The National Archives C 142/257/68 1 ______
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Summary of the Known Historical Records
Records for WS Section A Distribution Strat Stratford Record (including marriage licence issued in Worcester). Section A below. Lon London Record (including references in records of playing companies). Sections B & C. PR Publication Record (title pages & Stationers’ Register). Section E. LA Literary Allusion (mainly printed, some handwritten). Sections C & D Strat / Lon PR / LA 1564 Strat 65 66 67 68 69 1570 The lost years of Childhood, 71 Education, and Youth 72 73 After his baptism in 1564, there is no record of William Shakspere until the issue of a marriage 74 licence in Worcester in 1582. 75 76 77 78 79 1580 81 82 Strat Marriage licence 83 Strat Named as father of Susanna 84 85 Strat 2 Feb. Named as father of Hamnet & Judeth 86 The lost years of early manhood 87 88 (Lon) William Shakspere is mentioned only once – in a legal document as heir to a disputed portion of 89 land. This record does not say where he was or 1590 what he was doing. 91 1 Strat / Lon PR / LA (LA) The cryptic allusion in Groatsworth might refer to William 1592 Shakespeare, or it might not 93 PR Named in dedication of Venus & Adonis 94 PR Named in dedication of Lucrece 95 Lon LA Strat Lon Named in Stratford as the father of Hamnet, deceased. 96 Bound over in London to keep the peace (Langley writ). 97 Strat 98 Strat Lon PR LA Lon PR LA Eight records only: Cited as author on four title pages; 99 mentioned twice as tax defaulter; twice elsewhere. 1600 PR 01 02 Strat PR 03 Lon PR 04 Lon PR LA 05 Strat Lon PR 06 The lost London years of middle-age. -
English Professional Theatre, 1530-1660 Edited by Glynne Wickham, Herbert Berry and William Ingram Index More Information
Cambridge University Press 978-0-521-10082-3 - English Professional Theatre, 1530-1660 Edited by Glynne Wickham, Herbert Berry and William Ingram Index More information Index Note: search under ‘London and Environs’; ‘Playing Companies’; ‘Playhouses’; and ‘Stage Characters’ for individual entries appropriate to those categories. Abell, William (alderman), 586 Andrews, Richard (player), 245 Abuses, 318 Anglin, Jay P., ‘The Schools of Defense’, Acton, Mr (justice of the peace), 158 296 Actors. See Players Anglo, Sydney, 20; ‘Court Festivals’, 291 Adams, John (player), 300 Annals of England. See Stow, John Adams, Joseph Quincy, Shakespearean Playhouse, Anne, Queen, 119, 122, 125, 513–14, 561, 562, 550n, 597n, 626n; Dramatic Records of Sir 564, 580, 625, 630–1; her company of Henry Herbert, 581, 582, 582n players, see Playing Companies Admiral, Lord. See Lord Admiral Apothecaries, 388, 501 Admiral’s players. See Playing Companies Arber, Edward, 192 Aesop, 171 Archer, George (rent gatherer), 611n Agrippa, Henry Cornelius (writer), 159 Arches, Court of the, 292, 294n, 312 Alabaster, William (playwright), 650 Ariosto, Ludovico, I Suppositi, 297n Aldermen of London. See London Armin, Robert (player and writer), 123, 196, Alderson, Thomas (sailor), 643 197, 198; Foole vpon Foole, 411–12 All Hallowtide, 100 Army Plot, The, 625, 636 All Saints Day, 35 Arthur, Thomas (apprentice player), 275–7 Allen, Giles, 330–2&n, 333–6&n, 340, 343–4, Arundel, Earl of (Henry Fitzalan, twelfth Earl), 346–7, 348, 352, 355, 356–7, 367–72, 372–5, 73, 308; his company -
Bess of Hardwick) Gave the Queen an Embroidered Gown Made by William Jones, the Queen’S Tailor (Cost Over £100)
1592 1592 At WHITEHALL PALACE Jan 1,Sat New Year gifts. Gift roll not extant, but Elizabeth Countess of Shrewsbury (Bess of Hardwick) gave the Queen an embroidered gown made by William Jones, the Queen’s tailor (cost over £100). Her other gifts included: Ramsey, the Court Jester, 20s; six of the Queen’s trumpeters, 5s each.SH Jan 1: Queen to Lord Burghley, Lord Howard of Effingham, and Lord Hunsdon: Commission to execute the office of Earl Marshal.RT This post, in overall charge of the College of Arms, was vacant since Earl of Shrewsbury died, 1590. Also Jan 1: play, by Lord Strange’s Men.T Jan 2,Sun French Ambassadors at Whitehall for audience.HD Beauvoir, resident Ambassador, with Duplessis-Mornay, who took his leave. Lord Burghley kept a diary in 1592, shown here as HD. [HT.xiii.464-6]. Also Jan 2: play, by Earl of Sussex’s Men.T Jan 6,Thur play, by Earl of Hertford’s Men.T Jan 6: Allegations against Sir John Perrot, former Lord Deputy of Ireland, noted by the law officers, included: Perrot boasted that he was King Henry’s son; he said the Irish had a prophecy that a bird would do them good, and applied it to himself, he having a parrot in his crest; he uttered ‘immodest and venomous words’ about the Queen; of the Council in Ireland he said he cared no more for them than for so many dogs. [SP12/241/7]. Robert Naunton: ‘Sir Thomas Perrot his father was a Gentleman to the Privy Chamber to Henry the Eighth and in the court married to a lady of great honour and of the King’s familiarity...If we go a little further and compare his picture, his qualities, his gesture and voice with that of the King’s.. -
Review of Literary Records
Shakespearean Biografiction: How modern biographers rely on context, conjecture and inference to construct a life of the Bard A thesis submitted for the degree of Doctor of Philosophy Department of Arts and Humanities Brunel University By Kevin Gilvary November 2014 ii Candidate Kevin Gilvary (1955- ) B.A. (Hons), Classics, Southampton, 1976 M.A., Classics, Southampton, 1978 M.A. (Ed), Language in Education, Southampton 1996 P.G.C.E., Institute of Education, London, 1980 Doctoral Study 2007-2014 (part-time), Brunel University Supervisor 1 Professor William Leahy, School of Arts, Brunel University Supervisor 2 Dr. Sean Gaston, School of Arts, Brunel University Examiner 1 Professor Tom Betteridge, School of Arts, Brunel University Examiner 2 Professor Tom Healey, University of Sussex iii Abstract Modern biographies of William Shakespeare abound: new studies appear almost every year, each claiming new research and new insights, while affirming that there are enough records for a documentary life. In this thesis, I argue that no biography of Shakespeare is possible due to insufficient material, that most of what is written about Shakespeare cannot be verified from primary sources, and that Shakespearean biography did not attain scholarly or academic respectability until Samuel Schoenbaum’s Documentary Life (1975). The thesis therefore is concerned with demythologising Shakespeare by exposing numerous “biogra-fictions.” I begin by reviewing the history and practice of biography as a narrative account of a person’s life based on primary sources. Next I assess the very limited biographical material for Shakespeare identifying the gaps, e.g. there is no record that he spent any of his childhood in Stratford or ever attended school. -
The Globe Theatre
The Globe Theatre The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men, on land owned by Thomas Brend, and was destroyed by fire on 29 June 1613. A second Globe Theatre was built on the same site by June 1614 and closed by an order of The Globe's actual dimensions Parliament on 6 September 1642. are unknown, but its shape and A modern reconstruction of the Globe opened in 1997 approximately size has been approximated from 750 feet (230 m) from the site of the original theatre. research over the last two centuries. The evidence suggests History of The Globe Theatre The Globe was owned by actors who that it was a three-storey, open- were members of a troupe called ‘The Lord Chamberlain’s Men. There air amphitheatre approximately were six actor shareholders, of which Shakespeare was one. However, 100 feet (30 m) in diameter that he did not own the majority of shares: Richard Burbage and his brother could house up to Cuthbert, owned 50% of the share. 3,000 spectators. The Globe is The Globe was built in 1599 using timber from an earlier theatre which shown as round on Wenceslas had been built by Richard Burbage's father, James. Though James Hollar's sketch of the building, owned the theatre, he did not own the land on which it was built: he later incorporated into his leased it. The landowner, Giles Allen, claimed that the theatre etched Long View of London from belonged to him once the lease expired. -
The National Archives Prob 11/111/273 1 ______
THE NATIONAL ARCHIVES PROB 11/111/273 1 ________________________________________________________________________ SUMMARY: The document below is the Prerogative Court of Canterbury copy of the last will and testament, dated 2 August 1603 and proved 19 April 1608, of Sir Matthew Browne of West Betchworth, Surrey, who by indentures dated 7 October 1601 and 10 October 1601 purchased in fee simple properties owned by Nicholas Brend, including the Globe playhouse. Nicholas Brend (d. 12 October 1601), leased the ground on which the Globe was built by lease dated 21 February 1599 to Richard Burbage (1568-1619), Cuthbert Burbage (1564/5-1636), William Kempe, Augustine Phillips (d.1605), Thomas Pope (d.1603) John Heminges (1566-1630) and William Shakespeare (1564-1616) of Stratford upon Avon (see TNA REQ 4/1/2): for the said gardens and grounds whereupon the said playhouse & galleries were afterwards builded were demised & letten by the said Nicholas Brend by his indenture of lease tripartite bearing date in or about the 21st day of February in the 41st year of the reign of the late Queen Elizabeth [=21 February 1599] unto Cuthbert Burbage, Richard Burbage, William Shakespeare, the said Augustine Phillips, Thomas Pope, the said John Heminges, one of the said defendants, and William Kempe, to have and to hold the one moiety of the said garden plots and ground to the said Cuthbert Burbage and Richard Burbage, their executors, administrators & assigns, from the feast of the birth of Our Lord God last past before the date of the said indenture [=25 -
THE NATIONAL ARCHIVES C 54/1722, Mm. 5-7 1 ______
THE NATIONAL ARCHIVES C 54/1722, mm. 5-7 1 ________________________________________________________________________ SUMMARY: The document below is the copy on the Close Rolls of the indenture, dated 7 October 1601 and enrolled in Chancery 2 March 1602, by which Nicholas Brend (d. 12 October 1601), in consideration that Sir Matthew Browne (d.1603), John Collett and John Bodley of Streatham had entered into bonds for payment of Brend’s debts amounting to £1478, and in consideration for £250 paid to Brend by John Collett and 5 shillings paid to Brend by Sir Matthew Browne, mortgaged certain properties in Southwark in Surrey to Browne and Collett, including the Globe playhouse. The indenture below specifically states that the playhouse and all the other properties included in the indenture were owned in fee simple by Nicholas Brend, and were being sold in fee simple to Browne and Collett. However the indenture contains a clause by which the sale would be reversed if Nicholas Brend or his heirs were to save Browne, Collett and Bodley harmless from the bonds they had entered into for payment of his debts, and if Brend or his heirs repaid Collett the £250 before 13 January next following. The indenture of ‘bargain and sale’ of 7 October 1601 was thus, in effect, a mortgage. The following day, 8 October, Nicholas Brend entered into a recognizance to Sir Mathew Browne and John Collett in the amount of £2500 as security for performance of the indenture below (see TNA C 54/1705, mm. 24-5). Two days later, on 10 October 1601, Brend entered into a further indenture which included not only his properties in Southwark covered by the indenture below, but also his properties in London, including the inn called the Star and other properties in Bread Street. -
The National Archives Prob 11/98/348 1 ______
THE NATIONAL ARCHIVES PROB 11/98/348 1 ________________________________________________________________________ SUMMARY: The document below is the Prerogative Court of Canterbury copy of the last will and testament, dated 10 October 1601 and proved 6 November 1601, of Nicholas Brend (d. 12 October 1601), who leased the ground on which the Globe was built by lease dated 21 February 1599 to Richard Burbage (1568-1619), Cuthbert Burbage (1564/5-1636), William Kempe, Augustine Phillips (d.1605), Thomas Pope (d.1603), John Heminges (1566-1630) and William Shakespeare (1564-1616) of Stratford upon Avon (see TNA REQ 4/1/2): for the said gardens and grounds whereupon the said playhouse & galleries were afterwards builded were demised & letten by the said Nicholas Brend by his indenture of lease tripartite bearing date in or about the 21st day of February in the 41st year of the reign of the late Queen Elizabeth [=21 February 1599] unto Cuthbert Burbage, Richard Burbage, William Shakespeare, the said Augustine Phillips, Thomas Pope, the said John Heminges, one of the said defendants, and William Kempe, to have and to hold the one moiety of the said garden plots and ground to the said Cuthbert Burbage and Richard Burbage, their executors, administrators & assigns, from the feast of the birth of Our Lord God last past before the date of the said indenture [=25 December 1598] unto the end & term of 31 years from thence next ensuing [=24 December 1629] for the yearly rent of seven pounds & five shillings, and to have & to hold the other moiety of the said garden plots & grounds unto the said William Shakespeare, Augustine Phillips, Thomas Pope, the said John Heminges, one of the said defendants, & William Kempe, their executors, administrators & assigns, from the said feast of the birth of Our Lord God then last past before the date of the said indenture unto the said full end & term of 31 years from thence next ensuing for the like yearly rent of seven pounds & five shillings. -
Globe Theatre
Coordinates: 51.506779°N 0.094935°W Globe Theatre The Globe Theatre was a theatre in London associated withW illiam Shakespeare. It The Globe Theatre was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men, on land owned by Thomas Brend and inherited by his son, Nicholas Brend and grandson Sir Matthew Brend, and was destroyed by fire on 29 June 1613.[4] A second Globe Theatre was built on the same site by June 1614 and closed by an Ordinance issued on 6 September 1642.[5] A modern reconstruction of the Globe, named "Shakespeare's Globe", opened in 1997 approximately 750 feet (230 m) from the site of the original theatre.[6] From 1909, the current Gielgud Theatre was called "Globe Theatre", until it was renamed The second Globe, preliminary (in honour of John Gielgud) in 1994. sketch (c. 1638) for Hollar's 1647 Long View of London[1] Address Maiden Lane (now Contents Park Street) Southwark[2][3] Locations London History England Layout Coordinates 51.506779°N Name 0.094935°W Notes Designation Destroyed by the References Puritans External links Type Elizabethan theatre Construction Locations Opened 1599 Examination of old property records has identified the plot of land occupied by the Closed 1642 Globe as extending from the west side of modern-day Southwark Bridge Road Rebuilt 1614 eastwards as far as Porter Street and from Park Street southwards as far as the back of Gatehouse Square.[7][8] However, the precise location of the building remained unknown until a small part of the foundations, including one original pier base, was discovered in 1989 by the Department of Greater London Archaeology (now Museum of London Archaeology) beneath the car park at the rear of Anchor Terrace on Park Street.[9] The shape of the foundations is now replicated on the surface. -
Open a PDF List of This Collection
LONDON METROPOLITAN ARCHIVES Page 1 MISCELLANEOUS DEEDS CLC/522 Reference Description Dates CLC/522/001 Deeds relating to property on Monkwell 1642 - 1748 [Mugwell] Street The earlier documents refer to Windsor House. Later documents refer to Windsor Court. Included in the bundle are a copy of Fire Court decisions regarding the property, dated 1668, which lists the pre-Fire tenants and their rents. The 1717, 1719, 1739 deeds mention the rebuilding of the site after the Great Fire. The 1717 deed mentions a "Meeting House" being part of the property and in 1748 Windsor Court included "A Publick Place of Worship for Protestant Dissentors" . 1 bundle of 15 items CLC/522/002 Deed of gift of messuages in St Leonards, 1468 Nov 20 Shoreditch and relating to lands and tenements in St Botolph outside Bishopsgate, City of London Described as lying between the land of William Heryot to the north and east, land recently of William Heryot to the south, and the King's highway to the west. Conveyed by John Marny, John Say, William Tyrell de Beches, Robert Darcy, Thomas Cook, knight, John Clopton esq, John Grene, John Poynes esq, Henry Skeet, chaplain, Robert Hotoft, and Richard Chercheman, to John Gadde, sherman, John Marchall, mercer, William Heryot, sherman, and John Weldon, grocer, all of London 1 document CLC/522/003 Abstract of title to leasehold premises situtate in 1804 Liquorpond Street and Leicester Street in the Parish of Saint Andrew Holborn in the County of Middlesex Provides a summary of ownership between 1694 and 1804. In 1694 William Ward bequeathed 5 houses and various leases to his son Alexander Ward, his daughter Elizabeth Cock and her son William Cock. -
Sir Sidney Lee's New Edition of a Life of William Shakespeare by the Same Author
!. SIDNEY LEE'S NEW EDITION OF OF WILLIAM SHAKESPEARE SOME WORDS OF CRITICISM BY SIR GEORGE GREENWOOD.MP 10 tARY RSITY OF FORNIA PBKINALD-GDUNDY SIR SIDNEY LEE'S NEW EDITION OF A LIFE OF WILLIAM SHAKESPEARE BY THE SAME AUTHOR THE SHAKESPEARE PROBLEM RESTATED IN RE SHAKESPEARE THE VINDICATORS OF SHAKES- PEARE IS THERE A SHAKESPEARE PROBLEM ? THE BODLEY HEAD Sir Sidney Lee's New Edition of A Life of William Shakespeare : SOME WORDS OF CRITICISM : BY SIR GEORGE,GREENWOOD, M.P. LONDON: JOHN LANE THE BODLEY HEAD NEW YORK: JOHN LANE COMPANY MCMXVI LOAN STACK PRINTED IS GREAT BRITAIN BY THE ANCHOR PRESS, LTD., TIPTREE, ESSEX. L '/ TABLE OF CONTENTS PAGE '" " - SIR s. LEE'S WORK A SHAKESPEARE COMPENDIUM 7 LAWYERS WHO LACK LITERARY TRAINING - - 8 LITERARY MEN WHO LACK LEGAL TRAINING - 8 LORD CAMPBELL ON Shakespeare's Legal Acquirements - 8 LITTLE ERRORS THAT BETRAY LAW WRITERS - 9 DR. ABBOTT ON STATUTES AND COMMON LAW - 9 - MR. j. M. ROBERTSON ON Caveats, Fines, and Recoveries 10 " " SIR SIDNEY LEE ON JUDGMENT FROM A JURY - IO THE STORY OF SHAKESPEARE'S DEER-STEALING - IO THE LAW WITH REGARD TO DEER - II " " HARTS OR DOES IN CHARLECOTE WARREN - II IS SIR T. LUCY CARICATURED AS SHALLOW ? - - 12 " " THE DOZEN WHITE LUCES - 13 HOLINSHED QUOTED 13 MALONE ON THE DEER-STEALING STORY - - 14 - STATUS OF ACTORS temp. ELIZABETH 15 A MISCITED STATUTE - 15 SHAKESPEARE'S LAW SIR s. LEE'S CHANGED OPINION - 17 ALLEGED BAD LAW IN THE Merchant and Measure ]or Measure - - 18 COULD JOHN SHAKSPERE WRITE ? - 19 SIR s. -
II PUC English Mock Paper I
Course: II PUC SRI BHAGAWAN MAHAVEER JAIN COLLEGE Subject: English Vishweshwarapuram, Bangalore. Max. Marks: 100 Mock Exam 1 - Feb.2016 Duration: 3:15Hrs. I Answer the following in a word, a phrase or a sentence each 12 X 1 = 12 1) Name the commodities taxed in Monaco? 2) According to the Prophet, what may be given to the children? 3) What is the beginning of the joy of living? 4) What does ‘glad grace’ suggest in the poem ‘When You are Old’? 5) When did the old man decide to narrate his story in ‘The Gardener’? 6) What does the line ‘untill the whole man chooses to stop’ mean? In the poem “To the foot from is child” 7) Which is the most astounding invention of man? 8) Who creates ‘heaven on earth’? 9) Whom does ‘exquisitely well mannered people’ refer to? 10) What does Roof’s act of inserting the ballot paper in two boxes signify? 11) Who is the brainchild of the whole phenomenon of cycle revolution? 12) What does the expression ‘generations old strife’ suggests in the poem water? II. Answer any eight of the following (choosing at least two from poetry) in a paragraph of 80-100 words 8 X 4 = 32 13) How does Romeo glorify Juliet’s flawless beauty? 14) Bring out the contrast between illusion and reality in ‘To the foot from its child’ . 15) How did Laura and Gonzalo conceal their identity? 16) Bring out the nature of freedom gained in Pudukottai with the introduction of cycle. 17) How did the Criminal lead his life after his release in the chapter ‘Too Dear’ ? 18) Conservation of diversity is crucial for the sustenance of both nature and human society.