Brazilian Carnival
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Rio Carnival 2016 5-10 February 2016
Rio Carnival 2016 5-10 February 2016 Optional Activities You will be spending 6 days in Rio with a whole variety of included excursions such as visits to both the Corvocado and the Sugar Loaf mountain, the most iconic sights of the city, and a night at the Sambadrome where you will experience the dazzling display of the top Samba schools - the highlight of Rio Carnival! Dragoman and Imaginative Traveller also offer a few optional excursions that you may wish to take part in. Details of the optional activities available are found below. Please note these can only be arranged by pre-booking direct with the Dragoman sales team or through your agent. In order to guarantee availability, please book by 1 December 2015. We may be able to consider requests for activities after this date but will not be able to guarantee availability. Optional ACTIVITIES: Sambadrome Upgrade To Sector 11 Seating When: Sunday 7 February, 18:00hrs until Monday morning Code: SECTOR11-16 Cost per person including ticket for sector 11, Metro tickets and guiding services GBP EUR USD 150 193 254 The Sambadrome is the venue where the main parade of the carnival takes CAD AUD NZD place; essentially it is a long avenue that is lined with spectator viewing areas and only the best Samba schools will parade here. The different spectator 275 283 313 areas are divided into sectors, priced according to the view that they offer. The diagram above shows where the different sectors are located. On Sunday night we include a ticket to sector 13, the most lively of the sectors, but you can choose to upgrade to sector 11, which is right on the edge of the runway and therefore offering much closer views of the costumes and dancing. -
Market Access Guide – Brazil 2020 – Table of Contents 01
Market Access Guide – Brazil 2020 – Table of Contents 01. COUNTRY OVERVIEW ....................................................................................................................................... 3 02. BRAZILIAN RECORDED MUSIC MARKET .................................................................................................... 5 THE MAJORS .......................................................................................................................................................... 1 INTERVIEW WITH PAULO JUNQUEIRO, PRESIDENT, SONY MUSIC BRASIL ................................ 10 THE INDEPENDENTS ........................................................................................................................................ 11 CHART SERVICES ................................................................................................................................................. 1 03. POPULAR BRAZILIAN MUSIC - GENRES ...................................................................................................... 1 GOSPEL .................................................................................................................................................................. 16 FUNK ...................................................................................................................................................................... 20 SERTANEJA .......................................................................................................................................................... -
Carnival Is Celebrated in Many Parts of the World, but Brazil Is Usually Thought of As the Country with the Most Exuberant and Exciting Carnival Celebrations
Embratur Carnival: come and be transported to the amazing party that is carnival in Brazil. Carnival is celebrated in many parts of the world, but Brazil is usually thought of as the country with the most exuberant and exciting carnival celebrations. The celebration originated in the Catholic countries of Europe as a party before the coming of Lent – the forty days Christ spent in the wilderness. It was traditional for the celebrations to end on Ash Wednesday when people then respected the period of abstinence for forty days. The term ‘carnival’ is thought to have originated from the Latin ‘carne levare’, meaning ‘to remove meat’, as eating meat would have been prohibited during Lent. Nowadays carnival is not seen as a religious celebration but more of a street party with lots of music and dancing. The annual carnival celebrations take place between the Saturday and the Tuesday that precede Ash Wednesday. Erika Tambk Embratur CARNIVAL DOLLS, OLINDA BOY AT SAMBODROME, RIO DE JANEIRO Fact Sheet 8. Brazil and Carnival 1 Celebrations for carnival vary throughout the world and in Brazil too there are regional differences. The most famous Brazilian carnivals are held in Rio de Janeiro and Salvador. In fact, the Guinness Book of Records maintains that the Salvador carnival is the biggest street party in the world! 8.1 Street Carnival Carnival is celebrated in a variety of styles throughout Brazil. Olinda, a small colonial town close to Recife, closes all its streets to traffic and musicians playing their local music, the ‘frevo’, turn the whole town into a party. -
Brazilian Middle-Class Music: Tradition, Hibridity and Community in the Development of Mpb
5* ', m ‘ )T‘ LIBRARY (7 Michigan State 9m University This is to certify that the thesis entitled BRAZILIAN MIDDLE-CLASS MUSIC: TRADITION, HIBRIDITY AND COMMUNITY IN THE DEVELOPMENT OF MPB presented by LUCIANO SIMOES SILVA has been accepted towards fulfillment of the requirements for the Master of degree in College of Music Arts ,4/2, 2" _ ‘ . ,_ Major Professor’s Signatufe 4/ ,I / ‘/ " / -’ 25w 2,7 - / Date MSU is an afflnnative-action. equal—opportunity employer 3--u-o-n-—-----u--.-.-n—n-I-I-I--.-—.-... PLACE IN RETURN BOX to remove this checkout from your record. To AVOID FINES return on or before date due. MAY BE RECALLED with earlier due date if requested. DATE DUE DATE DUE DATE DUE 5/08 K:lProj/Acc&Pres/ClRC/DateDue.indd BRAZILIAN MIDDLE-CLASS MUSIC: TRADITION, HIBRIDITY AND COMMUNITY IN THE DEVELOPMENT OF MPB By Luciano Simoes Silva A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS College of Music 2008 ABSTRACT BRAZILIAN MIDDLE-CLASS MUSIC: TRADITION, HYBRIDITY AND COMMUNITY IN THE DEVELOPMENT OF MPB By Luciano Simoes Silva The Brazilian musical genre known as MPB was created in the late-1950s by members of the rising Brazilian middle class. In this thesis I will argue that MPB has been for fifiy years the cultural form par excellence of the urban and educated Brazilian middle class. The intersection of Nestor Garcia Canclini’s theory of hybrid cultures, Erie Hobsbawm and Terence Ranger’s theory of invented traditions, and Benedict Anderson’s theory of imagined communities will provide an interpretative framework within which the development of MPB and its interaction with the middle class can be more clearly and fully understood. -
Popular Culture Imaginings of the Mulatta: Constructing Race, Gender
Popular Culture Imaginings of the Mulatta: Constructing Race, Gender, Sexuality, and Nation in the United States and Brazil A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Jasmine Mitchell IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Bianet Castellanos, Co-adviser Erika Lee, Co-adviser AUGUST 2013 © Jasmine Mitchell 2013 Acknowledgements This dissertation would have been impossible without a community of support. There are many numerous colleagues, family, friends, and mentors that have guided ths intellectual and personal process. I would first like to acknowledge my dissertation committee for their patience, enthusiasm, and encouragement while I was in Minneapolis, New York, São Paulo, and everywhere in between. I am thankful for the research and methodological expertise they contributed as I wrote on race, gender, sexuality, and popular culture through an interdisciplinary and hemispheric approach. Special gratitude is owed to my co-advisors, Dr. Bianet Castellanos and Dr. Erika Lee for their guidance, commitment, and willingness to read and provide feedback on multiple drafts of dissertation chapters and applications for various grants and fellowships to support this research. Their wisdom, encouragement, and advice for not only this dissertation, but also publications, job searches, and personal affairs were essential to my success. Bianet and Erika pushed me to rethink the concepts used within the dissertation, and make more persuasive and clearer arguments. I am also grateful to my other committee members, Dr. Fernando Arenas, Dr. Jigna Desai, and Dr. Roderick Ferguson, whose advice and intellectual challenges have been invaluable to me. -
A Journey in Peru, Argentina, and Brazil Itinerary
Palace Tours 12000 Biscayne Blvd. #107 Miami FL 33181 USA 800-724-5120 / 786-408-0610 Call Us 1-800-724-5120 Best of South America: A Journey in Peru, Argentina, and Brazil Also known as The Kingdom of the Sun, Peru is one of the most representative countries of Latin America due to the mix of native Indian, Afro American and European cultures. Peru is a country where the traditional customs have transcended through the years and they are the base for the current way of life. The contrast produced because of the different landscapes and people is the reason why Peru is a country so interesting for you to visit. The City of Kings was once the scenario of the war against the Spanish conquerors, who came in a ruthless search for the gold that was hidden somewhere in Peru. However, their most wanted treasure was the Lost City of the Incas: Machu Picchu, which they never found. Argentina is the second biggest state of South America, it has a surface of 2.8 million square kilometers. The country has 33 million inhabitants and nearly half of them live in the surroundings of Buenos Aires, one of the most cosmopolitan cities of the world. Argentina is a fascinating land of contrasts where the exceptional is almost commonplace. It’s home to an abundant wildlife, enjoys a unique culture, and delights in an astonishing variety of landscapes from tropical rain forest in the north to the remote vastness of the Antarctic in the South. Three big landscapes form the country: the Andes in the west, the northern and western flatland as well as the wide plains of Patagonia in the South. -
The Body As Capital. Understanding Brazilian Culture VIBRANT - Vibrant Virtual Brazilian Anthropology, Vol
VIBRANT - Vibrant Virtual Brazilian Anthropology E-ISSN: 1809-4341 [email protected] Associação Brasileira de Antropologia Brasil Goldenberg, Mirian The Body as Capital. Understanding Brazilian Culture VIBRANT - Vibrant Virtual Brazilian Anthropology, vol. 7, núm. 1, junio, 2010, pp. 220-238 Associação Brasileira de Antropologia Brasília, Brasil Available in: http://www.redalyc.org/articulo.oa?id=406941909013 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative The Body as Capital Understanding Brazilian Culture Mirian Goldenberg Universidade Federal do Rio de Janeiro Introduction While carrying out research on new forms of conjugal life and sexuality among men and women of the urban middle class of Rio de Janeiro1 over the last decade, I have been constantly surprised by the frequency with which the category of the body made its way into the discourse of my interlocutors. It is important to recognize that it is not possible to generalize the idea of the body in Brazilian culture as a whole. This idea is present in a very particular segment of the Brazilian middle class and, in particular, among the residents of Rio de Janeiro. This is a very small segment of the Brazilian middle class which can be described as: predominantly whiter than average, heterosexual, college-educated, with a high income according to Brazilian standards, residents of the Southern Zone of Rio de Janeiro and especially of the richest neighborhoods (Leblon, Ipanema, Gávea, Lagoa, Jardim Botânico , Botafogo, Copacabana, Humaitá). -
Contemporary Carioca: Technologies of Mixing in A
Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos -
Uma Etnografia Dos Grupos De Acesso De Manaus (AM) E Um Lado Pouco Conhecido Das Escolas De Samba Brasileiras
REVISTA DIGITAL DE HISTORIA Y ARQUEOLOGÍA DESDE EL CARIBE COLOMBIANO A escola de samba entre o umbral e a glória: Uma etnografia dos grupos de acesso de Manaus (AM) e um lado pouco conhecido das escolas de samba brasileiras The samba school between the threshold and the glory: An ethnography of the access groups of Manaus (AM) and an unknown side of the Brazilian samba schools La escuela de samba entre el umbral y la gloria: Una etnografía de los grupos de acceso de Manaus (AM) y un lado poco conocido de las escuelas de samba brasileñas. RICARDO JOSÉ BARBIERI Doutor em Antropologia da Universidade Federal do Rio de Janeiro Autor do livro “Acadêmicos do Dendê quer brilhar na Sapucaí”. Professor do Instituto de Artes da UERJ e colaborador do Centro de Referência do Carnaval. Foi colunista e comentarista de carnaval nos sites especializados OBatuque.com, SRZD e Carnavalesco, bem como nas Rádios Manchete e Arquibancada. Recibido: 24 de noviembre de 2016. Aprobado: 1 de agosto de 2017. http://dx.doi.org/10.14482/memor.31.9881 Citar como: Barberi, R. J. (2017) Martín, A. (2017). A escola de samba entre o umbral e a glória: Uma etnografia dos grupos de acesso de Manaus (AM) e um lado pouco conhecido das escolas de samba brasileiras. Memorias: Revista Digital de Arqueología e Historia desde el Caribe (mayo-agosto), 230-262. REVISTA DIGITAL DE HISTORIA Y ARQUEOLOGÍA DESDE EL CARIBE COLOMBIANO Año 13, nº 32, mayo-agosto de 2017 ISSN 1794-8886 Murgas en el carnaval de la ciudad de Buenos Aires Resumo As escolas de samba no carnaval brasileiro vão além das 12 conhecidas interna- cionalmente do Grupo Especial do Rio de Janeiro. -
White Hegemony in the Land of Carnival
White Hegemony in the Land of Carnival The (Apparent) Paradox of Racism and Hybridity in Brazil Benito Cao Thesis submitted for the degree of Doctor of Philosophy in the Discipline of Politics School of History and Politics University of Adelaide October 2008 for Adela ii Table of Contents Abstract ……………………………………………………………………………..… v Declaration …………………………………………………………………………... vi Acknowledgements …………………………………………………………...…… vii Notes on Language and Bibliography ……………………………………………. ix Introduction: Brazil(ianness) ………………………………………………………. 1 The Myth of (Brazilian) Racial Democracy …………………………………...…... 2 The (De)Colonisation of the (Brazilian) Imagination …………………………… 11 (Eurocentric) History and the Writing of (White) Hegemony …………………. 20 The (Re)Invention of the (Brazilian) Nation ……………………………………... 29 Supplements to the Initial Basic Approach ………………………………………. 45 The Indian (Other) …………………………………………………………… 46 The Female (Other) ………………………………………………………….. 46 The Popular (Culture) ……………………………………………………….. 48 (De)Constructing Brazil(ianness) …………………………………………………. 50 Chapter One: Discovery …………………………………………………………... 52 Vision and Power in the Birth Certificate of Brazil ……………………………... 53 Objects and Subjects in the Birth Certificate of Brazil …………………………... 60 Marriage as Metaphor of the Origins of Brazil(ianness) ………………………... 66 (Re)Discovering Brazil: (Re)Visions of the Nation ……………………………… 74 Voyage: Modernity ………………………………………………………….. 75 Encounter: Cordiality ……………………………………………………….. 81 Other (Re)Visions ……………………………………………………………. 85 Conclusion: The First -
LATIN AMERICA RIO CARNIVAL Destinations Flying Colours
LATIN AMERICA RIO CARNIVAL DESTINATIONS Flying colours Laura French heads to Brazil to experience ‘the greatest party on Earth’, aka Rio Carnival @laurafrench121 he samba beat thumps, castle are among the creations Treverberating through that snake their way through the stadium as the audience the first 90-minute parade, as bops and bounces along, feet feather-bedecked dancers dangle stamping, feathers waving, out the sides, foot movements so hands clapping. rapid my eyes can’t keep up. It’s hot, humid and deafeningly Afterwards the second school loud, but the atmosphere is begins, then the third, then the electric: a sea of faces filling the fourth, and so it goes on for 90,000-capacity Sambadrome the following seven-plus hours that was built for this very – energy, sparkle and noise purpose. ramping up with each procession I’m here on a carnival – until the festivities finally tail off package with Tucan Travel, at around 6am. At that point the and we’re about to watch Rio’s remaining stragglers go out to most-anticipated event of the enjoy an after-party. Welcome to year: Sunday night’s parades, Rio Carnival. when six of the city’s elite samba schools compete to be crowned w CARNIVAL BALLS champion. I may have been in Rio for only Soon the 700-metre runway three days, but by this stage is a rainbow of colour, split into I’ve already got used to these blocks of gold, green, silver, pink rather extraordinary scenes. The tur O and blue, made up of twirling previous night I’d found myself ri / LI samba dancers in glittering at the Belmond Copacabana L gri costumes and extravagant floats Palace Ball, the most exclusive the size of double-decker buses. -
504162911005.Pdf
Revista Brasileira de Pesquisa em Turismo ISSN: 1982-6125 Associação Nacional de Pesquisa e Pós-Graduação em Turismo Costa, Moabe Breno Ferreira; Mazaro, Rosana; Alves, Maria Lúcia Bastos The Regional System of Innovations of the ‘Trio Elétrico’ and the promotion of tourism at Salvador, BA: from ‘Fubica’ to the imaginary of cyberculture Revista Brasileira de Pesquisa em Turismo, vol. 14, no. 1, 2020, January-April, pp. 73-91 Associação Nacional de Pesquisa e Pós-Graduação em Turismo DOI: 10.7784/rbtur.v14i1.1665 Available in: http://www.redalyc.org/articulo.oa?id=504162911005 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative Papers The Regional System of Innovations of the ‘Trio Elétrico’ and the promotion of tourism at Salvador, BA: from ‘Fubica’ to the imaginary of cyberculture O Sistema Regional de Inovações do Trio Elétrico e o fomento ao turismo em Salvador-BA: da Fubica ao imaginário da cibercultura El Sistema Regional de Innovaciones del Trio Eléctrico y el fomento al turismo en Salvador-BA: de la Fubica al imaginario de la cibercultura Moabe Breno Ferreira Costa1; Rosana Mazaro1; Maria Lúcia Bastos Alves1 1Federal University of Rio Grande do Norte (UFRN), Natal, Rio Grande do Norte, Brazil. Keywords: Abstract Trio Elétrico; The creation and re-signification processes of the Trio Elétrico and the musical production of Regional system of innovations; Salvador, capital of Bahia, invite to reflect on the Regional Innovation System and its rela- Collective memory; tionship with tourism competitiveness of destination, considering economic, technological Tourism competitiveness; development, social behavior, and collective memories.