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Watchmen" After 9/11
Swarthmore College Works Film & Media Studies Faculty Works Film & Media Studies Fall 2011 Adapting "Watchmen" After 9/11 Bob Rehak Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-film-media Part of the Film and Media Studies Commons Recommended Citation Bob Rehak. (2011). "Adapting "Watchmen" After 9/11". Cinema Journal. Volume 51, Issue 1. 154-159. https://works.swarthmore.edu/fac-film-media/3 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Film & Media Studies Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Cinema Journal 51 | No. 1 | Fall 2011 a neoliberal politics interested in citizens (and soldiers) who "do security" themselves. At the same time, we might come to recognize that our response to 9/ 1 1 has not been merely a product of political ideologies and institutions, but has also been motivated by a cultural logic of participation. The important questions to ask are not about whether 24 determined the war on terror or the other way around, but instead about the shared cultural and political protocols that laid the foundation for both. * Adapting Watchmen after 9/1 1 by Bob Rehak Every generation has its own reasons for destroying New York. - Max Page, The City's End 1 a very ambitious experiment in hyperfaithful cinematic adaptation. Taking its source, Alan Moore and Dave Gibbons's 1987 graphic Released Taking novel, novel, a very as script, as ambitious storyboard, in andits script,design bible, March the source,production storyboard, vowed experiment 2009, Alan Zack Moore and in Snyder's hyperfaithful and design Dave film bible, Gibbons's version the cinematic production of 1987 Watchmen adaptation. -
From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas ( Compiled by John K
From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas (http://www.lasalle.edu/library/vietnam/FilmIndex/home.htm) compiled by John K. McAskill, La Salle University ([email protected]) W2835 WATCHMEN (USA, 2009) Credits: director, Zack Snyder ; writers, David Hayter, Alex Tse ; graphic novel, Alan Moore, Dave Gibbons. Cast: Malin Akerman, Billy Crudup, Matthew Goode, Jackie Earle Haley, Jeffrey Dean Morgan, Patrick Wilson, Carla Gugino. Summary: Science fiction/superhero film based on the graphic novel written by Alan Moore and illustrated by Dave Gibbons. Set in an alternative 1985 US governed by Richard Nixon with occasional flashbacks to prior events. Masked superheroes were a normal part of American life through the 1960s. In Vietnam, the Comedian (Morgan) wields a flame thrower and engages in ground combat operations until the radioactive blue giant Dr. Manhattan (Crudup) arrives, at the behest of President Nixon, and ends the war in a matter of weeks. A formation of surrendering Viet Cong bow down to the Dr. like a god. In a Saigon bar shortly thereafter, the Comedian is confronted by his pregnant Vietnamese mistress about the future of their unborn child and he calmly shoots her. After Vietnam, masked superheroes were forced into retirement. However, as Cold War tensions between the US and the Soviet Union begin to rise, a washed up but no less determined masked vigilante named Rorschach (Haley) discovers a plot to kill and discredit all past and present superheroes. As Rorschach and his small group of retired superheroes investigate, they discover a deeper conspiracy with links to their shared past and catastrophic consequences for the future. -
Sundance Institute Announces Fellows for Two Focused Intensives
FOR IMMEDIATE RELEASE Media Contact: March 15, 2018 Spencer Alcorn 310.360.1981 [email protected] Sundance Institute Announces Fellows for Two Focused Intensives Diverse Group of Filmmakers Convene for Customized Support and Mentorship 12 Fellows Join Screenwriters Intensive, Supported by the Will & Jada Smith Family Foundation; 10 Join FilmTwo, Supported by Universal Filmed Entertainment Group LOS ANGELES -- This spring, Sundance Institute advances the new work of writers and directors through two focused tracks of support under the auspices of the Feature Film Program: the Screenwriters Intensive, taking place March 15-16, and the FilmTwo Intensive, convening March 22-23. “It’s imperative that we support storytellers at multiple points in their careers, and with tailored programs that address specific challenges,” said Michelle Satter, Founding Director, Sundance Institute Feature Film Program. These Fellows will advance the art and craft of their work under the guidance of experienced filmmakers and industry leaders, while serving the Institute's commitment to introduce the industry to an inclusive pipeline of exciting new storytellers. Under the creative guidance of Satter, the programs are led by Labs Director Ilyse McKimmie (Screenwriters Intensive) and Senior Manager Shira Rockowitz (FilmTwo). Screenwriters Intensive Launched in 2013,, the Screenwriters Intensive provides emerging screenwriters with the opportunity to hone their craft in a two-day concentrated workshop focused on the further development of a fiction feature screenplay. Past projects supported at the Screenwriters Intensive include Spa Night, written and directed by Andrew Ahn, and Monsters and Men, written and directed by Reinaldo Marcus Green; both filmmakers return as advisors for this year’s program. -
Las Adaptaciones Cinematográficas De Cómics En Estados Unidos (1978-2014)
UNIVERSITAT DE VALÈNCIA Facultat de Filologia, Traducció i Comunicació Departament de Teoria dels Llenguatges i Ciències de la Comunicació Programa de Doctorado en Comunicación Las adaptaciones cinematográficas de cómics en Estados Unidos (1978-2014) TESIS DOCTORAL Presentada por: Celestino Jorge López Catalán Dirigida por: Dr. Jenaro Talens i Dra. Susana Díaz València, 2016 Por Eva. 0. Índice. 1. Introducción ............................................................................................. 1 1.1. Planteamiento y justificación del tema de estudio ....................... 1 1.2. Selección del periodo de análisis ................................................. 9 1.3. Sinergias industriales entre el cine y el cómic ........................... 10 1.4. Los cómics que adaptan películas como género ........................ 17 2. 2. Comparación entre los modos narrativos del cine y el cómic .......... 39 2.1. El guion, el primer paso de la construcción de la historia ....... 41 2.2. La viñeta frente al plano: los componentes básicos esenciales del lenguaje ........................................................................................... 49 2.3. The gutter ................................................................................. 59 2.4. El tiempo .................................................................................. 68 2.5. El sonido ................................................................................... 72 3. Las películas que adaptan cómics entre 1978 y 2014 ........................... 75 -
Equal Rights Advocates, Planned Parenthood
No. 16-1140 IN THE Supreme Court of the United States NATIONAL INSTITUTEdOF FAMILY AND LIFE ADVOCATES, dba NIFLA, et al., Petitioners, —v.— XAVIER BECERRA, Attorney General of California, et al., Respondents. ON WRIT OF CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT BRIEF FOR AMICI CURIAE EQUAL RIGHTS ADVOCATES, PLANNED PARENTHOOD AFFILIATES OF CALIFORNIA, CALIFORNIA WOMEN LAWYERS, HADASSAH, AND THE FAMILY VIOLENCE APPELLATE PROJECT IN SUPPORT OF RESPONDENTS SANFORD JAY ROSEN Counsel of Record GAY CROSTHWAIT GRUNFELD DEVIN W. MAUNEY ROSEN BIEN GALVAN & GRUNFELD LLP 50 Fremont Street, 19th Floor San Francisco, California 94105 (415) 433-6830 [email protected] Counsel for Amici Curiae Equal Rights Advocates, Planned Parenthood Affiliates of California, California Women Lawyers, Hadassah, and the Family Violence Appellate Project i TABLE OF CONTENTS PAGE TABLE OF AUTHORITIES ...................................... iii INTEREST OF AMICI CURIAE ................................ 1 INTRODUCTION AND SUMMARY OF ARGUMENT ....................................................... 3 ARGUMENT ............................................................... 7 I. CRISIS PREGNANCY CENTERS USE DECEPTIVE TACTICS TO LURE IN WOMEN, GIVE THEM MEDICALLY INACCURATE INFORMATION, AND UNDERMINE THEIR ACCESS TO REPRODUCTIVE HEALTHCARE ..................... 7 A. CPCs Commonly Use Deception to Get Women in the Door .........................................8 B. CPCs Spread Medical Misinformation, Delay Efforts to Find Appropriate Care, and Endanger -
Between the Panels
Between the Panels How the interactions between commerce and art shape superhero comic book film adaptations (2000-13) Tim Stafford Between The Panels: How the interactions between commerce and art shape superhero comic book film adaptations (2000-13) Tim Stafford Submitted to the University of Hertfordshire in partial fulfilment of the requirements of the degree of PhD January 2018 Acknowledgments I would like to thank my Principal Supervisor, Professor Keith Randle and my Second Supervisors, Visiting Professor Richard Miller and Dr Mariana Dodourova for their support and guidance during this project. I would also like to thank Greg Pan at Marvel for granting permission to reproduce the three selected comic book panels and Roni Lubliner at Universal for granting permission to use the still from Hulk. This thesis is dedicated in its entirety to my parents, Terry and Sheila Stafford, to Derek Watson, my best friend and guide in the world of comic books and to Hugh Jackman, who started the whole thing off. Between the Panels Contents List of figures 1 Abstract 3 Introduction 5 Research questions 8 Introduction to the conceptual framework and methodology 9 Thesis structure 12 Chapter One: Up, up and away: superheroes and their adaptations 14 Origin story: A brief history of superhero adaptations 14 The superhero film renaissance: 2000 to the present 20 Why are superhero films so popular? 26 i) The studio perspective 26 ii) The audience perspective 29 iii) The role of comic book readers 31 The theory of adaptation 34 The role of the director -
Amicus Brief
Nos. 20-37 and 20-38 IN THE Supreme Court of the United States NORRIS COCHRAN, ACTING SECRETARY OF HEALTH AND HUMAN SERVICES, et al., Petitioners, v. CHARLES GRESHAM, et al., Respondents. –––––––––––––––––––––––––––––– ARKANSAS, Petitioner, v. CHARLES GRESHAM, et al., Respondents. ON WRITS OF CERTIORARI TO THE UNITED STATES CouRT OF APPEALS FOR THE DISTRICT OF COLUMBIA CIRcuIT BRIEF FOR THE NATIONAL WOMEN’S LAW CENTER, LAWYERS’ COMMITTEE FOR CIVIL RIGHTS UNDER LAW, AND 50 ADDITIONAL ORGANIZATIONS AS AMICI CURIAE SUPPORTING RESPONDENTS GRESHAM ET AL. JUDITH R. NEMSICK Counsel of Record CAITLIN L. STACHON SARAH SYED HOLLAND & KNIGHT LLP 31 West 52nd Street, 12th Floor New York, New York 10019 (212) 513-3200 [email protected] Counsel for Amici Curiae (Additional Counsel Listed on Inside Cover) 301706 FATIMA GOSS GRAVES DAMON HEwiTT GRETCHEN BORCHELT JON GREENBAUM MICHELLE BANKER DOriAN SPENCE DOriANNE MASON MARYUM JORDAN AMY MATSUI NATASHA CHAbriA SUNU P. CHANDY LAWYERS’ COMMITTEE FOR LAUREN GORODETSKY CIVIL RIGHTS UNDER LAW NATIONAL WOMEN’S LAW 1500 K Street NW, CENTER Suite 900 11 Dupont Circle, NW, Washington, DC 20005 Suite 800 Counsel for Lawyers’ Washington, D.C. 20036 Committee For Civil (202) 588-5180 Rights Under Law Counsel for National Women’s Law Center i TABLE OF CONTENTS Page TABLE OF AUTHORITIES ....................................... ii INTEREST OF THE AMICI CURIAE ....................... 1 SUMMARY OF THE ARGUMENT ........................... 2 ARGUMENT ............................................................... 5 I. HHS Arbitrarily and Capriciously Failed to Consider the Loss of Medicaid Coverage to the Impacted Groups, Particularly Women of Color. ............................................... 5 II. The Impacted Groups, Especially Women of Color, Disproportionately Rely on Medi- caid Coverage, Which Benefits Their Health and Economic Stability. -
Speaker Biographies
Speaker Biographies Ope Adebanjo ’20, Student, Harvard Law School Ope Adebanjo is a second year JD Candidate at Harvard Law School. She graduated from Harvard College in 2015 and majored in Comparative Literature and African Studies, with a minor in Sociology and a citation in Yoruba. Ope worked as an operations supervisor at McMaster-Carr Supply Company in Atlanta GA, managing teams of e-commerce and sales representatives and managing warehouse projects and operations during her time before law school. She also has her Masters in International Business from J. Mack Robinson College of Business at Georgia State University. As a HLS student, Ope is interested in intellectual property law and international business law with a focus on the intersection of policy and technology. Kendra Albert ’16, Clinical Instructional Fellow, Cyberlaw Clinic, Harvard Law School Kendra is a clinical instructional fellow at the Cyberlaw Clinic at Harvard Law School, where they teach students how to practice law by working with pro bono clients. Previously, they were an associate at Zeitgeist Law PC, a boutique technology law firm in San Francisco, and a research associate at the Berkman Klein Center for Internet and Society. Kendra’s scholarship and academic work touches on diverse issues, from online harassment to linkrot to video game preservation. They hold a JD cum laude from Harvard Law School and a bachelor’s degree in lighting design and history from Carnegie Mellon University. Julie Anna Alvarez ’88, Director of Alumni and International Career Services, Columbia Law School Julie Anna Alvarez is the Director of Alumni and International Career Services at Columbia Law School’s Office of Career Services and Professional Development. -
Tv Shows - 2019 Drama
TV SHOWS - 2019 DRAMA SHOW TITLE GENRE NETWORK SEASON STATUS STUDIO / PRODUCTION COMPANIES SHOWRUNNER(S) EXECUTIVE PRODUCERS 68 Whiskey Episodic Drama Paramount Network Ordered to Series CBS TV Studios / Imagine Television Roberto Benabib Fox TV Studios / 20th Century Fox Television, 911 Episodic Drama Fox Renewed Ryan Murphy Productions Timothy P. Minear, 20th Century Fox TV / 9-1-1: Lone Star Episodic Drama Fox Ordered to Series Ryan Murphy Productions Ryan P. Murphy Brad Falchuk; Timothy P. Minear A Million Little Things Episodic Drama ABC Television Renewed ABC Studios / Kapital Entertainment DJ Nash James Griffiths A Teacher Drama FX Network Ordered To Series FX Productions Hannah M. Fidell Jed Whedon; Maurissa Tancharoen; Agents of S.H.I.E.L.D. Episodic Drama ABC Television Renewed ABC Studios / Marvel Entertainment; Mutant Enemy Jeffrey Bell Alive Episodic Drama CBS Entertainment Not Picked Up CBS TV Studios Jason Tracey Robert Doherty All American Episodic Drama CW Network Renewed Warner Bros Television / Berlanti Productions Nkechi Carroll, Gregory G. Berlanti Greg Spottiswood; Leonard Goldstein; All Rise Episodic Drama CBS Entertainment Ordered to Series Warner Bros Television Michael Robin; Gil Garcetti Almost Paradise Episodic Drama WGN America Ordered to Series Electric Entertainment Gary Rosen; Dean Devlin Marc Roskin Amazing Stories Episodic Drama Apple Ordered To Series Universal Television LLC / Amblin Television Adam Horowitz; Edward Kitsis David H. Goodman Amazon/Russo Bros Project Episodic Drama Amazon Ordered To Series Amazon Studios / AGBO Anthony Russo; Joe Russo American Crime Story Episodic Drama FX Network Renewed Fox 21; FX Productions / B2 Entertainment; Color Force Ryan Murphy Brad Falchuk; D V. -
Amicus Brief
No. 16-111 IN THE Supreme Court of the United States ______________________ MASTERPIECE CAKESHOP, LTD.; AND JACK C. PHILLIPS, Petitioners, v. COLORADO CIVIL RIGHTS COMMISSION; CHARLIE CRAIG; AND DAVID MULLINS, Respondents. __________________________ On Writ of Certiorari to the Court of Appeals of Colorado _____________ BRIEF OF THE NATIONAL WOMEN’S LAW CENTER AND OTHER GROUPS AS AMICI CURIAE IN SUPPORT OF RESPONDENTS ____________ Fatima Goss Graves Anna P. Engh Emily J. Martin Counsel of Record Gretchen Borchelt Lauren K. Moxley Sunu Chandy COVINGTON & BURLING Sarah David Heydemann* 850 Tenth Street, NW NATIONAL WOMEN’S LAW CENTER Washington, DC 20001 11 Dupont Circle, NW [email protected] Washington, DC 20036 (202) 662-6000 Melissa Murray *Admitted in New York only; Alexander F. and May T. supervised by D.C. Bar Morrison Professor of Law Members. UNIVERSITY OF CALIFORNIA, BERKELEY SCHOOL OF LAW Counsel for Amici Curiae Berkeley, CA 94720 TABLE OF CONTENTS TABLE OF CONTENTS ............................................. i TABLE OF AUTHORITIES ...................................... iii INTEREST OF AMICI CURIAE ................................ 1 SUMMARY OF ARGUMENT ..................................... 2 ARGUMENT ............................................................... 6 I. Public Accommodations Laws Are Fundamental To The Full Participation Of Women In A Free And Equal Society. ........... 6 A. Women Have Long Been The Subject Of Discrimination In The Public Marketplace. .................................................7 B. State Public -
Emerson UG Travel Piece.Pdf
BECOME A CREATIVE FORCE BE DARING Emerson students aren’t afraid to take risks. They’re ambitious, independent-minded artists and communicators of every background who come to Emerson to become a creative force in fields that shape our society, culture, and future. MOVE THE WORLD FORWARD At Emerson, college is a global experience. Gain unparalleled access to internships, museums, media companies, performances, and experiences that will inspire you academically, creatively, and professionally at our main campus in the heart of Boston. You might also: • Spend a semester at our cutting-edge facility on Sunset Boulevard in Los Angeles while interning at companies like Sony, Netflix, and E!; • Study at Emerson’s very own medieval castle in Well, the Netherlands; • Choose from one of our other Emerson-sponsored external programs in locations all over the world— from Santiago to Salzburg and everywhere in between. > A GLOBAL EXPERIENCE Students also have the opportunity to apply to three innovative, intercontinental programs thanks to our global partnerships: • Global BFA in Film Art with Paris College of Art • Global BA in International and Political Communication with Franklin University Switzerland • Global BA in Business of Creative Enterprises with either Franklin University Switzerland or International College of Management in Sydney, Australia emerson.edu | 1 HAVE ATTITUDE Emerson students have attitude. They are focused and ambitious and stop at nothing to follow their passions. Write. Animate. Act. Teach. Produce. Problem solve. Pitch. Film. Report. Transform. Dazzle. Whatever you want to do, do it with attitude, and do it at Emerson. 2 | BE PROUD MAKE YOUR MARK We’re proud of who we are—and we think you should The Emerson alumni network is a closely knit be, too. -
For More Information Visit 1
Scan QR code to download the NAMWOLF App For More Information Visit www.namwolf.org 1 Note from Joel Stern On behalf of all of us at NAMWOLF, I want to welcome you to our Annual Meeting and Expo in beautiful Philadelphia. We have a great agenda lined up filled with several high-quality CLE presentations, great keynote speakers, our General Counsel Panel, a Judges Panel, law firm and in-house only sessions, and our expo where in-house counsel can meet formally or informally with our 125 plus NAMWOLF law firms. There is also plenty of opportunity to network and celebrate diversity and inclusion in the legal profession. While we know how busy all of you are, we hope that you take the time to actively participate and develop CONNECTING. or enhance relationships with some amazing people who are so passionate about diversity and inclusion. COMMUNITY. The entire NAMWOLF team, along with several law firm and in- Joel Stern, NAMWOLF CEO house volunteers, has worked hard to make this the best Annual Meeting to date. I want to thank our two law firm co-chairs, Fran Board of Directors Griesing and Joe Tucker and their respective firms for all of their Robin A. Wofford, Chair hard work in planning this meeting. I also want to thank our five Wilson Turner Kosmo LLP in-house co-chairs for their time and effort: Mark Edwards, VP Carla Fields Johnson , Vice Chair & General Counsel, Butamax™ Advanced Biofuels LLC; Anthony Fields & Brown E. Gay, Associate General Counsel, Exelon Business Services At Comcast, the more perspectives Justi Rae Miller,Vice Chair Company; Doug Gaston, Senior Vice President and General Berens & Miller, PA Counsel, Comcast Cable; James Grasty, Vice President and we include, the stronger we are.