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Page 1 Outstanding Events of the Final Weeks of AMERICAN

Outstanding Events of the Final Weeks of AMERICAN BALLET THEATRE'S Gala Christmas Season at the Academy ************************************ Three of the world's most popular ballets, SWAN LAKE, GISELLE and COPPELIA, are prominent in the current repertory. GISELLE, acclain~d at the World Premiere of this new production last July at the Metro politan Opera House, is the greatest of the romantic ballets and will have its first performance this season Tuesday evening, December 17th. The Brooklyn Academy will present the World Premiere of COPPELIA, the enchanting children's comedy ballet, for eight perfonmances dur ing Christmas week, the first on Tuesday afternoon, December 24th, at 2 :00 p.m. These magnificent full-length productions will feature four of the world's greatest dancers. CARLA FRACCI Prima ballerina of La Scala in Milan, Miss Fracci has been hailed by the critic of DANCE NEWS as "the greatest GISELLE of her generation, following in the footsteps of Markova, Ulanova and Alonso. She is the perfection of the romantic ballerina." Clive Barnes in the N.Y. TIMES rhapsodized, 11a dream of a dancer." ERIK BRUHN The incredible Danish star is unique among the dancers of today. "The peerless male dancer of our time," wrote Clive Barnes in the N.Y. TIMES. ''The greatest male dancer in the world today," said Rudolph Nureyev in an interview in TIME MAGAZINE. ELEANOR D1 ANTUONO "Miss D1 Antuono could probably complete her dazzling fouettes on the back of a galloping horse," said John MarHn, dean of America's dance critics. GISELLE and COPPELIA display Miss D'Antuono's virtu osity and her breathtaking technique in perfect contrast. ROVES FERNANDEZ Throughout the world, and even in the birthplace of modern classical ballet, the Soviet Union, Mr. Fernandez' performances have met with unstinting praise. The great ballerina, Ulanova, paid tribute to him, "He is endowed with precious qua 1i ties, 11 and Dame Margot Fonteyn selected Mr. Fernandez to be her co-star on a world tour. He is the danseur noble to perfection. "CARLA FRACCI and ERIK BRUHN go together like a king and his consort." Clive Barnes, N.Y. TIMES If you have enjoyed this performance, you won't want to miss the superb productions of GISELLE, COPPELIA and the other great works from American Ballet Theatre's spectacular repertory. ** ** ** *************** ********** * **** THE BOX OFFICE WILL REI-1AIN OPEN FOR YOUR CONVENIENCE DURING THE FIRST INTERMISSION. .

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Extended Interview with Demis Volpi
Extended Interview with Demis Volpi When the curtains rose at the 9th International Competition for the Erik Bruhn Prize, Canada’s National Ballet School was very well represented on stage. Not only were both The National Ballet of Canada’s competitors NBS grads – Shino Mori and Naoya Ebe- but so were three of the five emerging choreographers whose work was being performed! The Erik Bruhn Competition was created by The National Ballet of Canada in 1988, following Erik Bruhn’s 1986 death. Held every other year, companies with whom Bruhn had a close tie are invited to enter the competition. Dancers must represent the ‘future’ of the companies, they cannot yet be Principal Dancers and they cannot be over the age of 23. This year saw competitors from American Ballet Theatre, Hamburg Ballet, Royal Danish Ballet, Stuttgart Ballet as well as The National Ballet of Canada. This edition of the Bruhn Competition saw the traditional prizes – best male dancer, best female dancer and best choreographer (based on the contemporary performances only) – augmented with new Audience Choice Awards. When it came time to announce the choreographic prizes, NBS had a clean sweep! NBS alumnus Robert Stephen took home the audience choice award for his work for Mori and Ebe, entitled Passacaglia. Winning the prize for best choreographer was fellow NBS alumnus Demis Volpi, of Stuttgart Ballet, for his work Little Monsters. With each of the prizes comes a monetary win, and Demis Volpi chose to donate his winnings to the School. NBS caught up with Demis after the exhilarating weekend to find out more about this spontaneous moment of generosity.
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Giselle – the Vancouver
TAIWAN MEETS VIETNAM Festival reveals cultural links B3 RAMEN IN NORTH VAN Sibling duo SCENE opens shop B4 VANCOUVER SUN THURSDAY, AUGUST 29, 2019 SECTION B Social media IN MOTION Choreographer gives classic ballet modern overhaul STUART DERDEYN old prodigy. She first encountered the project with Beamish in 2016. Giselle is a masterwork of the clas- “Joshua was just starting the sical ballet. Probably every compa- very first ideas of @giselle and I ny in the world has presented the was involved in the workshop pro- tragedy of an innocent, beautiful cess of making the Willis dance in young peasant girl named Giselle Act 2, which is core to the ballet,” who falls hard for the calculated Hurlin says. flirtations of a sleazy rich noble- “I think the way that he is incor- man named Albrecht. After she porating realistic storytelling into dies of heartbreak, he must con- the work is really interesting for tend with supernatural conse- Josh Beamish 2019 and the technology is very quences for his cruel actions. much a part of modern daily life. As Giselle was first played in Paris @GISELLE a classical dancer, this is more con- in 1841, going on to become one When: Sept. 5-7, 7:30 p.m. temporary to me, but those lines of the most performed ballets in Where: Vancouver Playhouse, are becoming increasingly blurred history. It’s also one of the hard- 600 Hamilton St. and I’m still in pointe shoes.” est roles to dance. Any updating Tickets and info: From $35 Right after @giselle, Hurlin re- of the production goes up against at eventbrite.com turns to New York to launch the 178 years of proven, crowd-pleas- fall season at the American Bal- ing performances provided by edy, she returns to take on her let Theatre and prepare for that high-flyingballerinas .
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Prince of Denmark 99
Daily Telegraph Dec 28 1999 Prince of Denmark Danish star Johan Kobborg is one of the Royal Ballet’s brightest new hopes, says Ismene Brown IT was 8.30am and Heathrow’s Terminal 1 was ﬁlling up with passengers. I studied their feet. It was my best chance of recognising Johan Kobborg off-duty. “I’ll turn out,” he’d promised on the phone - meaning his legs. And sure enough, into my view hove a pair of duck- like, waddling feet. The brilliant new male dancer at the Royal Ballet has spotted me foot-watching, and was playing his part. There is nothing very odd about meeting Kobborg at an airport for an interview. For such a star aeroplanes are the equivalent of trains for the rest of us. Only four days before Christmas, he was off to Bilbao in Spain for two gala performances; he would whizz back home to Copenhagen for Christmas with his family, before returning to London yesterday ready for his debut in the Royal Ballet’s Nutcracker this afternoon. Kobborg’s appearance as a Prince is symbolic. A year ago six Royal Ballet men quit to dance in Japan. Foreign leading men were hurriedly drafted in. First it was the pantherine Cuban Carlos Acosta who joined, replacing Tetsuya Kumakawa, but the new Prince on the block whose name caused a frisson of delight among cognoscenti was this young Dane, as blond and mischievous as Acosta is dark and brooding. Denmark, a nation of only ﬁve million people, with a ballet tradition reaching back before 1600, produces a startling, disproportionate number of the top male dancers more consistently even than the vast ballet nationsl Russia and America.
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This Program Is Partially Supported by a Grant from the Illinois Arts Council Agency
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