21 Bookshelf Thousands of talented students earned EDITOR | John Cassidy Queens College degrees last year; here 22 Giving Back CREATIVE DIRECTOR | Dyanne Maue are profiles of four 26 Alumni Notes DESIGN MANAGER | Georgine Ingber Class of 1941 STAFF DESIGNERS | Jefferson Caballero, 10 This Season at A Mater of MERRI ROSENBERG 24 34 2011 Honor Roll Shares Memories | 14 Andrew Redwood, Kia Watkins Scholarship | DONNA SHOEMAKER the Kupferberg Center At our 70th Commencement, members of STAFF WRITERS | Leslie Jay, Jacquelyn Southern, Bob Suter Professor Emerita Helen Cairns mentored The complete schedule of performances the first graduating class look back STAFF PHOTOGRAPHER | Nancy Bareis many of today's leaders in speech and and exhibitions, all in an insert that's communications sciences easy to tear out and save.
    [Show full text]
  • The History of CBS Hollywood Television Studios
    1 The History of CBS Hollywood Television Studios By Bobby Ellerbee and Eyes Of A Generation.com Preface and Acknowledgement This is a unique look at the events that preceded the need for CBS television studios in Hollywood and, as in New York, the radio division is leading the way. This project is somewhat different than the prior reports on the New York studios of CBS and NBC, for two reasons. The first reason is that in that in those reports, television was brand new and being developed through the mechanical function to an electronic phenomenon. Most of that work occurred in and around their headquarters in New York. In this case, both CBS and NBC are at the mercy of geological and technological developments outside their own abilities…namely the Rocky Mountains and AT&T. The second reason has to do with the success of the network’s own stars. Their popularity on radio soon translated to public demand once “talking pictures” became possible. That led many New York based radio stars to Hollywood and, in a way, Mohammed had to come to the mountain. This story is told to the best of our abilities, as a great deal of the information on these facilities is now gone…like so many of the men and women who worked there. I’ve told this as concisely as possible, but some elements are dependent on the memories of those who were there many years ago, and from conclusions drawn from research. If you can add to this with facts or photos, please contact me as this is an ongoing project.
    [Show full text]
  • DG15S Lish 0911 No Comment
    Wellcome D-90 is a dual-GSM mobile phone, which supports GPRS (hereafter referred to as “phone” or “phoneset”) . It is able to support two different SIM cards from different networks, with 262K color TFT display, 64 polyphonic ringtones, MP3/MP4 multimedia player and 2.0 megapixel camera, WAP service, Opera Mini 3, Bluetooth, common PDA functions, and can be used as a USB mass storage. This phone has two SIM slots for two different SIM cards. The SIM card inserted in the slot 1 is called Master SIM, and the other one in the slot 2 is Slave SIM. With this phone, you can select which SIM you want in operation. This is a great idea if you have a business SIM card and a personal SIM card, for you won’t have to carry two phones or two SIM cards anywhere. The mode of Slave SIM can’t support EMS, STK, Chat, Voice Mailbox, Fixed Dialing, Opera Mini 3, Three-party call and conference call. Note: In this user manual, to “press” a key means to press shortly; to “long press” a key means to press and hold for a while (> 2 seconds). ² Please carefully read this manual before you use the phone. ² For a newly bought phone, charge it for 4 hours before the first time of use, and charge the second time only after the power has been used up. Repeat this several times, and the battery will reach the best use effect. ² This manual is for illustration purposes only. The phone and its accessories are subject to update without notice.
    [Show full text]
  • Designing for Authenticity: the Steinway “D” Grand Piano
    Designing for Authenticity: The Steinway “D” Grand Piano Gino Cattani Roger L M Dunbar Zur Shapira Stern School of Business New York University 40 West 4th St. New York NY 10012 USA November 18th 2013 1 Designing for Authenticity: The Steinway “D” Grand Piano Abstract Authenticity is a socially constructed phenomenon within a socially desirable category. While authenticity is always socially constructed, i.e., involves evaluations by audiences such as peers, critics or users, authenticity claims are generally more credible as they are embedded in core features of organizations. To illustrate, we focus on the pianos made by Steinway & Sons. Building upon Thompson’s (1967) organization design ideas of input, technical core, and output activities, we trace out how Steinway & Sons sought audience recognition and prestige by expanding its technical core in ways that were intended to influence perceptions of Steinway piano authenticity. Our study also shows how when Steinway & Sons was challenged by competition and threatened by other external events, the authenticity audiences associated with its pianos acted as a buffer giving the firm time to adjust and change and so exhibit resilience. The implications for research on organization design and authenticity are discussed. Key Words: Authenticity; Craft; Technical Core; Historical Case; Steinway & Sons. 2 INTRODUCTION Authenticity is a socially constructed phenomenon. A product or service is considered authentic to the extent that audiences (e.g., users, critics, peers, etc.) recognize it as genuine and real (Trilling, 1972; Peterson, 1997, 2005; Fine, 2004; Rao, Monin and Durand, 2005; Carroll and Wheaton, 2009). There is no objective determination of authenticity “because interpretations vary across audiences and change across time” (Kovács, Carroll and Lehman, 2013: 3).
    [Show full text]
  • Untitled, It Is Impossible to Know
    VICTOR HERBERT ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE i ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE ii VICTOR HERBERT A Theatrical Life C:>A<DJA9 C:>A<DJA9 ;DG9=6BJC>K:GH>INEG:HH New York ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iii Copyright ᭧ 2008 Neil Gould All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Library of Congress Cataloging-in-Publication Data Gould, Neil, 1943– Victor Herbert : a theatrical life / Neil Gould.—1st ed. p. cm. Includes bibliographical references (p. ) and index. ISBN-13: 978-0-8232-2871-3 (cloth) 1. Herbert, Victor, 1859–1924. 2. Composers—United States—Biography. I. Title. ML410.H52G68 2008 780.92—dc22 [B] 2008003059 Printed in the United States of America First edition Quotation from H. L. Mencken reprinted by permission of the Enoch Pratt Free Library, Baltimore, Maryland, in accordance with the terms of Mr. Mencken’s bequest. Quotations from ‘‘Yesterthoughts,’’ the reminiscences of Frederick Stahlberg, by kind permission of the Trustees of Yale University. Quotations from Victor Herbert—Lee and J.J. Shubert correspondence, courtesy of Shubert Archive, N.Y. ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iv ‘‘Crazy’’ John Baldwin, Teacher, Mentor, Friend Herbert P. Jacoby, Esq., Almus pater ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE v ................
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 50,1930-1931, Subscription Series
    a* .% w*v J H BOSTON SYMPHONY OROIESTRS INC. FIFTIETH SEASON J930-193J prsgrtwie 3M . A RADIO Worthy of the Name And now—Out of the "House of Magic' conies the crowning achievement— a new type receiving set—radio as never before . GENERAL ELECTRIC RADIO In it, masters of radio have combined the unexcelled selectivity of the super-heter- odyne circuit wilh the unequalled power of screen-grid tubes—a station at every hairline . astonishing distance . elimi- nation of hum . full range tone, natural as though you are in the studio! This set embodies every quality radio science can impart ... a typical General Electric product. Priced from $U2.50up LesgTube9 Convenient Terms CCHarvey© "The Music Center of Boston" PIANOS RADIOS PHONOGRAPHS 144 Boylston Street Tel. UANcsek 5180 _TL SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Commonwealth 1492 Boston Symph. lestra INC. Dr. SERGE KOUSSEVITZKY, Conductor FIFTIETH SEASON, 1930-1931 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1930, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT ......... President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 433 THE PIANO OF PADEREWSKI/ OF HOFMANN IS WELL WITHIN YOUR REAC No matter what the size of your living-room or the decoration of your music- room, there is a Steinway model that will be appro- priate.
    [Show full text]
  • Users Manual
    PN: 5839000xxx © 2008. All rights are reserved. No part of this document may be reproduced without permission. All trademarks and brand names mentioned in this publication are property of their respective owners. While all efforts have been made to ensure the accuracy of all contents in this manual, we assume no liability for errors or omissions or by statements of any kind in this manual, whether such errors are omissions or statements resulting from negligence, accidents, or any other cause. The contents of this manual are subject to change without notice. Protect your environment! We strive to produce products in compliance with global environmental standards. Please consult your local authorities for proper disposal. SAFETY PRECAUTIONS Before using your phone, please read the following important information to eliminate or reduce any possibility of causing damage and personal injury. Do not use wireless phones while driving. Switch off wireless devices in aircraft. The signal may cause interference. Using them on aircraft is illegal. Do not use mobile phones where blasting is in progress. Follow any regulations and rules strictly. Do not use mobile phones at a refueling point. Don’t use near fuel or chemicals Follow any regulations or rules in hospital and health care facilities. Switch phone off near medical equipment. All wireless devices may get interference that could affect performance. Only qualified service personnel can install or repair this device. Use only approved accessories and batteries. Use only in normal position. Do not expose your phone to extreme high temperatures above +60ć˄+140eF˅. Do not use anything static to clean your phone.
    [Show full text]