Ictech Goes on Tour MONTHLY TECH NEWS Small but Popular, Baby AV Show Is Born CX120 NOV 2016 $7.50 AU Clay Paky’S CP Nights: Lights and Colour Across the Land

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Ictech Goes on Tour MONTHLY TECH NEWS Small but Popular, Baby AV Show Is Born CX120 NOV 2016 $7.50 AU Clay Paky’S CP Nights: Lights and Colour Across the Land LIGHTS • VIDEO • STAGING • INTEGRATION ICTech goes on tour MONTHLY TECH NEWS Small but popular, baby AV show is born CX120 NOV 2016 $7.50 AU Clay Paky’s CP Nights: Lights and colour Across the land Australian Monitor Rebooted Hills back house brand AES in LA an audio journey > NEWS: > REGULARS: > GEARBOX: > ROADSKILLS: • Ben Alcott loses UK case • The Mill Report • Robe Spikie • Bring Me The Horizon • Mad IT guy smashes system • Listen Here • Sennheiser Speechline • Big Scary • Survey: crew are suicidal • New Gear Digital Wireless • Vera Blue addicts • History • JBL EON 208P • Biz Talk Portable PA • ACETA • Rush MH 8 Mini Profile • Duncan Fry Audio STAGE WIRELESS STUDIO HEADPHONES INSTALL NOW DISTRIBUTED BY CMI MUSIC & AUDIO PTY LTD. CONTACT US AT [email protected] Presents: NETWORK ROADSHOW 2017 Sydney Brisbane Melbourne Adelaide Perth Tuesday Thursday Tuesday Thursday Tuesday 7 Feb 9 Feb 14 Feb 16 Feb 21 Feb Royal Randwick, Royal ICC at RNA, Melbourne Park Adelaide Crown new convention Brisbane Function Centre Convention Centre Burswood facility Australia´s only entertainment technology tradeshow, established 1993 Last spaces filling NOW : call +61 408 498 180 or email [email protected] Now in one day touring format taking sound, lighting, video and staging technology to the five largest cities across Australia “I refuse to become a victim of bad LED lighting” ETC ColorSource Family ^ + ^ ^ ETC’s ColorSource® family of products fi ghts the epidemic of bad LED lighting – one small venue at a time. With a range of affordable RGB-L luminaires that provide high-quality light and colour, a wireless relay system that makes distribution easy, and control consoles that mix colours and run multimedia effects with the fl ick of a fader, a ColorSource system gives you everything you need to light your venue – with style. Join the fi ght today at www.etcconnect.com/ColorSource Distributed by Americas ■ Europe ■ Asia www.jands.com.au www.etcconnect.com CX FP ColorSource Family PrintAd.indd 1 3/05/2016 2:24 pm CX contents 120 2016 . Bring 14 Me The Horizon Toured their lively show Gearbox around Rush MH 8 The Mill Report: Australia Mini Profile 42 juicing the budget Clay Paky’s CP Nights 44 22 Show Technology shows off! Revolabs Executive Elite EDITORIAL 2-Channel FEATURES 06 What do we run, why do 13 JBL PRX800W 18 ICTech goes on tour we run it? Martin Rush Scanner 1 LED 22 Clay Paky’s CP Nights 26 Years of Deadlines! HIGHlite Laser II 26 Australian Monitor Rebooted Robe Spiider NEWS 31 AES in LA – an audio journey 08 Ben Alcott loses UK court REGULARS GEARBOX case Mad IT guy brings down 14 The Mill Report: 36 Robe Spikie global system juicing the budget 38 Sennheiser Speechline Survey says crew are 30 History. 5, 15 and 25 years Digital Wireless suicidal addicts ago in our pages 40 JBL EON 208P portable PA 58 Listen Here! Silencing 42 Rush MH 8 Mini Profile NEW GEAR the things that ring 10 Accent Visual Microedge 60 Biz Talk ROADSKILLS Contacta HLD7 63 Aceta 44 Bring Me The Horizon Community DP6, DP8 65 Duncan Fry 50 Big Scary Event Lighting Strobex 53 Vera Blue 12 Presonus StudioLive 32 QSC Touchmix-30 Pro • Cover photo by Tony Lukeman DIGITAL NETWORK cx-mag.com, cxmagblog.com, cxevents.com.au, cx-tv.com: Keep in CXtra, Gearbox, News, TheHUMP, LightTonight, Roadshows touch . facebook.com/cxmagazine B T T B B B T T BELIEVE IT SAVE TIME WITH LEOPARD NATIVE MODE. GREAT SOUND, RIGHT FROM THE START. Show Technology shows off! Don’t have spare time before the show? Get the best possible sound right from the start. LEOPARD Native Mode captures the collective wisdom of sound system experts. With hundreds of LEOPARD systems in use worldwide, Meyer Sound users are proving that Native Mode saves them time – again and again. MEYER SOUND AUSTRALIA | AUS 1800 4 MEYER | NZ 0800 3 MEYER | [email protected] Learn more at meyersound.com/believeit T T B B B T T B Meyer Sound Laboratories Inc. • 2832 San Pablo Ave. • Berkeley, CA 94702 • 510 486.1166 PUBLISTING Close Date Revision # CX 9/26/16 Creative: Believe IT - Native Mode Unit: FP4C PRODUCTION NOTES Live: 190 x 277mm Keylines do not print Trim: 210 x 297mm INK: 4/c Contact: Elania Nanopoulos Bleed: 230 x 317mm STOCK: magazine Phone: 510 486.1166 x115 Gutter: n/a Editorial Ben Alcott Story run the story regardless, so I could either CX with a 20mB hard drive. Woah! What do we publish and what do we provide my input or not. To transfer files, we loaded them onto walk away from? The story broke in Its also interesting to note you’ve chosen a Magneto Optical cartridge and drove the UK where the press were all over the headline “Ben Alcott loses UK court across town. Compuserve offered Ben Alcott. We’ve reported on his case case” - surely, if anything, the story is an email service which we accessed against his former partner who he says about my child’s removal from Australia using a dial up modem. Text was the abducted their child from Australia. and the effect of that, rather than “losing” only thing we could email. Through The story is on page 8. Ben is well a court case - how about “losing a child”? the 1990’s we spent huge amounts on known in the industry. Anyway, I don’t want this whole issue to hardware and software as technology We posted this comment on our FB page succumb to the “Streisand Effect”, so I’ll improved. after someone asked about the relevance leave it there - but I’d like it to be on the Now my pocket iPhone contains about of the story: The UK press reports were one record that I would have much preferred to 1,000 times the processing power and sided so we decided to talk to Ben to get his not have this “story” published at all, and connects me direct to the world. The side of the story. He volunteered the info, in I expressed this multiple times to you, both differences and changes over 26 years the hope one day his son will get both sides in writing and over the phone. It’s a shame are simply staggering. that my very personal tragedy was seen fit of the story. But the constant thing keeping us to be used as click bait. Ben replied: In fairness and in the here is that we can tell a story. Over interests of transparency, I only at cxnetwork.com.au you can now “volunteered” the info after it became clear 26 years of deadlines download and read ALL our back you were going to run the story against This month 26 years ago I was working issues, except these missing editions. my wishes, and regardless of what was on edition one of Channels. Our Do you have any of these? If so, right and proper. I was contacted by email History page that Dan Cole has curated please contact us! on Saturday telling me that you were shows the journey, and some of the Connections #5, June/July 1993 extreme changes that have come with going to run the story; I responded by Connections #17, Sept (and Oct) 1994 email questioning why you’d ever want to time. One of them is the internet, which Connections #24, June/July 1995 give this story an airing in the first place was a distant concept in 1990. We relied (as it seems to have little to do with the on faxes. Connections #28, Nov 1995 Australian production industry). I had a mobile phone that was in two Connections #32, April 1996 He continues: We subsequently spoke over (connected) parts, sized like a handbag. Connections #73, Feb 2000 the telephone, and I once again questioned I took photos on black and white Connections #77, June 2000 (four separate times, as Julius pointed out slide film, waited two days for it to be Connections #82, Nov 2000 to me) why you’d want to run this story developed and then took the slides to be that clearly has no relation to the industry, scanned at a reprographics bureau. The but rather seems to be just salacious magazine was imposed onto film, from gossip mongering. As Julius pointed out, which printing plates were made. We it “wasn’t a debate” and he was going to used Pagemaker 4 software on a Mac II November AUCKLAND Airline: Virgin Australia CX Phone +64 9 801 0952 Coffee: Rob Forsyth EMAIL: [email protected] Freight: ATS Logistics 120 2016 WEB: www.juliusmedia.com Printed in Australia Volume III www.cx-tv.com www.cxmagblog.com MEMBERSHIPS: CX is published in print and digital ACETA A.R.C.A. PEOPLE: each month, except January. Live Performance Australia ETNZ First published 1990 as Channels, Publisher: Julius Grafton LEGAL NOTICES: then 1992 – 2002 as Connections. Associate: Jason Allen Manager: Steve James All contents copyright CX Network Pty Ltd (Australia), CX Network Limited (NZ). Published by Juliusmedia Group Pty Ltd Digital editor: Jackson McSweeney Nothing herein to be reproduced without (ACN 134170460) under license from CX Contributors: Cat Strom, Toni Venditti, Duncan Fry, express written consent. Network Pty Ltd (ACN 153165167). Jimmy Den-Ouden, Andy Stewart, Simon Byrne Finance: Emily Lim SYDNEY Subscribers: Belinda La Guidara Phone +61 2 9882 6727 TV hosts: Christian Heath, Meg Macintosh, 61 Alleyne street Chatswood NSW 2067 Sophie Eshman Locked Bag 30, Epping, NSW 1710 SERVICES: MELBOURNE Layout: Karla Espinosa, Nadia Hidalgo - TIZAdigital Phone +61 407 735 920 Legal: DPR Legal, Gilbert + Tobin, Banki Haddock Fiora Accounting: Watkins Coffey Martin Publishing since 1990 06 NOV 2016 www.juliusmedia.com This changes everything.
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