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Download 2017 Annual Report
Annual Report Issue SUMMER 2018 Please Join Us for the 72nd Annual Meeting and the Members’ Reception for Art and the New England Farm. Friday, June 1, 2018 at 5:30PM Florence Griswold Museum 96 Lyme Street Old Lyme, Connecticut The Annual Meeting takes place on Friday, June 1, 2018 at 5:30pm under a tent on the Adrian P. Moore Garden Terrace. We will share brief reports on the activities of the Museum and invite members to elect a new slate of officers and trustees. Afterwards, we’ll enjoy a festive reception for the exhibition Art and the New England Farm. This is your invitation to the Annual Meeting and Members’ Reception. We hope you can join us. Kindly RSVP (acceptances only) to 860-434-5542 ext. 122 or DeeDee@fl gris.org. Thomas Nason, Midsummer, 1954. Florence Griswold Museum, Gift of Janet Eltinge Art and the New England Farm – the Perils and Pleasures of Farming The Florence Griswold Museum is uniquely positioned to tell the story of Art and the New England Farm, on view May 11 through September 16. This exhibition delves into the agricultural heritage of Florence Griswold’s family estate, the Lyme region and beyond, to examine the complex history and character of New England’s farms. Paintings, drawings, and photographs by artists from the 1830s to the present day will trace the unique challenges of farming in New England. The Museum’s property is itself a case study of family farms in New England. Purchased by the Griswolds in 1841, these grounds became a country estate with barns, an orchard, gardens, and riverfront pastures where the family practiced small-scale farming during Florence’s childhood. -
A Girl Scout Gold Award Project
A KID’S WALKING TOUR OF OLD LYME’S HISTORIC DISTRICT A GIRL SCOUT GOLD AWARD PROJECT by EMILY C. ZEMBA 1 FOR MORE INFORMATION! “A WALKING TOUR GUIDE OF THE HISTORIC DISTRICT OF OLD LYME, CONNECTICUT” BY JENNIFER PERRY “LYME AS IT WAS AND IS” BY JAMES ELY HARDING “OLD LYME, LYME, AND HADLYME” BY KATHRYN BURTON www.oldlyme-ct.gov (TOWN OF OLD LYME WEBSITE) www.arttrail.org (CONNECTICUT IMPRESSIONIST ART TRAIL) www.cthistoryonline.org (CONNECTICUT HISTORY ONLINE) www.oldlymehistoricalsociety.org (OLD LYME HISTORICAL SOCIETY) www.flogris.org (FLORENCE GRISWOLD MUSEUM) 35 I have lived in Old Lyme for most of my life. We pass these signs and others every Through the years I have come to appreciate the day, but do we really know what they historical significance that my town has. There is mean? so much history here, and it seems as if hardly any- Lyme and Old Lyme are filled with body knows about it. For my Girl Scout Gold Award project, I de- history (and herstory) just waiting to be cided to create a Children’s Walking Tour of the discovered, but in order to find it you Historic District in my town. I know that there is have to pay attention to the things an adult walking tour of Old Lyme available in our around you and always ask questions! local library, however, I believe that it is important for kids to get to know their area’s history in a fun Remember, “you have to know the past and educational way. to understand the present.” -Carl Sagan In summer 2003, I took part in a Girl Scout program called “Freedom’s Rites” in Rochester, New York. -
Connecticut Explored Subject Index Fall 2002 – Fall 2010
Connecticut Explored Subject Index Fall 2002 – Fall 2010 Issues of Hog River Journal Fall 2002 to Summer 2009 and Connecticut Explored Fall 2009 to present are archived in the Hartford History Center. A Abuza, Sophie Kalish See Tucker, Sophie Aetna Viaduct Winter 2009/2010, vol. 8, no. 1, pg. 47 Condon, Tom. Soapbox: City Seeks Reunion in Alternative I-84. Describes the negative effects of the historic routing of I-84 through downtown Hartford and speculates on why planners settled on that highway design. Since the Aetna Viaduct (downtown portion of I-84) needs repair, groups such as the Aetna Viaduct Alternatives Committee (now The Hub of Hartford) are calling for a re- routing rather than a repair. African-Americans See also: Other entries under “African-Americans” (e.g., African-Americans—Education) Amistad Center for Art & Culture Racism Slaves and Slavery Underground Railroad Summer 2009, vol. 7, no. 3, pgs. 12-19 Leach, Eugene. The Aging of the American Dream. Tracks the historical shift of the American Dream from collective to individual goals, and argues that African-Americans have been most true to the original ideals of equality and prosperity for humankind rather than for the individual only. Fall 2009, vol. 7, no. 4, pgs. 24-29 Pierce, Bill. The Fastest Men on Two Wheels. Describes the 1900 bicycle race between William Fenn of Bristol, Connecticut and Marshall “Major” Taylor at the Hartford Velodrome. Focuses especially on the life of Major Taylor, who was the only African-American professional cyclist in the United States at the time. Summer 2010, vol. -
Where Art Lives June 2021
Established in 1914 Where Art Lives June 2021 A CENTURY OF INSPIRATION July 30 – September 16, 2021 CALENDAR This exhibition celebrates the 100th anniversary of our beloved gallery as current For complete details on exhibitions, classes, Association artists look to the work of the original art colony for inspiration. workshops, lectures and other events, visit our website:www.LymeArtAssociation.org In this exhibition, our current artists look back at the works of the original art colo- ny members for inspiration. Bucolic landscapes, woodland interiors, cottage gardens, Painting the Landscape with David Dunlop mountain laurels in bloom, bridges, porch scenes, moonlit nocturnes, portraits and so June 24 and 25, 2021 much more will be on view and for sale at this show. The Sky’s the Limit, painting land, water & When the gallery opened in 1921, The American Architect wrote, “A feature of this gallery sky in pastel with Karen Israel is its admirably arranged top lighting. In most of our modern galleries there is a place, July 10 and 11, 2021 called by artists, ‘the morgue’, where owing to poor lighting the wall space becomes the least desirable place to hang pictures. There is no ‘morgue’ in the Lyme Gallery.” A Century of Inspiration Exhibition July 30 – September 16, 2021 The Association’s 21st Annual Exhibition opened on August 6, 1921 in the Associa- Receiving: July 23, 24, and 25 tion’s new building, it featured 76 paintings in the North and South Galleries, now Centennial Day: August 7, 2021 the Cooper Ferry and Foster Caddell Galleries. Lawton Parker’s award-winning nude Monday Plein Air Painting Group La Paresse, anchored the display in the South Gallery. -
A Special Invitation to Florence Griswold Museum Members the Artist's Garden–A New Exhibition
Annual Report Issue SUMMER 2016 A Special Invitation to Florence Griswold Museum Members Please join us for the 70th Annual Meeting and the Members’ Reception for the Opening of The Artist’s Garden: American Impressionism and the Garden Movement, 1887-1920. Friday, June 3, 2016 at 5:30pm Members and guests are invited to Florence Griswold Museum preview the newly acquired parcel 96 Lyme Street of riverfront property and celebrate unifying this historic estate for the first Old Lyme, Connecticut time since Miss Florence’s death in 1937. The 70th Annual Meeting of the Afterwards, we’ll enjoy a festive Florence Griswold Museum takes place reception for the opening of The Artist’s on Friday, June 3, 2016 at 5:30pm Garden: American Impressionism and under a tent on the Adrian P. Moore the Garden Movement. This is your Garden Terrace. We will share brief invitation to the Members’ Reception. Maurice B. Prendergast, Promenade, c. 1915-18. reports on the activities of the Museum We hope you can join us. Kindly RSVP Pennsylvania Academy of the Fine Arts and invite members to elect a new slate (acceptances only) to 860-434-5542 of officers and trustees. ext. 122 or [email protected]. The Artist’s Garden–a New Exhibition Organized by the Pennsylvania played an important role in American Academy of the Fine Arts, The Artist’s culture during the transformative Garden: American Impressionism and period of 1887-1920. Works by Childe the Garden Movement, 1887-1920 is the Hassam, John H. Twachtman, J. Alden first exhibition to situate discussions of Weir, Cecilia Beaux, and Maurice B.