The University of Akron IdeaExchange@UAkron Akron Law Review Akron Law Journals July 2015 Copyright Infringement of Musical Compositions: A Systematic Appproach E. Scott rF uehwald Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: http://ideaexchange.uakron.edu/akronlawreview Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Fruehwald, E. Scott (1993) C" opyright Infringement of Musical Compositions: A Systematic Appproach," Akron Law Review: Vol. 26 : Iss. 1 , Article 2. Available at: http://ideaexchange.uakron.edu/akronlawreview/vol26/iss1/2 This Article is brought to you for free and open access by Akron Law Journals at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Akron Law Review by an authorized administrator of IdeaExchange@UAkron. For more information, please contact
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[email protected]. Fruehwald: Copyright Infringement of Musical Compositions COPYRIGHT INFRINGEMENT OF MUSICAL COMPOSITIONS: A SYSTEMATIC APPROACH by E. SCoTr FRUEHWALD INTRODUCTION This article addresses the problems that courts face when dealing with copyright infringement of musical compositions. Infringement of music presents special problems for judges and juries because music is an intuitive art that is nonverbal and nonvisual. Consequently, traditional methods of establishing infringement are often unreliable when applied to music. This paper will concentrate on the question of whether a composition that is similar to, but not the same as, another work infringes on the other work.