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JERSEY BOYS and KINKY BOOTS Highlight the 2017-18 Broadway at the Orpheum Theatre Series
FOR IMMEDIATE RELEASE Press Contact: Reida York Director of Advertising and Public Relations 816.559.3847 office | 816.668.9321 cell [email protected] JERSEY BOYS and KINKY BOOTS Highlight the 2017-18 Broadway at The Orpheum Theatre Series PHOENIX, AZ – The Tony Award®-winning Best Musicals JERSEY BOYS and KINKY BOOTS highlight the 2017-18 Broadway at The Orpheum Theatre Series, presented by Theater League in Phoenix, Arizona, at the beautiful Orpheum Theatre. Season renewals and priority orders are available at BroadwayOrpheum.com or by calling 800.776.7469. “We are thrilled to bring such powerful productions to the Orpheum Theatre,” Theater League President Mark Edelman said. “We are honored to be a part of this community and we look forward to contributing to the arts and culture of Phoenix with this strong season.” The Broadway in Thousand Oaks line-up features the best of Broadway, including the international sensation, JERSEY BOYS, the high-heeled hit, KINKY BOOTS, the nostalgic standard, MUSIC MAN: IN CONCERT, and the legendary classic, A CHORUS LINE. The 2017-18 Broadway at The Orpheum Theatre Series includes the following hit musicals: MUSIC MAN: IN CONCERT December 1-3, 2017 A Broadway classic in concert featuring the nostalgic score of rousing marches, barbershop quartets and sentimental ballads, which have become popular standards. Meredith Willson’s musical comedy has been delighting audiences since 1957 and is sure to entertain every generation. Harold Hill is a traveling con man, set to pull a fast one on the people of River City, Iowa, by promising to put together a boys band and selling instruments — despite the fact he knows nothing about music. -
THE WIZARD of OZ an ILLUSTRATED COMPANION to the TIMELESS MOVIE CLASSIC by John Fricke and Jonathan Shirshekan with a Foreword by M-G-M “Munchkin” Margaret Pellegrini
THE WIZARD OF OZ AN ILLUSTRATED COMPANION TO THE TIMELESS MOVIE CLASSIC By John Fricke and Jonathan Shirshekan With a foreword by M-G-M “Munchkin” Margaret Pellegrini The Wizard of Oz: An Illustrated Companion to the Timeless Movie Classic is a vibrant celebration of the 70th anniversary of the film’s August 1939 premiere. Its U.S. publication coincides with the release of Warner Home Video’s special collector’s edition DVD of The Wizard of Oz. POP-CULTURE/ ENTERTAINMENT over the rainbow FALL 2009 How Oz Came to the Screen t least six times between April and September 1938, M-G-M Winkie Guards); the capture and chase by The Winkies; and scenes with HARDCOVER set a start date for The Wizard of Oz, and each came and went The Witch, Nikko, and another monkey. Stills of these sequences show stag- as preproduction problems grew. By October, director Norman ing and visual concepts that would not appear in the finished film: A Taurog had left the project; when filming finally started on the A • Rather than being followed and chased by The Winkies, Toto 13th, Richard Thorpe was—literally and figuratively—calling the shots. instead escaped through their ranks to leap across the castle $20.00 Rumor had it that the Oz Unit first would seek and photograph whichever drawbridge. California barnyard most resembled Kansas. Alternately, a trade paper re- • Thorpe kept Bolger, Ebsen, and Lahr in their Guard disguises well ported that all the musical numbers would be completed before other after they broke through The Tower Room door to free Dorothy. -
Book by Marshall Brickman and Rick Elice Music And
BOOK BY MARSHALL BRICKMAN AND RICK ELICE MUSIC AND LYRICS BY ANDREW LIPPA BASED ON CHARACTERS CREATED BY CHARLES ADDAMS ORIGINALLY PRODUCED ON BROADWAY BY STUART OKEN, ROY FURMAN, MICHAEL LEAVITT, FIVE CENT PRODUCTIONS, STEPHEN SCHULER, DECCA THEATRICALS, SCOTT M. DELMAN, STUART DITSKY, TERRY ALLEN KRAMER, STEPHANIE P. MCCLELLAND, JAMES L. NEDERLANDER, EVA PRICE, JAM THEATRICALS/MARY LUROFFE, PITTSBURGH CLO/GUTTERMAN-SWINSKY, VIVEK TIWARY/GARY KAPLAN, THE WEINSTEIN COMPANY/CLARENCE, LLC, ADAM ZOTOVICH/TRIBE THEATRICALS BY SPECIAL ARRANGEMENT WITH ELEPHANT EYE THEATRICAL DIRECTED BY LAURA NEGRAEFF MUSIC DIRECTION BY SHAUN BZDEL & ANDREW LINSLEY CHOREOGRAPHY BY MEGHAN MCDONALD THE ADDAMS FAMILY A NEW MUSICAL is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide 1180 Avenue of the Americas, Suite 640, New York, NY 10036. www.theatricalrights.com It is with gratitude and humility that Saskatoon Summer Players acknowledges that we create and perform on Treaty Six Territory which is the traditional territory of many First Nations and is the homeland of the Metis. In particularly difficult times such as these, we are thankful for the support of the businesses and granting organizations who stand with arts organizations like Saskatoon Summer Players to ensure that the show goes on. We offer our sincere thanks to these organizations. This production would not have been possible without the generous support of our community partners. They have helped us when we needed access to space, equipment, and expertise. We are eternally grateful for their generosity and for their commitment to making theatre happen in our community at this difficult time. -
JERSEY BOYS Added to 2021 STAGES St
NEWS RELEASE For More Information Please Contact: Brett Murray [email protected] 636.449.5773 FOR IMMEDIATE RELEASE (9/21/2020) STAGES ST. LOUIS ANNOUNCES BROADWAY STAR AND BROADWAY HIT TO HEADLINE 35TH ANNIVERSARY SEASON Tony Award-Winning JERSEY BOYS and Broadway Star Diana DeGarmo headline STAGES 35th Anniversary Season. (ST. LOUIS) – STAGES St. Louis is thrilled to announce its spectacular 35th Anniversary Season! The 2021 Season includes the much requested return of the most popular show in STAGES history, ALWAYS… PATSY CLINE, the Pulitzer Prize and Tony Award-Winning masterpiece, A CHORUS LINE, the STAGES premiere of the Broadway sensation, JERSEY BOYS, and our Family Theatre Series production of the delightful A YEAR WITH FROG AND TOAD. 2021 not only marks the 35th Anniversary Season for STAGES, but also the move into the organization’s new artistic home in The Ross Family Theatre at the Kirkwood Performing Arts Center. The 40,000 square foot state-of-the-art facility features the 529-seat Ross Family Theatre, where all future productions of the Mainstage Season will play, and a flexible studio theatre, which will serve as home for the Family Theatre Series. “We could not be more excited to bring you a year of true blockbusters for our Inaugural Season at the Kirkwood Performing Arts Center!” said Executive Producer Jack Lane. “There is no better way to christen our new home at The Ross Family Theatre and welcome our audience back than with the return of ALWAYS… PATSY CLINE; the groundbreaking A CHORUS LINE; and the STAGES premiere of one of the most popular musicals in Broadway history, JERSEY BOYS.” STAGES is also overjoyed to welcome American Idol alum and Broadway star Diana DeGarmo as Patsy Cline, alongside STAGES-favorite Zoe Vonder Haar as Louise Seger in the encore of the bestselling production in STAGES’ history, ALWAYS… PATSY CLINE. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
American Music Research Center Journal
AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301. -
Arizona Musicfest 2021-22 Concert Season Announcement
azmusicfest.org NEWS RELEASE / CALENDAR LISTINGS ARIZONA MUSICFEST ANNOUNCES ITS 2021-22 CONCERT SEASON. CELEBRATING THE RETURN OF LIVE INDOOR PERFORMANCES, MUSICFEST PRODUCES AN EXCITING LINE-UP OF CONCERTS NOVEMBER THROUGH APRIL. LEGENDARY SINGER/SONGWRITER PAUL ANKA; BROADWAY ICON BERNADETTE PETERS; SUPERSTAR INSTRUMENTALIST KENNY G; COUNTRY MUSIC FAVORITE LEANN RIMES; BRAZILIAN LEGEND SERGIO MENDES; CLASSICAL VIRTUOSOS SARAH CHANG AND EMANUEL AX; PINK MARTINI AND THE TEXAS TENORS HEADLINE THE SPECIAL SEASON. June 2021 Media Contact: Allan Naplan, Executive and Producing Director For PR inquiries: [email protected] / (480) 488.0806 Photo Requests: PR Assets can also be obtained at the following link: https://azmusicfest.org/pr-assets/ To obtain further press materials, please email requests to [email protected]. ARIZONA MUSICFEST 2021-22 CONCERT SEASON Tickets are now on sale for Arizona Musicfest’s 31st anniversary season—The Stars Return to Musicfest! With great excitement and anticipation, Arizona Musicfest announces a starry lineup of exceptional artists to celebrate the return of live indoor concerts in North Scottsdale. Following the challenges and disappointments of last season, Musicfest is thrilled to regroup and renew its commitment to bringing the joy of music to all. In its largest season ever, Musicfest will produce 30 concerts between November and April. “As our community emerges from the difficulties of the last year, we are honored to engage and entertain audiences with exceptional performances that will uplift and reunite friends, neighbors, and artists around our shared love of music.” Allan Naplan, Arizona Musicfest’s executive and producing director, said. This special season’s lineup includes many great artists, some making their Musicfest debuts, while others returning due to popular demand. -
Petf'~ Find The
PETF'~ FIND THE ST ;·.. ~acnTrHFl ~~'". "'i.:.,·-~ ( .. MUSIC THEATRE A Play by Rick Elice INTERNATIONAL Based on the novel by NOT FOR SALE DO NOT DEFACE This book is rented for Should you find it Dave Barry and Ridley Pearson the period specified in necessary to mark your contract. cues or cuts, use a It remains the soft black lead property of MTI. pencil only. ACTING EDITION PLEASE RETURN TO THE MTI MUSIC LIBRARY 31A Industrial Park Road )n). New Hartford, CT 06057 Peter and the Starcatcher was commissioned and developed by Disney Theatrical Productions and produced at New York Theatre Workshop (James C. Nicola, Artistic Director Play script © 2012 Rick Elice & William Russo, Managing Director), February-April All rights reserved. Published by Disney Editions, an imprint of 2011. This production trans-ferred to Broadway and opened Disney Book Group. No part of this book may be reproduced or on April 15, 2012, at the Brooks Atkinson Theatre, where it transmitted in any form or by any means, electronic or mechanical, was presented by Nancy Nagel Gibbs, Greg Schaffert, Tom including photocopying, recording, or by any information storage Smedes, Eva Price, and Disney Theatrical Productions. The and retrieval system, without written permission from the production was conceived and directed by Roger Rees and publisher. Alex Timbers, with music by Wayne Barker, movement by Steven Haggett, scenic design by Donyale Werle, costume CAUTION: Professionals and amateurs are hereby advised design by Paloma Young, lighting design by Jeff Croiter, that this work is fully protected under the copyright laws of all sound design by Darr.on L. -
Las Vegas, Nevada
2021 Toyota U.S. Figure Skating Championships January 11-21, 2021 Las Vegas | The Orleans Arena Media Information and Story Ideas The U.S. Figure Skating Championships, held annually since 1914, is the nation’s most prestigious figure skating event. The competition crowns U.S. champions in ladies, men’s, pairs and ice dance at the senior and junior levels. The 2021 U.S. Championships will serve as the final qualifying event prior to selecting and announcing the U.S. World Figure Skating Team that will represent Team USA at the ISU World Figure Skating Championships in Stockholm. The marquee event was relocated from San Jose, California, to Las Vegas late in the fall due to COVID-19 considerations. San Jose meanwhile was awarded the 2023 Toyota U.S. Championships, marking the fourth time that the city will host the event. Competition and practice for the junior and Championship competitions will be held at The Orleans Arena in Las Vegas. The event will take place in a bubble format with no spectators. Las Vegas, Nevada This is the first time the U.S. Championships will be held in Las Vegas. The entertainment capital of the world most recently hosted 2020 Guaranteed Rate Skate America and 2019 Skate America presented by American Cruise Lines. The Orleans Arena The Orleans Arena is one of the nation’s leading mid-size arenas. It is located at The Orleans Hotel and Casino and is operated by Coast Casinos, a subsidiary of Boyd Gaming Corporation. The arena is the home to the Vegas Rollers of World Team Tennis since 2019, and plays host to concerts, sporting events and NCAA Tournaments. -
About the Cast
ABOUT THE CAST BURTON CURTIS (Watchman) has performed as Pierrot in Stephen Wadsworth’s productions of Molière’s Don Juan (McCarter Theatre, Shakespeare Theatre Company, The Old Globe, and Seattle Rep). He also portrayed Dumas in Wadsworth’s productions of Marivaux’s Triumph of Love (Long Wharf Theatre, Missouri Rep, and Seattle Rep). Burton originated the role of Eddie Wicket in the west coast premiere of Louis Broom’s Texarkana Waltz (Circle X Theatre Co., L.A. and the Empty Space Theatre, Seattle). He also created the dual roles of Brother Mills and Heathcliff in Wuthering! Heights! The! Musical! and performed in The Complete History of America (Abridged) (Empty Space and Actors Theatre of Louisville). Other roles include Tom in The Glass Menagerie (Tacoma Actors Guild) and Freddy in Noises Off (Village Theatre, Issaquah). He played the title role in Jillian Armenante’s production of Camille and Little Mary in a “gender blind” production of The Women (Annex Theatre, Seattle). Film credits include Crocodile Tears, Money Buys Happiness, and Great Uncle Jimmy as well as Gus Van Sant’s Even Cowgirls Get the Blues. Burton is also a director and choreographer and has received awards for his work on the stage from the Seattle Post Intelligencer and Seattle Weekly. He was listed by Backstage West among “100 Actors We Love.” He received his BFA in theater from Baylor University and now resides in Seattle. Burton is delighted to be making his Getty debut and is thrilled to be joining Mr. Wadsworth in yet another exciting project. NICHOLAS HORMANN (Chorus Leader) has worked in the American theater for thirty-five years, beginning on Broadway with the New Phoenix Repertory Company. -
MEMORY of the WORLD REGISTER the Wizard of Oz
MEMORY OF THE WORLD REGISTER The Wizard of Oz (Victor Fleming 1939), produced by Metro-Goldwyn-Mayer REF N° 2006-10 PART A – ESSENTIAL INFORMATION 1 SUMMARY In 1939, as the world fell into the chaos of war, Metro-Goldwyn-Mayer released a film that espoused kindness, charity, friendship, courage, fortitude, love and generosity. It was dedicated to the “young, and the young in heart” and today it remains one of the most beloved works of cinema, embraced by audiences of all ages throughout the world. It is one of the most widely seen and influential films in all of cinema history. The Wizard of Oz (1939) has become a true cinema classic, one that resonates with hope and love every time Dorothy Gale (the inimitable Judy Garland in her signature screen performance) wistfully sings “Over the Rainbow” as she yearns for a place where “troubles melt like lemon drops” and the sky is always blue. George Eastman House takes pride in nominating The Wizard of Oz for inclusion in the Memory of the World Register because as custodian of the original Technicolor 3-strip nitrate negatives and the black and white sequences preservation negatives and soundtrack, the Museum has conserved these precious artefacts, thus ensuring the survival of this film for future generations. Working in partnership with the current legal owner, Warner Bros., the Museum has made it possible for this beloved film classic to continue to enchant and delight audiences. The original YCM negatives have been conserved at the Museum since 1975, and Warner Bros. recently completed our holdings of the film by assigning the best surviving preservation elements of the opening and closing black and white sequences and the soundtrack to our care. -
Fortunate Dreams
FORTUNATE DREAMS BY CURTIS LOFGREN WGAw # 1623265 2621 Columbia Avenue Richmond CA 94804 510-526-3452 [email protected] FADE IN INT. DREAM INN HOTEL-JUNE 27-1975 Oscar-winning actor JACK LEMMON and his wife, actress FELICIA FARR, have arrived at their hotel, the best this small town has to offer. Famed actor RAY BOLGER’S impromptu song and dance routine has just ended, and the echo of APPLAUSE is still ruminating through the entire establishment. Lemmon is tired and cranky. He rings the bell in the deserted lobby while his wife rubs his shoulders. JACK LEMMON (moaning) Oh, right there. FELICIA Please let me drive home after the shoot, alright? Let’s stop at that cute Scandinavian town, what’s its name? Soulbang? She stops rubbing his shoulders and rings the bell again. Jack throws up his hands and gives her a classic JACK LEMMON rant. A screenplay of the 1960 English classic, THE ENTERTAINER, adjusted for NBC, is sitting on the ledge of the desk. Jack is running his lines, but stops in mid-sentence. JACK LEMMON A seven day shooting schedule? I must have been crazy. And the money? I might as well donate it. Felicia looks into her tiny mirror and adjusts her make-up. FELICIA You did. Remember, your wife’s Rodeo Drive shopping fund? Felicia nibbles at his ear. JACK LEMMON Money isn’t everything. Laurence Olivier may be a master thespian in England, but there’s another mule kicking in his stall here in America. FELICIA What does that mean? She adds a little lipstick here, a little powder there.