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This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Hoag, Gary G Title: The teachings on Riches in 1 Timothy in light of Ephesiaca by Xenophon of Ephesus General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. The Teachings on Riches in I Timothy in light of Ephesiaca by Xenophon of Ephesus Gary G. Hoag A dissertation submitted to the University of Bristol and Trinity College in accordance with the requirements for award of degree of Doctor of Philosophy in the Faculty of Arts. -
The Project Gutenberg Ebook of Bulfinch's Mythology: the Age of Fable, by Thomas Bulfinch
The Project Gutenberg EBook of Bulfinch's Mythology: The Age of Fable, by Thomas Bulfinch This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Bulfinch's Mythology: The Age of Fable Author: Thomas Bulfinch Posting Date: February 4, 2012 [EBook #3327] Release Date: July 2002 First Posted: April 2, 2001 Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK BULFINCH'S MYTHOLOGY: AGE OF FABLE *** Produced by an anonymous Project Gutenberg volunteer. BULFINCH'S MYTHOLOGY THE AGE OF FABLE Revised by Rev. E. E. Hale CONTENTS Chapter I Origin of Greeks and Romans. The Aryan Family. The Divinities of these Nations. Character of the Romans. Greek notion of the World. Dawn, Sun, and Moon. Jupiter and the gods of Olympus. Foreign gods. Latin Names.-- Saturn or Kronos. Titans. Juno, Vulcan, Mars, Phoebus-Apollo, Venus, Cupid, Minerva, Mercury, Ceres, Bacchus. The Muses. The Graces. The Fates. The Furies. Pan. The Satyrs. Momus. Plutus. Roman gods. Chapter II Roman Idea of Creation. Golden Age. Milky Way. Parnassus. The Deluge. Deucalion and Pyrrha. Pandora. Prometheus. Apollo and Daphne. Pyramus and Thisbe. Davy's Safety Lamp. Cephalus and Procris Chapter III Juno. Syrinx, or Pandean Pipes. Argus's Eyes. Io. Callisto Constellations of Great and Little Bear. Pole-star. Diana. Actaeon. Latona. Rustics turned to Frogs. Isle of Delos. Phaeton. -
Bulfinch's Mythology
Bulfinch's Mythology Thomas Bulfinch Bulfinch's Mythology Table of Contents Bulfinch's Mythology..........................................................................................................................................1 Thomas Bulfinch......................................................................................................................................1 PUBLISHERS' PREFACE......................................................................................................................3 AUTHOR'S PREFACE...........................................................................................................................4 STORIES OF GODS AND HEROES..................................................................................................................7 CHAPTER I. INTRODUCTION.............................................................................................................7 CHAPTER II. PROMETHEUS AND PANDORA...............................................................................13 CHAPTER III. APOLLO AND DAPHNEPYRAMUS AND THISBE CEPHALUS AND PROCRIS7 CHAPTER IV. JUNO AND HER RIVALS, IO AND CALLISTODIANA AND ACTAEONLATONA2 AND THE RUSTICS CHAPTER V. PHAETON.....................................................................................................................27 CHAPTER VI. MIDASBAUCIS AND PHILEMON........................................................................31 CHAPTER VII. PROSERPINEGLAUCUS AND SCYLLA............................................................34 -
Gifts Given to Delian Apollo During the Greek Archaic Period
Spectacular Gifts: Gifts Given to Delian Apollo During the Greek Archaic Period Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Bonnie McCutcheon Graduate Program in History The Ohio State University 2018 Dissertation Committee Greg Anderson, Advisor Nathan Rosenstein Timothy E. Gregory 1 Copyrighted by Bonnie McCutcheon 2018 2 Abstract Delos, birthplace to the gods Apollo and Artemis, was home to a significant sanctuary to Apollo in the Greek Archaic Period. Apollo and his sanctuary received many spectacular gifts which stand out in the historical record, including world-premiere works of art, such as the Nikandre kore. The turannos of Samos, Polycrates, notably gave to Apollo the neighboring island of Rheneia, which he attached to Delos with a chain. These and other gifts include elements of the spectacular which make them stand out. To understand the role played by elements of spectacle in gifts at Delos, we must examine these gifts as a discourse. Only by putting them in context with one another can we fully understand the messages that each gift was meant to communicate. Ultimately, I will argue that this is a discourse about establishing and performing identity as xenoi (guest- friends) of the gods and as megaloprepes (magnificent or great men). iii Dedication For Russ, who always believed in me, even when I did not. iv Acknowledgments The composition of this dissertation has spanned over a decade of my life, and could not have been completed without the support of my family and mentors at the Ohio State University. -
The Project Gutenberg Ebook of the Age of Chivalry, by Thomas Bulfinch (#2 in Our Series by Thomas Bulfinch)
The Project Gutenberg EBook of The Age of Chivalry, by Thomas Bulfinch (#2 in our series by Thomas Bulfinch) Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Age of Chivalry Author: Thomas Bulfinch Release Date: January, 2004 [EBook #4926] [Yes, we are more than one year ahead of schedule] [This file was first posted on March 27, 2002] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK, THE AGE OF CHIVALRY *** Robert Rowe, Charles Franks and the Online Distributed Proofreading Team. BULFINCH'S MYTHOLOGY THE AGE OF FABLE THE AGE OF CHIVALRY LEGENDS OF CHARLEMAGNE BY THOMAS BULFINCH COMPLETE IN ONE VOLUME [Editor's Note: The etext contains only THE AGE OF CHIVALRY] PUBLISHERS' PREFACE No new edition of Bulfinch's classic work can be considered complete without some notice of the American scholar to whose wide erudition and painstaking care it stands as a perpetual monument. -
Some Old Masters of Greek Architecture
TROPHONIUS SLAYING AGAMEDES AT THE TREASURY OF IIYRIEUS. SOME OLD MAS- TERS OE GREEK ARCHITECTURE By HARRY DOUGLAS CURATOR OP * « « KELLOGG TERRACE PUBLISHED KT THE QURRTCR-OAK GREAT BARRINGTON, MASS., 1599 « * «* O COPIED Library of CaBgM , % Qfflco of the H*gl*t9r of Copyright* 54865 Copyright, 1899, By HARRY DOUGLAS. SECOND COPY. O EDWARD TRANCIS SCARLES WHOSE APPRECIATION OF THE HARMONIES OF ART, AND "WHOSE HIGH IDEALS OF ARCHITECTURE HAVE FOUND EXPRESSION IN MANY ENDURING FORMS, THIS BOOK IS RESPECTFULLY INSCRIBED. ^ PBEERCE Tub temptation to wander, with all the recklessness of an amateur, into the traditions of the best architec- ture, which necessarily could be found only in the his- tory of early Hellenic art, awakened in the author a desire to ascertain who were the individual artists primarily responsible for those architectural standards, which have been accepted without rival since their crea- tion. The search led to some surprise when it was found how little was known or recorded of them, and how great appeared to be the indifference in which they were held by nearly all the writers upon ancient art, as well as by their contemporary historians and biog- raphers. The author therefore has gone into the field of history, tradition and fable, with a basket on his arm, as it were, to cull some of the rare and obscure flowers of this artistic family, dropping into the basket also such facts directlv or indirectly associated with the VI PEEFACE. architects of ancient Greece, or their art, as interested him personally. The basket is here set down, contain- ing, if nothing more, at least a brief allusion to no less than eighty-two architects of antiquity. -
Bulfinch's Mythology the Age of Fable by Thomas Bulfinch
1 BULFINCH'S MYTHOLOGY THE AGE OF FABLE BY THOMAS BULFINCH Table of Contents PUBLISHERS' PREFACE ........................................................................................................................... 3 AUTHOR'S PREFACE ................................................................................................................................. 4 INTRODUCTION ........................................................................................................................................ 7 ROMAN DIVINITIES ............................................................................................................................ 16 PROMETHEUS AND PANDORA ............................................................................................................ 18 APOLLO AND DAPHNE--PYRAMUS AND THISBE CEPHALUS AND PROCRIS ............................ 24 JUNO AND HER RIVALS, IO AND CALLISTO--DIANA AND ACTAEON--LATONA AND THE RUSTICS .................................................................................................................................................... 32 PHAETON .................................................................................................................................................. 41 MIDAS--BAUCIS AND PHILEMON ....................................................................................................... 48 PROSERPINE--GLAUCUS AND SCYLLA ............................................................................................. 53 PYGMALION--DRYOPE-VENUS -
The Mixed Blessings of Bacchus in Virgil's Georgics
Dictynna 11 (2014) Varia ................................................................................................................................................................................................................................................................................................ Fiachra Mac Góráin The Mixed Blessings of Bacchus in Virgil’s Georgics ................................................................................................................................................................................................................................................................................................ Avertissement Le contenu de ce site relève de la législation française sur la propriété intellectuelle et est la propriété exclusive de l'éditeur. Les œuvres figurant sur ce site peuvent être consultées et reproduites sur un support papier ou numérique sous réserve qu'elles soient strictement réservées à un usage soit personnel, soit scientifique ou pédagogique excluant toute exploitation commerciale. La reproduction devra obligatoirement mentionner l'éditeur, le nom de la revue, l'auteur et la référence du document. Toute autre reproduction est interdite sauf accord préalable de l'éditeur, en dehors des cas prévus par la législation en vigueur en France. Revues.org est un portail de revues en sciences humaines et sociales développé par le Cléo, Centre pour l'édition électronique ouverte (CNRS, EHESS, UP, UAPV). ............................................................................................................................................................................................................................................................................................... -
Aegean Odyssey
TRAVEL The Strait of Telendos. Aegean Odyssey Fresh from a decade spent Euboea researching the latest edition of ATHENS Samos the Blue Guide to the Aegean, Nigel Delos Naxos McGilchrist takes us island hopping Paros through an archaeological paradise. Milos Santorini e live in a city-centric world. When we and between two great seas, the Euxine (Black Sea) and the think of the scattered islands of the Eastern Mediterranean. At that time and throughout later Aegean, we think of them as remote and Antiquity, the sea was of central importance – much richer peripheral, places of retreat where we can in possibility than the dangerous and often infertile land- ‘get away from things’. To the Ancients it masses that bordered it. N McGilchrist Wwas not so. In the Bronze Age, the Islands and the sea-routes From earliest times tiny, sea-girt Delos, in the middle of the that linked them were the beating heart of their world – vital Aegean, was the cosmopolitan heart of the Greek-speaking ALL PHOTOS: ALL PHOTOS: stepping-stones between two continents, Europe and Asia, world, as well as birth-place of two of its greatest divinities: 52 CURRENTWORLDARCHAEOLOGY . Issue 44 TRAVEL: AEGEAN Apollo and Artemis. In the 6th century BC the island city of Samos was a bigger and more vital trading centre than Athens could then dream of being. Socrates, in his dialogue the Phaedo, put it in a nutshell when he implied that the Greek world was a pond scattered with frogs: the pond was the Aegean, the frogs the Greek cities. -
Magazine Ofalpha Rho Chi Theh · Arc L Magazine Ofalpha Rho Chi
Magazine ofAlpha Rho Chi theh · Arc l Magazine ofAlpha Rho Chi It is true that theArchi serves as a mecha nism to communicate information from the Grand Council and is amusing to read. However, I feel that it is an untapped resource among creative individuals. The opportunity exists to convey your point of view or demonstrate a highly profes sional style through feature articles pub lished in the Archi. If there was more input from individuals who shared their diverse backgrounds RHOECUS (or Rhoikos) The Parthenon,Athens( 447-432 B.C.), and experiences, the quality ofthe maga erectedon theAcropolis, south ofthe old zine would improve and the author Son ofPhileus ofSamos. he was an archi Temple ofAthena, in the time ofPericles, would get national recognition. Several of tect, bronze worker, sculptor and jewelry was dedicated to Athena Parthenos the the most interesting articles have come smith. Rhoecus himself cast for Ephesus virgin Athena. Ictinus and Callicrates from students. A feature about APX the most ancient bronze statue of which were the architects, and Pheidias was the alumni by Charles Tarr appeared in a there is record; it was called "Night" and master sculptor. The temple is peripteral 1981 publication and Tim Pelowski's fea was placed at the alter of Artemis. octastyle inplan, with seventeen columns ture on his three-month visit to China are on the flanks, and stands on a crepidoma onlytwo examples ofthis initiative which A special characteristic ofthe archaic ofthree steps. The principal doorway on has resulted in positive feedback. period in Asia Minor was the erection of the east led into the naos, known as the colossal dipteral temples (Le. -
Ancient Greece from the Air" Slides 931 Slides
RAYMOND V. SCHODER, S.J. (1916-1987) Classical Studies Department "Ancient Greece from the Air" Slides 931 slides Ace. No. 89-15 Computer Name: SCHODER.GRE 7 Meta I Slide Boxes Location: I8C In August 1962, August 1967, and June of 1968 Fr. Raymond V. Schader, S.J., photographed ancient Greek archeological sites from the air. Most of these photographs were taken through the open door of a DC3 plane piloted by and belonging to the Hellenic Air Force. Of these photographs 140 were published in Wings over Hcllas: Ancient Greece from the Air by Raymond V. Schader, S.J. (New York: Oxford University Press, 1974). 1 In the introduction to his work Fr. Schader explains the procedures employed in taking these photographs and the aim which motivated him: to present all important excavated sites of ancient Greece, both mainland and islands and from Minoan to Roman times, from this advantageous point of view as a new aid to archeology and to historical studies as well as to visitors to the sites .... Only ancient sites are included, though many medieval centres are also meaningful from the air and I have photographed them also. The photographic slides taken by Fr. Schoder during this project make up the bulk of the collection of slides listed below. Although ancient ruins arc the predominant subject of the slides, there are several slides depicting contemporary cities from above. Interesting to note arc the first three slides showing the technique which Fr. Schader used to photograph from the air. The slides arc maintained numerically in the order in which they were transferred to the Archives. -
Artemis Ephesia in Apulum Biography of a Roman Bronze Statuette
ARTEMIS EPHESIA IN APULUM BIOGRAPHY OF A ROMAN BRONZE STATUETTE CSABA SZABÓ*–RADU OTA**–MARIUS MIHAI CIUTĂ*** *University of Pécs Rókus u. 2. M épület, H–7624 Pécs Hungary Max Weber Kolleg Nordhäuser Str. 74, 99089 Erfurt, [email protected] ** National Museum of Union, Alba Iulia, Str. Mihai Viteazu, nr. 12-14 Alba Iulia, Romania [email protected] *** Lucian Blaga University, Sibiu Bulevardul Victoriei 10, 550024 Sibiu, Romania [email protected] In honorem Robert Fleischer 75 Abstract: The first known representation of Artemis from Ephesus in Dacia was recovered in the spring of 2006, the small bronze statuette being part of one of the biggest private, archaeological collections looted from various Roman sites. In this article, the authors present the iconographic features of the statuette, the religious significance of the object and through the modern story of the artefact will reflect on the biography of ancient objects once used in religious contexts. Keywords: Artemis from Ephesus, votive small finds, bronze statuette, archaeological heritage “But in the sanctuary of Ephesian Artemis, as you enter the building containing the pictures, there is a stone wall above the altar of Artemis called Goddess of the First Seat. Among the images that stand upon the wall is a statue of a woman at the end, a work of Rhoecus, called by the Ephesians Night” (Pausanias, Description of Greece. Translated by W. H. S. Jones and H. A. Omerod Loeb Classical Library Volumes. Cambridge, MA, Harvard Uni- versity Press; London, William Heinemann Ltd. 1918).1 Ephesus became one of the most important religious centres of the Anatolian peninsula in the end of the 10th century B.C.2 From a small, local shrine built in the Geometric age the sacralised space was maintained till 263 A.D,3 surviving at least six major phases of construction,4 numerous floods and destructions5 and became one of the most successful and monumental example of maintaining a sacralised space, considered even as the “fifth wonder of ancient times”.6 The success of the Artemision had multiple reasons.