Herefore Greater Value (I.E., Theexhibitions Reflect This Event Everywhere
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Changing the Game: Monthly Technology Briefs
the way we see it Changing the Game: Monthly Technology Briefs April 2011 Tablets and Smartphones: Levers of Disruptive Change Read the Capgemini Chief Technology Officers’ Blog at www.capgemini.com/ctoblog Public the way we see it Tablets and Smartphones: Levers of Disruptive Change All 2010 shipment reports tell the same story - of an incredible increase in the shipments of both Smartphones and Tablets, and of a corresponding slowdown in the conventional PC business. Smartphone sales exceeded even the most optimis- tic forecasts of experts, with a 74 percent increase from the previous year – around a battle between Apple and Google Android for supremacy at the expense of traditional leaders Nokia and RIM BlackBerry. It was the same story for Tablets with 17.4 million units sold in 2010 led by Apple, but once again with Google Android in hot pursuit. Analyst predictions for shipments suggest that the tablet market will continue its exponential growth curve to the extent that even the usually cautious Gartner think that by 2013 there will be as many Tablets in use in an enterprise as PCs with a profound impact on the IT environment. On February 7, as part of the Gartner ‘First Thing Monday’ series under the title ‘The Digital Natives are Restless, The impending Revolt against the IT Nanny State’ Gartner analyst Jim Shepherd stated; “I am regularly hearing middle managers and even senior executives complaining bit- terly about IT departments that are so focussed on the global rollout of some monolith- ic solution that they have no time for new and innovative technologies that could have an immediate impact on the business. -
Pragmatic Guide to Javascript
www.allitebooks.com What Readers Are Saying About Pragmatic Guide to J a v a S c r i p t I wish I had o w n e d this book when I first started out doing JavaScript! Prag- matic Guide to J a v a S c r i p t will take you a big step ahead in programming real-world JavaScript by showing you what is going on behind the scenes in popular JavaScript libraries and giving you no-nonsense advice and back- ground information on how to do the right thing. W i t h the condensed years of e x p e r i e n c e of one of the best JavaScript developers around, it’s a must- read with great reference to e v e r y d a y JavaScript tasks. Thomas Fuchs Creator of the script.aculo.us framework An impressive collection of v e r y practical tips and tricks for getting the most out of JavaScript in today’s browsers, with topics ranging from fundamen- tals such as form v a l i d a t i o n and JSON handling to application e x a m p l e s such as mashups and geolocation. I highly recommend this book for anyone wanting to be more productive with JavaScript in their web applications. Dylan Schiemann CEO at SitePen, cofounder of the Dojo T o o l k i t There are a number of JavaScript books on the market today, b u t most of them tend to focus on the new or inexperienced JavaScript programmer. -
CELSIUS a Peer-Reviewed Bi-Annual Online Journal Supporting the Disciplines of Ceramics, Glass, and Jewellery and Object Design
CELSIUS A peer-reviewed bi-annual online journal supporting the disciplines of ceramics, glass, and jewellery and object design. ISSUE 1 July 2009 Published in Australia in 2009 by Sydney College of the Arts The Visual Arts Faculty The University of Sydney Balmain Road Rozelle Locked Bag 15 Rozelle, NSW 2039 +61 2 9351 1104 [email protected] www.usyd.edu.au/sca Cricos Provider Code: 00026A © The University of Sydney 2009 This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this publication may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the copyright owners. Sydney College of the Arts gratefully acknowledges the contribution of the artists and their agents for permission to reproduce their images and papers. Editor: Jan Guy Publication Layout: Nerida Olson Disclaimers 1. The material in this publication may contain references to persons who are deceased. 2. The artwork and statements in this catalogue have not been classified for viewing purposes and do not represent the views or opinions of the University of Sydney or Sydney College of the Arts. www.usyd.edu.au/sca/research/projects/celsiusjournal CELSIUS A peer-reviewed bi-annual online journal supporting the disciplines of ceramics, glass, and jewellery and object design. Mission Statement The aims of Celsius are to - provide an arena for the publication of scholarly papers concerned with the disciplines of ceramics, glass and jewellery and object design - promote artistic and technical research within these disciplines of the highest standards -foster the research of postgraduate students from Australia and around the world - complement the work being done by professional journals in the exposure of the craft based disciplines -create opportunities of professional experience in the field of publication for USYD postgraduate students Editorial Board The Celsius Editorial Board advises the editor and helps develop and guide the online journal’s publication program. -
Opera Software the Best Browsing Experience on Any Device
Opera Software The best browsing experience on any device The best Internet experience on any device Web Standards for the Future – Bruce Lawson, Opera.com • Web Evangelist, Opera • Tech lead, Law Society & Solicitors Regulation Authority (2004-8) • Author 2 books on Web Standards, edited 2 • Committee member for British Standards Institution (BSI) for the new standard for accessible websites • Member of Web Standards Project: Accessibility Task Force • Member of W3C Mobile Best Practices Working Group Web Standards for the Future – Bruce Lawson, Opera.com B.A., Honours English Literature and Language with Drama Theresa is blind But she can use the Web if made with standards The big picture WWW The big picture Western Western Web A web (pre)history • 1989 TBL proposes a project • 1992 <img> in Mosaic beta. Now 99.57% (MAMA) • 1994 W3C started at MIT • 1996 The Browser Wars • 1999 WAP, Web Content Accessibility Guidelines (WCAG) • 2000 Flash Modern web history • 2000-ish .com Crash - Time to grow up... • 2002 Opera Mobile with Small Screen Rendering • 2005 WHAT-WG founded, W3C Mobile Web Initiative starts • 2007 W3C adopts WHAT-WG spec as basis for HTML 5 • January 22, 2008 First public working draft of HTML 5 Standards at Opera • 25 employees work on standards • Mostly at W3C - a big player • Working on many standards • Bringing new work to W3C • Implementing Standards properly (us and you!) (Web Standards Curriculum www.opera.com/wsc) Why standards? The Web works everywhere - The Web is the platform • Good standards help developers: validate; separate content and presentation - means specialisation and maintainability. -
Lucie Rie - 1902-1995
Lucie Rie - 1902-1995 Dame Lucie Rie [née Gomperz] was born on 16 March 1902 in Vienna, the third and last child of Professor Benjamin Gomperz (1861-1936), an ear, nose, and throat specialist, and his wife, Gisela (1873-1937), daughter of Ignaz Wolf and his wife, Hermine. The Wolfs were a prominent Eisenstadt family whose fortune was based on wine production. The Gomperz family, too, was prosperous and Lucie's childhood was spent between their home in the Falkstrasse and the Wolfs' country house at Eisenstadt. She was educated by a private tutor. Through her father, a friend of Sigmund Freud, and her uncle, the collector and Zionist historian Sandor Wolf, she was also in touch with the rich intellectual life of early twentieth-century Vienna. After contemplating a medical career she decided instead to enter the Kunstgewerbeschule, the art school attached to the Wiener Werkstatte, in 1922. There she was, she said, instantly 'lost' to the potter's wheel. She was taught by Michael Powolny, whose strengths as a ceramist were technical rather than aesthetic. Her work was nevertheless noticed by the co-founder of the Werkstatte, Joseph Hoffmann, who sent her pots to the Exposition des Arts Decoratifs et Modernes in Paris in 1925. Over the next decade she developed her own style. She herself later said in an interview with the author that the work of these years was 'hardly at all important', but critics have disagreed (The Guardian, 31 Aug 1988). She combined a plain, modernist aesthetic with the technical daring that Powolny had encouraged in her, somewhat perversely, by telling her she would never be able to imitate ancient glazes. -
Media Release
MEDIA RELEASE October 8, 2014 Conversations with Lucie Rie Conversations with Lucie Rie October 17, 2014 to March 9, 2015 Drury Gallery How incredibly compelling a conversation with famed potter Lucie Rie would have been! Rie, whose life story is as awe-inspiring as her work, will be celebrated at the Art Gallery Curated by Toby Lawrence of Greater Victoria later this month when the exhibition, Conversations with Lucie Rie , opens on Oct. 17. One of the most influential potters of the 20 th century, Rie achieved damehood in 1991, and is renowned for her modernist aesthetic of spare lines and textured surfaces. Her Art Gallery of Greater Victoria career spanned seven decades during the 20th century and culminated in an exhibition at 1040 Moss Street the Metropolitan Museum of Art from 1994 to 1995—the year of her death. Rie was born in Vienna in 1902, and she was forced to leave behind a burgeoning arts career when she Victoria, British Columbia V8V 4P1 fled from the Nazis in 1938 to England. In London, Rie re-established herself through her 250.384.4171 aggv.ca own artistic language and studio at Albion Mews. “The exhibition considers the development of Rie’s work and the impact she had on her contemporaries and subsequent generations of artists, curators, collectors, and admirers,” says the exhibition’s curator, Toby Lawrence. “It also highlights the friendships and dialogue she established through her practice as a studio potter.” See aggv.ca for details “The Gallery is extremely fortunate to have 19 of Lucie Rie’s pieces in our collection,” continues Lawrence. -
Exhibitions and Events
Exhibitions and Events SEPTEMBER 2018 – MARCH 2019 Exhibitions Highlights September 2018 – March 2019 Strata | Rock | Dust | Stars 28 September – 25 November 2018 OF Day of Clay DAY 6 October 2018 The BFG in Pictures 12 October 2018 – 24 February 2019 When all is Quiet: Kaiser Chiefs in CLAY Conversation with York Art Gallery 14 December 2018 – 10 March 2019 Lucie Rie: Ceramics and Buttons Until 12 May 2019 ARTIST’S CHOICE by Per Inge Bjørlo Until 31 March 2019 6 OCTOBER 2018 Project Gallery As part of the Ceramics + Design Now Festival 2018, join York Art Gallery for a celebration of ceramics with Ulungile Magubane, eMBIZENI hands-on activities, performance art, raku firing, workshops and expert talks. From 28 September 2018 Save time and buy your ticket online – visit yorkartgallery.org.uk | 3 Strata | Rock | Dust | Stars A York Museums Trust, FACT Liverpool, and York Mediale exhibition. 28 September – 25 November 2018 This is a landmark exhibition featuring moving image, new media and interactive artwork. Strata - Rock - Dust - Stars takes its inspiration from William Smith’s ground-breaking geological map of England, Wales and Scotland, created in 1815 – which identified the layers of the Earth and transformed the way in which the world was understood. It will be the most ambitious and large-scale media art exhibition York has ever hosted. The exhibition showcases works by internationally renowned artists Isaac Julien, Agnes Meyer-Brandis, Semiconductor, Phil Coy, Liz Orton, David Jacques, and Ryoichi Kurokawa. Co-commissioned between York Art Gallery and York Mediale, and curated by Mike Stubbs, Director of FACT Liverpool. -
BTEC 2012 Specification
Diploma in Digital Applications Specification Pearson Edexcel Level 2 Diploma in Digital Applications (DiDA) From October 2014 Contents Qualification title and Qualification Number 1 Introduction 2 Key features 2 Rationale 2 Aims 3 Progression 3 Recommended prior knowledge, skills and understanding 3 Qualification structure 4 Pearson Edexcel Level 2 Diploma in Digital Applications (DiDA) 4 Assessment Objectives 4 Assessment Objective weightings for the Pearson Edexcel Level 2 Diploma in Digital Applications (DiDA) 5 Assessment summary 6 Availability of assessment 6 Unit structure 7 Units 9 Unit 1: Developing Web Products 11 Unit 2: Creative Multimedia 21 Unit 3: Artwork and Imaging 41 Unit 4: Game Making 61 Unit 5: Coding for the Web 79 Assessment information for the externally assessed unit 90 Sample assessment materials 90 Language of assessment 90 Assessment information for internally assessed units 91 Controls for task setting 91 Controls for task taking 91 Authentication 93 Submission of work to the teacher 93 Marking, standardisation and moderation 93 Security and backups 93 Language of assessment 94 Further information 94 Grading information 95 Qualification awards 95 Grade descriptors 95 Additional information 97 Registration and entry 97 Unit codes 97 Cash-in codes 97 Availability of assessment 98 Resitting of units 98 Awarding and reporting 98 Forbidden combinations and classification code 98 Access and recruitment 99 Access to qualifications for students with disabilities or specific needs 100 Further information and useful publications 101 Teacher support 101 Annexe A: Mapping to Key Stage 4 Computing Programme of Study 103 Annexe B: DiDA and Synoptic Assessment 105 Annexe C: Centre assessor sheets 107 Qualification title and Qualification Number Qualification Pearson Edexcel Level 2 Diploma in Digital title Applications Qualification 601/4650/3 Number (QN) This qualification is on the National Qualifications Framework (NQF). -
Introducing HTML5 Second Edition
HTMLINTRODUCING SECOND 5EDITION BRUCE LAWSON REMY SHARP Introducing HTML5, Second Edition Bruce Lawson and Remy Sharp New Riders 1249 Eighth Street Berkeley, CA 94710 510/524-2178 510/524-2221 (fax) Find us on the Web at: www.newriders.com To report errors, please send a note to [email protected] New Riders is an imprint of Peachpit, a division of Pearson Education Copyright © 2012 by Remy Sharp and Bruce Lawson Project Editor: Michael J. Nolan Development Editor: Margaret S. Anderson/Stellarvisions Technical Editors: Patrick H. Lauke (www.splintered.co.uk), Robert Nyman (www.robertnyman.com) Production Editor: Cory Borman Copyeditor: Gretchen Dykstra Proofreader: Jan Seymour Indexer: Joy Dean Lee Compositor: Danielle Foster Cover Designer: Aren Howell Straiger Cover photo: Patrick H. Lauke (splintered.co.uk) Notice of Rights All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For informa- tion on getting permission for reprints and excerpts, contact permissions@ peachpit.com. Notice of Liability The information in this book is distributed on an “As Is” basis without war- ranty. While every precaution has been taken in the preparation of the book, neither the authors nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the com- puter software and hardware products described in it. Trademarks Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. -
Secrets of the Javascript Ninja
Secrets of the JavaScript Ninja JOHN RESIG BEAR BIBEAULT MANNING SHELTER ISLAND For online information and ordering of this and other Manning books, please visit www.manning.com. The publisher offers discounts on this book when ordered in quantity. For more information, please contact Special Sales Department Manning Publications Co. 20 Baldwin Road PO Box 261 Shelter Island, NY 11964 Email: [email protected] ©2013 by Manning Publications Co. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by means electronic, mechanical, photocopying, or otherwise, without prior written permission of the publisher. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in the book, and Manning Publications was aware of a trademark claim, the designations have been printed in initial caps or all caps. Recognizing the importance of preserving what has been written, it is Manning’s policy to have the books we publish printed on acid-free paper, and we exert our best efforts to that end. Recognizing also our responsibility to conserve the resources of our planet, Manning books are printed on paper that is at least 15 percent recycled and processed without the use of elemental chlorine. Manning Publications Co. Development editors: Jeff Bleiel, Sebastian Stirling 20 Baldwin Road Technical editor: Valentin Crettaz PO Box 261 Copyeditor: Andy Carroll Shelter Island, NY 11964 Proofreader: Melody Dolab Typesetter: Dennis Dalinnik Cover designer: Leslie Haimes ISBN: 978-1-933988-69-6 Printed in the United States of America 1 2 3 4 5 6 7 8 9 10 – MAL – 18 17 16 15 14 13 12 brief contents PART 1 PREPARING FOR TRAINING. -
(Public Pack)Agenda Document for Art Galleries Committee, 17/02/2021
Public Document Pack Art Galleries Committee Date: Wednesday, 17 February 2021 Time: 9.30 am Venue: Virtual meeting – https://vimeo.com/509986438 Everyone is welcome to attend this committee meeting. The Local Authorities and Police and Crime Panels (Coronavirus) (Flexibility of Local Authority and Police and Crime Panel Meetings) (England and Wales) Regulations 2020. Under the provisions of these regulations the location where a meeting is held can include reference to more than one place including electronic, digital or virtual locations such as Internet locations, web addresses or conference call telephone numbers. To attend this meeting it can be watched live as a webcast. The recording of the webcast will also be available for viewing after the meeting has ended. Membership of the Art Galleries Committee Councillors - Akbar, Bridges, Craig, Leech, Leese, N Murphy, Ollerhead, Rahman, Richards and Stogia Art Galleries Committee Agenda 1. Urgent Business To consider any items which the Chair has agreed to have submitted as urgent. 2. Appeals To consider any appeals from the public against refusal to allow inspection of background documents and/or the inclusion of items in the confidential part of the agenda. 3. Interests To allow Members an opportunity to [a] declare any personal, prejudicial or disclosable pecuniary interests they might have in any items which appear on this agenda; and [b] record any items from which they are precluded from voting as a result of Council Tax/Council rent arrears; [c] the existence and nature of party whipping arrangements in respect of any item to be considered at this meeting. Members with a personal interest should declare that at the start of the item under consideration. -
Hans Coper and Pupils Press Release
Hans Coper, Lucie Rie & Pupils Hans Coper, Spade Form (1967) height 19 cms. Image: Michael Harvey Influential potter Hans Coper (1920-1981) was a champion of arts education. “His teaching had the same integrity and strength as had his pots; graceful, direct, precisely and sensitively tuned...” 1 In this his centenary year, Oxford Ceramics Gallery celebrate this element of Coper’s work with their forthcoming exhibition Hans Coper, Lucie Rie and Pupils (15th May - 4th July) A leader in the development of ceramics in the twentieth century Coper taught at Camberwell and then at Royal College of Art alongside his own teacher and mentor Lucie Rie (1902 - 1995). 1 Tony Birks. Hans Coper. (New York: Harper & Row, 1983), 61. Group of works by Lucie Rie on shelf including Bronze Vase (central) alongside a coffee pot and jug with white glaze and pulled handles. Newly sourced examples of Coper’s work are shown alongside fine examples from Lucie Rie and key works from the following generation of their pupils who went on to define the range and creative brilliance of British Studio Pottery. Exhibitors in- clude: Alison Britton, Elizabeth Fritsch, Ian Godfrey, Ewen Henderson, Jacqueline Poncelet & John Ward. Alison Britton, White Jar (1991) 34 x 46 x 19.5 cm. image: James Fordham. Born in Chemnitz, Germany, Hans Coper (1920-1981) came to England in 1939 as an engineering student and in 1946 he began working as an assistant to the Austrian potter Lucie Rie (1902-1995) in her studio in London, taking him on with no formal training in ceramics.