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Arcsoft Showbiz DVD 2 Tutorial
ARCSOFT® PRODUCT FAMILY ArcSoft PhotoStudio ® ArcSoft VideoImpression TM Awesome photo editing for the home or Create multimedia presentations by office. Work with layers and enhance your combining photos and video clips with photos in a number of ways. audio, text and scene transitions. Windows (V. 5.5) • Macintosh (V. 4) Windows ArcSoft PhotoImpression TM ArcSoft PhotoBaseTM This all-in-one solution blends powerful Your complete multimedia manager. photo editing with project templates and Sort, share and archive your multimedia a slick, easy-to-use interface. collections in the easiest way possible. Windows • Macintosh Windows ArcSoft Panorama Maker TM ArcSoft PhotoPrinter ® Stitch together photos to create awesome Print multiple photos on a single page panoramic images. Make horizontal, and multiple pages at one time. Edit vertical, tiled or 360° masterpieces. and enhance your photos, too. Windows • Macintosh Windows • Macintosh ArcSoft ShowBiz ® DVD ArcSoft PhotoBase TM - Mobile Edition Take your home videos and turn them into Manage, edit and share your photos incredible DVD movies complete with wherever you go. Currently available for customized menus and text. Palm OS, Pocket PC and Nokia phone users. Windows ArcSoft PhotoMontage ® Video Edition TM ArcSoft DVD SlideShow It's the coolest way to present and share your Combine custom slide shows with pictures. Use thousands of photos to create a video and burn to DVD disc. larger, single image. Windows Windows ArcSoft DVD & CD Suite TM ArcSoft Funhouse ® Organize, store, and share movies, audio Put your face on a magazine cover, other tracks, and other files on DVD or CD. picture or scene. Take your imagination to Super easy to use with tons of options. -
NB500MG1F Blu-Ray Disc Player
Cover.fm Page 1 Tuesday, May 31, 2011 11:43 AM Owner’s Manual INTRODUCTION CONNECTIONS PLAYBACK FUNCTION SETUP OTHERS NB500MG1F Blu-ray Disc Player Read your Owner’s Manual first for quick tips that make using your Magnavox product more enjoyable. If you have read assistance, you may access our online help at http://www.funai-corp.com or call 1-800-605-8610 while with your product (and Model / Serial number) © 2011 Funai Electric Co., Ltd. E5P00UD_01UD_EN.book Page 2 Friday, September 11, 2009 10:03 AM INTRODUCTION Safety Instructions The model and serial numbers of this unit may be found on the cabinet. Model No.: You should record and retain those numbers for future reference. Serial No.: WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. APPARATUS SHALL NOT BE EXPOSED TO DRIPPING OR SPLASHING AND NO OBJECTS FILLED WITH LIQUIDS, SUCH AS VASES, SHALL BE PLACED ON THE APPARATUS. The lightning flash with arrowhead symbol, within an CAUTION equilateral triangle, is intended to alert the user to the RISK OF ELECTRIC SHOCK presence of uninsulated“dangerous voltage”within the DO NOT OPEN product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. CAUTION: The exclamation point within an equilateral triangle is TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT intended to alert the user to the presence of important REMOVE COVER (OR BACK). NO USER SERVICEABLE operating and maintenance (servicing) instructions in PARTS INSIDE. REFER SERVICING TO QUALIFIED the literature accompanying the appliance. -
Home Video Philology: Methodological Reflections
Special – peer-reviewed Cinergie – Il cinema e le altre arti. N.13 (2018) https://doi.org/10.6092/issn.2280-9481/7878 ISSN 2280-9481 Home Video Philology: Methodological Reflections Valerio Sbravatti Submitted: March 1, 2018 – Revised version: May 25, 2018 Accepted: June 15, 2018 – Published: July 12, 2018 Abstract Digital home video is an extremely useful means of watching and analyzing films. However, scholars often neglect the fact that official home video or streaming releases of a film can have differences from theoriginal version of the film itself. Such variances typically are lack of film grain (resulting from digital noise reduction), differences in color grading, and soundtrack remixing. This can depend on the fact that the technicians who work on home video releases are unprepared, or are instructed to adjust the look and the sound of the film to the current taste, or because the filmmakers changed their mind and requested some modifications. Atany rate, film scholars must be aware of such possible inconsistencies, otherwise their study could be fallacious. In this article I discuss upon philological problems of home video releases mainly from a practical point of view. Keywords: Blu-ray Disc; DVD; film fandom; film philology; film restoration. Valerio Sbravatti: Sapienza Università di Roma (It) https://orcid.org/0000-0002-0817-6129 [email protected] Valerio Sbravatti (1988) has a PhD in Music and performing arts at Sapienza University of Rome, where he is honorary fellow in film studies. His main research interests are film sound and film music, on which he published somearticlesand a book (Allegro non troppo. -
VHS and VCR (Edited from Wikipedia)
VHS And VCR (Edited from Wikipedia) SUMMARY A videocassette recorder, VCR, or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other source on a removable, magnetic tape videocassette, and can play back the recording. Use of a VCR to record a television program to play back at a more convenient time is commonly referred to as timeshifting. VCRs can also play back prerecorded tapes. In the 1980s and 1990s, prerecorded videotapes were widely available for purchase and rental, and blank tapes were sold to make recordings. Most domestic VCRs are equipped with a television broadcast receiver (tuner) for TV reception, and a programmable clock (timer) for unattended recording of a television channel from a start time to an end time specified by the user. These features began as simple mechanical counter-based single-event timers, but were later replaced by more flexible multiple-event digital clock timers. In later models the multiple timer events could be programmed through a menu interface displayed on the playback TV screen ("on-screen display" or OSD). This feature allowed several programs to be recorded at different times without further user intervention, and became a major selling point. The Video Home System (VHS) is a standard for consumer-level analog video recording on tape cassettes. Developed by Victor Company of Japan (JVC) in the early 1970s, it was released in Japan in late 1976 and in the United States in early 1977. From the 1950s, magnetic tape video recording became a major contributor to the television industry, via the first commercialized video tape recorders (VTRs). -
1 WELCOME to the NEW WORLD of DISTRIBUTION by Peter Broderick
WELCOME TO THE NEW WORLD OF DISTRIBUTION By Peter Broderick (First appeared in indieWIRE, September 16 & 17, 2008) Welcome to the New World of Distribution. Many filmmakers are emigrating from the Old World, where they have little chance of succeeding. They are attracted by unprecedented opportunities and the freedom to shape their own destiny. Life in the New World requires them to work harder, be more tenacious, and take more risks. There are daunting challenges and no guarantees of success. But this hasn’t stopped more and more intrepid filmmakers from exploring uncharted territory and staking claims. Before the discovery of the New World, the Old World of Distribution reigned supreme. It is a hierarchical realm where filmmakers must petition the powers that be to grant them distribution. Independents who are able to make overall deals are required to give distributors total control of the marketing and distribution of their films. The terms of these deals have gotten worse and few filmmakers end up satisfied. All is not well for companies and filmmakers in what I call the Old World of Distribution. At Film Independent’s Film Financing Conference, Mark Gill vividly described “the ways the independent film business is in trouble” in his widely read and discussed keynote. Mark listed the companies and divisions that have been shut down or are teetering on the brink of bankruptcy, noted that five others are in “serious financial peril,” and said that ten independent film financiers may soon “exit the business.” Mark made a persuasive case that “the sky really is falling… because the accumulation of bad news is kind of awe-inspiring.” While he doesn’t 1 expect that the sky will “hit the ground everywhere,” he warned “it will feel like we just survived a medieval plague. -
Distribution Forward Distribution Forward: a Guide to Strategic Self-Initiated Digital and DVD Documentary Film Distribution
Distribution Forward Distribution Forward: a guide to strategic self-initiated digital and DVD documentary film distribution. THIS PUBLICATION WAS MADE POSSIBLE THROUGH THE SUPPORT OF: 1 Contents Introduction 3 Elizabeth Radshaw, Hot Docs Forum and Market Director The Marketplace 4 Elizabeth Radshaw, Hot Docs Forum and Market Director The Rights 6 Greg Rubidge, Syndicado The Players 7 Greg Rubidge, Syndicado The Deals 8 Greg Rubidge, Syndicado The Strategy 9 • Greg Rubdige, Syndicado 9 • Jon Reiss, JonReiss.com 12 • Melanie Miller, Gravitas Ventures 19 • Robin Smith, KinoSmith 14 • Andrew Mer, Snag Films 18 The Example 21 Felice Gorica, Gorica Productions The Wisdom 23 Janet Brown, Cinetic The Resources 24 2 Introduction Distribution Forward: a guide to strategic self-initiated digital and DVD documentary film distribution. Distribution Forward illustrates the current climate of digital and DVD distribution of documentary films through examples, case studies and direct market intelligence from players in the field. This guide will provide tools, information and support to help filmmakers determine their own strategies for their films’ market trajectory. Additionally, Distribution Forward intends to dispel the myths Twitter length conversation bubbles @DistributionFwd tiny bits of and better inform filmmakers about the realities of the market distribution wisdom. place, helping them to achieve positive results and meet their financial, professional and artistic goals. The dialogue around digital documentary distribution has run the gamut of DIY, DIWO, hybrid, and self-distribution, which can confuse filmmakers and muddle their expectations. This guide intends to shed some light on the current climate. It is by no means exhaustive and there are a many avenues worthy of exploration. -
An In-Home Video Study and Questionnaire Survey of Food Preparation, Kitchen Sanitation, and Hand Washing Practices
AdvAncEmEnt of tHE SCIENCE An In-Home Video Study and Questionnaire Survey of Food Preparation, Kitchen Sanitation, and Hand Washing Practices Elizabeth Scott, PhD Nancie Herbold, RD, EdD million for premature deaths, $30 million for medical care, and $5 million in lost pro- Foodborne illnesses pose a problem to all individuals Abstract ductivity (Frenzen, Drake, Angulo, & the but are especially signifi cant for infants, the elderly, and individuals with Emerging Infections Program FOODNET compromised immune systems. Personal hygiene is recognized as the num- Working Group, 2005). ber-one way people can lower their risk. The majority of meals in the U.S. A new interest has arisen in household are eaten at home. Little is known, however, about the actual application of practices as a result of the understanding that a link exists between contaminated personal hygiene and sanitation behaviors in the home. inanimate surfaces and disease transmis- The study discussed in this article assessed knowledge of hygiene prac- sion and acquisition within settings such tices compared to observed behaviors and determined whether knowledge as the home (Cozad & Jones, 2003). Do- equated to practice. It was a descriptive study involving a convenience sam- mestic sanitation practices, especially those ple of 30 households. Subjects were recruited from the Boston area and a employing wet sponges, cloths, and mops, have been found to further disseminate bac- researcher and/or a research assistant traveled to the homes of study par- teria to other inanimate surfaces and direct- ticipants to videotape a standard food preparation procedure preceded by ly to the hands, leading to cross-contami- fl oor mopping. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Trust Account Basics
TRUST ACCOUNT (Also known as an IOLTA account – Interest on Lawyer’s Trust Account) Is a trust account required for all attorneys in Arizona? No, not all attorneys will require the use of a trust account. Public, corporate and indigent representation agency attorneys are a few that do not require the use of a trust account. Also, attorneys who do not accept money that belongs in the trust account do not need one. Be sure to read Rules 42 E.R. 1.5 (fees), 1.15 (safekeeping property) and Rule 43, Ariz.R.Sup.Ct. I. How to determine whether your practice requires a trust account. 1. What does your fee agreement determine? As stated in Rule 42, E.R. 1.5, written agreements are required with every client. This should include the scope of representation and how much. Therefore, does your fee agreement say earned upon receipt or advanced fees and costs. 2. Do you hold money on behalf of a client (settlement, hold for division of property, etc)? 3. If you do not accept any money in advance for work, costs (filing fees, expert witnesses etc) or from third parties (settlements, etc) you may not need a trust account. Review the rules again to be sure that you do not require the use of a trust account. Also you may call ethics counsel at 602-340-7284. 4. If you accept money in advance for fees and costs, you will need a trust account. 5. If you answered yes to question 2, you will need a trust account. -
Cld-S370/Cld-S304 Cld-S270/Cld-S104
/ Illlillqlfl ll_'ll_llll. CD CDV LD PLAYER CLD-S370/CLD-S304 CLD-S270/CLD-S104 DIGITAL AUDIO IASERD/SC CLD-S370/CLD-S304 • This player is not suitable fo_ commercial use. • LD-ROM, CD-ROM and CD graphic discs cannot be played with this player. Thank you for buying this Pioneer product. Please read through these operating instructions so you CLD-S270 will know how to operate your model properly. After you have finished reading the instructions, put them away in a safe place for future reference. In some countries or regions, the shape of the power plug and power outlet may sometimes differ from that shown in the explanatory drawings. However, the method of connecting and operating the unit is the same. CLD-S104 WARNING: TO PREVENT FIRE OR SHOCK HAZARD, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE. ....,,_ IMPORTANT NOTICE [For U.S. and Canadian models] The serial number for this equipment is located on the rear CONTENTS panel. Please write this serial number on your enclosed warranty card and keep it in a secure area. This is for your security. BEFORE OPERATING THE PLAYER [For Canadian model] PRECAUTIONS ............................................................ 4 ACCESSORIES ............................................................. 5 CAUTION: TO PREVENT ELECTRIC SHOCK DO NOT REMOTE CONTROL OPERATIONS ............................ 5 USE THIS (POLARIZED) PLUG WITH AN EXTENSION TYPES OF DISCS THAT CAN BE CORD, RECEPTACLE OR OTHER OUTLET UNLESS THE PLAYED WITH THIS UNIT ........................................... 6 BLADES CAN BE FULLY INSERTED TO PREVENT BLADE CARE OF DISCS .......................................................... 7 EXPOSURE. CONNECTIONS ........................................................... 8 NAMES AND FUNCTIONS ........................................ 10 ATTENTION: POUR PREVENIR LES CHOCS BASIC OPERATION ELECTRIQUES NE PAS UTILISER CE-I-rE FICHE POLARISEE AVEC UN PROLONGATEUR, UNE PRISE DE COURANT TO PLAY AN LD, CDV OR CD .................................. -
Case Analysis.1
Management of Technology & Entrepreneurship (MTE) Technology Venturing & Entrepreneurship Sony Betamax Case Analysis GROUP 2 Patrick Hammer, Oliver Stampfli, Marcel Sutter, Thomas Thalmann, Donato Verardi [firstname.lastname]@epfl.ch Professor: Christopher L. Tucci Assistant: Farah Abdallah January 14, 2007 TSE - Sony Betamax - Case Analysis Group 2 Table of Content Summary of case report.................................................................... 2 Related topics and class sessions.................................................... 2 Format war (primary subject)............................................................................. 2 Customer needs............................................................................................... 2 Attacker’s advantage........................................................................................ 3 List of discussion questions.............................................................. 3 Brief answers..................................................................................... 3 Detailed answers............................................................................... 4 Recommendations.......................................................................... 10 Lessons learned.............................................................................. 10 Exhibits ............................................................................................11 Seven Key assets by Shapiro & Varian [6] [7] ................................................. -
From Hard Drive to Optimized Video File
March 10 2003 Strategies and Techniques for Designers, Developers, and Managers of eLearning THIS WEEK — DEVELOPMENT TECHNIQUES Repurposing Taped Video for e-Learning, Part 2: Video is an increas- From Hard Drive to Optimized ingly important part of e-Learning Video File and there are many BY STEPHEN HASKIN ways to deliver it to n Part 1 of this two-part series, we learned how to move the learner’s desk- video content from digital or analog tape onto a hard top. With the right Idrive. This is half the job of repurposing taped video. This tools, making use week, we’ll learn how to use Adobe Premiere to render digi- tized video to other media: the Web, CD-ROM, and DVD. of these delivery You’ve got the tape. You’ve got the computer. You’ve options is easy. grabbed the video. Now it’s in the computer and you have to This week, learn do something with it. A file in your comput- as the video if you want, or give it another how to move digi- er is nice, but it’s not going to get any train- name. Remember, the schema for naming ing done. So what do you do? files is yours and I can’t know what kinds of tized video to the file names your organization uses, so what- Setting up projects in Premiere ever you call the Premiere project is OK. Web, to CD-ROM, Let’s start with the video you just Last week, I didn’t explain what happens grabbed.