Vidyamandira Patrika 2019 Special Issue
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The Seraikella Chhau Dance
The Seraikella Chhau Dance Text and Photographs by Mohan Khokar If the one-time princely state of Seraikella is known to the outside world, it is mainly because of the Chhau dance. For centuries the people here-rulers and commonersalike-havecherished and preservedthisextraordinarily stylised and aesthetically rich form of art. Dance traditions bearing the same name, Chhau, also obtain in nearby Mayurbhanj. in Orissa, and Purulia, in West Bengal, and certain parallel characteristics suggest a common origin for the three. Broadly, however, the Chhau of Seraikella can be said to be poetic and evocative, that of Mayurbhanj earthy and vibrant, and of Purulia robust and virile. Hara-Parvatt. 25 Seraikella lies in the heart of the Singhbhum district, formerly of Orissa and now of Bihar. Girdled as it is by the rolling Saranda and Bangriposi hills, it has for centuries maintained its own peculiar religious and cultural traditions, immune to influence from without. And these traditions find their fullest flower ing once every year, at the time of Chaitra Parva, the Spring Festival . Preceded by elaborate ceremonies and rituals, the Chhau is performed for four or five nights and witnessed by thousands from the city and around. The technique of the Chhau dance stems from the parikhanda system of exercise, an important part of the training of the sipahis, or warriors, of Seraikella. Pari means shield and khanda sword, and in the parikhanda the performers all hold swords and shields in their hands when doing the exercises. The parikhanda is generally performed in the early hours of the morning and, traditionally, only at one place-a stretch of raised land on the bank of the Kharkai river, known as Bhairavsal. -
Study of Dental Fluorosis in Subjects Related to a Phosphatic Fertilizer
Indian Journal of Traditional Knowledge Vol. 7(1), January 2008, pp. 130-133 Masks from the archives of the Indira Gandhi National Centre for the Arts Kakoli Roy Biswas Janapada Sampada DivisionIndira Gandhi National Centre for the Arts, New Delhi 110 001 E-mail: [email protected] Received 10 August 2007; Revised 30 October 2007 Mask, used since antiquity for both ceremonial and practical purposes, are normally worn on the face, typically for protection, concealment, performance, or amusement. Masks are believed to embody the spirit of an ancestor, and symbolize a message of wisdom, prosperity, security, and power. Masks have been worn in cultures throughout the world for thousands of years. Masks are made of varied materials including paper, cloth, grass, leather, metal, wood and stone. They are painted with symbolic designs and vivid colours. Masks and their manifold forms are a very significant mode of cultural expression. The Indira Gandhi National Centre for the Arts (IGNCA) has a rich collection of masks from all over the world. The paper describes historical background, material used, traditional methods of preparation and cultural significance of masks from the repository of the GNCA. The article also highlights the musicological, psychological and philosophical significance of these masks and focused description of the Chhau masks of West Bengal and Saraikela. Keywords: Masks IPC Int. Cl.8: B27, G10D Mask is an object, which helps a man to hide his own person. Traditional carvers or mask makers undergo identity and project various moods and required many years of specialized apprenticeship until images to act accordingly. The mask was invented by achieving mastery of the art. -
Dr. Mahuya Hom Choudhury Scientist-C
Dr. Mahuya Hom Choudhury Scientist-C Patent Information Centre-Kolkata . The first State level facility in India to provide Patent related service was set up in Kolkata in collaboration with PFC-TIFAC, DST-GoI . Inaugurated in September 1997 . PIC-Kolkata stepped in the 4th plan period during 2012-13. “Patent system added the fuel to the fire of genius”-Abrham Lincoln Our Objective Nurture Invention Grass Root Innovation Patent Search Services A geographical indication is a sign used on goods that have a specific geographical origin and possess qualities or a reputation that are due to that place of origin. Three G.I Certificate received G.I-111, Lakshmanbhog G.I-112, Khirsapati (Himsagar) G.I 113 ( Fazli) G.I Textile project at a glance Patent Information Centre Winding Weaving G.I Certificate received Glimpses of Santipore Saree Baluchari and Dhanekhali Registered in G.I registrar Registered G.I Certificates Baluchari G.I -173-Baluchari Dhanekhali G.I -173-Dhaniakhali Facilitate Filing of Joynagar Moa (G.I-381) Filed 5 G.I . Bardhaman Mihidana . Bardhaman Sitabhog . Banglar Rasogolla . Gobindabhog Rice . Tulaipanji Rice Badshah Bhog Nadia District South 24 Parganas Dudheswar District South 24 Chamormoni ParganasDistrict South 24 Kanakchur ParganasDistrict Radhunipagol Hooghly District Kalma Hooghly District Kerela Sundari Purulia District Kalonunia Jalpaiguri District FOOD PRODUCTS Food Rasogolla All over West Bengal Sarpuria ( Krishnanagar, Nadia Sweet) District. Sarbhaja Krishnanagar, Nadia (Sweet) District Nalen gur All over West Bengal Sandesh Bardhaman Mihidana Bardhaman &Sitabhog 1 Handicraft Krishnanagar, Nadia Clay doll Dist. Panchmura, Bishnupur, Terrakota Bankura Dist. Chorida, Baghmundi 2 Chhow Musk Purulia Dist. -
Curriculum Vitae
Curriculum Vitae (As on August, 2021) Dr. Biswaranjan Mistri Professor in Geography The University of Burdwan, Burdwan, West Bengal-713104, India (Cell: 09433310867; 9064066127, Email: [email protected]; [email protected]) Date of Birth: 9th September, 1977 Areas of Research Interest: Environmental Geography, Soil and Agriculture Geography Google Scholar Citation: https://scholar.google.co.in/citations?user=xpIe3RkAAAAJ&hl=en Research Gate: https://www.researchgate.net/profile/Biswaranjan-Mistri Educational Qualifications 1. B.Sc.( Hons.) in Geography with Geology and Economics, Presidency College; University of Calcutta, (1999) 2. M.A. in Geography, Jawaharlal Nehru University, New Delhi, ( 2001) 3. M.A. in Philosophy, The University of Burdwan (2017) 4. Ph.D.(Geography), Titled: “Environmental Appraisal and Land use Potential of South 24 Parganas, West Bengal”, University of Calcutta, Kolkata (2013) 5. (i ) NET/UGC (Dec,2000), in Geography (ii) JRF/CSIR (July, 2001), in EARTH, ATMOSPHERIC, OCEAN AND PLANETARY SCIENCES along with SPMF call for (June, 2002) (iii) NET/UGC (Dec, 2001), in Geography (iv) JRF/UGC (June, 2002), in Geography Attended in Training Course/ Workshop (Latest First) 1. Workshop on “Student Guidance, Counseling and Career Planning” organized by Department of Geography, The University of Burdwan, 25th August, 2018 to 31st August, 2018. 2. UGC Sponsored Short Term Course on “Environmental Science” organized by UGC- Human Resource Development Centre, The University of Burdwan, 24th May, 2016- 30th May, 2016. 3. UGC Sponsored Short Term Course on “Remote Sensing and GIS” organized by Human Resource Development Centre, The University of Burdwan, 29th December, 2015 - 4th January, 2016. 4. UGC Sponsored Short Term Course on “Human Rights” organized by Human Resource Development Centre , The University of Burdwan, June 24-30, 2015 5. -
Bestguru.Comcarnatic Music ‐ Vocal 1978 Maharajapuram V
Name of the Artist Name of the Art / Field Awarded in Amba Sanyal (Costume Designing) Allied Theatre Arts 2008 Anant Gopal Shinde (Make‐up) Allied Theatre Arts 2003 Ashok Sagar Bhagat (Lighting) Allied Theatre Arts 2002 Ashok Srivastava (Make‐up) Allied Theatre Arts 1981 D. G. Godse (Scenic Design) Allied Theatre Arts 1988 Dolly Ahluwalia (Costume Design) Allied Theatre Arts 2001 G.N. Dasgupta (Lighting) Allied Theatre Arts 1989 Gautam Bhattacharya (Lighting) Allied Theatre Arts 2006 Goverdhan Panchal (Scenic Design) Allied Theatre Arts 1985 H. V. Sharma (Stagecraft) Allied Theatre Arts 2005 Kajal Ghosh (Theatre Music) ‐ Allied Theatre Arts 2000 Kamal Arora (Make‐up) Allied Theatre Arts 2009 Kamal Jain (Lighting) Allied Theatre Arts 2011 Kamal Tewari (Theatre Music) ‐ Allied Theatre Arts 2000 Kanishka Sen (Lighting) Allied Theatre Arts 1994 Khaled Choudhury (Scenic Design) Allied Theatre Arts 1986 Kuldeep Singh (Music for Theatre) Allied Theatre Arts 2009 M. S. Sathyu (Stagecraft) Allied Theatre Arts 1993 Mahendra Kumar (Scenic Design) Allied Theatre Arts 2007 Mansukh Joshi (Scenic & Light Design) Allied Theatre Arts 1997 N. Krishnamoorthy (Stagecraft) Allied Theatre Arts 1995 Nissar Allana (Stagecraft) Allied Theatre Arts 2002 R. K. Dhingra (Lighting) ‐ Allied Theatre Arts 2000 R. Paramashivan (Theatre Music) Allied Theatre Arts 2005 Robin Das (Scenic Design) ‐ Allied Theatre Arts 2000 Roshen Alkazi (Costume Design) Allied Theatre Arts 1990 Shakti Sen (Make‐up) ‐ Allied Theatre Arts 2000 Sreenivas G. Kappanna (Lighting & Stage Design) Allied Theatre Arts 2003 Suresh Bhardwaj (Lighting) Allied Theatre Arts 2005 Tapas Sen (Lighting) Allied Theatre Arts 1974 V. Ramamurthy (Lighting) Allied Theatre Arts 1977 Alathur S. Srinivasa Iyer Carnatic Music ‐ Vocal 1968 Ariyakudi Ramanuja Iyengar Carnatic Music ‐ Vocal 1952 B. -
GI Journal No. 93 1 November 30, 2016
GI Journal No. 93 1 November 30, 2016 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO.93 NOVEMBER 30, 2016 / AGRAHAYANA 9, SAKA 1938 GI Journal No. 93 2 November 30, 2016 INDEX S. No. Particulars Page No. 1 Official Notices 4 2 New G.I Application Details 5 3 Public Notice 6 4 GI Applications Udayagiri Wooden Cutlery - GI Application No. 522 7 Bardhaman Sitabhog - GI Application No. 525 Bardhaman Mihidana - GI Application No.526 Sikki Grass Products of Bihar (Logo) - GI Application No.536 Sujini Embroidery Work of Bihar (Logo) - GI Application No.538 Blue Pottery of Jaipur (Logo) - GI Application No.540 Kathputlis of Rajasthan (Logo) - GI Application No.541 5 General Information 6 Registration Process GI Journal No. 93 3 November 30, 2016 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 93 of the Geographical Indications Journal dated 30th November, 2016 / Agrahayana 9th, Saka 1938 has been made available to the public from 30th November, 2016. GI Journal No. 93 4 November 30, 2016 NEW G.I APPLICATION DETAILS App.No. Geographical Indications Class Goods 555 Gazhipur Jute Wall-hanging Craft 27 Handicraft 556 Varanasi Soft Stone Undercut 27 Handicraft Work 557 Chunar Sand Stone 19 Natural Goods 558 Boka Chaul 30 Agricultural 559 Madras Checks 23 & 24 Textiles 560 Panruti Palapazham 31 Agricultural 561 Manamadurai Ghatam 15 Manufactured 562 Pochampally Ikat (Logo) 24,25 & 27 Textiles 563 Dokra of West Bengal 6,14,21 Handi Crafts 564 Bengal Patachitra 16,24 Handi Crafts 565 Purulia Chhau Mask 27 Handi Crafts 566 Wooden Mask of Kushmani 20 Handi Crafts 567 Madurkathi 20,27 Handi Crafts 568 Darjeeling White 30 Agricultural 569 Darjeeling Green 30 Agricultural 570 Otho Dongo 19 Manufactured 571 Jaipuri Razai 24 Textiles GI Journal No. -
Annual Report 1990 .. 91
SANGEET NAT~AKADEMI . ANNUAL REPORT 1990 ..91 Emblem; Akademi A wards 1990. Contents Appendices INTRODUCTION 0 2 Appendix I : MEMORANDUM OF ASSOCIATION (EXCERPTS) 0 53 ORGANIZATIONAL SET-UP 05 AKADEMI FELLOWSHIPS/ AWARDS Appendix II : CALENDAR OF 19900 6 EVENTS 0 54 Appendix III : GENERAL COUNCIL, FESTIVALS 0 10 EXECUTIVE BOARD, AND THE ASSISTANCE TO YOUNG THEATRE COMMITTEES OF THE WORKERS 0 28 AKADEMID 55 PROMOTION AND PRESERVATION Appendix IV: NEW AUDIO/ VIDEO OF RARE FORMS OF TRADITIONAL RECORDINGS 0 57 PERFORMING ARTS 0 32 Appendix V : BOOKS IN PRINT 0 63 CULTURAL EXCHANGE Appendix VI : GRANTS TO PROGRAMMES 0 33 INSTITUTIONS 1990-91 064 PUBLICATIONS 0 37 Appendix VII: DISCRETIONARY DOCUMENTATION / GRANTS 1990-91 071 DISSEMINATION 0 38 Appendix VIll : CONSOLIDATED MUSEUM OF MUSICAL BALANCE SHEET 1990-91 0 72 INSTRUMENTS 0 39 Appendix IX : CONSOLIDATED FINANCIAL ASSISTANCE TO SCHEDULE OF FIXED CULTURAL INSTITUTIONS 0 41 ASSETS 1990-91 0 74 LIBRARY AND LISTENING Appendix X : PROVIDENT FUND ROOMD41 BALANCE SHEET 1990-91 078 BUDGET AND ACCOUNTS 0 41 Appendix Xl : CONSOLIDATED INCOME & EXPENDITURE IN MEMORIAM 0 42 ACCOUNT 1990-91 KA THAK KENDRA: DELHI 0 44 (NON-PLAN & PLAN) 0 80 JA WAHARLAL NEHRU MANIPUR Appendix XII : CONSOLIDATED DANCE ACADEMY: IMPHAL 0 50 INCOME & EXPENDITURE ACCOUNT 1990-91 (NON-PLAN) 0 86 Appendix Xlll : CONSOLIDATED INCOME & EXPENDITURE ACCOUNT 1990-91 (PLAN) 0 88 Appendix XIV : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (NON-PLAN & PLAN) 0 94 Appendix XV : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (NON-PLAN) 0 104 Appendix XVI : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (PLAN) 0 110 Introduction Apart from the ongoing schemes and programmes, the Sangeet Natak Akademi-the period was marked by two major National Academy of Music, international festivals presented Dance, and Drama-was founded by the Akademi in association in 1953 for the furtherance of with the Indian Council for the performing arts of India, a Cultural Relations. -
Chhau Dance of Mayurbhanj
JUNE - 2013 Odisha Review Chhau Dance of Mayurbhanj Balabhadra Ghadai With the arrival of Chaitra (March-April) the performance. Some scholars suggest that the nature, so lush and rich in Mayurbhanj, is vibrant word ‘Chhau’ is derived from the Sanskrit word with new life; trees, creepers and orchids are in ‘Chhaya’ which carries the meaning of facsimile bloom, the air is fragrant with flowers; and birds or disguise. Since mask is used in Purulia and songs reverberate through the hills and plains. The Sareikala Chhau, it is reasonable to name it as whole district comes under the magic spell of mask dance. Some scholars are of opinion that Chhau, the most colourful virile dance usually Chhau is an Odia word and its meaning according performed for three days during the Chaitra Parva to Purna Chandra Bhasakosha is to attack (13th or 14th April) at Baripada, the district stealthily and cunningly. It is needless to enter into headquarters of Mayurbhanj. The vigorous war an arid controversy as to its origin since evidence dances with swords and shields, the colourful, either documentary or collateral is extremely dignified yet intricate rhythmic pattern of other meagre. But even if its original source is military dances, the loud yet melodious sound of battle tradition, there is little doubt that there has been drums, such as Dhumsa, Nagra, Dhol and quite a lot of co•mingling of folk, tribal and Chadchadi with Mahuri brings thunderous effect religious traditions in the process of its evolution. to make the audience spellbound. The Bhanja Kings of Mayurbhanj were Chhau, a martial dance form, found in great Patrons of art and culture. -
Research Paper Exploring the Potentials of Handicraft As a Promotional Tool for West Bengal Tourism General Manager , Lufthansa
Volume : 5 | Issue : 1 | January 2016 ISSN - 2250-1991 Research Paper Commerce Exploring the Potentials of Handicraft as a Promotional Tool for West Bengal Tourism Mr. Sudipta General Manager , Lufthansa City Center, Kolkata Mukherjee Ms. Madhumita Assistant Professor, Amity University, Kolkata Mukherjee Mr. Swapnadip Executive , Lufthansa City Center, Kolkata Bhattacharya The handicrafts sector has a rich and traditional offering for the world through its huge items offered by the artisans and the indigenous products. Handicraft play significant role in familiarizing the country’s tourism resources, attracting tourists, stated the inhabitant of a country engaged in handicraft work. West Bengal is very reach in handicrafts because of its long heritage and culture. Since decades, a large number migration took place in Bengal which made the state a culturally diversified. Artisans from various parts of the state are engaged in creating their own quality products. This paper explore the various potential and culturally enriched handicrafts of West Bengal to promote tourism and also identifies ABSTRACT the challenges and threats faced by craftsman of Bengal along with their strengths and future opportunities to establish handicraft as a promotional tool for tourism industry. KEYWORDS Heritage, Culture, Handicrafts, Promotion, Craftsmen Introduction token of the place where the tourist visited with a great en- Tourism is the largest and fastest growing service sector, which thusiast and zeal for travel. generates foreign exchange for the country which can be uti- lized to benefit poor handicraft producers as the number of Objectives of the Study international tourists increase. Strengthening the handicraft 1. To explore various potential and culturally enriched handi- sector ensures that tourists choose to buy more locally pro- crafts of West Bengal to promote tourism. -
COMPILATION ART & CULTURE.Indd.Indd
PRELIMS SAMPOORNA As IAS prelims 2021 is knocking at the door, jitters and anxiety is a common emotion that an aspirant feels. But if we analyze the whole journey, these last few days act most crucial in your preparation. This is the time when one should muster all their strength and give the fi nal punch required to clear this exam. But the main task here is to consolidate the various resources that an aspirant is referring to. GS SCORE brings to you, Prelims Sampoorna, a series of all value-added resources in your prelims preparation, which will be your one-stop solution and will help in reducing your anxiety and boost your confi dence. As the name suggests, Prelims Sampoorna is a holistic program, which has 360-degree coverage of high-relevance topics. It is an outcome-driven initiative that not only gives you downloads of all resources which you need to summarize your preparation but also provides you with All India open prelims mock tests series in order to assess your learning. Let us summarize this initiative, which will include: GS Score UPSC Prelims 2021 Yearly Current Aff airs Compilation of All 9 Subjects Topic-wise Prelims Fact Files (Approx. 40) Geography Through Maps (6 Themes) Map Based Questions ALL India Open Prelims Mock Tests Series including 10 Tests Compilation of Previous Year Questions with Detailed Explanation We will be uploading all the resources on a regular basis till your prelims exam. To get the maximum benefi t of the initiative keep visiting the website. To receive all updates through notifi cation, subscribe: https://t.me/iasscore https://www.youtube.com/c/IASSCOREoffi cial/ https://www.facebook.com/iasscore https://www.instagram.com/ias_gsscore/ https://twitter.com/IASSCORE1 Contents 1. -
List of Scholarship Holders Invited for the Renewal Test to Be Held at Kolkata. Year 2014-15
Venue: KOLKATA: THE RAMAKRISHNA MISSION INSTITUTE OF CULTURE, GOL PARK,KOLKATA-700029,WEST BENGAL List of Scholarship Holders invited for the Renewal Test to be held at Kolkata. Year 2014-15 S.N SCHOLAR PARENTS VENUE DATE TIME ID.NO STATE ART FIELD O NAME NAME JINIA KOLKATA 15-07-2019 03.00 PM SCHO/2014- SHRI JAYANTA 1. CHOWDHUR WEST BENGAL FOLK SONGS 15/00539 CHOWDHURY Y SHRI SUBRATA KOLKATA 15-07-2019 04.00 PM SCHO/2014- SUKANYA HINDUSTANI 2. KUMAR WEST BENGAL 15/00515 BANERJEE MUSIC VOCAL BANERJEE SCHO/2014- SUMOYEE SHRI SUMAN KOLKATA HINDUSTANI 15-07-2019 04.00 PM 3. WEST BENGAL 15/00518 GHOSH GHOSH MUSIC VOCAL SCHO/2014- ARKODEEP SHRI ABHIJIT KOLKATA HINDUSTANI 15-07-2019 04.00 PM 4. WEST BENGAL 15/00519 SARKAR SARKAR MUSIC VOCAL SCHO/2014- SMT. SHEULI KOLKATA HINDUSTANI 15-07-2019 04.00 PM 5. SAGNIK SEN WEST BENGAL 15/00517 SEN MUSIC VOCAL SCHO/2014- ANIMESH SHRI ANUP KOLKATA RABINDRA 15-07-2019 02.00 PM 6. WEST BENGAL 15/00520 KUMAR KAR KUMAR KAR SANGEET SCHO/2014- BANITA SHRI BIMAL KOLKATA 16-07-2019 09.00 AM 7. WEST BENGAL BANANA WEAVING 15/00538 SARKAR SARKAR SCHO/2014- RAHUL SHRI PRAN KOLKATA 16-07-2019 09.00 AM 8. WEST BENGAL CHHAU MASK 15/00596 SUTRADHAR GOBINDA SUTRADHAR SCHO/2014- MALA SHRI POTOL KOLKATA 16-07-2019 09.00 AM 9. WEST BENGAL DHOKRA WEAVING 15/00535 SARKAR SARKAR KOLKATA DHOKRA WEAVING 16-07-2019 09.00 AM SHIKA SCHO/2014- SHRI TUNDU 10. DEBSHARM WEST BENGAL 15/00536 DEBSHARMA A KOLKATA HINDUSTANI 16-07-2019 04.00 PM SCHO/2014- HRITWIKA SHRI RAKESH MUSIC 11. -
ISSN: 2320-5407 Int. J. Adv. Res. 5(10), 1729-1741
ISSN: 2320-5407 Int. J. Adv. Res. 5(10), 1729-1741 Journal Homepage: -www.journalijar.com Article DOI:10.21474/IJAR01/5696 DOI URL: http://dx.doi.org/10.21474/IJAR01/5696 RESEARCH ARTICLE SOCIETAL REPRESENTATION OF „MANBHUM CHHOW‟: A CASE OF „CHHOW MASK MAKERS‟ OF CHARIDA VILLAGE, PURULIA DISTRICT, WEST BENGAL. Biswajeet Saha. Faculty, Post Graduate Department of Geography, Institute of Advanced Studies, (Distance Education Centre, University of Madras), Greek Church Row Extension, Kolkata- 700026. …………………………………………………………………………………………………….... Manuscript Info Abstract ……………………. ……………………………………………………………… Manuscript History Chhow is one of the vigorous folk cultures in the world. This is very famous in Charida village of Purulia district along with making Chhow Received: 22 August 2017 Mask. Almost 85% people of Charida village are profoundly engaged Final Accepted: 24 September 2017 in mask making activity. Both Sutradhar and Tribal community people Published: October 2017 are engaged in this type of cultural activity. Sutradhar community is Key words:- eminent for Chhow Mask making while the Tribal community is well folk culture, Chhow dance, Chhow mask known for Chhow Dance. These two communities represent a distinct making, socio-economic status, Chhow type of socio-economic attributes on the environment. However, Mask culture. making industry is very much predominant in the small-scale sector of West Bengal and most of the rural people are trying to fulfil their economic desire through this activity in each part of Charida village. This research paper mainly focuses on the societal representation of ManbhumChhow and the Chhow mask makers of Charida village of Purulia district. Copy Right, IJAR, 2017,. All rights reserved. …………………………………………………………………………………………………….... Introduction:- Chhow culture is not only concentrated in Purulia, but also it is concentrated in Mayurbhanj (Odisha state) and Serailkela-Kharsawan (Jharkhand state) districts.