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TOUSSAINT -Master Thesis.Pdf http://lib.ulg.ac.be http://matheo.ulg.ac.be Pega-Niguém! A Competition for Symbolic Power - an Interpretative Ethnography of the Carioca Preoccupation with Physical Appearance Auteur : Toussaint, Zoé Promoteur(s) : Servais, Veronique Faculté : Faculté des Sciences Sociales Diplôme : Master en anthropologie, à finalité approfondie Année académique : 2016-2017 URI/URL : http://hdl.handle.net/2268.2/3676 Avertissement à l'attention des usagers : Tous les documents placés en accès ouvert sur le site le site MatheO sont protégés par le droit d'auteur. Conformément aux principes énoncés par la "Budapest Open Access Initiative"(BOAI, 2002), l'utilisateur du site peut lire, télécharger, copier, transmettre, imprimer, chercher ou faire un lien vers le texte intégral de ces documents, les disséquer pour les indexer, s'en servir de données pour un logiciel, ou s'en servir à toute autre fin légale (ou prévue par la réglementation relative au droit d'auteur). Toute utilisation du document à des fins commerciales est strictement interdite. Par ailleurs, l'utilisateur s'engage à respecter les droits moraux de l'auteur, principalement le droit à l'intégrité de l'oeuvre et le droit de paternité et ce dans toute utilisation que l'utilisateur entreprend. Ainsi, à titre d'exemple, lorsqu'il reproduira un document par extrait ou dans son intégralité, l'utilisateur citera de manière complète les sources telles que mentionnées ci-dessus. Toute utilisation non explicitement autorisée ci-avant (telle que par exemple, la modification du document ou son résumé) nécessite l'autorisation préalable et expresse des auteurs ou de leurs ayants droit. TOUSSAINT Zoé 20125695 M2 Anthropology Master's thesis: « Pega-Ninguém! A Competiton for Symbolic Power » An Interpretative Ethnograpy of the Carioca Preoccupation with Physical Appearance Mentor : Véronique Servais Readers : Yves Winkin & David Berliner 1. Table of Contents 1. ACKNOWLEDGMENTS ................................................................................................................. 5 2. INTRODUCTION ............................................................................................................................. 6 2.1. WHAT ANTHROPOLOGY IS TO ME ................................................................................................................ 6 2.2. ABOUT THIS PAPER ......................................................................................................................................... 7 3. RESEARCH PROBLEM .................................................................................................................. 8 4. A GRINGA IN RIO ........................................................................................................................... 9 4.1. THE FIELD ......................................................................................................................................................... 9 4.2. AS A BABY GROWING UP ................................................................................................................................ 9 4.3. FIRST IMPRESSIONS ....................................................................................................................................... 10 4.4. FITTING IN ...................................................................................................................................................... 11 4.5. BEING A GRINGA ............................................................................................................................................ 11 5. ON THE BEACH ............................................................................................................................. 13 5.1. REVEALING OUTFITS ..................................................................................................................................... 13 5.2. BEAUTY STANDARDS .................................................................................................................................... 13 5.3. CARIOCA BEACHES ........................................................................................................................................ 14 5.4. THE EXPOSED BODY ...................................................................................................................................... 15 5.5. BEACH CULTURE ............................................................................................................................................ 16 5.6. THE MAINTAINED BODY .............................................................................................................................. 16 6. PHOTOS [PART 1] ....................................................................................................................... 17 7. INTERPRETATION ...................................................................................................................... 20 7.1. EXTROVERT EXPRESSIONS OF CULTURE .................................................................................................. 20 7.2. DEFINITION OF THE OBJECT OF INVESTIGATION ..................................................................................... 20 7.2.1. Health ......................................................................................................................................................... 21 7.2.2. Body ............................................................................................................................................................. 21 7.2.3. Beauty ........................................................................................................................................................ 22 7.2.4. Appearance .............................................................................................................................................. 22 Conceptualization ......................................................................................................................................................................... 22 Goffman’s Definition .................................................................................................................................................................... 23 7.3. PEELING OFF THE LAYERS OF MEANING ................................................................................................... 23 8. BRAZILIAN CULTURAL TRAITS .............................................................................................. 25 8.1. HALL’S HIGH/LOW CONTEXT CONCEPT ................................................................................................... 25 8.2. TING-TOOMEY AND HOFSTEDE’S CONTINUATION OF HALL ................................................................. 26 8.2.1. Communication Style ........................................................................................................................... 27 8.2.2. Dominant Values ................................................................................................................................... 27 8.2.3. Logic ............................................................................................................................................................ 28 8.3. HOFSTEDE’S SIX DIMENSIONS ..................................................................................................................... 28 8.4. THE CORDIAL MAN ...................................................................................................................................... 30 8.4.1. Particularities of Brazilian Colonazation ................................................................................... 30 8.4.2. Sesmarias Policies ................................................................................................................................. 30 8.4.3. Lei da Boa Razão ................................................................................................................................... 31 8.4.4. Emigration of the Portuguese Royal Family ............................................................................. 31 8.4.5. Origins of Favoritism ........................................................................................................................... 31 8.5. BUARQUE DE HOLLANDA’S CORDIAL MAN ............................................................................................... 31 8.6. INFORMALITY AS A NORM ............................................................................................................................ 32 8.7. CORDIALITY AND THE BODY ........................................................................................................................ 33 2 8.8. MY PERSONAL EXPERIENCE WITH CORDIALITY ...................................................................................... 34 8.9. VIRTUAL CORDIALITY ................................................................................................................................... 36 9. BODY MESSAGE ........................................................................................................................... 38 10. SOCIAL STRUCTURES .............................................................................................................. 39 10.1. CORRUPTION AND INEQUALITIES ............................................................................................................ 39 10.2. FAVOR SYSTEMS .........................................................................................................................................
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