DOCSLIB.ORG

The Quatermass Experiment by Nigel Kneale the Quatermass Experiment by Nigel Kneale

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Read Ebook {PDF EPUB} The Quatermass Experiment by Nigel Kneale The Quatermass Experiment by Nigel Kneale. He died in a London hospital after a period of ill health, his agent said. Kneale's The Quatermass Experiment in 1953 was the UK's first sci-fi serial and created its first TV hero, the alien-battling Bernard Quatermass. The writer, from the Isle of Man, has been cited as an influence by Stephen King and film-maker John Carpenter. The Quatermass Experiment told the story of an alien monster brought back to Earth by a British space rocket. Robert Simpson, on Hammer Films' official website, said it was "event television, emptying the streets and pubs for the six weeks of its duration". Last year BBC Four broadcast a live remake starring David Tennant and Jason Flemyng. Channel controller Janice Hadlow described the original as "one of the first 'must watch' TV experiences that inspired the water cooler chat of its day". It was followed by two further serials in the 1950s, Quatermass II and Quatermass and the Pit, with all three dramas later turned into films. A fourth serial, Quatermass, was made in 1979. Kneale also scripted TV dramas including 1984, The Year of the Sex Olympics and The Stone Tape, which are regarded as modern classics. His 1954 adaptation of George Orwell's 1984 was so shocking that questions were asked in the House of Commons about the suitability of such material for television. Kneale earned two Bafta best screenplay nominations for his film adaptations of John Osborne's plays Look Back in Anger and The Entertainer. He continued working until the late 1990s, writing Sharpe's Gold and episodes of Kavanagh QC. His wife Judith Kerr is the creator of the Mog children's books. The couple had two children: Matthew Kneale, who won the Whitbread Book of the Year award for his novel English Passengers, and Tacy Kneale, a special effects designer who has worked on the Harry Potter films. Thank you for your memories of the work of Nigel Kneale and your reactions to his death, many of which are published below: I wonder if he would get a chance to produce such superb work these days? Current TV sci-fi/fantasy has a dreary preoccupation with the back story and emotional life of characters. Yet in works like Quatermass and the Pit and The Stone Tape, Kneale concentrated on the science or the horror and still managed to say a lot more about raw human emotion and the state of society than today's rubbish. Jon Sutcliffe, Enfield, UK. Nigel Kneale was one of the great TV writers. If he had been working in any other genre, this would have been recognised much more readily. However, the quality of his work shines out whenever it is seen again. Long may we be given that opportunity. A worthy tribute might be a restaging of his brilliant The Road, which the BBC so carelessly mislaid decades ago. Inga, Letchworth Garden City, Hertfordshire. One of this country's finest writers. ever. He helped to define what was possible with the new medium of television. Extraordinary stories, and their impact on ordinary lives. Quatermass and the Pit has got to be one of the most perfectly crafted stories ever written. The world is richer place for what he has left, and a poorer place for his passing. Mark Slater, Stockport. Kneale was certainly innovative and way ahead of his time. But he was also compassionate, moral and concerned about humanity, shown most effectively in Quatermass and the Pit, where Bernard Quatermass strenuously defends his view that militarism should not be taken into space. Brian Anderson, Bedford, Beds. Kneale was a great talent and seemed to have an intuitive understanding of the potential and power of television as a medium for popular and intelligent drama. A creator of iconic television drama matched only in his visceral use of the medium by Dennis Potter. David Ballantyne, Liverpool UK. Up there with Wyndham, Wells and Orwell - the fathers of intelligent, plausible science-fiction. Nigel Kneale was a true genius whose influence on the genre is undoubted and undiminished. David Moody, Halesowen, UK. Nigel Kneale was the founding father of quality sci-fi TV. The fact that 50 years on Quatermass is still reverently spoken of says it all. He will be sorely missed, yet leaves behind a wonderful legacy. My thoughts are with his family and friends. Mark Jobson, Edinburgh, Scotland. The Quatermass films terrified me as a child and entertained me as an adult. Superb imagination and way ahead of his time. Dave, Kidderminster, England. Kneale was a true pioneer and visionary. His body of work was staggering, with Quatermass, The Stone Tape, The Year of the Sex Olympics still holding up today as prime examples of great television. He had a unique understanding of the human character and exploited it to shocking effect in his work. British television owes Kneale a tremendous debt. Andy, London, UK. One of my earliest memories as a child was my dad telling me about Quatermass, and how the whole country seemed to stop for it. Only last week me and some friends held a Quatermass night; the plots, if not the special effects, still hold up remarkably. Even though he hated science fiction per se, I'll never forget how he summed up the first three serials. 1. We go to them. 2. They come to us. 3. They have always been here. Martin Winchester, Liverpool. Another one of my personal heroes gone. I don't think that his influence on TV drama in the UK has yet been fully realised, but I don't think it's overstating the case to say that Nigel Kneale pretty much invented popular drama on British television. These pioneering television writers truly are a dying breed and, maybe we don't all realise it yet, but we will miss them. Good on you, and thanks for the memories. Martin, High Peak, UK. The world is poorer for the passing of Nigel Kneale. He was a pioneer, a modern day prophet and hugely influential. The Year of the Sex Olympics was originally a prediction of what might happen in the future. Today it is a chilling parody of reality television. The collapse of society so clearly detailed in the final Quatermass story is a warning to us all. Jamie Dowling, Birmingham, England. I remember watching the film versions of the Quatermass stories as a teenager, after the 1979 story was aired, and being mortally terrified by Quatermass and the Pit. Since then I've been enthralled repeatedly by these classics. They don't date. Nigel was a genius in every sense of the word and I for one am sorry he has gone. I'll watch my DVD of the original series again tonight as a memorial. Thanks Nigel. Paul Jones, Grays, UK. Landmark TV - never to be forgotten series. John Rowney, Chesterfield. This is extremely sad news. His seminal Quatermass science fiction serials, particular the BBC trilogy, are still unsurpassed in the history of British broadcasting. Seeing them again on the recently issued DVD set is a reminder of a remarkable creative talent. Other works such as his adaptation of 1984, The Year of the Sex Olympics and the remarkable The Stone Tape are enduring testaments to a pioneer of television drama. His admirers will cherish his memory and watch again the works he wrote at the height of his imaginative powers. James Conway, London, UK. I remember my Dad telling me how he went to the doctor suffering from palpitations and lack of sleep during the Quatermass series. Turned out he was suffering from stress due to the scary nature of the programme! Now that's quality writing. Essex Havard, Cardiff, Wales. A true genius of TV, I only met him once at a screening of Quatermass and the Pit and he seemed a humble man that was just doing a job, but I believe TV as we know it would not be the same without him. DOMINIC FARNWORTH, UNITED KINGDOM. Directly responsible for some of the greatest television ever, indirectly responsible for most of the rest. he will be missed but never forgotten. James Hadwen, Nr Norwich. Always highly attuned to the anxieties of the nuclear age, he produced outstandingly original science fiction drama. In an era of primitive special effects, his ability to compel lay in his focus on the human reaction to whatever plot was unfolding, which is why his classic works are still so worth watching today. Mike Webb, San Diego, United States. Anyone who believes this man was just a writer of great television should unearth his novelization of the 1979 version of Quatermass - Kneale had an incredible command of language, wrapped around an insightful understanding of dynamics and reactions of society, even in a sci-fi setting. Simply put, Kneale shaped and influenced the tone and intelligence of science fiction in this country, from the 70s' Doctor Who through 80s' The Day of the Triffids to 90s' Ultraviolet. RIP Nigel, you'll be missed. Leonard Sultana, Cleckheaton, West Yorkshire. I remember seeing The Stone Tape at the National Film Theatre, introduced by the author. Magic! I don't think he'll be fully appreciated until now - the mark of most geniuses. Perhaps a tribute season will be arranged, showing just how many 'firsts' he was actually responsible for. John Wall, Hampshire, UK. The Year of the Sex Olympics is scarily accurate about the whole reality TV craze - predicting where Big Brother and the like will eventually end up.
Recommended publications
  • Film Club Sky 328 Newsletter Freesat 306 FEB/MAR 2021 Virgin 445

    Film Club Sky 328 Newsletter Freesat 306 FEB/MAR 2021 Virgin 445

    Freeview 81 Film Club Sky 328 newsletter Freesat 306 FEB/MAR 2021 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, It’s been really heart-warming to read all your lovely letters and emails of support about what Talking Pictures TV has meant to you during lockdown, it means so very much to us here in the projectionist’s box, thank you. So nice to feel we have helped so many of you in some small way. Spring is on the horizon, thank goodness, and hopefully better times ahead for us all! This month we are delighted to release the charming filmThe Angel Who Pawned Her Harp, the perfect tonic, starring Felix Aylmer & Diane Cilento, beautifully restored, with optional subtitles plus London locations in and around Islington such as Upper Street, Liverpool Road and the Regent’s Canal. We also have music from The Shadows, dearly missed Peter Vaughan’s brilliant book; the John Betjeman Collection for lovers of English architecture, a special DVD sale from our friends at Strawberry, British Pathé’s 1950 A Year to Remember, a special price on our box set of Together and the crossword is back! Also a brilliant book and CD set for fans of Skiffle and – (drum roll) – The Talking Pictures TV Limited Edition Baseball Cap is finally here – hand made in England! And much, much more. Talking Pictures TV continues to bring you brilliant premieres including our new Saturday Morning Pictures, 9am to 12 midday every Saturday. Other films to look forward to this month include Theirs is the Glory, 21 Days with Vivien Leigh & Laurence Olivier, Anthony Asquith’s Fanny By Gaslight, The Spanish Gardener with Dirk Bogarde, Nijinsky with Alan Bates, Woman Hater with Stewart Granger and Edwige Feuillère,Traveller’s Joy with Googie Withers, The Colour of Money with Paul Newman and Tom Cruise and Dangerous Davies, The Last Detective with Bernard Cribbins.
  • 13Th Biennial Conference of the International Gothic Association

    13Th Biennial Conference of the International Gothic Association

    13th Biennial Conference of the International Gothic Association: Gothic Traditions and Departures Universidad de las Américas Puebla (UDLAP) 18 – 21 July 2017 Conference Draft Programme 1 Conference Schedule Tuesday 18 July 10:00 – 18:00 hrs: Registration, Auditorio Guillermo y Sofía Jenkins (Foyer). 15:00 – 15:30 hrs: Welcome remarks, Auditorio Guillermo y Sofia Jenkins. 15:30 – 16:45 hrs: Opening Plenary Address, Auditorio Guillermo y Sofía Jenkins: Isabella Van Elferen (Kingston University) Dark Sound: Reverberations between Past and Future 16:45 – 18:15 hrs: PARALLEL PANELS SESSION A A1: Scottish Gothic Carol Margaret Davison (University of Windsor): “Gothic Scotland/Scottish Gothic: Theorizing a Scottish Gothic “tradition” from Ossian and Otranto and Beyond” Alison Milbank (University of Nottingham): “Black books and Brownies: The Problem of Mediation in Scottish Gothic” David Punter (University of Bristol): “History, Terror, Tourism: Peter May and Alan Bilton” A2: Gothic Borders: Decolonizing Monsters on the Borderlands Cynthia Saldivar (University of Texas Rio Grande Valley): “Out of Darkness: (Re)Defining Domestic Horror in Americo Paredes's The Shadow” Orquidea Morales (University of Michigan): “Indigenous Monsters: Border Horror Representation of the Border” William A. Calvo-Quirós (University of Michigan): “Border Specters and Monsters of Transformation: The Uncanny history of the U.S.-Mexico Border” A3: Female Gothic Departures Deborah Russell (University of York): “Gendered Traditions: Questioning the ‘Female Gothic’” Eugene
  • `The Campus Novel`: Kingsley Amis, Malcolm Bradbury, David Lodge – a Comparative Study

    `The Campus Novel`: Kingsley Amis, Malcolm Bradbury, David Lodge – a Comparative Study

    `The Campus Novel`: Kingsley Amis, Malcolm Bradbury, David Lodge – a comparative study Lucie Mohelníková Bachelor Thesis 2009 ***scanned submission page 2*** ABSTRAKT Hlavním zám ěrem této práce nebylo pouze p řiblížit žánr “univerzitního románu” a jeho nejznám ější britské autory, ale také vysv ětlit a ukázat, pro č se univerzitní romány Kingsleyho Amise a jeho následovník ů Malcolma Bradburyho a Davida Lodge t ěší tak velké popularit ě. Každý z t ěchto autor ů m ěl sv ůj osobitý styl psaní a vytvo řil nezapomenutelný satirický román. Klí čová slova: rozlobení mladí muži, Hnutí, Jim Dixon, Stuart Treece, Phillip Swallow, Morris Zapp, univerzitní román ABSTRACT The main intention of this thesis is not only to introduce the genre of “campus novel” and its most known British authors but also to explain and demonstrate why the campus novels by Kingsley Amis and his successors Malcolm Bradbury and David Lodge are that much popular. Each of these authors had his own individual style of writing and created an unforgettable satiric novel. Keywords: Angry Young Men, The Movement, Jim Dixon, Stuart Treece, Phillip Swallow, Morris Zapp, campus novel ACKNOWLEDGEMENTS I would like to thank my supervisor Mgr. Barbora Kašpárková for her kind help and guidance throughout my thesis. DECLARATION OF ORIGINALITY I hereby declare that the work presented in this thesis is my own and certify that any secondary material used has been acknowledged in the text and listed in the bibliography. March 13, 2009 …………………………………… CONTENT 1 CAMPUS NOVEL ........................................................................................................9
  • After Fantastika Programme

    After Fantastika Programme

    #afterfantastika Visit: www.fantastikajournal.com After Fantastika July 6/7th, Lancaster University, UK Schedule Friday 6th 8.45 – 9.30 Registration (Management School Lecture Theatre 11/12) 9.30 – 10.50 Panels 1A & 1B 11.00 – 12.20 Panels 2A, 2B & 2C 12.30 – 1.30 Lunch 1.30 – 2.45 Keynote – Caroline Edwards 3.00 – 4.20 Panels 3A & 3B 4.30 – 6.00 Panels 4A & 4B Saturday 7th 10.30 – 12.00 Panels 5A & 5B 12.00 – 1.00 Lunch 1.00 – 2.15 Keynote – Andrew Tate 2.30 – 3.45 Panels 6A, 6B & 6C 4.00 – 5.00 Roundtable 5.00 Closing Remarks Acknowledgements Thank you to everyone who has helped contribute to either the journal or conference since they began, we massively appreciate your continued support and enthusiasm. We would especially like to thank the Department of English and Creative Writing for their backing – in particular Andrew Tate, Brian Baker, Catherine Spooner and Sara Wasson for their assistance in promoting and supporting these events. A huge thank you to all of our volunteers, chairs, and helpers without which these conferences would not be able to run as smoothly as they always have. Lastly, the biggest thanks of all must go to Chuckie Palmer-Patel who, although sadly not attending the conference in-person, has undoubtedly been an integral part of bringing together such a vibrant and engaging community – while we are all very sad that she cannot be here physically, you can catch her digital presence in panel 6B – technology willing! Thank you Kerry Dodd and Chuckie Palmer-Patel Conference Organisers #afterfantastika Visit: www.fantastikajournal.com
  • Spanish Books Spring 2019 Best-Selling Titles in Spanish IPG – Spring 2019

    Spanish Books Spring 2019 Best-Selling Titles in Spanish IPG – Spring 2019

    Spanish Books Spring 2019 Best-Selling Titles in Spanish IPG – Spring 2019 9788483435106 9788483432495 9788483431962 9789876096782 9789877185430 9788472455955 9788499882420 9786077354598 9786074004281 9786075274911 9786077356042 9786077359760 9786075271798 9786074006391 9786075272023 9786077357926 9786074005523 9786075271279 9786075273617 9786077354123 9786074005776 9786077357056 9786077356158 9786075272467 9786075271781 IPG –– Spring 2019 Best-Selling Titles in Spanish 9786075271750 9786075271125 9786075273297 9786075270500 9786075274805 9786077358718 9786075271439 9786077359043 9786075272627 9786077350620 9786075270180 9786075271415 9786077357346 9786077723622 9786079472184 9788492865697 9788492865062 9789874095060 9789874578747 9788416213887 9788416213665 9788416665266 9786079409593 9788416817092 9788415357841 Spanish Books Spring 2019 Table of Contents New Titles ..........................................1–128 Index .............................................129–131 Spanish Books New Titles Las cuatro tendencias Los perfiles básicos de personalidad que te enseñan a mejorar tu vida (y la de los demás) A translation of The Four Tendencies: The Indispensable Person- ality Profiles That Reveal How to Make Your Life Better (and Other People’s Lives Better, Too) (9781524760915) Gretchen Rubin “The Four Tendencies will immediately improve every area of your life... understanding your Tendency and how to make it work for you is the game-changer you’ve been looking for.” —Melissa Hartwig, author and co-creator of The Whole30, on the English-language
  • Shail, Robert, British Film Directors

    Shail, Robert, British Film Directors

    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
  • Book Reviews.5

    Book Reviews.5

    Page 58 BOOK REVIEWS “Satan, Thou Art Outdone!” The Pan Book of Horror Stories , Herbert van Thal (ed.), with a new foreword by Johnny Mains (London: Pan Books, 2010) What does it take to truly horrify? What particular qualities do readers look for when they choose a book of horror tales over a book of ghost stories, supernatural thrillers or gothic mysteries? What distinguishes a really horrific story from a tale with the power simply to scare or disturb in a world where one person’s fears and phobias are another person’s ideas of fun? These were questions that the legendary editor Herbert van Thal and publisher Clarence Paget confronted when, in 1957, they began conspiring to put together their first ever collection of horror stories. The result of their shadowy labours, The Pan Book of Horror Stories , was an immediate success and became the premiere volume in a series of collections which were published annually and which appeared, almost without interruption, for the next thirty years. During its lifetime, The Pan Book of Horror Stories became a literary institution as each year, van Thal and Paget did their best to assemble an even more sensational selection of horrifying tales. Many of the most celebrated names in contemporary horror, including Richard Matheson, Robert Bloch and Stephen King, made early appearances between the covers of these anthologies and the cycle proved massively influential on successive waves of horror writers, filmmakers and aficionados. All the same, there are generations of horror fans who have never known the peculiar, queasy pleasure of opening up one of these collections late at night and savouring the creepy imaginings that lie within.
  • Bryan Kneale Bryan Kneale Ra

    Bryan Kneale Bryan Kneale Ra

    BRYAN KNEALE BRYAN KNEALE RA Foreword by Brian Catling and essays by Andrew Lambirth, Jon Wood and Judith LeGrove PANGOLIN LONDON CONTENTS FOREWORD Another Brimful of Grace by Brian Catling 7 CHAPTER 1 The Opening Years by Andrew Lambirth 23 CHAPTER 2 First published in 2018 by Pangolin London Pangolin London, 90 York Way, London N1 9AG Productive Tensions by Jon Wood 55 E: [email protected] www.pangolinlondon.com ISBN 978-0-9956213-8-1 CHAPTER 3 All rights reserved. Except for the purpose of review, no part of this book may be reproduced, sorted in a Seeing Anew by Judith LeGrove 87 retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publishers. Pangolin London © All rights reserved Set in Gill Sans Light BIOGRAPHY 130 Designed by Pangolin London Printed in the UK by Healeys Printers INDEX 134 (ABOVE) ACKNOWLEDGEMENTS 136 Bryan Kneale, c.1950s (INSIDE COVER) Bryan Kneale with Catalyst Catalyst 1964, Steel Unique Height: 215 cm 4 5 FOREWORD ANOTHER BRIMFUL OF GRACE “BOAYL NAGH VEL AGGLE CHA VEL GRAYSE” BY BRIAN CATLING Since the first draft of this enthusiasm for Bryan’s that is as telling as a storm and as monumental as work, which I had the privilege to write a couple a runic glyph. And makes yet another lens to look of years ago, a whole new wealth of paintings back on a lifetime of distinctively original work. have been made, and it is in their illumination that Notwithstanding, it would be irreverent I keep some of the core material about the life to discuss these works without acknowledging of Bryan Kneale’s extraordinary talent.
  • Celluloid Television Culture the Specificity of Film on Television: The

    Celluloid Television Culture the Specificity of Film on Television: The

    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. https://eprints.bbk.ac.uk/id/eprint/40025/ Version: Full Version Citation: Sexton, Max (2013) Celluloid Television Culture The Speci- ficity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. Max Sexton A thesis submitted for the Degree of Doctor of Philosophy, Birkbeck, University of London, 2012. Declaration I hereby declare that the thesis presented by me for examination of the PhD degree is solely my own work, other than where I have clearly indicated. Birkbeck, University of London Abstract of Thesis (5ST) Notes for Candidate: 1. Type your abstract on the other side of this sheet. 2. Use single-spacing typing. Limit your abstract to one side of the sheet. 3. Please submit this copy of your abstract to the Research Student Unit, Birkbeck, University of London, Registry, Malet Street, London, WC1E 7HX, at the same time as you submit copies of your thesis. 4. This abstract will be forwarded to the University Library, which will send this sheet to the British Library and to ASLIB (Association of Special Libraries and Information Bureaux) for publication to Index to Theses .
  • Reflected Shadows: Folklore and the Gothic ABSTRACTS

    Reflected Shadows: Folklore and the Gothic ABSTRACTS

    Reflected Shadows: Folklore and the Gothic ABSTRACTS Dr Gail-Nina Anderson (Independent Scholar) [email protected] Dracula’s Cape: Visual Synecdoche and the Culture of Costume. In 1939 Robert Bloch wrote a story called ‘The Cloak’ which took to its extreme a fashion statement already well established in popular culture – vampires wear cloaks. This illustrated paper explores the development of this motif, which, far from having roots in the original vampire lore of Eastern Europe, demonstrates a complex combination of assumptions about vampires that has been created and fed by the fictional representations in literature and film.While the motif relates most immediately to perceptions of class, demonic identity and the supernatural, it also functions within the pattern of nostalgic reference that defines the vampire in modern folklore and popular culture. The cloak belongs to that Gothic hot-spot, the 1890s, but also to Bela Lugosi, to modern Goth culture and to that contemporary paradigm of ready-fit monsters, the Halloween costume shop, taking it, and its vampiric associations, from aristocratic attire to disposable disguise. Biography: Dr Gail-Nina Anderson is a freelance lecturer who runs daytime courses aimed at enquiring adult audiences and delivers a programme of public talks for Newcastle’s Literary and Philosophical Library. She is also a regular speaker at the Folklore Society ‘Legends’ weekends, and in 2013 delivered the annual Katharine Briggs Lecture at the Warburg Institute, on the topic of Fine Art and Folklore. She specialises in the myth-making elements of the Pre-Raphaelite movement and the development of Gothic motifs in popular culture.
  • Download (15Mb)

    Download (15Mb)

    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/1294 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Histories of Telefantasy: the Representation of the Fantastic and the Aesthetics of Television Volume 1 of 2 by Catherine Johnson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Film and Television Studies University of Warwick Department of Film and Television Studies April 2002 Contents Volume 1: Illustrations 4 Acknowledgements 10 Declaration 11 Abstract 12 Introduction: 13 Approaching Telefantasy: History, Industry, Aesthetics Chapter 1: 32 Literature Review: Exploring the Discourses of 'Fantasy' and 'Cult' Chapter 2: 56 Spectacle and Intimacy: The Quatermass Serials (BBC, 1953-59) and the Aesthetics of Early British Television Chapter 3: 104 'Serious Entertainment': The Prisoner (ITV, 1967) and Discourses of Quality in 1960s British Television 2 Chpter4: 164 'Regulated Innovation': Star Trek (NBC, 1967-69) and the Commercial Strategies of 1960s US Television Volume 2: Illustrations 223 Chapter 5: 227 Quality Cult Television: The X-Files (Fox, 1993-), Buffy the Vampire Slayer (WB, 1997-) and the Economics and Aesthetics of
  • For More Than Seventy Years the Horror Film Has

    For More Than Seventy Years the Horror Film Has

    WE BELONG DEAD FEARBOOK Covers by David Brooks Inside Back Cover ‘Bride of McNaughtonstein’ starring Eric McNaughton & Oxana Timanovskaya! by Woody Welch Published by Buzzy-Krotik Productions All artwork and articles are copyright their authors. Articles and artwork always welcome on horror fi lms from the silents to the 1970’s. Editor Eric McNaughton Design and Layout Steve Kirkham - Tree Frog Communication 01245 445377 Typeset by Oxana Timanovskaya Printed by Sussex Print Services, Seaford We Belong Dead 28 Rugby Road, Brighton. BN1 6EB. East Sussex. UK [email protected] https://www.facebook.com/#!/groups/106038226186628/ We are such stuff as dreams are made of. Contributors to the Fearbook: Darrell Buxton * Darren Allison * Daniel Auty * Gary Sherratt Neil Ogley * Garry McKenzie * Tim Greaves * Dan Gale * David Whitehead Andy Giblin * David Brooks * Gary Holmes * Neil Barrow Artwork by Dave Brooks * Woody Welch * Richard Williams Photos/Illustrations Courtesy of Steve Kirkham This issue is dedicated to all the wonderful artists and writers, past and present, that make We Belong Dead the fantastic magazine it now is. As I started to trawl through those back issues to chose the articles I soon realised that even with 120 pages there wasn’t going to be enough room to include everything. I have Welcome... tried to select an ecleectic mix of articles, some in depth, some short capsules; some serious, some silly. am delighted to welcome all you fans of the classic age of horror It was a hard decision as to what to include and inevitably some wonderful to this first ever We Belong Dead Fearbook! Since its return pieces had to be left out - Neil I from the dead in March 2013, after an absence of some Ogley’s look at the career 16 years, WBD has proved very popular with fans.