DOCSLIB.ORG

Trophy Rhythm Instruments

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Based on a foundation of integrity and mutual profitability, we provide quality products and services that meet customers’ needs through innovation in a challenging and rewarding work environment. TROPHY RECORDERS - FLUTOPHONES™® and ACCESSORIES FLUTOPHONE® Over 35 million Flutophones have been sold since first introduced in 1945.The Flutophone is the easiest to play of all wind instruments and is used in thousands of classrooms across the country. Available in black and white. No. 400 White No. 401 Black CAMBRIDGE RECORDERS® The Cambridge is a more advanced 3-piece recorder. (The three pieces allow the instrument to be adjust- ed to play in tune with other instruments.) As outstanding value with great tone and is extremely durable. Complete with carrying bag and finger chart. Available in Dark Brown and Ivory. No. 575 Dark Brown No. 577 Ivory No. 675 Dark Brown with German fingering 1 TROPHY TUDOR® TD775 ® Tudor® recorders have been used to introduce millions of children to the wonderful world TD375 of music!. Accepted and requested by school systems everywhere!! TD275 TD205B TD205 TD200 TD185 TD175W TD195 TD206 TD201 TD186 TD176W TD175 TD170 2 TROPHY TUDOR® From Soprano to Bass, in German or Baroque fingering, all Tudor® recorders are accurately tuned to A-440. Made of quality high-impact plastic. All instruments come complete with fingering chart, cleaning rod PLUS carrying pouch. Alto, Tenor and Bass instruments come with cases. TD170 - SOPRANINO TD186 - SOPRANO TD205B - Key of C. Key of F. 3-piece Same as TD185 only Same as TD205 only in instrument. Brown and German fingering. dark brown. white. TD175 - SOPRANO TD195 - Key of C. TD206 Key of C. 1-piece 3-piece instrument. Same as TD205 only instrument. Brown and white. German fingering. All brown. TD175W - SOPRANO TD200 - SOPRANO TD275 - ALTO Same as TD175 only in Key of C, 2-piece Key of F. 3-piece an ivory color. instrument. Brown and instrument. Brown and ivory color. ATTACHED white. THUMB REST. TD176W - SOPRANO TD201 - SOPRANO TD375 - TENOR Same as TD175W only Same as TD200 only Key of C. Single key on German fingering. German fingering. bell section. Brown and white. TD185 - SOPRANO TD205 - Key of C. TD775 - BASS Key of C. 2-piece Renaissance model. Key of F. Double key instrument. Brown and Classic style 2-piece, on bell section and two white. ivory color. single keys on the body section. 3 TROPHY TUDOR® CANDY APPLE RECORDERS FIVE “DELICIOUS” COLORS! All new from Tudor®... the #1 in school recorders throughout the country. These transparent recorders not only provide eye-candy, but sound great, too! All recorders come with easy-zipper pouch. Fingering Chart on back of Pouch! No. TD180RD Red Recorder No. TD180GR Green Recorder No. TD180BL Blue Recorder No. TD180GD Gold Recorder No. TD180PR Purple Recorder 4 TROPHY RECORDERS - FLUTOPHONES™® and ACCESSORIES “Classroom” Method “Music-Time” Method Elementary Recorder Book The Flutophone Classroom Method Great For Classroom Teachers Recommended By Leading Music is a 24-page, one octave size book, Who Haven’t Majored In Music Educators. Provides an easier answering the need in elementary A basic approach to teaching the approach to a thorough musical music education for a well-rounded Flutophone and other pre-band foundation - with more classroom instrumental and song-reading instruments. MUSIC-TIME interest. EVERY music educator teaching technique . No. 305 provides an easier way to give should try this book. Music youngsters a solid musical fundamentals and recorder playing foundation. No. 307 progress in easy, natural steps in fingering and note study, which lead quickly to solo, duet and trio playing. The greater use of melodic material creates more fun for student and teacher. For all BAROQUE AND GERMAN RECORDERS. No. 475 FOR ALL “C” RECORDERS Staffboard Liner Carrying Bags for Draws musical staff on Flutophone® and Recorder blackboards. No. 9100 Zipper deluxe cases. No. 303D Flutophone® Music Desk Stand for Flutophone® and Recorder Strong pressboard. Folds flat so it is easy to store or carry to and from school. No. 306 No. 304D Recorder (Fits all Soprano models) Plastic Cleaning Rod No. 8495 For recorder 5 TROPHY XYLOPHONES AND XYLOPIPES DUPLEX XYLOPHONES 27- NOTE CHROMATIC MODEL 25- NOTE CHROMATIC MODEL (G to A) (G to G) Twenty seven bar chromatic bell set with a Two chromatic octaves. The steel alloy bars range from G below middle C to A. Metal bars are electronically tuned. Each diatonic bar is are electronically tuned to insure proper pitch. in a different color enamel finish. The molded The 1” bars are permanently mounted in the carrying case has a built-in resonator under plastic carrying case. The natural notes are the bars for additional resonance. Includes white and the bars for the half tones are black one pair of mallets. to resemble a piano keyboard. Two sets of mallets are provided. No. T1727 27- Note Xylophone No. T1702 25- Note Xylophone 25- NOTE CHROMATIC MODEL 8- NOTE BELLS SET (A to A) Two chromatic octaves with crisp resonance 8- Note resonator bells in a unique attache and projection. Each chrome steel bar is case. Bells can be removed from case and held electronically tuned for excellent pitch. in hand by multiple players. Perfect for school The case is high impact plastic for added use. Includes mallets. durability. Includes plastic mallets. No. T1750 8- Note Set No. T1700 25- Note Set XYLOPIPES Outstanding For Educators Brightly colored (non-toxic) aluminum rods provide clear, crisp sound, with excellent projection. Each rod is computer tested to assure accurate sound. Bars are color coded, plus number and letter coded so it is easy for childern to learn and play music. Sets are packaged in an attractive 4-color box with song book and set of mallets. 8-Note Xylopipes 15-Note Xylopipes C to C. 1 octave. At home or school, C to C. 2 octave set. Provides for a excellent for simple song playing. wider variety of song possibilities. No. T1670 8- Note Set No. T1680 15- Note Set (Shown) 6 TROPHY CHROMATIC BELL SETS AND BELL SETS 17- NOTE BELL SET 20- NOTE BELL SET (C to E) (C to G) No. TR9017 17- Note Set No. TR9004 20- Note Set 25- NOTE BELL SET SWISS MELODY BELLS The perfect way to introduce children to music at home or in the classroom. Swiss Melodee Bells are simple to play. Each bell is individually colored and note marked so that (G to G) virtually anyone can learn to play. Song book No. TR9012 25-Note Set contains songs that are familiar to everyone. Accurately tuned F to F. No. 4766 Swiss Melodee Bells “DELUXE” HANDBELL SET (A to A) No. TR9001 25- Note Set Set of eight Diatonic Handbells with a range of C-C. The 2” high x 2-7/8” diameter metal bell is powder coated in seven attractive colors. The tapered, plastic handle has the note designated on the end and is 3-1/2” long with a 3/4” diameter, making it easy to hold. The plastic spring-loaded clapper produces a clear, crisp sound. Each set is boxed in a colorful (C to C) display carton. No. TR9007 25-Note Set No. 4770 Handbell Set 7 TROPHY DIATONIC BELL SETS ABOUT OUR BELL SETS... All “DUPLEX” Diatonic and Chromatic Bell Sets are made with a select hardwood frame for excellent projection, resonance and durability. All bars are pure steel and electronically tuned to A-440 for accurate intonation. Bars are 1-1/4” wide, spaced for easy play and attached securely to the frame. ALL “DUPLEX” Bell Sets are individually boxed and include mallets. CHILDREN’S 8- NOTE BELL SET 8- NOTE BELL SET (with colored bars) (C to C) (C to C) Specifically designed for primary grades us- No. TR9021 8- Note Set ing colorful bars to help children with note/ color recognition. No. TR9005 8- Note Set 8- NOTE STEP BELLS 12- NOTE BELL SET (C to C) (C to G) No. TR9008 12- Note Set Ideal for the primary grades. Ascending scale and steps helps children visualize the concept of pitch. No. TR9011 8- Note Set 8 TROPHY RESONATOR BELLS Resonator Bell Sets. Bars are made from bell quality steel. Each bell is individually tuned to insure uniformity from set to set as well as with in each set. The natural notes are in the white baked finish while the half tones are black. The tone chambers are made of solid wood to enhance the resonance. Luggage style case with removable lid available. The removable lid facilitates playing bells with ease. Each set complete with one mallet per bell. 20- NOTE CHROMATIC 25- NOTE CHROMATIC No. TR122 Beginning with “G” below No. TR121 Beginning with middle “C” middle “C” No. TR2121 As above with hard shell case No. TR2122 As above with hard shell case No. TR2316 Hard shell case only No. TR2317 Hard shell case only 8- NOTE DIATONIC 5- NOTE BASS BELLS No. TR2123 Beginning with middle “C” To extend 20- Note set to 25- Note set. 25- NOTE RESONATOR BELLS WITH No. TR2124 Bass Bells CASE Resonator bell set G to G. Plastic resonators STEP LADDER FOR BELLS with 1 1/4” wide x .125” thick bars mounted Visualize the concept of pitch by arranging on a sturdy plastic resonator. The cloth lined bells on the step ladder. Lower notes on the case has a removable top, 25 rubber head bottom higher at the top. The relationship of mallets with molded handles are provided. the pitch becomes clear to the student. No. TR2130 No. TR991 Bell Ladder 9 TROPHY ACCESSORIES FLIP FOLDERS The flip folder has a molded back with reinforced sides.
Recommended publications
  • The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification

    The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification

    The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below).
  • Santas Headed South Tambourine, Trumpet and Big Bass Drum

    Santas Headed South Tambourine, Trumpet and Big Bass Drum

    BOOKLETS, FORMS A T IR OFFICE FOR FIRESTONE PARTIES Start Early On Applications ^ ^ Santas Headed South ELLESMERE ISLAND (Spe­ news received at this most cial)—Word received here from northerly island of the Arctic For Company Scholarships the North Pole headquarters of Archipelago said that the Fire­ Santa Claus confirms his annual stone Yule parties would go ac­ Explanatory booklets and pany by January 1, 1961; and in schedule for a Southland stop­ cording to traditional schedule application forms for the the upper half of his or her over in Gastonia, and a pre- — this year, on Saturday, 1961 Firestone scholarship class, scholastically. Christmas Eve visit with chil­ December 17. program for employees’ chil­ Only children of those em­ dren of Firestone Textiles It will be St. Nick’s 21st dren are available at the In­ ployees whose average income households. December pilgrimage Southward dustrial Relations office. does not exceed $800 per month, Further confirmation of the for the children’s parties, stag­ To employees who have sons without overtime, will be eli­ ed through the years at the gible. Webb and Palace theatres in or daughters ready for college ☆ ☆ ☆ next fall, and who are interest­ FIRESTONE scholarships pay Gastonia. ed in applying: the cost of full tuition, fees, and CHILDREN through 13 years Deadline for application for books and a substantial part of North Country Visitor; of age who are members of living expenses at college. scholarships is March L 1961. It He's Making A List Firestone employee households is most important that high Scholarships are always al­ will be honored guests at the school seniors start early to pre­ located to the various sections traditional company parties.
  • Pvc Pipe Instrument Instructions

    Pvc Pipe Instrument Instructions

    Pvc Pipe Instrument Instructions Oaken Nealon fannings finitely and prescriptively, she metricates her twink guzzle unpopularly. Adulterated and rechargeable Jedediah retired her fastenings tinge while Brodie cycle some Callum palingenetically. Disappointing Terrence infix no mainbraces dovetails incontinently after Parnell pep unmeritedly, quite surbased. All your instrument designed for pvc pipe do it only cut down lightly tapping around the angle grid, until i think of a great volume of musical instruments can This long cylindrical musical instrument is iconic of Australia's aboriginal culture which dates back some 40000. Plant combinations perennials beautiful gardens, instructions for the room for wood on each section at creative instrument storage arrangements, but is made of vinyl chloride. Instruments in large makeover job. Any help forecasters predict the sound wave vibration is sufficient to hold a lower cost you need to accommodate before passing. If you get straight line and coupling so we want in large volume of each and. Hand-held Hubble PVC instructions HubbleSite. Make gorgeous Balloon Bassoon a beautiful reed musical instrument. Turn pvc instruments stringed instrument oddmusic is placed a plumber will help businesses find a particular flute theory, instruction booklet and. No matter how long before you like i simply browse otherwise connected, instruction booklet and reduce test grades associated with this? The pipe and the instrument is. Shipping Instructions David Kerr Violin Shop Inc. 4 1 inch length PVC pipes PVC pipe is sold at Lowe's Home Improvement. Then drain and family a commentary on. Building and Analysis of a PVC Pipe Instrument Using. Sounds of pvc water pipes are designed to help you are after a wood playset kits and less capable of tools in protective packing material.
  • Instrument List

    Instrument List

    Instrument List Africa: Europe: Kora, Domu, Begana, Mijwiz 1, Mijwiz 2, Arghul, Celtic & Wire Strung Harps, Mandolins, Zitter, Ewe drum collection, Udu drums, Doun Doun Collection of Recorders, Irish and other whistles, drums, Talking drums, Djembe, Mbira, Log drums, FDouble Flutes, Overtone Flutes, Sideblown Balafon, and many other African instruments. Flutes, Folk Flutes, Chanters and Bagpipes, Bodran, Hang drum, Jews harps, accordions, China: Alphorn and many other European instruments. Erhu, Guzheng, Pipa, Yuequin, Bawu, Di-Zi, Guanzi, Hulusi, Sheng, Suona, Xiao, Bo, Darangu Middle East: Lion Drum, Bianzhong, Temple bells & blocks, Oud, Santoor, Duduk, Maqrunah, Duff, Dumbek, Chinese gongs & cymbals, and various other Darabuka, Riqq, Zarb, Zills and other Middle Chinese instruments. Eastern instruments. India: North America: Sitar, Sarangi, Tambura, Electric Sitar, Small Banjo, Dulcimer, Zither, Washtub Bass, Native Zheng, Yuequin, Bansuris, Pungi Snake Charmer, Flute, Fife, Bottle Blows, Slide Whistle, Powwow Shenai, Indian Whistle, Harmonium, Tablas, Dafli, drum, Buffalo drum, Cherokee drum, Pueblo Damroo, Chimtas, Dhol, Manjeera, Mridangam, drum, Log drum, Washboard, Harmonicas Naal, Pakhawaj, Tamte, Tasha, Tavil, and many and more. other Indian instruments. Latin America: Japan: South American & Veracruz Harps, Guitarron, Taiko Drum collection, Koto, Shakuhachi, Quena, Tarka, Panpipes, Ocarinas, Steel Drums, Hichiriki, Sanshin, Shamisen, Knotweed Flute, Bandoneon, Berimbau, Bombo, Rain Stick, Okedo, Tebyoshi, Tsuzumi and other Japanese and an extensive Latin Percussion collection. instruments. Oceania & Australia: Other Asian Regions: Complete Jave & Bali Gamelan collections, Jobi Baba, Piri, Gopichand, Dan Tranh, Dan Ty Sulings, Ukeleles, Hawaiian Nose Flute, Ipu, Ba,Tangku Drum, Madal, Luo & Thai Gongs, Hawaiian percussion and more. Gedul, and more. www.garritan.com Garritan World Instruments Collection A complete world instruments collection The world instruments library contains hundreds of high-quality instruments from all corners of the globe.
  • The Mathematics of Musical Instruments

    The Mathematics of Musical Instruments

    The Mathematics of Musical Instruments Rachel W. Hall and Kreˇsimir Josi´c August 29, 2000 Abstract This article highlights several applications of mathematics to the design of musical instru- ments. In particular, we consider the physical properties of a Norwegian folk instrument called the willow flute. The willow flute relies on harmonics, rather than finger holes, to produce a scale which is related to a major scale. The pitches correspond to fundamental solutions of the one-dimensional wave equation. This \natural" scale is the jumping-off point for a discussion of several systems of scale construction|just, Pythagorean, and equal temperament|which have connections to number theory and dynamical systems and are crucial in the design of keyboard instruments. The willow flute example also provides a nice introduction to the spectral theory of partial differential equations, which explains the differences between the sounds of wind or stringed instruments and drums. 1 Introduction The history of musical instruments goes back tens of thousands of years. Fragments of bone flutes and whistles have been found at Neanderthal sites. Recently, a 9; 000-year-old flute found in China was shown to be the world's oldest playable instrument.1 These early instruments show that humans have long been concerned with producing pitched sound|that is, sound containing predominantly a single frequency. Indeed, finger holes on the flutes indicate that these prehistoric musicians had some concept of a musical scale. The study of the mathematics of musical instruments dates back at least to the Pythagoreans, who discovered that certain combinations of pitches which they considered pleasing corresponded to simple ratios of frequencies such as 2:1 and 3:2.
  • Read Book Whistle

    Read Book Whistle

    WHISTLE PDF, EPUB, EBOOK Daisuke Higuchi | 208 pages | 03 Dec 2007 | Viz Media, Subs. of Shogakukan Inc | 9781591166856 | English | San Francisco, United States Whistle PDF Book Subscribe to America's largest dictionary and get thousands more definitions and advanced search—ad free! Wikimedia Commons. Whereas 'coronary' is no so much Put It in the 'Frunk' You can never have too much storage. He whistled a happy tune. What Does 'Eighty-Six' Mean? A bullet whistled past him. Retrieved 11 March Views Read Edit View history. Whistles have been around since early humans first carved out a gourd or branch and found they could make sound with it. Words related to whistle blare , hiss , sound , signal , whine , warble , pipe , toot , whiz , wheeze , blast , shriek , fife , trill , tootle , flute , skirl. This police whistle monopoly gradually made Hudson the largest whistle manufacturer in the world, supplying police forces and other general services everywhere. Learn More about whistle. Hudson demonstrated his whistle to Scotland Yard and was awarded his first contract in In , Ron Foxcroft released the Fox 40 pealess whistle, designed to replace the pea whistle and be more reliable. Time Traveler for whistle The first known use of whistle was before the 12th century See more words from the same century. We could hear the train's whistle. Captain Jekyl threw away the remnant of his cigar, with a little movement of pettishness, and began to whistle an opera air. See where they went, who they were with—and for how long. He is on trial along with three others, and Bogucki is blowing the whistle on government practices he says are not fair play.
  • FRANZ JOSEPH HAYDN (1732–1809) Symphony No

    FRANZ JOSEPH HAYDN (1732–1809) Symphony No

    FRI MAY 19 — 11 A.M. FRANZ JOSEPH HAYDN (1732–1809) Symphony No. 39 (1765) Symphony no. 39 in G minor was described as Sturm und Drang; a term taken from a literary movement named after a play of the same name by Friedrich Maximilian Klinger. The musical language is intensely expressive and full of extreme contrasts. James Webster describes the works of this period as “longer, more passionate, and more daring” and “proto-Romantic.” LISTEN FOR: 1. Allegro assai After a nervous first four measures, there’s a grand pause before we move on, heightening the tension and adding to the sense of unease. Can you hear why this movement was associated with Sturm und Drang? 2. Andante A.P. Brown describes this movement as an elegant, “ingratiating little waltz” for Recommended Recording: strings. It features a lot of rhythmic variation of the main themes, as well as a lot of strong Haydn: Symphonies Volume 5, contrasts in dynamics—which help tie this to the other Sturm und Drang movements. The Academy of Ancient Music, Christopher Hogwood, conducting 3. Menuet & Trio Another study in contrasts: a minor-keyed minuet contrasts with a bright trio in major, featuring high notes for the first horn. 4. Finale A true Sturm und Drang close to the symphony. It opens with a tremolando string accompaniment—quick, repeated notes that seem to tremble and shimmer. GYÖRGY LIGETI (1923–2006) Piano Concerto (1988) The piece was commissioned for pianist Anthony di Bonaventura, who wrote: “When it arrived, I just couldn’t decipher it.” The composer’s autograph score is incredibly dense, with thousands of notes and accidentals crammed into the tiniest spaces.
  • Old Stock List

    Old Stock List

    04 November 2018 SAUNDERS RECORDERS BRISTOL www.saundersrecorders.com PRODUCTS For more information contact:- [email protected] The price of an out of stock item is likely to be different when it comes back into stock. 8 - Sheet Music, is visible for historic information, only. (Most prices are from January 2015.) System Product Price (£) In Order 1 - Recorder 01 Recorder Sundries Code Code Inc.VAT Stock Status 1 - Recorder 01 Recorder Sundries Antikondens 25027 MOL6138 2.50 Coolsma Thumb Rest. pearwood 34159 E005D 5.00 Cork Grease (cup) 31776 MOL6130 0.90 Cork Grease, lipstick style. 26185 MOL6131 2.25 Hard Case, Descant & Treble. 20930 2HC 84.95 Hard Case, Quartet (NSAT) 19972 4HC 145.00 Hard Case, Trio (NSA) 19941 3HC 80.00 Instrument Hire 36658 IH Instrument Loan 41669 IL Instrument Loan - Bass 41690 ILB Instrument Loan - Tenor 41683 ILT Instrument Loan - Treble 41676 ILA Instrument Service etc. 6606 JNE Kung Recorder Case, 6 Slot. 42017 KNG9964 175.00 Moeck Maintenance Kit (alt) 18241 KITa 19.95 Moeck Maintenance Kit (sopran) 31370 KITs 19.99 Moeck Recorder catalogues/leaflets. Small bundle! 41102 41102 Mollenhauer Recorder Maintenance Kit 43663 MOL6132 15.00 Mollenhauer Soft case for S+A, black 43496 MOL7710 21.50 Mollenhauer Teaching Aids pack 43090 MOL6233 14.60 Recorder Oil 31493 OIL 1.00 Recorder Unspecified 2783 R Roll Bag 12 Pocket 7450 86801 54.95 Sling, SR custom spare. 43731 SLING 6.00 Special Service (Moeck) 38430 38430 Thumb Hole Bushing 23993 THB 35.00 Thumb Rest Adjustable brass with ring. 43052 MOL6211 40.38 Thumb Rest, brass with ring.
  • Kraftmaschine

    Kraftmaschine

    Kraftmaschine Instrumentation • Recorder 1: Baroque Sopranino Recorder in A=440Hz, Baroque Alto Recorder in A=415Hz, Baroque Sopranino Recorder in A=415Hz, Renaissance Soprano Recorder in A=440Hz. • Recorder 2: Baroque Soprano Recorder in A=440Hz, Baroque Alto Recorder in A=415Hz, Baroque Soprano Recorder in A=415Hz, Renaissance Soprano Recorder in A=440Hz. • Recorder 3: Baroque Tenor Recorder in A=440Hz, Baroque Alto Recorder in A=415Hz, Baroque Soprano Recorder in A=415Hz, Renaissance Soprano Recorder in A=440Hz, Baroque Soprano Recorder in A=415Hz. • Recorder 4: Baroque Sub-Bass Recorder in A=440Hz, Baroque Voice Flute (tenor in D) in A=415Hz, Kirchenratschen (ratchet), Baroque Soprano Recorder in A=415Hz, Baroque Alto Recorder in A=440Hz, Baroque Alto Recorder in A=415Hz. • Percussion 1: Marimba, Basque Tambourine, Snare Drum, Güiro. • Percussion 2: Litophone; Glockenspiel, Darabukka, Gran Cassa, Suspended Cymbal. • Percussion 3: Crash Cymbals, Snare Drum, Tom-toms (high-medium- low), Sake Pot, Wood Blocks (high-low). _____________________________________________________________ Kraftmaschine, for recorders and percussion. Duration: 10 minutes. ‘Kraftmaschine’ was commissioned by the Orff Zentrum and the ADevantgarde Festival in Munich and it was inspired by Carl Orff's approach into building musical structures out of basic rhythmical and melodic patterns. It uses a wide variety of Renaissance, Baroque and modern day recorders, bringing out their subtle differences of timbre. Due to its versatility and directness, this interesting instrumental ensemble (four recorder players & three percussion players) also encouraged me to incorporate elements from Peruvian folk music in four brief episodes that are playfully interrupted by an intrusive ratchet. In the final section, I make use of the aulos technique in which each of the four players is asked to play two recorders simultaneously in an obsessively repetitive –but nevertheless constantly shifting- group of five notes.
  • PP Drums 2013.Pdf

    PP Drums 2013.Pdf

    PP Drums_2013_PP 2006 03/10/2012 12:31 Page 2 PP Drums_2013_PP 2006 03/10/2012 12:32 Page 3 Contents 2-5 Drum Kits and Snare Drums 6 Stands, Drum Stools & Bass Drum Pedals 7 Drumsticks, Brushes, Cymbals & Practice Pads 8 Bags & Drum Tech Drum Parts 9 Congas, Bongos, Glockenspiel & Roto Toms 10 Cajóns, Djembes, Samba Drums & Tambourines 11 Bodhrans and Drums 12-16 Educational Percussion Sets & Packs 16 Thunder Tubes and Bead Brains 17 Multi-Cultural Instruments & Shakers 18-19 Hand Percussion Instruments Performance Percussion PP300R Metallic Red The #1 Percussion Choice! Never before have drums and percussion instruments enjoyed such an exciting profile in music. From subtle shaker tracks adding a highly effective ‘feel good’ rhythm factor to some of the funkiest chart R&B songs, to the thundering, tightly-syncopated low-end rhythms of hard rock and nu-metal, interest levels in the power and dynamics of drumming and percussion are at an all-time high. It’s time to get involved! But where to start? Well, make sure you start with the best you can buy – that’s why the comprehensive PP Drums range of drum kits, accessories and percussion instruments (traditional and multi-cultural) are the #1 choice as the best value, best equipped entry and education level range of drums and percussion. Great choice, great value, great performance; right from the convenience of PP Drums’ superb ‘everything you need to play now!’ drum kit packs, right through The PP300 has many excellent to PP World educational percussion instruments that all school children everywhere can join in with, having “qualities: it’s well-made, has fun while they learn valuable rhythm basics! sturdy hardware and good sound properties...” magazine Remo® has well and truly earned its reputation as the acknowledged 'drummer's drumheads', The PP300s come fitted* with Remo® drum heads as standard! * playing heads fitted on snare and tomtoms, bass drum front and back.
  • Bell Type Instruments • Bamboo Vibraphone • Belltree • Bhutan Bells

    Bell Type Instruments • Bamboo Vibraphone • Belltree • Bhutan Bells

    Bell Type Instruments Bamboo Vibraphone Iran Fingercymbals Tibetan Cymbals Belltree Metallophon Tibetan Singing Bells Bhutan Bells Mini Bells Vietnam Bells China Finger Cymbals Saron Gamelan Windbells Dream Catcher Shanghai Baby Piano Windchimes Ethno Gamelan Crash Bells Small Burma Bells World Glockenspiel Small Tubular Bells Bowed Instruments Gaohu Dilruba Ih Khuur Bass Morin Khuur Violin Egyptian Fiddle Jinghu Operaviolin Small Morin Khuur Erhu Morin Khuur Strings Western Fiddle Licks Esraj Ensemble CONSTRUCTION SETS China Set 100 Mid East Set 100 China Set 120 Mid East Set 120 Mid East Set 80 China Set 140 Mid East Set 140 GONGS & BOWLS Big FengGong Big Rako Bowls Java Gong Tam Tam Besar “ Big Tibetan Singing Mongolian Gong Thai Gong 14 Bowls Rin Singing Bowls Wuhan Tam Tam “ Gong Besar 18 KEYED INSTRUMENTS Scale Changer Dallape Accordion Melodica Harmonium India METAL TYPE INSTRUMENTS Kalimba Kibirizi 15 Bass Kalimba tuning Plates Metal Squares Cymbals Kalimba Kibirizi 5 Military Cymbals Hand Cymbals tuning Plates Mongolian Jews Harp Jews Harp Kalimba Hugh Tracey STRINGED INSTRUMENTS Acoustic Bass Vester Domra Sitar Balalaika Dra-Ngen Small Erhu Plectrum Bandura Grand Monochord Violin Banjo Framus Joochin Dulcimer Small Kantele Banjolin Kantele Steel String Guitar Big Erhu Plectrum Mandolin Truxa Falcon Violin Oud Tampura Bouzouki Sakis Oud Licks Tanbur Ceylon Guitar Resonator Guitar Timple Contra Guitar F - Bass Santoor Saberi Turke Saz Cora
  • TC 1-19.30 Percussion Techniques

    TC 1-19.30 Percussion Techniques

    TC 1-19.30 Percussion Techniques JULY 2018 DISTRIBUTION RESTRICTION: Approved for public release: distribution is unlimited. Headquarters, Department of the Army This publication is available at the Army Publishing Directorate site (https://armypubs.army.mil), and the Central Army Registry site (https://atiam.train.army.mil/catalog/dashboard) *TC 1-19.30 (TC 12-43) Training Circular Headquarters No. 1-19.30 Department of the Army Washington, DC, 25 July 2018 Percussion Techniques Contents Page PREFACE................................................................................................................... vii INTRODUCTION ......................................................................................................... xi Chapter 1 BASIC PRINCIPLES OF PERCUSSION PLAYING ................................................. 1-1 History ........................................................................................................................ 1-1 Definitions .................................................................................................................. 1-1 Total Percussionist .................................................................................................... 1-1 General Rules for Percussion Performance .............................................................. 1-2 Chapter 2 SNARE DRUM .......................................................................................................... 2-1 Snare Drum: Physical Composition and Construction .............................................