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The Roaring 20'S

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The Roaring 20'S W 1394 i> I I t ! .The Rearinq209s WARNER BROS. NEW HIT TELEVISION SHOW I4 ANDawn THETUP MUSICMllCir OFflP SONGS BY AND HER 9 DOROTHY PROVINE PLAYBOYS 1394 • HIGH FIDELITY W1394 (jp VITAPHONIC HIGH FIDELITY HIGH FIDELITY THE COMPANY (Pinky, The Chorus Girls, and The Trio) PERFORMS: SIDE ONE —► Medley One: CRAZY WORDS - CRAZY TUNE (Pinky and The Girls) • BYE BYE BLACKBIRD (Pinky) • THE WHISPER SONG (When the Pussywillow Whispers to the Catnip) (The Girls) • LAUGH! CLOWN! LAUGH! (The Trio) ■ Medley Two: CHARLESTON (The Dixieland Band) • DOIN’ THE RACCOON (Pinky and The Girls) • BLACK BOTTOM (The Band) ■ Medley Three: I WANNA BE LOVED BY YOU (Pinky) - SOMEONE TO WATCH OVER ME (Pinky) • DON’T BRING LULU (Pinky and The Trio) ■ Medley Four: MOUNTAIN GREEN¬ ERY (The Dixieland Band) • SWEET GEORGIA BROWN (The Dixieland Band) ■ Medley Five: POOR BUTTER¬ FLY (The Trio) • LET’S MISBEHAVE (The Girls) • AVALON (Pinky and The Girls) SIDE TWO —► Medley One: 0-00 ERNEST (Pinky and The Girls) • CLAP HANDS! HERE COMES CHARLEY! (The Girls) • DO-DO-DO (Pinky and The Trio) ■ Medley Two: I’M LOOKING OVER A FOUR LEAF CLOVER (The Band) • A CUP OF COFFEE A SANDWICH AND YOU (The Trio) • TEA FOR TWO (The Band) • THE GIRL FRIEND (The Band) ■ Medley Three: IT HAD TO BE YOU (Pinky) • JUST A MEMORY (The Trio) • BARNEY GOOGLE (The Girls) ■ Medley Four: I’M FOREVER BLOWING BUBBLES (The Dixieland Band) • LIMEHOUSE BLUES (The Dixieland Band) ■ Medley Five: AM I BLUE? (Pinky) • LET’S DO IT (Pinky, The Trio, and The Girls) • NAGASAKI (The Girls) • THE ROARING TWENTIES (The Entire Company) music from The Roaring 209s Warner Bros.9 New Hit Television Show songs hg Dorothy Prorine and the music of Pinky and her Playboys Musical Direction: Sandy Courage From out of the Sixties’ fascination with The Twenties comes Warner Bros.’ TV musical-drama, “The Roaring 20’s.” Starring Dorothy Provine, Rex Reason, Donald May, and Gary Vinson, the show mixes equal parts of hurley-burley and melody. In this album, the accent is on melody, with just a dash of hurley. ■ The major part of the melody-making in “The Roaring 20’s” is performed by Miss Provine. Her voice slithers down through the decades with such clarity on these numbers that the listener is left with the appetizing sensation that any moment now she’ll come busting through the beaded drape, drop an eyelid with the subtlety of a fire curtain, and let fly with a voice that fairly booms off the baldies out front. ■ Not that Pinky (the character Dorothy portrays) lives alone in this vivid world. On this album you’ll be hearing Pinky’s Playboys (the cabaret band that accompanies Dorothy on the show, together with the six squeaky-voiced chorus girls who go under the name of “And the Girls,” a trio of young chorines reminiscent of the limp-harmony groups of the era, a recreated “syncopation dance orchestra,” a New York Dixieland group, and various combinations thereof. ■ Put them all together, they spell the music of the Twenties with all the Roar still in them. ■ If you want to think of this album as a documentary, you won’t be far wrong; the music is as authentic as it can be. Much of it is played directly from “stocks,” the mass-produced musical arrangements of the time. These have been used because of Warner Bros.’ desire to produce a documented collection of the styles and moods of the era’s popular music. To this end, thirty (instead of the customary dozen) tunes have been included. Each of them, as you can note from the long list above, shares equally in the flavor of The Twenties. They are surrounded with all the sentiment and sass of the Prohibition Era. And as one listens through this cavalcade of the musical Twenties, it is almost impossible to turn one’s mind’s eye away from the greatest visions of that period: Lindy coming home, A1 Smith, Jimmy Walker, Jolson on one knee, and the Bambino swatting one out there; the aerial dare devils, raccoon-coated collegians, flashing hip flasks, and six-day bicycle races. And, of course, the music of Pinky and her Playboys. ■ The latter item is included in this listing because it fits in so neatly. The air of utter authenticity that surrounds each TV episode of “The Roaring 20’s,” from the city room of The New York Record to the shuttered clubs along Broadway, all the areas and artifacts of Manhattan in The Twenties are there. ■ Much of the credit for this extraordinary realism can be given to the large storehouse of early Warner Bros, newsreel and feature film that captures this era simply because it is of this era. Through such specialized film-making processes as rear projection and intercutting, it is actually possible to create the illusion of the show’s 1960 actors taking part in a chase sequence through an/authentic, contemporary ticker tape parade of the era that is the real stuff. ■ It is this same devotion to authen¬ ticity that creates this album. With all its breadth of repertoire and performers, it presents a true panorama of America’s wackiest age — The Roaring^O’s. ©1960 WARNER BROS. RECORDS. INC. A SUBSIDIARY AND LICENSEE . WARNER BROS. PICTURES INC. THIS ALBUM IS PLAYABLE ON BOTH MONOPHONIC AND STEREOPHONIC PHONOGRAPHS MADE IN U. S. A. The First Name in Entertainment WARNER BROS. RECORDS Since their production of the' first sound motion pictures, Warner Bros, has continued to devote time and research to the technological development of sound recording. Warner Bros. Records is an exam¬ ple of this continued interest and progress. Warner Bros, presents recordings of finest available quality, both in monophonic and stereo¬ phonic editions. The First Name in Sound STTKREX3 m /•. - '•■BING ft SING ALONG mi WITH THE WIHB 33 Great Songs 33 ■*' «• i» »* iMMW- %mm% - wwtn i ttom iso old to dum mica mum eon RHAPSODY IN BLUE * * * AN AMERICAN IN PARIS THE WORLD'S GREATEST RAGTIME PIANO PLAYER JOIN WITH BING AND SING RHAPSODY IN BLUE • AN AMERICAN IN PARIS GONE WITH THE WIND" Joe "Fingers" Carr W/WS 1386 Bing Crosby and His Friends W/WS 1363 Helndorf, Warner Bros. Orch. W/WS 1243 Henry Mancini, Warner Bros. Military Band Muir Mathieson conducts The London Slnfonia The Master of the Upright at His Red-Hot Best 33 Sing-Along Favorites Two Gershwin Masterpieces America’s Most Stirring March Composer The Completely Re-recorded Score W/WS 1322 CONTINENTAL ^ SCANDINAVIAN SHUFFLE VISA •or Tho m I THE UTTERLY FANTASTIC ^ J SWEDANES IT'S EVERLY TIME SPIKE JONES IN HI FI/STEREO RAPTURE CONTINENTAL VISA The Everly Brothers W/WS 1381 SCANDINAVIAN SHUFFLE W/WS 1332 The Outriggers W/WS 1224 Raoul Meynard and His Orchestra W/WS 1215 The Swe-Danes W/WS 1388 The World’s Most Popular Singing Duo An Amazing Album of Sound and Laughs By America’s Favorite Island Group For Those Who've Been Abroad Europe's Top Music Hall Favorites THE»WORIPSaTEN St 1 THE MOST CELEBRATED NEW COMEDIAN SINCE ATT1LA GREATEST*BoPUL>R " PIANO*C°NCERTOS George Greeley UIH-Sl |>l.llll'l Uilll iIh W.IIIK I lilirv. ( )ll llt'll.l N\ u i \ (.OiRVllO Slaughter on 1() Avenue THE BUTTON-DOWN MIND OF Swedish Kli.ij»s<m1\ BOB NEWHART lv i i ".i in Si reel Scene Inieune//.o Liura Kerry’s Tlieme from Limclighl I'nlnnaise_ THE BUTTON-DOWN MIND OF BOB NEWHART “77 SUNSET STRIP" THE WORLD’S 10 GREATEST POPULAR TAB HUNTER SONGS THE KIDS BROUGHT HOME FROM CAMP Bob Newhart w/WS 1379 W/WS 1289 PIANO CONCERTOS W/WS 1221 John Raitt and The Kids w/WS 1392 First Album by America's Best-Selling Comic Modern Sounds from the TV Soundtrack George Greeley, Warner Bros. Orch. W/WS 1249 12 Favorites by America’s Favorite Bachelor A Nostalgic Sing-Along of Camp Songs "A Pace-Setting Album of Thrilling Sound" ^1 POSITIVELY THE MOST! 101 GANG SONGS HALLS OF IVY Joanie Sommers W/WS 1346 LET’S THINK ABOUT LIVIN’ Bing Crosby and His Friends 2R/2RS 1401 The Gene Howell Chorus W/WS 1244 CONNIE STEVENS W/WS 1382 "The Most Exciting New Singer in 15 Years" Bob Luman w/WS 1396 Two records, 101 favorite songs, Lyrics, too! College Favorites Hawaiian Eye’s Cricket Sings Perky Songs froi That Happy, Rockin' Guy Comes at You Top TV Show STEREO backgrounds to love | J Stereo ,r* - T^| for dancing g06S f§ SPEAK LOW liKilliiiK (IliKKI.KV . ‘ i« " piano itAliano KURT WEILL jP/S* lil. W\ IIU K ro .MUlIfKvru* MATriWTv \kuim:i>i;i;« i.umiv tiikikiuivs intiii mi \T\in Vul.tKK • DA K I'll nil. 1'ltOM‘U STIl VI*V-<i S»I,K 'llo UiVl.TIIKMK KK0M"l.\IJOIIKMIM'I Mi l II H MU l.v BACKGROUNDS TO LOVE SPEAK LOW Buddy Cole, Hammond Piano, and Orch. George Greeley PIANO ITALIANO W/WS 1402 Maurice Levine Orchestra W/WS 1313 Ira Ironstrings CHARLESTON w/WS 129; Seductive Keyboard Sounds W/WS 1384 Thrilling Concerto Interpretations of Beloved Kurt Weill’s Musicomedy Songs Themes Devil-May-Care Music by The Best Damn Danci Band in the Land Together For The Last Time ?„ , J BOB JOE IRA NEWHART "FINGERS" CARR IRONSTRINGS ,LK AI.ONB • ri.l 4 SEEING VOl). AS TIME (JOES EY.MY DEVOTION .THIS LOVE OE MINE. MY HEAHT TELLS ME'THEEE'LL HE BLUE BIHDS OVEK THE WHITE CL1KKS OK DOVER. BECAUSE OK YOU*I RHOUUl CAKE • IT COULD HAPPEN V/i TO YOU • HE WEAK* A PAIR OK SILVER WING8.COOD.
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