Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College German Faculty Research and Scholarship German 2021 Female Desire, Pop Rock, and the Tiananmen Generation: The Synergy of Sexual and Political Revolutions in the Banned Chinese-German Film Summer Palace (2006) Qinna Shen Follow this and additional works at: https://repository.brynmawr.edu/german_pubs Part of the Film and Media Studies Commons, and the German Language and Literature Commons Let us know how access to this document benefits ou.y This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/german_pubs/36 For more information, please contact
[email protected]. Qinna Shen Female Desire, Pop Rock, and the Tiananmen Generation: The Synergy of Sexual and Political Revolutions in the Banned Chinese- German Film Summer Palace (2006) ABSTRACT The year 1989 comprises a vital part of the Tiananmen generation’s memory and identity. Yet any attempt to address the turbulent events of that year, how- ever obliquely, carries a high risk of censorship. Lou Ye took that risk in Sum- mer Palace (2006). His iconoclastic exploration of sex and politics at a thinly disguised Beijing University was banned in China and languishes in relative obscurity in the West. This article endeavors to ensure that Summer Palace receives the serious recognition it deserves. The film’s narrative arc stretches from Beijing to Berlin and uses a delayed death in Berlin as an opportunity to commemorate the dead of 1989. Yiheyuan (Summer Palace, Lou Ye, 2006), a Chinese- French co- production set primarily in Beijing and Berlin, is a film that broke two taboos at once, Qinna Shen, “Female Desire, Pop Rock, and the Tiananmen Generation: The Synergy of Sexual and Political Revolutions in the Banned Chinese-German Film Summer Palace (2006),” JCMS 60, no.