DOCSLIB.ORG

Download the Buildings of England: London. the Cities of London And

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download the Buildings of England: London. the Cities of London And The Buildings of England: London. The cities of London and Westminster, Volume 12, Nikolaus Pevsner, Penguin, 1973, 0140710124, 9780140710120, . The Ruthwell Cross and Other Remains of the Late Hannah Mary Wright ... With Brief Memoir of the Author, Hannah Mary Wright, 1873, Religious poetry, English, 160 pages. Old Cheshire churches a survey of their history, fabric and furniture, with records of the older monuments, Raymond Richards, Jul 12, 1973, Architecture, 905 pages. A Dictionary of English Folklore , Jacqueline Simpson, Stephen Roud, 2000, Social Science, 411 pages. An entertaining reference on English folklore features 1250 entries that shed new light on the colorful history behind the holidays, legends, superstitions, traditions .... Portrait of North Yorkshire , Colin Speakman, 1986, History, 240 pages. Buildings of England, The, Volume 27 , , 1964, Architecture, . Yorkshire , George Bernard Wood, 1967, Travel, 240 pages. Surrey , Ian Nairn, Nikolaus Pevsner, 1971, Architecture, 608 pages. An enquiry into industrial art in England , Nikolaus Pevsner, 1937, Art, 234 pages. Houses of to-day a practical guide, Colin Troughton Penn, 1954, Architecture, 184 pages. Shropshire , Nikolaus Pevsner, 1958, Sports & Recreation, 368 pages. Worcestershire , Alan Brooks, Nikolaus Pevsner, 2007, Architecture, 846 pages. This expanded and updated guide to the buildings of Worcestershire encompasses the entire county, from the dramatic Malvern Hills through the Severn Valley to the fringes of .... Pevsner The Early Life: Germany and Art, Stephen Games, Jun 2, 2010, Architecture, 250 pages. North Lancashire, Volume 32; Volume 37 , Nikolaus Pevsner, 1984, Architecture, 320 pages. A handful of history , John Roger Scott Whiting, 1978, Games, 201 pages. British Regional Geology East Anglia and adjoining areas, Charles Panzetta Chatwin, 1961, , 100 pages. Pioneers of Modern Design From William Morris to Walter Gropius, Nikolaus Pevsner, 2005, Art, 192 pages. This expanded edition of a classic study of the history of modern design provides Pevsner's original text along with significant new and updated information, enhancing Pevsner .... The Pevsner Architectural Guides are a series of guide books to the architecture of the British Isles. Begun in the 1940s by art historian Sir Nikolaus Pevsner, the 46 volumes of the original Buildings of England series were published between 1951 and 1974. The series was then extended to Scotland, Wales and Ireland in the late 1970s. The Scottish and Irish guides were incomplete as of summer 2012. Most of the English volumes have had second editions, chiefly by other authors. After moving to Great Britain from his native Germany in the 1930s, Nikolaus Pevsner found that the study of architectural history had little status in academic circles, and that the amount of information available, especially to travellers wanting to inform themselves about the architecture of a particular district, was limited. He conceived a project to write a series of comprehensive county guides to rectify this, and gained the backing of Allen Lane, founder of Penguin Books, for whom he had written his Outline of European Architecture. Work on the series began in 1945. Lane employed two part-time assistants, both German refugee art historians, who prepared notes for Pevsner from published sources. Pevsner spent the academic holidays touring the country to make personal observations and to carry out local research, before writing up the finished volumes. The first volume was published in 1951. Pevsner wrote 32 of the books himself and ten with collaborators, with a further four of the original series written by others. Since his death, work has continued on the series, with several volumes now in their third revision. The books are compact and intended to meet the needs of both specialists and the general reader. Each contains an extensive introduction to the architectural history and styles of the area, followed by a town-by-town — and in the case of larger settlements, street-by-street — account of individual buildings. The guides offer both detailed coverage of the most notable buildings and notes on lesser-known and vernacular buildings; all building types are covered but there is a particular emphasis on churches and public buildings. Each volume has a central section with several dozen pages of photographs, originally in black and white, though colour illustrations have featured in revised volumes published by Yale University Press since 2003. The list below is of the volumes that were in print in 2006 (updated to include City Guides in print at October 2010, and new volumes released 2011–12). The original volumes are gradually being replaced with new editions in a larger format, updated to reflect architectural-history scholarship since the first publications of the guides and to include significant new buildings. The dates after each title are of the first publication and of any revised edition. All are now published by Yale University Press. The volumes for Bath, Birmingham, Brighton and Hove, Bristol, Hull, Leeds, Liverpool, Manchester, Newcastle and Gateshead, Nottingham and Sheffield are part of the parallel "Pevsner City Guides" series, a more richly illustrated paperback format. The first of the paperback City Guides, covering the churches of the City of London, appeared in 1998. It was followed by a new format with integrated colour illustrations, beginning with Manchester in 2001. In most cases the City Guides have preceded a revision of the county volume in which they are located, although they do go into greater detail than the county volumes and have more illustrations. Thus the Birmingham guide completely supersedes the central Birmingham section of the Warwickshire volume, which is now over forty years old. Two of the guides, covering Newcastle and Gateshead and Hull, are more recent than the hardback editions for the surrounding counties, and therefore update as well as expand the coverage of those cities. The series continued under Pevsner's founding editorship into Scotland. The format is largely similar; however, only Lothian was published in the original small volume style. One noticeable difference in some of the Scottish series is a greater subdivision of the main gazetteer (e.g. in Argyll and Bute mainland Argyll has separate gazetteer from its islands, and Bute similarly is treated on its own). Unlike The Buildings of England, none of the Scottish volumes adopts a hierarchy of ecclesiastical buildings, instead grouping them together. As with the English revisions, several of the volumes are the work of many contributors. As of late 2012, the series is three volumes from completion. The series has also been extended to Wales. With the issue of Gwynedd coverage of Wales is complete, although the initial survey has taken seven years longer than Pevsner's first complete survey of England. Only Powys was published in the original small volume style. Work is under way on a revised edition of this book, to be published in 2013. Book Description: Penguin Books, Harmondsworth, 1957. Paperback. Book Condition: Very Good. Dust Jacket Condition: Good. First Edition. 12mo - over 6¾" - 7¾" tall. Clean copy with no inscriptions, d/w is chipped and, although complete, has 2" closed tear at bottom of spine. Bookseller Inventory # 22969 Book Description: London: Penguin Books - 1st Edition, 1952. Presumed FIRST EDITION. Pb. vg copy. 7" x 4.25". Soft card cover slightly worn to edges, with minor fading to spine. Price on front cover (6/-). 279pgs. Tight leaves. Slight browning to page edges. With b/w illustrations. Top two inches of outer front hinge split. Bookseller Inventory # 68730 Book Description: Penguin Books Ltd: Harmondsworth, Middx, 1952. Soft. Book Condition: Good- in fair dust jacket. 64pp photographs. (illustrator). 12mo, 7". Good- in fair dust jacket. DJ lightly marked, darkened and a little chipped to spine head and tail. A few small closed tears around edges, with some small chunks missing around the edges. Page browned internally.494pp. Bookseller Inventory # 021311 Book Description: Penguin Books Ltd., London, 1973. Hard Cover. Book Condition: Very Good. Dust Jacket Condition: Very Good. 12mo - over 6¾" - 7¾" tall. Third edition. Nice copy of Pevsner's classic guide, extensively revised and illustrated with a substantial central section of B&W photos. Book has black cloth boards with only slight wear. Inside isa very clean. Dustjacket has minor edge wesar but very clean. 756 pages. Bookseller Inventory # 006825 Book Description: PENGUIN, 1952. Paperback. Book Condition: Fair. Despatched from UK within 24hrs. Published by PENGUIN in 1952. Paperback. Number of pages: 496. Condition: Acceptable. Reading copy ONLY With Index. With photographs. Wear to head and tail of spine. Foxing throughout. Fade marks to cover. Foxing to page edges and cover. Bookseller Inventory # 8642492 Book Description: Penguin Books, London, 1973. Hard Cover. Book Condition: Very Good. Dust Jacket Condition: Very Good. Third Edition. 8vo - over 6 ¾" - 9¾" Tall. This is a Very Good Copy of this Book in Publisher's original brown cloth with gilt title lettering to spine,in a Very Good Dust-Jacket,which has just a little light rubbing and wear to outer edges of the dust-jacket.Price clipped and this copy has NO previous ownership inscriptions present,although top front endpaper has been cut.Clean copy internally.Well illustrated work with usual plates and maps etc.8vo 756pp Third Edition. Bookseller Inventory # 64702 Book
Load more

Recommended publications
  • University of Birmingham at School with the Avant Garde
    University of Birmingham At School with the avant garde: Grosvenor, Ian; van Gorp, Angelo DOI: 10.1080/0046760X.2018.1451559 License: Other (please specify with Rights Statement) Document Version Peer reviewed version Citation for published version (Harvard): Grosvenor, I & van Gorp, A 2018, 'At School with the avant garde: European architects and the modernist project in England', History of Education. https://doi.org/10.1080/0046760X.2018.1451559 Link to publication on Research at Birmingham portal Publisher Rights Statement: This is an Accepted Manuscript of an article published by Taylor & Francis in History of Education on 19/04/2018, available online: http://www.tandfonline.com/10.1080/0046760X.2018.1451559 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document.
    [Show full text]
  • The Victorian Society's Launch, Had Helped Establish Serious Academic Study of the Period
    The national society for THE the study and protection of Victorian and Edwardian VICTORIAN architecture and allied arts SOCIETY LIVERPOOL GROUP NEWSLETTER December 2009 PROGRAMME CHESTER-BASED EVENTS Saturday 23 January 2010 ANNUAL BUSINESS MEETING 2.15 pm BISHOP LLOYD’S PALACE, 51-53 Watergate Row After our business meeting, Stephen Langtree will talk about the Chester Civic Trust (whose home this is) in its 50th Anniversary year. Chester Civic Trust has a high profile both locally and nationally: over the past twenty years, as secretary, chairman, now vice-president, Stephen Langtree has had much to do with this. Wednesday 17 February 7 for 7.30 pm GROSVENOR MUSEUM (Chester Civic Trust / visitors welcome / no advance booking / suggested donation £3) LIVING BUILDINGS - ARCHITECTURAL CONSERVATION: PHILOSOPHY, PRINCIPLES AND PRACTICE Donald Insall’s “Living Buildings” (reviewed in November’s ‘Victorian’) was recently published to celebrate the 50th anniversary of Donald Insall Associates. It was the 1968 Insall Report which proved a pioneering study for Chester’s conservation: Donald Insall CBE will reflect on this and other work of national significance (including Windsor Castle) in his lecture. Wednesday 17 March 7 for 7.30 pm GROSVENOR MUSEUM (Chester Civic Trust / visitors welcome / no advance booking / suggested donation £3) A NEW PEVSNER FOR CHESHIRE Sir Nikolaus Pevsner and Edward Hubbard launched the “Cheshire” volume in ‘The Buildings of England’ series back in 1971. Expansion and revision now brings Macclesfield-based architectural historian Matthew Hyde (working on the new volume with Clare Hartwell) to look again at Chester and its hinterland. He will consider changes in judgments as well as in the townscape over the 40 years.
    [Show full text]
  • Pevsner's Architectural Glossary
    Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 1 PEVSNER’S ARCHITECTURAL GLOSSARY Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 2 Nikolaus and Lola Pevsner, Hampton Court, in the gardens by Wren's east front, probably c. Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 3 PEVSNER’S ARCHITECTURAL GLOSSARY Yale University Press New Haven and London Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 4 Temple Street, New Haven Bedford Square, London www.pevsner.co.uk www.lookingatbuildings.org.uk www.yalebooks.co.uk www.yalebooks.com for Published by Yale University Press Copyright © Yale University, Printed by T.J. International, Padstow Set in Monotype Plantin All rights reserved. This book may not be reproduced in whole or in part, in any form (beyond that copying permitted by Sections and of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 5 CONTENTS GLOSSARY Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 6 FOREWORD The first volumes of Nikolaus Pevsner’s Buildings of England series appeared in .The intention was to make available, county by county, a comprehensive guide to the notable architecture of every period from prehistory to the present day. Building types, details and other features that would not necessarily be familiar to the general reader were explained in a compact glossary, which in the first editions extended to some terms.
    [Show full text]
  • The Architecture of Sir Ernest George and His Partners, C. 1860-1922
    The Architecture of Sir Ernest George and His Partners, C. 1860-1922 Volume II Hilary Joyce Grainger Submitted in fulfilment of the requirements for the degree of Ph. D. The University of Leeds Department of Fine Art January 1985 TABLE OF CONTENTS Notes to Chapters 1- 10 432 Bibliography 487 Catalogue of Executed Works 513 432 Notes to the Text Preface 1 Joseph William Gleeson-White, 'Revival of English Domestic Architecture III: The Work of Mr Ernest George', The Studio, 1896 pp. 147-58; 'The Revival of English Domestic Architecture IV: The Work of Mr Ernest George', The Studio, 1896 pp. 27-33 and 'The Revival of English Domestic Architecture V: The Work of Messrs George and Peto', The Studio, 1896 pp. 204-15. 2 Immediately after the dissolution of partnership with Harold Peto on 31 October 1892, George entered partnership with Alfred Yeates, and so at the time of Gleeson-White's articles, the partnership was only four years old. 3 Gleeson-White, 'The Revival of English Architecture III', op. cit., p. 147. 4 Ibid. 5 Sir ReginaldýBlomfield, Richard Norman Shaw, RA, Architect, 1831-1912: A Study (London, 1940). 6 Andrew Saint, Richard Norman Shaw (London, 1976). 7 Harold Faulkner, 'The Creator of 'Modern Queen Anne': The Architecture of Norman Shaw', Country Life, 15 March 1941 pp. 232-35, p. 232. 8 Saint, op. cit., p. 274. 9 Hermann Muthesius, Das Englische Haus (Berlin 1904-05), 3 vols. 10 Hermann Muthesius, Die Englische Bankunst Der Gerenwart (Leipzig. 1900). 11 Hermann Muthesius, The English House, edited by Dennis Sharp, translated by Janet Seligman London, 1979) p.
    [Show full text]
  • The Warburg Institute and Architectural History 133 CK181 11Vaneck 1Pp Sh.Indd 134 Part Part in Brink, and Claudia
    1 2 3 4 5 6 THE WARBURG INSTITUTE 7 8 AND ARCHITECTURAL HISTORY 9 10 11 12 13 Caroline van Eck 14 15 16 17 18 At first sight, classical architecture, with its continuous revivals and reworkings 19 of the forms of Greek and Roman building, would seem to offer a privileged field 20 to apply Aby Warburg’s central notion of the survival of antiquity and his view 21 of art history’s unfolding as a process of remembrance, of Mnemosyne. Yet War- 22 burg himself wrote very little on architecture, and after auspicious and impres- 23 sive beginnings by Rudolf Wittkower, Richard Krautheimer, Georg Kubler, and 24 Nikolaus Pevsner, the role of architectural history in the activities of the War- 25 burg Institute, its Library and Journal, dwindled. A brief survey of the Journal of 26 the Warburg and Courtauld Institutes shows that, up to the early 1970s, it published 27 three to four articles on architectural topics every year. Among them are classics 28 in the field that have kept their value to the present day, such as Wittkower’s arti- 29 cles on perspective and Palladianism, Robin Middleton’s article on Cordemoy, 30 or Krautheimer’s on medieval iconography.1 Beginning in the mid- 1970s, archi- 31 32 1. Richard Krautheimer, “Introduction to an ‘Iconogra- tauld Institutes 6 (1943): 154 – 64; George Kubler, “Archi- 33 phy of Mediaeval Architecture’,” Journal of the Warburg tects and Builders in Mexico, 1521 – 1550,” Journal of the and Courtauld Institutes 5 (1942): 1 – 33; Rudolf Wittkower, Warburg and Courtauld Institutes 7 (1944): 7 – 19; Robin 34 “Brunelleschi and Proportion in Perspective,”, Journal Middleton, “The Abbé de Cordemoy and the Graeco- 35 of the Warburg and Courtauld Institutes 16 (1953): 275 – 91; Gothic Ideal: A Prelude to Romantic Classicism,” Jour­ 36 Wittkower, “Pseudo- Palladian Elements in English Neo- nal of the Warburg and Courtauld Institutes 25 (1962): Classical Architecture,” Journal of the Warburg and Cour­ 278 – 320.
    [Show full text]
  • Bibliography Abram - Michell
    Landscape Design A Cultural and Architectural History 1 Bibliography Abram - Michell Surveys, Reference Books, Philosophy, and Nikolaus Pevsner. The Penguin Dictionary Nancy, Jean-Luc. Community: The Inoperative Studies in Psychology and the Humanities of Architecture and Landscape Architecture. Community. Edited by Peter Connor. Translated 5th ed. London: Penguin Books, 1998. by Peter Connor, Lisa Garbus, Michael Abram, David. The Spell of the Sensuous: Holland, and Simona Sawhney. Minneapolis: Perception and Language in a More-Than-Human Foucault, Michel. The Order of Being: University of Minnesota Press, 1991. World. New York: Pantheon Books, 1996. An Archaeology of the Human Sciences. Translated by [tk]. New York: Vintage Books, Newton, Norman T. Design on the Land: Ackerman, James S. The Villa: Form and 1994. Originally published as Les Mots The Development of Landscape Architecture. Ideology of Country Houses. Princeton, et les choses (Paris: Gallimard, 1966). Cambridge: Harvard University Press, 1971. N.J.: Princeton University Press, 1990. Giedion, Sigfried. Space, Time and Architecture. Ross, Stephanie. What Gardens Mean. Chicago Bachelard, Gaston. The Poetics of Cambridge: Harvard University Press, 1967. and London: University of Chicago Press, 1998. Space. Translated by Maria Jolas. Boston: Beacon Press, 1969. Gothein, Marie Luise. Translated by Saudan, Michel, and Sylvia Saudan-Skira. Mrs. Archer-Hind. A History of Garden From Folly to Follies: Discovering the World of Barthes, Roland. The Eiffel Tower and Other Art. New York: E. P. Dutton, 1928. Gardens. New York: Abbeville Press. 1988. Mythologies. Translated by Richard Howard. New York: Farrar, Straus and Giroux, 1979. Hall, Peter. Cities in Civilization: Schama, Simon. Landscape and Memory. The City as Cultural Crucible.
    [Show full text]
  • Hunting and Social Change in Late Saxon England
    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2016 Butchered Bones, Carved Stones: Hunting and Social Change in Late Saxon England Shawn Hale Eastern Illinois University This research is a product of the graduate program in History at Eastern Illinois University. Find out more about the program. Recommended Citation Hale, Shawn, "Butchered Bones, Carved Stones: Hunting and Social Change in Late Saxon England" (2016). Masters Theses. 2418. https://thekeep.eiu.edu/theses/2418 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The Graduate School� EASTERNILLINOIS UNIVERSITY " Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, and Distribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for-profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. Your signatures affirm the following: • The graduate candidate is the author of this thesis. • The graduate candidate retains the copyright and intellectual property rights associated with the original research, creative activity, and intellectual or artistic content of the thesis.
    [Show full text]
  • ARCHITECTURAL HISTORY Journal of the Society of Architectural Historians of Great Britain
    ARCHITECTURAL HISTORY Journal of the Society of Architectural Historians of Great Britain Volume 4.5:2002 Downloaded from https://www.cambridge.org/core. IP address: 170.106.40.219, on 27 Sep 2021 at 12:49:11, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0066622X00001118 SOCIETY OF ARCHITECTURAL HISTORIANS OF GREAT BRITAIN The Alice Davis Hitchcock Medallion is presented annually to authors of outstanding contributions to the literature of architectural history. Recipients of the award have been: 1959: H. M. COLVIN 1981: HOWARD COLVIN i960: JOHN SUMMERSON 1982: PETER THORNTON 1961: KERRY DOWNES 1983: MAURICE CRAIG 1962: JOHN FLEMING 1984: WILLIAM CURTIS 1963: DOROTHY STROUD 1985: JILL LEVER 1964: F. H. W. SHEPPARD 1986: DAVID BROWNLEE 1965: H. M. & JOAN TAYLOR 1987: JOHN HARVEY 1966: NIKOLAUS PEVSNER 1988: ROGER STALLEY 1967: MARK GIROUARD 1989: ANDREW SAINT 1968: CHRISTOPHER HUSSEY 1990: CHARLES SAUMAREZ SMITH 1969: PETER COLLINS 1991: CHRISTOPHER WILSON 1970: A. H. GOMME& 1992: EILEEN HARRIS & NICHOLAS SAVAGE D. M. WALKER 1993: JOHN ALLAN 1971: JOHN HARRIS 1994: COLIN CUNNINGHAM & 1972: HBRMIONE HOBHOUSE PRUDENCE WATERHOUSE 1973: MARK GIROUARD 1995: MILES GLENDINNING & 1974: J. MORDAUNT CROOK & STEFAN MUTHESIUS M. H. PORT 1996: ROBERT HILLENBRAND 1975: DAVID WATKIN 1997: ROBIN EVANS 1976: ANTHONY BLUNT 1998: IAN BRISTOW 1977: ANDREW SAINT 1999: DEREK LINSTRUM 1978: PETER SMITH 2000: LINDA FAIRBAIRN 1979: TED RUDDOCK 2001: NICHOLAS COOPER, PETER 1980: ALLAN BRAHAM FERGUSSON & STUART HARRISON 17K Society's Essay Medal is presented annually to the winner of the Society's essay medal competition.
    [Show full text]
  • William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe
    Western Michigan University ScholarWorks at WMU Dissertations Graduate College 6-2005 William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe Andrea Yount Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the European History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Yount, Andrea, "William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe" (2005). Dissertations. 1079. https://scholarworks.wmich.edu/dissertations/1079 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. WILLIAM MORRIS AND THE SOCIETY FOR THE PROTECTION OF ANCIENT BUILDINGS: NINETEENTH AND TWENTIETH CENTURY IDSTORIC PRESERVATION IN EUROPE by Andrea Yount A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of History Dale P6rter, Adviser Western Michigan University Kalamazoo, Michigan June 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. NOTE TO USERS This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3183594 Copyright 2005 by Yount, Andrea Elizabeth All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted.
    [Show full text]
  • Fall/Winter 2018
    FALL/WINTER 2018 Yale Manguel Jackson Fagan Kastan Packing My Library Breakpoint Little History On Color 978-0-300-21933-3 978-0-300-17939-2 of Archeology 978-0-300-17187-7 $23.00 $26.00 978-0-300-22464-1 $28.00 $25.00 Moore Walker Faderman Jacoby Fabulous The Burning House Harvey Milk Why Baseball 978-0-300-20470-4 978-0-300-22398-9 978-0-300-22261-6 Matters $26.00 $30.00 $25.00 978-0-300-22427-6 $26.00 Boyer Dunn Brumwell Dal Pozzo Minds Make A Blueprint Turncoat Pasta for Societies for War 978-0-300-21099-6 Nightingales 978-0-300-22345-3 978-0-300-20353-0 $30.00 978-0-300-23288-2 $30.00 $25.00 $22.50 RECENT GENERAL INTEREST HIGHLIGHTS 1 General Interest COVER: From Desirable Body, page 29. General Interest 1 The Secret World Why is it important for policymakers to understand the history of intelligence? Because of what happens when they don’t! WWI was the first codebreaking war. But both Woodrow Wilson, the best educated president in U.S. history, and British The Secret World prime minister Herbert Asquith understood SIGINT A History of Intelligence (signal intelligence, or codebreaking) far less well than their eighteenth-century predecessors, George Christopher Andrew Washington and some leading British statesmen of the era. Had they learned from past experience, they would have made far fewer mistakes. Asquith only bothered to The first-ever detailed, comprehensive history Author photograph © Justine Stoddart. look at one intercepted telegram. It never occurred to of intelligence, from Moses and Sun Tzu to the A conversation Wilson that the British were breaking his codes.
    [Show full text]
  • Download .PDF
    Yale university press Fall/Winter 2020 Marcus Carey Batchelor Bate Under the Red White A Little History of The Art of Solitude Radical Wordsworth and Blue Poetry Hardcover Hardcover Hardcover Hardcover 978-0-300-25093-0 978-0-300-16964-5 978-0-300-22890-8 978-0-300-23222-6 $23.00 $35.00 $26.00 $25.00 Unwin/Tipling Delbanco Leibovitz Campbell Flights of Passage Why Writing Matters Stan Lee Year of Peril Hardcover Hardcover Hardcover Hardcover 978-0-300-24744-2 978-0-300-24597-4 978-0-300-23034-5 978-0-300-23378-0 $40.00 $26.00 $26.00 $30.00 Van Engen Reynolds Taylor Musonius Rufus City on a Hill Allah Sons of the Waves That One Should Hardcover Hardcover Hardcover Disdain Hardships 978-0-300-22975-2 978-0-300-24658-2 978-0-300-24571-4 Hardcover $30.00 $30.00 $30.00 978-0-300-22603-4 $22.00 RECENT GENERAL INTEREST HIGHLIGHTS Yale university press FALL/WINTER 2020 GENERAL INTEREST 01 JEWISH LIVES® 24 MARGELLOS WORLD REPUBLIC OF LETTERS 26 SCHOLARLY AND ACADEMIC 56 PAPERBACK REPRINTS 73 ART + ARCHITECTURE A 1 front cover illustration: Via Roma, Genoa, Italy, ca. 1895. From Stories for the Years, page 28 “This book is superb, utterly FROM TAKE ARMS AGAINST A SEA OF TROUBLES: convincing, and absolutely invigorating. Bloom’s final argument with mortality What you read and how deeply you read matters almost as much as how you ultimately has a rejuvenating love, work, exercise, vote, practice charity, strive for social justice, cultivate effect upon the reader, kindness and courtesy, worship if you are capable of worship.
    [Show full text]
  • Why Art Cannot Be Taught
    Why Art Cannot be Taught: A Handbook for Art Students James Elkins Teaching Art 2 1: Histories Table of Contents Introduction iii Chapter 1: Histories 1 Chapter 2: Conversations 61 Chapter 3: Theories -- Chapter 4: Critiques -- Chapter 5: Suggestions -- Chapter 6: Conclusions -- Index Teaching Art 3 1: Histories Introduction This little book is about the way studio art is taught. It’s a manual or survival guide, intended for people who are directly involved in college-level art instruction—both teachers and students—rather than educators, administrators, or theorists of various sorts. I have not shirked sources in philosophy, history, and art education, but I am mostly interested in providing ways for teachers and students to begin to make sense of the experience of learning art. The opening chapter is about the history of art schools. It is meant to show that what we think of as the ordinary arrangement of departments, courses, and subjects has not always existed. One danger of not knowing the history of art instruction, it seems to me, is that what happens in art classes begins to appear at timeless and natural. History allows us to begin to see the kinds of choices we have made for ourselves, and the particular biases and possibilities of our kinds of instruction. The second chapter, “Conversations,” is a collection of questions about contemporary art schools and art departments. It could have been titled “Questions Commonly Raised in Art Schools” or “Leading Issues in Art Instruction.” The topics include the following: What is the relation between the art department and other departments in a college? Is the intellectual isolation of art schools significant? What should be included in the first year program or the core curriculum for art students? What kinds of art cannot be learned in an art department? These questions recur in many settings.
    [Show full text]