Embedded, Not Plugged-In: Digital Humanities and Fair Participation in Systematic Theological Research
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Os Catequistas Da Arquidiocese De Braga Aprendem Na Rede: Análise Das Práticas Digitais
Departamento de Educação e Ensino a Distância Mestrado em Pedagogia do E-Learning Os catequistas da Arquidiocese de Braga aprendem na rede: análise das práticas digitais Luís Miguel Figueiredo Rodrigues Portugal Mestrado em Pedagogia do E-Learning Os catequistas da Arquidiocese de Braga aprendem na rede: análise das práticas Luís Miguel Figueiredo Rodrigues Dissertação apresentada para obtenção de Grau de Mestre em Pedagogia do E-Learning Orientadora: Prof. Doutora Lina Morgado Resumo Este trabalho vai apresentar o pensamento da Igreja católica sobre sociedade da informação e as suas implicações na missão de evangelizar, sobretudo a partir da cultura do encontro e da partilha. A partir do paradigma da sociedade em rede, verificam-se os pontos de convergência entre a cultura cristã e a cultura digital. O desejo de permanente conectividade não é apenas resultado das possibilidades tecnológicas. Vai ao encontro daquilo que são os desejos mais profundo do ser humano, e é aqui que em relação com a cultura cristã, que se percebe e diz pela comunhão, que se entrecruza com a realidade da comunicação. A segunda parte do trabalho versa sobre a aplicação de um inquérito por questionário, aos catequistas, para procurar perceber a utilização e presença que têm na Internet, sobretudo na Web 2.0, percebendo de que forma os catequistas usam as tecnologias digitais no exercício da sua atividade de voluntariado, bem como perceber como se manifesta a sua identidade digital. No final, pensamos poder estar em condições de aferir até que ponto aquilo que é o desiderato da instituição eclesial expressa na sua documentação está ou não a ser compreendida e a ter correspondência no concreto da população em estudo. -
Religion, Media, and the Digital Turn a Report for the Religion and the Public Sphere Program Social Science Research Council
Religion, Media, and the Digital Turn A Report for the Religion and the Public Sphere Program Social Science Research Council Christopher D. Cantwell and Hussein Rashid December 2015 This work carries a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License. This license permits you to copy, distribute, and display this work as long as you mention and link back to the Social Science Research Council, attribute the work appropriately (including both author and title), and do not adapt the content or use it commercially. Acknowledgements We wish to start by thanking Jonathan VanAntwerpen for the invitation and Nathan Schneider for the inspiration. We would also like to thank everyone involved in the Social Science Research Council’s program on Religion and the Public Sphere for shepherding this project to completion. Candace E. West and Wei Zhu deserve particular mention, however, for their sustained engagement. In addition to the SSRC’s staff and ambassadors, we would like to thank those colleagues and interlocutors who contributed to this report in various ways. Beyond those we interviewed who are listed in the Appendix, we would like to thank Emily Floyd, Shamika Goddard, Gregory Price Grieve, Kali Handelman, Nausheen Husain, Alissa Jones Nelson, S. Brent Plate, Sally Promey, Kathryn Reklis, Nathan Schneider, and Brook Wilensky-Lanford. As we argue in this report, the study of religion has long been a collaborative endeavor. The digital age has only amplified this reality. We are grateful to everyone above for collaborating with us. 1 Preface The last decade has witnessed nothing short of a transformation in the study of religion. -
Cyber-Islamic Environments and Salafī-Ṣūfī Contestations Appropriating Digital Media and Challenges to Religious Authority
Cyber-Islamic Environments and Salafī-Ṣūfī Contestations Appropriating Digital Media and Challenges to Religious Authority By Ibrahim N. Abusharif, MS Associate Professor at Northwestern University in Qatar Supervised by Prof. Gary Bunt and Prof. Sarah Lewis Submitted in partial fulfilment of the award of the degree Doctor of Philosophy University of Wales, Trinity Saint David 2019 1 DECLARATIONS This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed ................. ....... (student) Date 20 January 2019 STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where correction services have been used the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed ................. ....... (student) Date 20 January 2019 STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter- library loan, and for the title and summary to be made available to outside organisations. Signed ................. ....... (student) Date 20 January 2019 STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for deposit in the University’s digital repository. Signed ................. ....... (student) Date 20 January 2019 2 ACKNOWLEDGEMENTS I would like to offer wholehearted gratitude and thanks to Prof. Gary Bunt for his scholarship, encouragement, and guidance throughout the dissertation process. His supervision, rigour, and scholarly insights were of invaluable help to me and this study. Thanks to Prof. Sarah Lewis for her support and encouragement over the years, and for her vote of confidence in the dissertation. -
Materiality, Digital Culture, and the Functional Dimensions of Scriptures in Judaism, Christianity, and Islam 281
From Scrolls to Scrolling Judaism, Christianity, and Islam – Tension, Transmission, Transformation Edited by Patrice Brodeur, Alexandra Cuffel, Assaad Elias Kattan, and Georges Tamer Volume 12 From Scrolls to Scrolling Sacred Texts, Materiality, and Dynamic Media Cultures Edited by Bradford A. Anderson Die freie Verfügbarkeit der E-Book-Ausgabe dieser Publikation wurde ermöglicht durch den Fach- informationsdienst Jüdische Studien an der Universitätsbibliothek J. C. Senckenberg Frankfurt am Main und 18 wissenschaftliche Bibliotheken, die die Open-Access-Transformation in den Jü- dischen Studien unterstützen. ISBN 978-3-11-062959-0 e-ISBN (PDF) 978-3-11-063444-0 e-ISBN (EPUB) 978-3-11-063146-3 ISSN 2196-405X DOI https://doi.org/10.1515/9783110634440 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0 Library of Congress Control Number: 2020933703 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 Bradford A. Anderson, published by Walter de Gruyter GmbH, Berlin/Boston. The book is published with open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and binding: CPI books GmbH, Leck www.degruyter.com Open-Access-Transformation in den Jüdischen Studien Open Access für exzellente Publikationen aus den Jüdischen Studien: Dies ist das Ziel der ge- meinsamen Initiative des Fachinformationsdiensts Jüdische Studien an der Universitätsbiblio- thek J. C. Senckenberg Frankfurt am Main und des Verlags Walter De Gruyter. -
Digital Religion – Digital Theology
Consequently, and for the first time at a DH meet- ing, this ninety-minute panel session asks what is the impact of the digital turn on religious studies and the- Digital Religion – ology, and to what extent these somewhat marginal fields can bring something specific to the big DH tent. Digital Theology They particularly focus on textuality and on the sym- bolic impact of the “book” as attested to in the expres- Claire Clivaz sion, “religions of the book,” coined in a programmatic [email protected] lecture given in 1870 by F. Max Müller (2010). The Swiss Institute of Bioinformatics, Vital-IT, Switzerland symbolic, Western impact of books and writing was amplified by this notion, born at the time when the le- Emily S. Clark gal status of printed texts and authorship was com- [email protected] pletely secured in Western culture (Clivaz 2012). Gonzaga University, United States of America For centuries, “books were perceived as a ‘wide an- gle’ from which it was possible for everything to be ob- Katherine M. Faull served, related to, and perhaps even decided” (Car- [email protected] Bucknell University rière-Eco 2009). The panel will consequently consider the hypothesis that the DH have been deeply influ- Paul Dilley enced by this fascination with textuality and books [email protected] during the first decades of their development; while Iowa University, United States of America keeping “the discourse of written texts” as a central pillar to the discussion according to the words of Rob- Rachel McBride-Lindsey erto Busa, a foundational DH figure (Busa 2004). -
Defining Digital Theology: Digital Humanities, Digital Religion and the Particular Work of the CODEC Research Centre and Network
Open Theology 2019; 5: 29–43 Digital Humanities in Biblical Studies and Theology Peter Phillips*, Kyle Schiefelbein-Guerrero, Jonas Kurlberg Defining Digital Theology: Digital Humanities, Digital Religion and the Particular Work of the CODEC Research Centre and Network https://doi.org/10.1515/opth-2019-0003 Received February 4, 2019; accepted March 21, 2019 Abstract: This article seeks to define Digital Theology, first by exploring the development of the CODEC Research Centre at Durham University – perhaps the only centre developed to explore Digital Theology. The aims of the centre and some of its projects are explored leading to a discussion of CODEC’s place within Digital Humanities. The article concludes with a focus on different aspects and definitions of Digital Theology. Keywords: Digital Humanities, Digital Theology, Theology, Computing for Humanities, digital culture, CODEC 1 CODEC’s practical fusion of Digital Humanities and Digital Theology The CODEC Research Centre for Digital Theology at the University of Durham formally came into existence in 2014, although the seeds had been sown in an earlier project proposal which brought together a small group of researchers at one of Durham’s colleges, St John’s, some five years earlier. Initially, it was our intention to explore three areas: biblical literacy, digital culture, and contemporary preaching. CODEC helped to develop a major national survey in biblical literacy in 2009, published research on preaching in the contemporary church, and began to explore the impact of digital culture on the training of Christian ministers and within the Church in general. Within the first five years, CODEC developed a number of projects around each of these three areas. -
The Digital Humanities in Biblical Studies and Theology Claire Clivaz, Garrick Allen
The Digital Humanities in Biblical Studies and Theology Claire Clivaz, Garrick Allen To cite this version: Claire Clivaz, Garrick Allen. The Digital Humanities in Biblical Studies and Theology: Editorial. Open Theology, De Gruyter, 2019, Open Theology, 5 (1), pp.461-465. 10.1515/opth-2019-0035. hal-02477239 HAL Id: hal-02477239 https://hal.archives-ouvertes.fr/hal-02477239 Submitted on 22 Feb 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License Open Theology 2019; 5: 461–465 Digital Humanities in Biblical Studies and Theology Editorial Claire Clivaz and Garrick V. Allen* The Digital Humanities in Biblical Studies and Theology https://doi.org/10.1515/opth-2019-0035 This special issue of Open Theology dedicated to digital humanities (DH) belongs to, and in many ways represents, a new step in the digital development of biblical studies and theology – the start of a general diffusion of digital research, digital tools, and digital culture in theology. This new step has come to -
Thirteenth International Conference on New Directions in the Humanities from Digital Humanities to a Humanities of the Digital
Thirteenth International Conference on New Directions in the Humanities From Digital Humanities to a Humanities of the Digital 17-19 JUNE 2015 | UNIVERSITY OF BRITISH COLUMBIA | VANCOUVER, CANADA | THEHUMANITIES.COM Thirteenth International Conference on New Directions in the Humanities “From the Digital Humanities to a Humanities of the Digital” University of British Columbia | Vancouver, Canada | 17-19 June 2015 www.thehumanities.com www.facebook.com/TheHumanities.CG @humanitiescomm | #CGHumanities International Conference on New Directions in the Humanities www.thehumanitiess.com First published in 2015 in Champaign, Illinois, USA by Common Ground Publishing, LLC www.commongroundpublishing.com © 2015 Common Ground Publishing All rights reserved. Apart from fair dealing for the purpose of study, research, criticism or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please contact [email protected] New Directions in the Humanities thehumanities.com Dear Delegate, Welcome to the Thirteenth International Conference on New Directions in the Humanities. The Humanities Conference explores the future of the humanities in an intellectual and social milieu that all-too-often is dominated by the logics of economy and techno-science. The conference represents a marvelous collage of specific instances of study in the humanities and presentations that think in more general terms