Miscellanea – peer-reviewed Cinergie – Il cinema e le altre arti. N.16 (2019) https://doi.org/10.6092/issn.2280-9481/8530 ISSN 2280-9481 Epitome, Legitimation, and Reproduction: Nostalgia and Grand History in Two Chinese Melodramatic Films September Liu Submitted: September 7, 2018 – Accepted: November 25, 2019 – Published: December 23, 2019 Abstract The short essay examines two recently-released melodramatic works, Zhang Yimou’s Under the Hawthorn Tree (Shanzhashu zhi Lian, 2010) and Peter Chan’s American Dreams in China (Zhongguo Hehuoren, 2013), based on a revisit of nostalgia’s conceptualisation and melodrama’s history in China. I argue that the melo- dramatic works spell a distinctive interlacing narrative of personal nostalgia and grand history. The study aims to enrich our understanding of nostalgia in global cinema and the socio-political transformations that all of us are now experiencing as participants. Keywords: Nostalgia; Melodrama; China; History; Cinema. September Liu: The University of St. Andrews (United Kingdom)
[email protected] September Liu is currently a PhD candidate in the Department of Film Studies, University of St. Andrews. His research focuses on nostalgia and Chinese New Waves. He reads his MPhil in Asian and Middle Eastern Studies at Downing College, University of Cambridge, after the completion of his BAs in English Literature and Chinese Literature at Peking University, China. Copyright © 2019 Septeber Liu Art. #8530 This work is licensed under the Creative Commons BY License. p. 137 http://creativecommons.org/licenses/by/4.0/