On the Road Learning from the Master West Coast
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Joe Louis Walker
Issue #218 LIVING BLUES #218 • APRIL 2012 Vol. 43, #2 ® © JOE LOUIS WA JOE LOUIS L KER - LEE GATES - KER - LEE GATES WALKER K IRK F L ETCHER - R LEE GATES OSCOE C HENIER - PAU KIRK L RISHE FLETCHER LL - 2012 B L UES FESTIVA ROSCOE L GUIDE CHENIER $6.95 US $6.95 CAN www.livingblues.com 2012 Festival Guide Inside! Joseph A. Rosen Rhythm andBluesCruise,Rhythm October 2007. onthe Legendary Joe LouisWalker In 1985, after a decade of playing and singing nothing but gospel music with a quartet called the Spiritual Corinthians, 35-year-old Joe Louis Walker decided to get back to the blues. The San Francisco–born singer-guitarist had begun playing blues when he was 14, at first with a band of relatives and then with blues-singing pimp Fillmore Slim before becoming a fixture at the Matrix, the city’s preeminent rock club during the psychedelic Summer of Love, backing such visiting artists as Earl Hooker and Magic Sam. Michael Bloomfield became a close friend and mentor. The two musicians lived together for a period, and the famous guitarist even produced a Walker demo for Buddah Records, though nothing came of it. Then, in 1975, Walker walked away from the blues completely in order to escape the fast life and the drugs and alcohol associated with it that he saw negatively affecting Bloomfield and other musician friends. Walker knew nothing about the blues business when he started doing blues gigs again around the Bay Area with a band he’d put together, as a member of Oakland blues singer-guitarist Haskell “Cool Papa” Sadler’s band, and (for a tour of Europe) with the ad hoc Mississippi Delta Blues Band. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
DUELING MALLETS Featuring Guest Artist SUSAN PASCAL
CtHVvP ~ . ,t:5 c. C()& 0 if )015' --",.,'-~ ) '/3~- THE MALLET HEAD SERIES presents D DUELING MALLETS featuring guest artist SUSAN PASCAL Susan Pascal, vibraphone Dan Dean, electric bass Tom Collier, marimba Ted Poor, drums February 13,2015 7:30 PM Meany Studio Theater 1-0 C:PI-7f'/r, JC6 2 1- - 9 cPZ-=ffj-n 1'1;3 Program to be chosen from: -HlGjj:ffl,4 y eNE .......................................................... BOBBY HUTCHERSON =;- JUPITER JUMP .......................:t.;2:l..................................... TOM COLLIER 'firll<f7l;'SJO}' ............................................................................ TOM COLLIER q SLEEK BUICK...........................5'Lf3I. .................................................. DAN DEAN }vf:lfLLET.htz::z......................................................................... TOM COLLIER .. ':)MONTARA .....................................~.{.:.t:?................ BOBBY HUTCHERSON 9 CORAL ..................................-::;"'~3(.............................................. KEITHJARRETT. L.f TURNED AROUND AGAIN..............L"h.;,Z...3....................... TOM COLLIER " 2.. BLACK HOLE .............. H?~.~.?;.............................................. TOM COLLIER :3> SAME SHAME ....................................1-''391........................ BOBBY HUTCHERSON I TIMES LIKE THESE.........~.i..l.9. .......................................... MAK.OTO OZONE f h f:>G~ 5 &rw ve.. - J1IJr IT JCU-/<>oYj Cf :3 g SUSAN PASCAL: Seattle jazz vibraphonist Susan Pascal has taken her music -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Het Verhaal Van De 340 Songs Inhoud
Philippe Margotin en Jean-Michel Guesdon Rollingthe Stones compleet HET VERHAAL VAN DE 340 SONGS INHOUD 6 _ Voorwoord 8 _ De geboorte van een band 13 _ Ian Stewart, de zesde Stone 14 _ Come On / I Want To Be Loved 18 _ Andrew Loog Oldham, uitvinder van The Rolling Stones 20 _ I Wanna Be Your Man / Stoned EP DATUM UITGEBRACHT ALBUM Verenigd Koninkrijk : Down The Road Apiece ALBUM DATUM UITGEBRACHT 10 januari 1964 EP Everybody Needs Somebody To Love Under The Boardwalk DATUM UITGEBRACHT Verenigd Koninkrijk : (er zijn ook andere data, zoals DATUM UITGEBRACHT Verenigd Koninkrijk : 17 april 1964 16, 17 of 18 januari genoemd Verenigd Koninkrijk : Down Home Girl I Can’t Be Satisfi ed 15 januari 1965 Label Decca als datum van uitbrengen) 14 augustus 1964 You Can’t Catch Me Pain In My Heart Label Decca REF : LK 4605 Label Decca Label Decca Time Is On My Side Off The Hook REF : LK 4661 12 weken op nummer 1 REF : DFE 8560 REF : DFE 8590 10 weken op nummer 1 What A Shame Susie Q Grown Up Wrong TH TH TH ROING (Get Your Kicks On) Route 66 FIVE I Just Want To Make Love To You Honest I Do ROING ROING I Need You Baby (Mona) Now I’ve Got A Witness (Like Uncle Phil And Uncle Gene) Little By Little H ROLLIN TONS NOW VRNIGD TATEN EBRUARI 965) I’m A King Bee Everybody Needs Somebody To Love / Down Home Girl / You Can’t Catch Me / Heart Of Stone / What A Shame / I Need You Baby (Mona) / Down The Road Carol Apiece / Off The Hook / Pain In My Heart / Oh Baby (We Got A Good Thing SONS Tell Me (You’re Coming Back) If You Need Me Goin’) / Little Red Rooster / Surprise, Surprise. -
Playbill March 1 - 31 Center Series/Asian Arts and Culture Program 2 3 4 5 6 7 8 9 Skill.Smarts.Hardwork
UNIVERSITY OF MASSACHUSETTS AMHERST FINE ARTS CENTER 2012 Playbill March 1 - 31 Center Series/Asian Arts and Culture Program 2 3 4 5 6 7 8 9 Skill.Smarts.Hardwork. That’s how you built your wealth. And that’s how we’ll manage it. The United Wealth Management Group is an independent team of skilled professionals with a single mission: to help their clients fulfill their financial goals. They understand the issues you face – and they can provide tailored solutions to meet your needs. To arrange a confidential discussion, contact Steven Daury, CerTifieD fiNANCiAl PlANNer™ Professional, today at 413-585-5100. 140 Main Street, Suite 400 • Northampton, MA 01060 413-585-5100 unitedwealthmanagementgroup.com tSecurities and Investment Advisory Services offered through NFP Securities, Inc., Member FINRA/SIPC. NFP Securities, Inc. is not affiliated with United Wealth Management Group. NOT FDIC INSURED • MAY LOSE VALUE • NOT A DEPOSIT• NO BANK GUARANTEE NO FEDERAL GOVERNMENT AGENCY GUARANTEES 10 4.875" x 3.75" UMASS FAC Playbill Skill.Smarts.Hardwork. That’s how you built your wealth. And that’s how we’ll manage it. The United Wealth Management Group is an independent team of skilled professionals with a single mission: to help their clients fulfill their financial goals. They understand the issues you face – and they can provide tailored solutions to meet your needs. To arrange a confidential discussion, contact Steven Daury, CerTifieD fiNANCiAl PlANNer™ Professional, today at 413-585-5100. 140 Main Street, Suite 400 • Northampton, MA 01060 413-585-5100 unitedwealthmanagementgroup.com tSecurities and Investment Advisory Services offered through NFP Securities, Inc., Member FINRA/SIPC. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
Greg Gisbert Quartet Destacado Trompetista En Guadalajara
15 de junio de 2016 Greg Gisbert Quartet destacado trompetista en Guadalajara • Cultura UDG y DeQuinta Producciones en sociedad con el Jazz at Lincoln Center presenta el quinto concierto del ciclo NY Jazz All Stars 2016 en el Teatro Vivian Blumenthal este 30 de junio. • Greg Gisbert ha tocado con importantes figuras del jazz y el pop, desde Wynton Marsalis, pasando por Frank Sinatra y Ella Fitzgerald, hasta David Bowie y Lady Gaga. • El trompetista ofrecerá un taller gratuito a las 17:00 horas y un concierto a las 21:00 horas acompañada de su cuarteto: Annie Booth (piano), Mike Boone (bajo) y Tommy Campbell (batería). El próximo 30 de junio, el trompetista Greg Gisbert presentará el quinto concierto del ciclo NY Jazz All Stars 2016 en el Teatro Vivian Blumenthal acompañado de Annie Booth (piano), Mike Boone (bajo) y Tommy Campbell (batería). Egresado de la influyente Escuela de Música Berklee en Boston, el trompetista de Mobile, Alabama, Greg Gisbert pasó gran parte de su carrera musical juvenil en las grandes bandas o en los estudios de grabación, y tal vez por esto no es un personaje tan visible para el público en general, sin embargo, ha tocado, hecho giras y grabado con algunos de los más importantes exponentes del jazz y música popular. Esta lista incluye nombres como, Clark Terry, Wynton Marsalis, Maria Schneider, Jimmy Heath, Frank Wess, James Moody, Ron Carter, Buddy Rich, Horace Silver, Frank Sinatra, Stevie Wonder, Sarah Vaughan, Ella Fitzgerald, Tony Bennett, Bobby Short, Mel Torme, Harry Connick, Jr., David Bowie, y Lady Gaga. Como músico de estudio ha participado también en películas, Balas sobre Broadway de Woody Allen, es una de ellas. -
Ralph Humphrey Collier & Dean
THE MALLET HEAD SERIES Presents RALPH HUMPHREY with COLLIER & DEAN March 2, 2012 7:30 PM Brechemin Auditorium P R O G R A M JAZZ ISLAND ............................................................................... DAN DEAN WICKED EYES........................................................................ TOM COLLIER SWEET FIFTEEN............................................................. RALPH HUMPHREY SUBITO SOX........................................................................... TOM COLLIER CUCKOO TROT ........................................................................... DAN DEAN MALLET TECH ....................................................................... TOM COLLIER CHASE THE WIND ....................................................................... DAN DEAN MAGIC FINGERS .................................................................... FRANK ZAPPA IN YOUR QUIET PLACE ........................................................KEITH JARRETT A SCREAM IN THE SHIRTS ........................................................... DAN DEAN RALPH HUMPHREY is a working professional drummer and teacher in Los Angeles. His background includes a variety of drumming experiences. His earlier work with the Don Ellis big band and Frank Zappa and the Mothers of Invention, among oth- ers, has given him the knowledge and expertise to speak, teach and write on the subject of rhythm and its application in modern drumming. He maintains a very active career in the recording industry, playing for a variety of motion picture and TV and -
Mick Taylor © Felix Aeppli 07-2020 / 08-2021
Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb. -
Carolina Union Artwork Creates Community, Sense of Home
FEBRUARY 13, 2008 UNC HOME PAGE REDESIGN Until UNC’s main Web pages receive a makeover, the current site has been given a minor facelift. See story on page 2. CAROLINA’S FACULTY AND STAff NEWSPAPER ■ gazette.unc.edu Carolina Union artwork creates community, sense of home Downstairs, the Carolina Union bustles with activity. On a given day, thousands of students pass through to grab a cup of coffee, catch up with friends or hunker down in a comfortable chair tapping away on their laptops. Peeking out from the sea of tables and chairs are three of Clyde Jones’ “critters.” Commissioned in 2006, the wooden animal caricatures were constructed on site by the Chatham County artist and painted by Carolina students. As part of the union’s expanding art collection, these playful primitive sculptures help create the fun and warmth that can remind students of home. “It isn’t enough to supply coffee and tables. We want to create an inviting atmosphere here. Art is very important in creating that sense of community we’re after,” said Don Luse, Carolina Union director. For the past couple of years, Luse has been on a mission to fill the union with a variety of art, from oil paintings to pottery, quilts and brickwork to bronze and fiberglass sculptures — even glass doors depicting the beauty of a North Carolina sunset over the ocean. The union’s permanent art collection, named after Peggy Jablonski, vice chancellor for the building’s first two full-time directors, Howard student affairs, stands before “Thinking Henry and Archie Copeland, was started 10 years ago.