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NICOLAS HARVARD FIRST ASSISTANT DIRECTOR FEATURES: VIOLENCE OF ACTION STX/30 West Prod: Basil Iwanyk, Michael Flynn Dir: Tarik Saleh TO ALL THE BOYS I’VE LOVED Netflix Prod: Jessica Held, Will Smith, Max Siemers, Dir: Susan Johnson BEFORE 3 Jada Pinkett Smith, Robyn Marshall COUNTDOWN STX Films Prod: Sean Anders, John Morris, Dir: Justin Dec John Rickard THE SPY WHO DUMPED ME Lionsgate Prod: Brian Grazer, Ron Howard, Dir: Susanna Fogel (Reshoots) Barry Waldman CHAPPAQUIDICK Apex Entertainment Prod: Mark Ciardi, Doug Jones Dir: John Curran WIND RIVER Thunder Road Pictures Prod: Matthew George, Basil Iwanyk Dir: Taylor Sheridan *DGA Awards 2018, Nomination, First-Time Feature Film THE CIRCLE Likely Story/Playtone Prod: Anthony Bregman, Stefanie Azpiazu, Dir: James Ponsoldt Gary Goetzman, Tom Hanks MESSAGE FROM THE KING Entertainment One Prod: Simon Cornwell, Stephen Cornwell, Dir: Fabrice Du Welz Rhodri Thomas NINA Ealing Studios Prod: Ben Latham-Jones, Lauren Lloyd, Dir: Cynthia Mort Barnaby Thompson HELL OR HIGH WATER Film 44 Prod: Peter Berg, Dylan Tarason, Dir: David Mackenzie Julie Yorn, Kathryn Dean BEFORE I WAKE Intrepid Pictures Prod: William D. Johnson, Trevor Macy, Dir: Mike Flanagan David Greathouse THE END OF THE TOUR Modern Man Films Prod: Matt DeRoss, David Kanter, Dir: James Ponsoldt Louise Lovegrove WILD OATS Wild Pictures Prod: Blythe Frank, Kip Konwiser, Dir: Andy Tennant Michael Mailer RUDDERLESS Unified Pictures Prod: Keith Kjarval, Aaron Gilbert Dir: William H. Macy WHIPLASH Bold Films Prod: Jason Blum, Helen Estabrook, Dir: Damien Chazelle Michel Litvak, Jason Reitman THE SPECTACULAR NOW Andrew Lauren Prod: Shawn Levy, Tom McNulty Dir: James Ponsoldt Productions Dan Cohen TIM AND ERIC’S BILLION 2929 Productions Prod: Adam Mckay, Ben Cosgrove, Dir: Tim Heidecker DOLLAR MOVIE Chris Henchy, Darren M. Demetre Eric Wareheim FOR A GOOD TIME, CALL… AdScott Pictures Prod: Jenny Hinkey, Jack Nasser, Dir: Jamie Travis Joseph Nasser CALIFORNIA SOLO Cherry Sky Films Prod: Mynette Louie Dir: Marshall Lewy SMASHED Super Crispy Ent. Prod: Jonathan Schwartz, Dir: James Ponsoldt Andrea Sperling LOSING CONTROL Ph.D Productions Prod: Robert A. Johnson, Matthew Medlin Dir: Valerie Weiss (2nd Unit Director) SOUND OF MY VOICE The Exchange Prod: Brit Marling, Hans Ritter Dir: Zal Batmanglij TELEVISION: SORRY FOR YOUR LOSS (Season 1) Big Beach TV Prod: Elizabeth Olsen, Robyn Schwartz Dir: James Ponsoldt YELLOWSTONE (Seasons 1 & 2) The Weinstein Co./ Prod: John Linson, Art Linson, Dir: Taylor Sheridan (1st AD / 2nd Unit Director) Paramount Network Taylor Sheridan, John Vohlers, Michael Polaire WIDOW (Season 1) Facebook Prod: Lizzy Weiss, Franco Bario, Peter Saraf Dir: James Ponsoldt THIN ICE (Pilot) 20th Century Fox/ FOX Prod: Katherine Pope, Liz Meriwether, Dir: James Ponsoldt Erin O’Malley FUTURESTATES Independent Television Prod: Angela Sostre, Ariel Dovas, Dir: Various Jasmine Jaisinghani, Mynette Louie 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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Roger Ebert's
The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked.
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Lights, Camera, Action! Gerald R. Ford International Airport Serves As Location for Filming of “The End of the Tour.”
Gerald R. Ford International Airport AIRPORT BOARD KENT COUNTY DEPARTMENT OF AERONAUTICS ROGER MORGAN, Chairman BRIAN D. RYKS, A.A.E. Executive Director RICHARD A. VANDER MOLEN, Vice Chairman PHILLIP E. JOHNSON, A.A.E. Deputy Executive Director STEVEN R. HEACOCK ROBERT W. BENSTEIN, A.A.E. Public Safety & Ops Director BIRGIT KLOHS BRIAN PICARDAT, A.A.E. Finance & Admin. Director DAVID A. SLIKKERS THOMAS R. ECKLUND, P.E. Facilities Director THEODORE J. VONK TARA M. HERNANDEZ Mktg. & Communications Mgr. FLOYD WILSON, JR. FOR IMMEDIATE RELEASE March 21, 2014 Contact: Tara M. Hernandez, Marketing & Communications Mgr. 616-233-6053 or [email protected] Lights, Camera, Action! Gerald R. Ford International Airport Serves as Location for Filming of “The End of the Tour.” Grand Rapids, MI. – The Gerald R. Ford International Airport had hundreds of extra visitors last week as the James Ponsoldt movie, “The End of the Tour,” was filmed on location. Due to security and contract regulations, the announcement was reserved until after filming commenced. A crew of over 100 people worked for over fourteen hours at GFIA, and filmed in various locations throughout the airport. Locations included the economy parking lot, the parking ramp, the airfield, the Concourse B hallway as well as two vacant ticket counter areas. Grand Rapids was standing in as both the Minneapolis-St. Paul and Chicago O’Hare airports with two different scenes created among the location. The Gerald R. Ford International Airport staff and security worked with the cast and crew for several weeks leading up to the filming to scout out locations, times for filming and acclimate “The End of the Tour” crew with strict security rules and regulations.
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Europacorp Announces Financial Results 2015/2016
EUROPACORP ANNOUNCES FINANCIAL RESULTS 2015/2016 A transitional year marked by: Net loss of €27.7 million primarily due to: o Reduced revenue with only 5 films in distribution, and only one film globally distributed; o Non-recurring expenses of €20.4 million Operating margin level maintained at a high level of 25.3% Significant volume of English language films in post-production and ready for worldwide distribution in coming months Saint-Denis, July 1st, 2016 – EuropaCorp, one of the leading independent film studios in Europe, film producer and distributor, today reports its annual consolidated income for FY2015/2016, which ended on March 31st, 2016, as approved by the Board of Directors at its meeting on June 28th, 2016. Consolidated annual income € million FY2015/2016 FY2014/2015 Δ 12 months Revenue 147.3 226.9 (79.6) Cost of Sales (110.0) (155.4) 45.4 Operating margin (before overhead) 37.3 71.5 (34.2) % of revenue 25.3% 31.5% (6.2) pts Operating profit (22.3) 19.5 (41.8) % of revenue -15.1% 8.6% (23.7) pts Net income (Group share) (27.7) 16.2 (43.9) Equity 155.2 184.7 (29.5) 1 WorldReginfo - 9b699450-ffb0-434b-998d-fcefa9a30a5f Consolidated annual revenues1 are down 35% from prior fiscal year when Taken 3 and Lucy generated significant revenues Revenue from International sales was €55.5 million or 37.7% of total revenue. Revenue from Theatrical distribution in France and the U.S. was €9.8 million or 6.6% of total revenue. Revenue from Home Entertainment in France and the U.S.
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MOVIES... COMING SOON... Next Week Hamilton Wrote Alongside the Image
14 Tuesday, April 18, 2017 Tuesday, April 18, 2017 15 Ellen DeGeneres‏ @TheEllenShow I just did a monologue about first date rules. I probably should have mentioned something about vocal trumpeting. #FirstDates irector Rian Johnson has said that actress Carrie Fisherhad helped a lot in rewriting the screenplay of the upcoming Dfilm, ‘Star Wars: The Last Jedi’. Speaking at the Star Wars Celebration in Orlando, the 43 -year-old filmmaker said the late actress would host him at her house and help him firm up the film’s screenplay. Los Angeles “I’d go to her house and sit on her bed for hours, and we’d ctress Melissa McCarthy go through the script... I love her so much. I just adore her. I returned on the TV show connected with her first and foremost as a writer.” “She was an A“Saturday Night Live” to reprise incredible writer, with an incredible mind,” Johnson said at the her impression of White House launch of the first trailer of the eight instalment of the franchise. press secretary Sean Spicer, while The director described that time spent with Fisher as a “stream of taking a jibe at his gaffe involving consciousness, jazz poetry ad-lib sessions”. (TOI) Hitler and the Holocaust. In the show, McCarthy came out in a bunny suit, a reference to Spicer having played the Easter Bunny at one Los Angeles London of the White House’s Easter Egg Roll events during ormer star couple Ben Affleck and ritish the George Bush administration, reports variety.com. Jennifer Garner attended Easter Formula (IANS) ChurchF service together after filing for BOne driver divorce.
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The Circle (Movie Review)
Digital Collections @ Dordt Faculty Work Comprehensive List 5-12-2017 The Circle (Movie Review) Joshua Matthews Dordt College, [email protected] Follow this and additional works at: https://digitalcollections.dordt.edu/faculty_work Part of the American Film Studies Commons Recommended Citation Matthews, J. (2017). The Circle (Movie Review). Retrieved from https://digitalcollections.dordt.edu/ faculty_work/715 This Blog Post is brought to you for free and open access by Digital Collections @ Dordt. It has been accepted for inclusion in Faculty Work Comprehensive List by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. The Circle (Movie Review) Abstract "The prevailing point in The Circle is that privacy-eliminating technology exemplifies a growing, heinous class division in American society." Posting about the movie The Circle from In All Things - an online journal for critical reflection on faith, culture, art, and every ordinary-yet-graced square inch of God’s creation. http://inallthings.org/the-circle/ Keywords In All Things, movie review, The Circle Disciplines American Film Studies Comments In All Things is a publication of the Andreas Center for Reformed Scholarship and Service at Dordt College. This blog post is available at Digital Collections @ Dordt: https://digitalcollections.dordt.edu/faculty_work/715 The Circle inallthings.org /the-circle/ May 12, 2017 Josh Matthews Movie Title: The Circle Release date: April 28, 2017 (USA) Director: James Ponsoldt Adapted from: The Circle Story by: Dave Eggers Producers: Tom Hanks, James Ponsoldt, Gary Goetzman, Anthony Bregman When In All Things asked me to review The Circle, I worried.
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Europacorp Annonce Ses Resultats Annuels 2015/2016
EUROPACORP ANNONCE SES RESULTATS ANNUELS 2015/2016 Un exercice de transition : Perte nette de 27,7 M€ expliquée essentiellement par : o Un chiffre d’affaires réduit avec seulement 5 films distribués, dont un seul qui a bénéficié d’une large distribution o Des coûts non récurrents de 20,4 M€ Maintien d’un taux de marge opérationnel à un niveau élevé de 25,3% Nombre significatif de films en langue anglaise en post-production et prêts à être distribués au niveau mondial dans les prochains mois Saint-Denis, le 1er juillet 2016 – EuropaCorp, l’un des tout premiers studios de cinéma indépendants en Europe, producteur et distributeur d’œuvres cinématographiques, annonce ses résultats annuels consolidés, approuvé par le Conseil d’administration en date du 28 juin 2016, clos le 31 mars 2016. Résultats annuels consolidés Exercice Exercice En millions d’euros Δ 12 mois 2015/2016 2014/2015 Chiffre d'affaires 147,3 226,9 -79,6 Coût des ventes -110,0 -155,4 45,4 Marge opérationnelle (avant frais généraux) 37,3 71,5 -34,2 En % du CA 25,3% 31,5% -6,2 pts Résultat opérationnel -22,3 19,5 -41,8 En % du CA -15,1% 8,6% -23,7 pts Résultat net (part du Groupe) -27,7 16,2 -43,9 Capitaux propres 155,2 184,7 -29,5 1 Un chiffre d’affaires annuel1 en baisse de 35% par rapport à l’exercice précédent qui comprenait le chiffre d’affaires significatif de Taken 3 et Lucy Le chiffre d’affaires lié aux Ventes Internationales représente 55,5 M€ sur l’exercice, soit 37,7% du chiffre d’affaires annuel.
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2012 Sundance Film Festival Announces Films in Competition
FOR IMMEDIATE RELEASE Media Contacts: November 30, 2011 Sarah Eaton 310.360.1981 [email protected] Casey De La Rosa 310.360.1981 [email protected] 2012 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN COMPETITION Park City, UT — Sundance Institute announced today the films selected for the U.S. and World Cinema Dramatic and Documentary Competitions of the 2012 Sundance Film Festival. The Sundance Film Festival will take place January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival. Robert Redford, Founder and President of Sundance Institute remarked, “We are, and always have been, a festival about the filmmakers. So what are they doing? What are they saying? They are making statements about the changing world we are living in. Some are straight-forward, some novel and some offbeat but always interesting. One can never predict. We know only at the end, and I love that.” John Cooper, Director of the Sundance Film Festival, said, “In these challenging economic times, filmmakers have had to be more resourceful and truly independent in their approaches to filmmaking. Looking at this year’s submissions, the result is more fully realized visions and stronger stories; we are proud to see the Festival emerging as a key indicator of the health and creativity of our filmmaking community. The overall quality of the films in the 2012 Competition section will make for an exciting Festival and a remarkable year ahead for independent film audiences everywhere.” For the 2012 Sundance Film Festival, 110 feature-length films were selected, representing 31 countries and 44 first-time filmmakers, including 24 in competition.
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The Circle (2017)
The Circle (2017) The Circle ist ein US-amerikanischer Science-Fiction- Filmdaten Thriller aus dem Jahr 2017. Der Film basiert auf dem dystopischen Roman Der Circle (Originaltitel The Circle) Deutscher Titel The Circle von Dave Eggers aus dem Jahr 2013, der von einer nahen Originaltitel The Circle Zukunft erzählt, in der ein riesiger Konzern die Dienstleistungen von Facebook, Google und Apple aus einer Hand anbietet und hierdurch eine große Menge an Informationen über die Kunden erhält. Dabei untergräbt das Unternehmen jedoch die Privatsphäre der Bevölkerung und kann hierdurch nahezu alle zwischenmenschlichen Interaktionen kontrollieren. Regie führte James Ponsoldt, der auch die Drehbuchadaption für den Film übernahm. Der Film kam am 28. April 2017 in die US- amerikanischen und am 7. September 2017 in die deutschen Kinos. Inhaltsverzeichnis Produktionsland USA Handlung Produktion Originalsprache Englisch Hintergrund und Stab Erscheinungsjahr 2017 Besetzung und Synchronisation Filmmusik Länge 110 Minuten Dreharbeiten und Finanzierung Altersfreigabe FSK 12[1] Vermarktung und Veröffentlichung JMK 6[2] Rezeption Altersfreigabe Stab Kritiken Einspielergebnis Regie James Ponsoldt Einsatz im Schulunterricht Drehbuch James Ponsoldt Auszeichnungen Weblinks Produktion Anthony Bregman, Gary Goetzman, Einzelnachweise Tom Hanks, James Ponsoldt Handlung Musik Danny Elfman Die junge, ehrgeizige Mae hat einen Uni-Abschluss in Kamera Matthew Libatique Psychologie, arbeitet jedoch in einem Zeitarbeitsjob, als Schnitt Lisa Lassek sie mit Hilfe ihrer Freundin Annie einen Traumjob bei The Circle bekommt, dem weltweit einflussreichsten Besetzung Technologieunternehmen und Social Media-Giganten. Die wichtigste Innovation der Firma ist TruYou: Es führt Emma Watson: Mae Holland sämtliche Benutzerprofile, E-Mail- und Online-Konten Tom Hanks: Eamon Bailey sowie Zahlungssysteme einer Person zusammen und Karen Gillan: Annie überführt sie in eine einzige Online-Identität, mit der man Glenne Headly: Bonnie Holland sich zentral für alle Dienste anmelden kann.
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The Circle Free Ebook
FREETHE CIRCLE EBOOK Dave Eggers | 504 pages | 08 Oct 2013 | Knopf Publishing Group | 9780385351393 | English | United States The Circle Despite getting the message wrong, The Circle is a compelling dramatic thriller that examines the frightening possibilities that technology can bring. Sammy Hagar & The Circle have revealed the first details of their debut album of original material, titled "Space Between," set for release on May 10 through BMG. Fans can pre-order the album here, listen to, buy and stream the first single from the record, ‘Trust Fund Baby,' here and watch the lyric video, here. The Circle is a American techno-thriller film directed by James Ponsoldt with a screenplay by Ponsoldt and Dave Eggers, based on Eggers' novel of the same name. The film stars Emma Watson and Tom Hanks, as well as John Boyega, Karen Gillan, Ellar Coltrane, Patton Oswalt, Glenne Headly, and Bill Paxton in his final role. They communicate through a social media app called "The Circle." They can create a profile as themselves or make up a fake persona to play as. They regularly rank the other players based on their impressions through social media interactions, and the top rated players become influencers. The Circle TV-MA 1 Season Competition Reality TV Status and strategy collide in this social experiment and competition show where online players flirt, befriend and catfish their way toward $, The Circle (also known as Sammy Hagar & The Circle) is an English-American rock supergroup band originally formed in Miami in , consisting of former Montrose and Van Halen vocalist Sammy Hagar, original Van Halen bassist Michael Anthony, drummer Jason Bonham and guitarist Vic Johnson.
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16Th ANNUAL TRIBECA FILM FESTIVAL ANNOUNCES EPIC
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Tobias Datum Director of Photography
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Copyright by Alexander Joseph Brannan 2021
Copyright by Alexander Joseph Brannan 2021 The Thesis Committee for Alexander Joseph Brannan Certifies that this is the approved version of the following Thesis: Artful Scares: A24 and the Elevated Horror Cycle APPROVED BY SUPERVISING COMMITTEE: Thomas Schatz, Supervisor Alisa Perren Artful Scares: A24 and the Elevated Horror Cycle by Alexander Joseph Brannan Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2021 Acknowledgements This project would not have been completed were it not for the aid and support of a number of fine folks. First and foremost, my committee members Thomas Schatz and Alisa Perren, who with incisive notes have molded my disparate web of ideas into a legible, linear thesis. My fellow graduate students, who have kept me sane during the COVID-19 pandemic with virtual happy hours and (socially distant) meetups in the park serving as brief respites from the most trying of academic years. In addition, I am grateful to the University of Texas at Austin and the department of Radio-Television-Film in the Moody College of Communications for all of the resources and opportunities they have provided to me. Finally, my parents, who have enough pride on my behalf to trump my doubts. Here’s hoping they don’t find these chapters too mind-numbingly dull. Onward and upward! iv Abstract Artful Scares: A24 and the Elevated Horror Cycle Alexander Joseph Brannan, M.A. The University of Texas at Austin, 2021 Supervisor: Thomas Schatz One notable cycle of production in horror cinema in the 2010s was so-called “elevated horror.” The independent company A24 has contributed heavily to this cycle.
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