The Smokin' Route

Total Page:16

File Type:pdf, Size:1020Kb

The Smokin' Route The SMOKIN’ ROUTE THE SMOKIN’ ROUTE BEING AN ACCOUNT OF THE JOURNEY OF GUY & ROSY LILLIAN TO THE CITY OF SPOKANE, WASHINGTON AND SASQUAN, THE 73RD WORLD SCIENCE FICTION CONVENTION AUGUST 18-25, 2015. Composed by Guy at 1390 Holly Avenue, Merritt Island FL 32952 [email protected] * GHLIII Press Publication #1183 Oh, what a journey it could have been. And oh, what a journey it was. In our dreams, we would have roaded it to South Dakota, walked the Greasy Grass at Little Big Horn, sought the majesty of Mount Rushmore and the Crazy Horse Monument, whistled the theme to Close Encounters at Devil’s Tower, then driven on through Montana and Idaho to Spokane. But those fantasies evaporated with the bad luck and ill will of April, which gutted us financially and emotionally. It seemed, that spring and early summer, that Rosy and I would have only an ambassador to send to Sasquan, the 73rd World Science Fiction Convention – its souvenir book. This was the sixth major convention for which Rosy and/or I had edited the program/souvenir book, and possibly the most satisfying. I did Let the Good Times Roll for Nolacon II with Peggy Ranson – without benefit of computer layout programs. I love the book but our primitive tools and lack of experience shows. La belle and I worked on Noreascon 4’s with Geri Sullivan, a layout genius of incomparable talent, and while the book is beautiful, we credit that mostly to Geri. Rosy’s book for Chicon 7 is jolly and colorful, but was done at such a breakneck, last-nanosecond pace that its rife typos glare like burning coals. The tome I did for the Raleigh NASFiC has its attractions – great Brad Foster robot art and a devastating photo of Catharine Asaro, for instance – but is mostly a guide to program participants. Then there’s the huge book I edited for the 50th DeepSouthCon – it nearly bankrupted the concom, and I messed up line spacing throughout, but it’s too much a labor of love for my home convention and its Rebel and Phoenix Awards for me to judge rationally. Sasquan’s book was the first time Rosy and I could truly collaborate on a project, me as editor, assimilator, and general visionary, her as layout engineer and InDesign expert. I got my job done early, throwing together a fanzine-like dummy of the book, so she had plenty of time to turn my slop into a volume of professional quality. Which makes the Sasquan book sound dry and lifeless – and it was anything but. I am far from the brightest nova in the night sky, but I did have some definite ideas about the job. Sasquan began life under a pall. Spokane was not fandom’s first choice for the 2015 Worldcon; it won over Helsinki due only to the vagaries of the Australian ballot. I got the strong impression that fans of the Finnish bid – though not the bidders themselves – felt cheated, and blamed Spokane. Furthermore, Sasquan’s committee labored within a harsh and hostile local environment in Seattle, locus of the state’s fanac. Its many fandoms were having at each other fang and claw – as I found when I tried to recruit locals for the convention newsletter and other publication tasks. (Of course, the Corflu crowd is very strong in the northwest. I’m an outsider to that corner of fanzine fandom – there’s a suspicion there that didn’t help.) Finally, thanks in part to a NASFiC that apparently did not go well, I sensed a cruel disdain for Sasquan’s honcho, Bobbie DuFault, bad juju visited upon her name even after her untimely death. It wasn’t just fannish mistrust of the concom that afflicted Sasquan. Outside fannish pressures also came to bear. In April the Hugo nominations came out – and the onslaught of the Sad Puppies began. You know the story and are probably sick of it. For my present purposes, let’s just say that the right-wing paranoia that clogged the Hugo ballot served as additional weight on Sasquan’s back. I saw it as my duty to enliven this sour situation. The Sasquan program book, I decided, should have a lively, goofy tone to counteract the bad vibes groaning about the convention. This was all the easier to manage thanks to the convention’s Artist Guest of Honor and resident genius, Brad Foster. His cover illo – see my cover – had blown us away. His vision of a dopey bigfoot, realized on the front of the first progress report and various fillos therein … well, that settled it. I’d use that silly sasquatch, whom I presumed to name “Hugo,” to bring the souvenir book unity and style – and keep it light. Rosy got the message and came up with the footprint idea to promote the idea of Hugo the Sasquatch, fetched for worldcon by a pair of naïve aliens, wandering through the Worldcon spreading destruction in his wake. Anyway, we got it done, we got it proofread by as many eyes as I could enlist, made every correction they and we could find, and got it to the printer on time. We’d done our best, cut no corners, and could feel pride in our work. There matters stood as August came around, and its days began to fall behind us. As we had no chance of attending, I thought, I expected I’d be reading about Sasquan online, straining to follow the ceremonies via Livestream (last year’s show was an all-but-incomprehensible cacophony of overlapping soundtracks), and sweating out the chances of my Hugo favorites – Mike Resnick and Toni Weisskopf in the editor categories, Journey Planet as best fanzine, Steve Stiles for fan artist, and Cixin Liu’s magnificent Three- Body Problem for best novel – on the ballot thanks to the character and good sense of author Marco Kloos, who withdrew his Lines of Departure, whether out of embarrassment over a Puppies endorsement or for other reasons, who knows. Oh well, we thought: not the first Worldcon we’d had to enjoy from afar. Then came August 11. I’m not at liberty to disclose how the money came free, or its source, but on that marvelous day money did come free, and I wrote in my journal, “Oh dear God we’re going to Sasquan.” In one week. Rosy and her stepmother Patty took matters in hand, preparing a budget contrasting my immediate plan – gassing up the car, throwing a change of underwear into a grocery bag and booking it – with Rosy’s sensible alternative: flying. It would take six times as long to drive and cost three times as much. They contacted a family friend in the travel business, who obtained seats for us at a decent rate – rather miraculous for such a late date – and that was that, cat. The die was cast. I won’t bore you with my paranoid delusions about the flights – which would be five in number: three to get there (Orlando-Salt Lake City, SLC to Seattle, Seattle to Spokane), two to get back (we scored a direct flight Spokane to Salt Lake). Suffice it to say that when we finally left, in the pre-dawn hours of August 18, the glorious reds and yellows and whites of Orlando from aloft were not quite lost on me. Such is the nature of Xanax: the pill I popped took enough edge off my terror to let the good stuff shine through. The western mountains, when we reached them, were awesome – the deep shadows, the rugged ridges, the impassable cliffs of the wilderness below were heart-filling and fear-shaming. Having my phobia abashed made the views even more glorious. Coming into Seattle, a hearty religious discussion in progress with a nice Mormon row-mate (who once crashed on Mitt Romney’s floor), Mount Rainier framed itself, white and magnificent, in the portside window. And was that Puget Sound, wide and beautiful, below us? Awe gave way to annoyance once we reached Seattle. Our flight was some 40 minutes late and we’d missed our connection. While Rosy called her travel agent buddy and tried to deal with Delta Airlines, that monument to airline arrogance, I practiced for old age with two wheelchair rides around the expansive terminal, seeking the appropriate gates. No, I wasn’t suddenly stricken and unable to walk – just stupid from Alprazolam. I don’t know how I avoided justifiable assault from those actually needing such assistance, and righteous arrest. All I do know is that when we finally boarded our tiny jet for the 32-minute bop across Washington State, Toni Weisskopf greeted us from her seat. Worldcons begin with a first fan sighting, and so Sasquan had begun. The turf below us looked mountainous and wooded – I imagined Hugo the sasquatch galumphing his way through its forests. Except when there were no forests. Just swathes of bare earth. We flew through a nasty yellow haze. It was impossible not to realize that eastern Washington was On Fire. Our landing was hard, our braking quick: our bellies strained against the seat belts. After 12 hours of stressful, if occasionally beautiful, travel, we were at our destination – Spokane, Washington, 2,368+ miles diagonally across America from where we’d woken up. And as a perfect punctuation to such a day, Delta lost my luggage. I spent a night of near-rage (although Delta did gift me with a complimentary tee shirt, correctly sized, and a wicked little razor) anticipating a convention spent in the same sweaty gear as I’d flown in.
Recommended publications
  • FANTASY FAIRE 19 81 of Fc Available for $4.00 From: TRISKELL PRESS P
    FANTASY FAIRE 19 81 of fc Available for $4.00 from: TRISKELL PRESS P. 0. Box 9480 Ottawa, Ontario Canada K1G 3V2 J&u) (B.Mn'^mTuer KOKTAL ADD IHHOHTAl LOVERS TRAPPED Is AS ASCIEST FEUD... 11th ANNUAL FANTASY FAIRS JULY 17, 18, 19, 1981 AMFAC HOTEL MASTERS OF CEREMONIES STEPHEN GOLDIN, KATHLEEN SKY RON WILSON CONTENTS page GUEST OF HONOR ... 4 ■ GUEST LIST . 5 WELCOME TO FANTASY FAIRE by’Keith Williams’ 7 PROGRAM 8 COMMITTEE...................... .. W . ... .10 RULES FOR BEHAVIOR 10 WALKING GUIDE by Bill Conlln 12 MAP OF AREA ........................................................ UPCOMING FPCI CONVENTIONS 14 ADVERTISERS Triskell Press Barry Levin Books Pfeiffer's Books & Tiques Dangerous Visions Cover Design From A Painting By Morris Scott Dollens GUEST OF HONOR FRITZ LEIBER was bom in 1910. Son of a Shakespearean actor, Fritz was at one time an actor himself and a mem­ ber of his father’s troupe. He made a cameo appearance in the film "Equinox." Fritz has studied many sciences and was once editor of Science Digest. His writing career began prior to World War 11 with some stories in Weird Tales. Soon Unknown published his novel "Conjure Wife, " which was made into a movie under the title (of all things) "Bum, Witch, Bum!" His Gray Mouser stories (which were the inspira­ tion for the Fantasy Faire "Fritz Leiber Fantasy Award") were started in Unknown and continued in Fantastic, which magazine devoted its entire Nov., 1959 issue to Fritz's stories. In 1959 Fritz was awarded a Hugo, by the World Science Fiction Convention for his novel "The Big Time." His novel "The Wanderer," about an interloper into our solar system, won the Hugo again in 1965.'-His novelettes Gonna Roll the Bones," "Ship of Shadows" and "Ill Met in Lankhmar” won the Hugo in 1968, 1970 and 1971 in that order.
    [Show full text]
  • 2016 Statistics Document
    MidAmeriCon II 2016 Hugo Award Statistics Page 1 of 27 2016 Final Results for Best Novel 3,130 valid ballots cast. 25% cutoff = 753 voters. 2,903 valid votes cast in category. Race for position 1 Finalist Pass 1 Pass 2 Pass 3 Pass 4 Pass 5 Runoff Fifth Season 969 973 997 1208 1372 2073 Uprooted 722 725 801 944 1203 Seveneves: A Novel 431 432 517 609 Ancillary Mercy 475 476 507 Cinder Spires: The Aeronaut's Windlass 256 261 No Award 50 429 Preference 2903 2867 2822 2761 2575 2502 No Preference 0 36 81 142 328 401 Total Votes 2903 2903 2903 2903 2903 2903 Race for Position 2 Race for Position 3 Finalist Pass 1 Pass 2 Pass 3 Pass 4 Finalist Pass 1 Uprooted 1152 1157 1251 1521 Ancillary Mercy 1443 Ancillary Mercy 843 849 892 1102 Seveneves: A Novel 856 Seveneves: A Novel 520 523 621 Cinder Spires: The Aeronaut's 399 Cinder Spires: The Windlass 280 285 Aeronaut's Windlass No Award 107 No Award 78 Preference 2805 Preference 2873 2814 2764 2623 No Preference 98 No Preference 30 89 139 280 Total Votes 2903 Total Votes 2903 2903 2903 2903 Race for Position 4 Race for Position 5 Finalist Pass 1 Finalist Pass 1 Seveneves: A Novel 1500 Cinder Spires: The Aeronaut's Windlass 1409 Cinder Spires: The Aeronaut's Windlass 619 No Award 902 No Award 480 Preference 2311 Preference 2599 No Preference 592 No Preference 304 Total Votes 2903 Total Votes 2903 MidAmeriCon II 2016 Hugo Award Statistics Page 2 of 27 2016 Final Results for Best Novella 3,130 valid ballots cast.
    [Show full text]
  • Race and Sexuality in Nalo Hopkinson's Oeuvre; Or, Queer Afrofuturism Author(S): Amandine H
    SF-TH Inc Race and Sexuality in Nalo Hopkinson's Oeuvre; or, Queer Afrofuturism Author(s): Amandine H. Faucheux Source: Science Fiction Studies , Vol. 44, No. 3 (November 2017), pp. 563-580 Published by: SF-TH Inc Stable URL: https://www.jstor.org/stable/10.5621/sciefictstud.44.3.0563 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms SF-TH Inc is collaborating with JSTOR to digitize, preserve and extend access to Science Fiction Studies This content downloaded from 158.121.247.60 on Mon, 11 May 2020 17:06:56 UTC All use subject to https://about.jstor.org/terms NALO HOPKINSON’S QUEER AFROFUTURISM 563 Amandine H. Faucheux Race and Sexuality in Nalo Hopkinson’s Oeuvre; or, Queer Afrofuturism The recent nomination of Chuck Tingle’s Space Raptor Butt Invasion (2015) for the Hugo Award for best novel by the Sad/Rabid Puppies is an attempt to attack the credibility of the prestigious awards, and it reveals quite a lot about the now years-long right-wing backlash in speculative communities.1 The Puppies and their supporters are not only protesting the emergence and recognition of writers of color, but are also attempting to ridicule the preeminence of queer and feminist science fiction, both of which they see as a conspiracy, if we are to believe Vox Day’s most recent book-essay Social Justice Warriors Always Lie: Taking Down the Thought Police (2015).
    [Show full text]
  • U.S. Naval Academy — Fun Facts I
    U.S. NAVAL ACADEMY ALUMNI ASSOCIATION AND FOUNDATION U.S. NAVAL ACADEMY — FUN FACTS I QUESTIONS: 1 Who were the two Superintendents who served twice as Superintendent? 2 Who served as Superintendent the longest? 3 Who was the only Superintendent to die on the job and whose brother was the Superintendent of the Confederate States of America Naval Academy? 4 Who was the first President to attend a Naval Academy graduation? 5 Who is the United States President who slept the most nights in Annapolis, Maryland, during his lifetime? 6 Who is the U.S. President who slept the second most nights in Annapolis during his lifetime? 7 What engineering course was begun at the Naval Academy and later adopted by other universities? 8 What team sport was played at the academy beginning right after the Civil War but Navy’s first intercollegiate game in this sport was not played until 1893? 9 Commissioning Week, a week full of events leading up to graduation, was started by Vice Admiral David Dixon Porter, the sixth Superintendent, in 1866. What was it called until 1979? 10 U.S. Frigate Santee for which Santee Basin is named today served as an academy training and station ship for fifty years, 1862 to 1912. What happened to it in April 1912? 11 The world’s most successful, popular, and among the most prolific science fiction writer graduated from the U.S. Naval Academy in 1929. Who was he? 12 What best-selling book of 1958 did Captain William J. Lederer (1912-2009), NA Class of 1936, co-author? 13 Samuel P.
    [Show full text]
  • Creolisation and Black Women's Subjectivities in the Diasporic Science Fiction of Nalo Hopkinson Jacolie
    Haunting Temporalities: Creolisation and Black Women's Subjectivities in the Diasporic Science Fiction of Nalo Hopkinson Jacolien Volschenk This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English, the Department of English, University of the Western Cape Date submitted for examination: 11 November 2016 Names of supervisors: Dr Alannah Birch and Prof Marika Flockemann i Keywords Diasporic science fiction, temporal entanglement, creolisation, black women’s subjectivities, modernity, slow violence, technology, empire, slavery, Nalo Hopkinson Abstract This study examines temporal entanglement in three novels by Jamaican-born author Nalo Hopkinson. The novels are: Brown Girl in the Ring (1998), Midnight Robber (2000), and The Salt Roads (2004). The study pays particular attention to Hopkinson’s use of narrative temporalities, which are shape by creolisation. I argue that Hopkinson creatively theorises black women’s subjectivities in relation to (post)colonial politics of domination. Specifically, creolised temporalities are presented as a response to predatory Western modernity. Her innovative diasporic science fiction displays common preoccupations associated with Caribbean women writers, such as belonging and exile, and the continued violence enacted by the legacy of colonialism and slavery. A central emphasis of the study is an analysis of how Hopkinson not only employs a past gaze, as the majority of both Caribbean and postcolonial writing does to recover the subaltern subject, but also how she uses the future to reclaim and reconstruct a sense of selfhood and agency, specifically with regards to black women. Linked to the future is her engagement with notions of technological and social betterment and progress as exemplified by her emphasis on the use of technology as a tool of empire.
    [Show full text]
  • JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
    JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate.
    [Show full text]
  • The Science Fiction Culture War Of
    KREITER, MICHAEL P., Ph.D., May 2021 SOCIOLOGY "THERE WILL BE NO RECONCILIATION": THE SCIENCE FICTION CULTURE WAR OF WHITE SUPREMACIST PUPPIES (170 PP.) Dissertation Advisor: Tiffany Taylor By analyzing the discourse of Sad Puppies and Rabid Puppies, this research shows how an ideology of white supremacy is emerging from the contradictions inherent in colorblind racism. The Sad Puppies are a group of Science Fiction and Fantasy (SFF) fans and writers that formed in online spaces to actively challenge the recent trend in SFF genres of being more inclusive and increasing the diversity of writers and characters. They adhere to the abstract liberalism frame of colorblind racism that asserts that there is no systemic inequality, and that outcomes (like earning literary awards) are the result of individual effort and nothing more. To this end, they see efforts to increase diversity as antithetical to the abstract liberalism frame, as a form of unjust “affirmative action,” which hurts writers like white men precisely because they cannot claim to be “victims.” They employ a variety of discursive strategies to legitimize this political viewpoint, while simultaneously delegitimizing opposing viewpoints that they lump into one all- encompassing group they call “Social Justice Warriors” (SJWs). The success of writers like N. K. Jemisin, the first Black author to win the Hugo Award for Best Novel, can be used by colorblind frames to point to the legitimacy of the ostensibly meritocratic colorblind system. Yet, at the same time, colorblind ideology is simply a justification for the existing racial hierarchy, and Black success is a direct challenge to this hierarchy.
    [Show full text]
  • S67-00104-N218-1995-07 08.Pdf
    Issue 1218, July/August 1995 IN THIS ISSUE: SFRA INTERNAL AFFAIRS: President's Message (Sanders) 3 Minutes of Meeting Between Members of SmA and IAFA at the Annual ICFA (Gordon) 3 Corrections/Additions 4 SmA Members & Friends 5 Editorial (Sisson) 5 NEWS AND INFORMATION 7 SPECIAL FEATURE: "The Worlds of David Lynch": Lavery, David (Ed). Full of Secrets: Critical Approaches to 7Win Peaks. (Davis) 11 Gifford, Barry. Hotel Room Trilogy; and Lynch, David. David Lynch's Hotel Room. (umland) 13 SPECIAL FEATURE: "Lovecraft the Man": Lovecraft, H.P. (S.T. Joshi, Ed). Miscellaneous Writings. (Anderson) 17 Squires, Richard D. Stern Fathers 'neath the Mould: The Lovecraft Family in Rochester. (Bousfield) 20 Barlow, Robert H. and H.P. Lovecraft (S.T. Joshi, Ed). The Hoard of the Wizard Beast and One Other; and Joshi, S.T. & David schultz (Eds). H.P. Lovecraft Letters 7b SaJIlJel Loveman & vincent Starrett (Kaveny) 21 REVIEWS: Nonfiction: Barron, Neil (Ed). Anato~ Of Wonder, 4th Edition. (Kaveny & Bogstad) 23 Heller, Steven and Seynour Chwast. Jackets Required: An Illustrated History of American Book Jacket Design, 1920-1950. (Barron) 27 Kessler, carol Farley. Charlotte Perkins Gilman: her progress toward utopia with selected writings. (Orth) 29 Korshak, Stephen D. (Ed). A Hannes Bok Showcase. (Albert) 34 McCarthy, Helen. AniIoo J : A Beginner's Guide to Japanese Animation. (Klossner) 35 SFRA Re\liew#218. July/August 1995 Scheick, william J. (Ed). The Critical Resp:Jnse to H.G •. ~lls. (Huntington) 36 Schlobin, Roger C. and Irene R. Harrison. Andre Norton: A primaIy and Secondary Bibliography (Bogstad) 38 silver, Alain and Janes Ursini.
    [Show full text]
  • The Imagined Communities of Toxic Puppies: Considering Fan Community Discourse in the 2015 Hugo Awards ‘Puppygate’ Controversy
    . Volume 15, Issue 1 May 2018 The imagined communities of Toxic Puppies: Considering fan community discourse in the 2015 Hugo Awards ‘Puppygate’ controversy J. Richard Stevens & Rachel Lara van der Merwe, University of Colorado, USA Abstract: In 2015, toxic fan conflicts disrupted the Hugo Awards selection proceedings. The conflict between the awards voters and a movement known as ‘Puppygate’, led by angry fans, dates back to at least 2012 and comprises thousands of networked conversations enacting toxic frames of contemporary culture wars (heated and often disruptive exchanges characterized by challenges to identity politics, arguments over representation, and conflicting tastes) from all sides. However, these toxic fan discourses emerged within the context of significant cultural changes. Fans exist in communal spaces formed among institutional and cultural forces, yet the drive to create communal culture through shared communication exchanges continually encourage toxic conflicts of social identity and taste. This article considers the toxic exchanges between various actors in the blogs, social media, and formal public statements of the Puppygate controversy to chronicle how structural change is subsumed into frames of ‘culture war’ rhetoric. Keywords: science fiction, toxic fan exchanges, fan studies, Hugo Awards Introduction In the past few years, toxic fan conflicts have increasingly captured news and social media attention. Such exchanges, which are often cited for their uncivil rhetoric and anti-social tendencies, strategically disrupt spaces of communal cultural appreciation, and represent the growing tensions between fan gatekeeping and conflicts over social values in an increasingly mediated culture. Scholarly analyses of inter- and intra-fandom Othering ‘of fans, by fans’ (Hills, 2012, p.
    [Show full text]
  • THE MENTOR 47 December 1983 Registered by Australia Post, Publication No NBH2159 % SCIENCE FICTION
    THE MENTOR 47 December 1983 Registered by Australia Post, Publication No NBH2159 % SCIENCE FICTION DECEMBER 1983 ■CS-M O•N*»« TENI:.. TS.Ml RON’S ROOST - BEST SF OF THE YEAR ..... Ron L. Clarke *........ page 1 G.G. - KELLY COUNTRY FOREWORD .......... A. Bertram Chandler.... ” 3 SOLID ZEN .............a................ Julia Vaux • •..«•.•«.•• 7 MEMO TO THE DEPARTMENT ................. Gail Neville .......... " 9 THE SHIP OF GOLD « Steve Sneyd .......... ” 14 A SOUL SURVIVING .......................... Raymond L. Clancy .... " 18 CONFUSING.... ......................... Raymond L. Clancy .... 11 18 THE STRUCTURE OF SOCIETY 3 (II) ......... John J. Alderson ..... “ 19 ON MY SELECTION - CURRENT SF BOOK RELEASES ..................... ” 37 FILMS ........oo......................... Richard Deutch ••..... 52 ARTWORK? Front & Back covers By Kerrie Hanlon. Mike McGann p.12, Julie Vaux p.17. Peter Lempert p.21, 28. THE MENTOR, ISSN 0727-8562, is edited By Ron L. Clatke For R 4 5 PuB­ lications, 6 Bellevue Road, FaulconBridge, NSW 2776, Australra, It is puBlished every second month, commencing FeBruary. THE MENTOR is availaBle For $1 per single issue, or the usual. ContriButions and art are solicited (especially short, humorous pieces, sF orientated). Send an SSAE iF return is wanted For contriButions. Photocopies aren’t usually returned. Contents (C) Copyright By the contriButors, DecemBer 1983. C U in 85 -1- Here it is DecemBer. I have gone through the Reviews I have done For the last twelve months to see what I noted as ^Recommended* and to see iF there is any pattern in them. The Books thus marked are as Follows? I will set them out as reprints and new titles. Firstly the new titless EYAS By CrawFord Kilian? WHEN THE TIME WINDS BLOW By RoBert Holdstock; BOUND IN TIME By D.F.
    [Show full text]
  • ALEXIAD (!7+=3!G) $2.00 I Have Been Remiss in Staying Active and in Late January the 145Th Running of the Preakness Stakes Will Be at a Later Date
    Vol. 19 No. 2 April 2020 ALEXIAD (!7+=3!G) $2.00 I have been remiss in staying active and in late January The 145th Running of the Preakness Stakes will be at a later date. resumed exercising because my clothes were starting to get The 151st Running of the Belmont Stakes will be June 6, 2020. tight. I have worked too hard to lose the weight just to gain it back again and so I have resumed walking. I started with four blocks and set myself the goal of adding four blocks every January 28, 2020 marked the anniversary of the Chal- month. It is March and I have just added a third lap of four lenger explosion and the death of all her crew. blocks each. This third lap is requiring no little discipline to keep putting one foot in front of the other. I have set myself April 4, 2020 marks the anniversary of the sinking of my the ultimate goal of walking the more than two mile pedes- father’s ship, U.S.S. Bush. trian bridge separating Louisville from Indiana. Truly — LTM ultimate crazy goal, the Appalachian Trail. I am also bent on losing fourteen pounds this year. It seems unlikely to me that Trivia: . 20 I will see the scales say 149. something on January 1, 2021 but then I never thought I could lose nearly fifty pounds Art: either. Sheryl Birkhead . 13 — Lisa Alexis A. Gilliland. 7 Trinlay Khadro . 2, 14 Table of Contents Marc Schirmeister . 15 Editorial. 1 Reviewer’s Notes . 1 Printed on April 10, 2020 Deadline is June 7, 2020 The Bulge Remembered .
    [Show full text]
  • 8515 Penfield Ave Winnetka, CA 91306
    8515 Penfield Ave Winnetka, CA 91306 LIVE THE DREAM FOUNDED 1987 UPCOMING EVENTS SATURDAY DECEMBER 15 11a- 4p Robert Heinlein Poly Stories or Poly Life? SATURDAY DECEMBER 15 6:00 pm until ??? LIVE THE DREAM Winter Holiday Party SATURDAY JANUARY 19 11 AM – 4 PM Cooperative Living from Family Synergy’s Allott House in the 70s to Live the Dream’s Penfield House 2019 And Paul’s 65th Birthday Celebration! Live the Dream December 2018 to January 2019 Unless otherwise noted, all events are at 8515 Penfield Ave Winnetka 91306. Group house- home of Terry, Craig, Marcus, Melissa (and son), John, and Rita. For all events: RSVP/more info call the LTD Hotline (818) 886-0069 Please visit the Live the Dream website @ www.livethedream.org to view current events, past articles, etc. Note: Terry Lee Brussel is a Certified Clinical Hypnotherapist, Life Coach, and a 4th generation Matchmaker. Live the Dream is an education and support group for those who, originally inspired by the writings of Robert Heinlein, Robert Rimmer, and Marion Zimmer Bradley, are now ready to LIVE such alternative lifestyles as cooperative living, open relationships, and group marriage. Many of our concepts on multiply committed relationships come from Heinlein’s Stranger in a Strange Land and Moon is a Harsh Mistress. Live the Dream also sponsors a nest of Church of All Worlds, the real life, over fifty-year-old spiritual movement inspired by Stranger in a Strange Land. We provide poly relationship counseling, hypnotic jealousy release, success coaching and other services. See www.acesuccess.com or call (800) LIFE MATES (543-3628) EVENTS All Live the Dream events are 11am-4pm on 3rd Saturdays at 8515 Penfield Ave in Winnetka, Ca.
    [Show full text]