Christopher Grimes Gallery Is Pleased to Present the Late Allan Sekula's

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Santa Monica, March 2014 – Christopher Grimes Gallery is pleased to present the late Allan Sekula’s, Ship of Fools. This series was first shown at the São Paulo Biennial and represents Sekula’s last major body of work. Throughout his career he repeatedly returned to the theme of maritime space through a number of interrelated books, films and exhibitions including Fish Story, TITANIC’s wake and Lottery of the Sea. Ship of Fools examines the adaptation of a cargo vessel in 1998 to host a mobile multi-media exhibition in its hold. The exhibition, sponsored by the International Transport Workers Federation, formed part of an 18-month campaign around the world against a system of shipping under flags of convenience that shield substandard vessels and exploitative labor conditions. Sekula’s participation in various stages of the journey on the Global Mariner resulted in this series of photographs on display. Allan Sekula (1951-2013), photographer, theorist, historian and writer lived and worked in Los Angeles. Sekula’s work is currently included in the Whitney Biennial, Whitney Museum of American Art, NY (2014), and will appear this summer in SITElines, Santa Fe, NM (2014). Recent exhibitions include Museum of Modern Art, New York, NY (2013); Stedelijk Museum, Amsterdam (2013); Museum of Contemporary Art, Los Angeles (2011); and Ludwig Museum of Contemporary Art, Budapest, Hungary (2011). Sekula has participated in the 29th Biennial de São Paulo (2010), documenta 11 and 12 (2002, 2007), and he was the subject of a major retrospective, Performance Under Working Conditions, for the Generali Foundation in Vienna (2003). Recent acquisitions of his work include J. Paul Getty Museum, Los Angeles, CA; Ludwig Museum, Cologne, Germany; Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; Museum of Contemporary Art, San Diego, CA; Museum of Modern Art, New York, NY; Stedlijk Museum, Amsterdam, Netherlands; Tate, London, UK; and Walker Art Center, Minneapolis, MN, among others. (This document was automatically generated by Contemporary Art Library.).

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CURRICULUM VITAE Teresa Hubbard 1St Contact Address
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Select Bibliography
Select Bibliography The purpose of this bibliography is to indicate a relatively small number of books and articles in English to which the reader unfamiliar with the general orientations of the foregoing essays may refer. In the case of the very extensive writings of Freud and Marx I have indicated 'entry points' of most immediate proximity to the concerns of the essays in this book. Articles of interest published in the journals Screen and Screen Education (London) are too numer ous to list. Unless otherwise stated, the place of publication is London. ALTHUSSER, L., 'Ideology and Ideological State Apparatuses: Notes towards an investigation', in Lenin and Philosophy and other essays, New Left Books, 1971. BARTHES, R., Mythologies, Paladin, 1973. BARTHES, R., Elements of Semiology, Jonathan Cape, 1976. BARTHES,R., Image-Music-Text, Fontana, 1977. BENJAMIN, w., 'A Short History of Photography', Screen, vol. 13, no 1, Spring 1972. BENJAMIN, W., 'The Work of Art in the Age of Mechanical Repro duction', in Illuminations, Fontana, 1973. BOURDIEU, P., 'The Aristocracy of Culture' and 'The Production of Belief: Contribution to an Economy of Symbolic Goods', Media, Culture and Society, vol. 2, no. 3, July 1980. BURGIN, V., 'Art, Common-Sense and Photography', Camerawork, 3,1976. BURGIN, V., 'Modernism in the work of Art', 20th Century Studies, 15-16, Canterbury, 1976. COWARD, R. and ELLIS, J., Language and Materialism, Routledge & Kegan Paul, 1977. 218 Select Bibliography ECO, u., A Theory of Semiotics, Indiana University Press, 1976. ERLICH, V., Russian Formalism: History, Doctrine, Mouton, The Hague, 1965. FOUCAULT, M.,'Las Meninas', in The Order of Things, Tavistock, 1970.
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