ALEXIAD (!7+=3!G) $2.00 I Have Been Remiss in Staying Active and in Late January the 145Th Running of the Preakness Stakes Will Be at a Later Date
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2016 Statistics Document
MidAmeriCon II 2016 Hugo Award Statistics Page 1 of 27 2016 Final Results for Best Novel 3,130 valid ballots cast. 25% cutoff = 753 voters. 2,903 valid votes cast in category. Race for position 1 Finalist Pass 1 Pass 2 Pass 3 Pass 4 Pass 5 Runoff Fifth Season 969 973 997 1208 1372 2073 Uprooted 722 725 801 944 1203 Seveneves: A Novel 431 432 517 609 Ancillary Mercy 475 476 507 Cinder Spires: The Aeronaut's Windlass 256 261 No Award 50 429 Preference 2903 2867 2822 2761 2575 2502 No Preference 0 36 81 142 328 401 Total Votes 2903 2903 2903 2903 2903 2903 Race for Position 2 Race for Position 3 Finalist Pass 1 Pass 2 Pass 3 Pass 4 Finalist Pass 1 Uprooted 1152 1157 1251 1521 Ancillary Mercy 1443 Ancillary Mercy 843 849 892 1102 Seveneves: A Novel 856 Seveneves: A Novel 520 523 621 Cinder Spires: The Aeronaut's 399 Cinder Spires: The Windlass 280 285 Aeronaut's Windlass No Award 107 No Award 78 Preference 2805 Preference 2873 2814 2764 2623 No Preference 98 No Preference 30 89 139 280 Total Votes 2903 Total Votes 2903 2903 2903 2903 Race for Position 4 Race for Position 5 Finalist Pass 1 Finalist Pass 1 Seveneves: A Novel 1500 Cinder Spires: The Aeronaut's Windlass 1409 Cinder Spires: The Aeronaut's Windlass 619 No Award 902 No Award 480 Preference 2311 Preference 2599 No Preference 592 No Preference 304 Total Votes 2903 Total Votes 2903 MidAmeriCon II 2016 Hugo Award Statistics Page 2 of 27 2016 Final Results for Best Novella 3,130 valid ballots cast. -
Race and Sexuality in Nalo Hopkinson's Oeuvre; Or, Queer Afrofuturism Author(S): Amandine H
SF-TH Inc Race and Sexuality in Nalo Hopkinson's Oeuvre; or, Queer Afrofuturism Author(s): Amandine H. Faucheux Source: Science Fiction Studies , Vol. 44, No. 3 (November 2017), pp. 563-580 Published by: SF-TH Inc Stable URL: https://www.jstor.org/stable/10.5621/sciefictstud.44.3.0563 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms SF-TH Inc is collaborating with JSTOR to digitize, preserve and extend access to Science Fiction Studies This content downloaded from 158.121.247.60 on Mon, 11 May 2020 17:06:56 UTC All use subject to https://about.jstor.org/terms NALO HOPKINSON’S QUEER AFROFUTURISM 563 Amandine H. Faucheux Race and Sexuality in Nalo Hopkinson’s Oeuvre; or, Queer Afrofuturism The recent nomination of Chuck Tingle’s Space Raptor Butt Invasion (2015) for the Hugo Award for best novel by the Sad/Rabid Puppies is an attempt to attack the credibility of the prestigious awards, and it reveals quite a lot about the now years-long right-wing backlash in speculative communities.1 The Puppies and their supporters are not only protesting the emergence and recognition of writers of color, but are also attempting to ridicule the preeminence of queer and feminist science fiction, both of which they see as a conspiracy, if we are to believe Vox Day’s most recent book-essay Social Justice Warriors Always Lie: Taking Down the Thought Police (2015). -
Creolisation and Black Women's Subjectivities in the Diasporic Science Fiction of Nalo Hopkinson Jacolie
Haunting Temporalities: Creolisation and Black Women's Subjectivities in the Diasporic Science Fiction of Nalo Hopkinson Jacolien Volschenk This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English, the Department of English, University of the Western Cape Date submitted for examination: 11 November 2016 Names of supervisors: Dr Alannah Birch and Prof Marika Flockemann i Keywords Diasporic science fiction, temporal entanglement, creolisation, black women’s subjectivities, modernity, slow violence, technology, empire, slavery, Nalo Hopkinson Abstract This study examines temporal entanglement in three novels by Jamaican-born author Nalo Hopkinson. The novels are: Brown Girl in the Ring (1998), Midnight Robber (2000), and The Salt Roads (2004). The study pays particular attention to Hopkinson’s use of narrative temporalities, which are shape by creolisation. I argue that Hopkinson creatively theorises black women’s subjectivities in relation to (post)colonial politics of domination. Specifically, creolised temporalities are presented as a response to predatory Western modernity. Her innovative diasporic science fiction displays common preoccupations associated with Caribbean women writers, such as belonging and exile, and the continued violence enacted by the legacy of colonialism and slavery. A central emphasis of the study is an analysis of how Hopkinson not only employs a past gaze, as the majority of both Caribbean and postcolonial writing does to recover the subaltern subject, but also how she uses the future to reclaim and reconstruct a sense of selfhood and agency, specifically with regards to black women. Linked to the future is her engagement with notions of technological and social betterment and progress as exemplified by her emphasis on the use of technology as a tool of empire. -
The Science Fiction Culture War Of
KREITER, MICHAEL P., Ph.D., May 2021 SOCIOLOGY "THERE WILL BE NO RECONCILIATION": THE SCIENCE FICTION CULTURE WAR OF WHITE SUPREMACIST PUPPIES (170 PP.) Dissertation Advisor: Tiffany Taylor By analyzing the discourse of Sad Puppies and Rabid Puppies, this research shows how an ideology of white supremacy is emerging from the contradictions inherent in colorblind racism. The Sad Puppies are a group of Science Fiction and Fantasy (SFF) fans and writers that formed in online spaces to actively challenge the recent trend in SFF genres of being more inclusive and increasing the diversity of writers and characters. They adhere to the abstract liberalism frame of colorblind racism that asserts that there is no systemic inequality, and that outcomes (like earning literary awards) are the result of individual effort and nothing more. To this end, they see efforts to increase diversity as antithetical to the abstract liberalism frame, as a form of unjust “affirmative action,” which hurts writers like white men precisely because they cannot claim to be “victims.” They employ a variety of discursive strategies to legitimize this political viewpoint, while simultaneously delegitimizing opposing viewpoints that they lump into one all- encompassing group they call “Social Justice Warriors” (SJWs). The success of writers like N. K. Jemisin, the first Black author to win the Hugo Award for Best Novel, can be used by colorblind frames to point to the legitimacy of the ostensibly meritocratic colorblind system. Yet, at the same time, colorblind ideology is simply a justification for the existing racial hierarchy, and Black success is a direct challenge to this hierarchy. -
The Imagined Communities of Toxic Puppies: Considering Fan Community Discourse in the 2015 Hugo Awards ‘Puppygate’ Controversy
. Volume 15, Issue 1 May 2018 The imagined communities of Toxic Puppies: Considering fan community discourse in the 2015 Hugo Awards ‘Puppygate’ controversy J. Richard Stevens & Rachel Lara van der Merwe, University of Colorado, USA Abstract: In 2015, toxic fan conflicts disrupted the Hugo Awards selection proceedings. The conflict between the awards voters and a movement known as ‘Puppygate’, led by angry fans, dates back to at least 2012 and comprises thousands of networked conversations enacting toxic frames of contemporary culture wars (heated and often disruptive exchanges characterized by challenges to identity politics, arguments over representation, and conflicting tastes) from all sides. However, these toxic fan discourses emerged within the context of significant cultural changes. Fans exist in communal spaces formed among institutional and cultural forces, yet the drive to create communal culture through shared communication exchanges continually encourage toxic conflicts of social identity and taste. This article considers the toxic exchanges between various actors in the blogs, social media, and formal public statements of the Puppygate controversy to chronicle how structural change is subsumed into frames of ‘culture war’ rhetoric. Keywords: science fiction, toxic fan exchanges, fan studies, Hugo Awards Introduction In the past few years, toxic fan conflicts have increasingly captured news and social media attention. Such exchanges, which are often cited for their uncivil rhetoric and anti-social tendencies, strategically disrupt spaces of communal cultural appreciation, and represent the growing tensions between fan gatekeeping and conflicts over social values in an increasingly mediated culture. Scholarly analyses of inter- and intra-fandom Othering ‘of fans, by fans’ (Hills, 2012, p. -
Television Academy Awards
2020 Primetime Emmy® Awards Nomination Press Release Outstanding Character Voice-Over Performance Big Mouth • How To Have An Orgasm • Netflix • Netflix Maya Rudolph as Connie the Hormone Monstress Central Park • Episode One • Apple TV+ • 20th Century Fox Television Leslie Odom, Jr. as Owen Crank Yankers • Bobby Brown, Wanda Sykes & Kathy Griffin • Comedy Central • Kimmelot, ITV, Central Productions, LLC Wanda Sykes as Gladys The Mandalorian • Chapter 8: Redemption • Disney+ • Lucasfilm Ltd. Taika Waititi as IG-11 The Simpsons • Better Off Ned • FOX • Gracie Films in association with 20th Century Fox Television Nancy Cartwright as Bart Simpson, Nelson, Ralph, Todd The Simpsons • Frinkcoin • FOX • Gracie Films in association with 20th Century Fox Television Hank Azaria as Professor Frink, Moe, Chief Wiggum, Carl, Cletus, Kirk, Sea Captain Outstanding Animated Program Big Mouth • Disclosure The Movie: The Musical! • Netflix • Netflix Nick Kroll, Executive Producer Andrew Goldberg, Executive Producer Mark Levin, Executive Producer Jennifer Flackett, Executive Producer Joe Wengert, Co-Executive Producer Kelly Galuska, Supervising Producer Gil Ozeri, Supervising Producer Ben Kalina, Supervising Producer Shannon Prynoski, Supervising Producer Chris Prynoski, Supervising Producer Anthony Lioi, Supervising Producer Mike L. Mayfield, Co-Supervising Director Nate Funaro, Produced by Emily Altman, Producer / Writer Victor Quinaz, Writer Bob Suarez, Director David Bastian, Animation Timer Edgar Larrazabal, Animation Timer Maureen Mlynarczyk, Animation -
No. 3 / May 2014 Ecdysis Masthead
No. 3 / May 2014 Ecdysis Masthead Ecdysis No. 3 / May 2014 Jonathan Crowe editor Zvi Gilbert Jennifer Seely art Tamara Vardomskaya Send hate mail, letters of comment, and submissions to: All content is copyright © their respective contributors. mail PO Box 473 Shawville QC J0X 2Y0 Photo/illustration credits: [1, 8, 17, 19, 24] Art by CANADA Jennifer Seely. [25] Photo of Samuel R. Delany by e-mail [email protected] Houari B., and used under the terms of its Creative web mcwetboy.net/ecdysis Commons Licence. 2 Some Twitter responses to a mass e-mail begging fellow SFWA members for a Nebula nomination in early January 2014. EDITORIAL The Value of Awards I’ll be honest: I have ambivalent feelings ess, or whether the wrong works or individu- about awards. als were nominated, or whether the wrong On the one hand, I find awards useful: works or individuals won, as so many fans when so much is published in science fiction seem to do every year. and fantasy every year, they serve to winnow No, the problem I have with awards is the wheat from the chaff. For the past few how much we talk about them, and how im- years I’ve made a point of reading as many of portant we make them. the award nominees as possible, even if I’m Which is to say: too much and too much. not in a position to vote for them. One problem with awards is that there But on the other hand, I find awards an- are so many of them. -
Vigilantes, Incorporated: an Ideological Economy of the Superhero Blockbuster
VIGILANTES, INCORPORATED: AN IDEOLOGICAL ECONOMY OF THE SUPERHERO BLOCKBUSTER BY EZRA CLAVERIE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English with a minor in Cinema Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor José B. Capino, Chair Associate Professor Jim Hansen Associate Professor Lilya Kaganovsky Associate Professor Robert A. Rushing Professor Frank Grady,Department of English, University of Missouri, Saint Louis ii ABSTRACT Since 2000, the comic-book superhero blockbuster has become Hollywood’s most salient genre. “Heroes, Incorporated: A Political Economy of the Superhero Blockbuster” examines these seemingly reactionary fantasies of American power, analyzing their role in transmedia storytelling for a conglomerated and world-spanning entertainment industry. This dissertation argues that for all their apparent investment in the status quo and the hegemony of white men, superhero blockbusters actually reveal the disruptive and inhuman logic of capital, which drives both technological and cultural change. Although focused on the superhero film from 2000 to 2015, this project also considers the print and electronic media across which conglomerates extend their franchises. It thereby contributes to the materialist study of popular culture and transmedia adaptation, showing how 21st century Hollywood adapts old media for new platforms, technologies, and audiences. The first chapter traces the ideology of these films to their commercial roots, arguing that screen superheroes function as allegories of intellectual property. The hero’s “brand” identity signifies stability, even as the character’s corporate owners continually revise him (rarely her). -
Questing Feminism: Narrative Tensions and Magical Women in Modern Fantasy
University of Rhode Island DigitalCommons@URI Open Access Dissertations 2018 Questing Feminism: Narrative Tensions and Magical Women in Modern Fantasy Kimberly Wickham University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Wickham, Kimberly, "Questing Feminism: Narrative Tensions and Magical Women in Modern Fantasy" (2018). Open Access Dissertations. Paper 716. https://digitalcommons.uri.edu/oa_diss/716 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. QUESTING FEMINISM: NARRATIVE TENSIONS AND MAGICAL WOMEN IN MODERN FANTASY BY KIMBERLY WICKHAM A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2018 DOCTOR OF PHILOSOPHY DISSERTATION OF KIMBERLY WICKHAM APPROVED: Dissertation Committee: Major Professor Naomi Mandel Carolyn Betensky Robert Widell Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2018 Abstract Works of Epic Fantasy often have the reputation of being formulaic, conservative works that simply replicate the same tired story lines and characters over and over. This assumption prevents Epic Fantasy works from achieving wide critical acceptance resulting in an under-analyzed and under-appreciated genre of literature. While some early works do follow the same narrative path as J.R.R. Tolkien’s The Lord of the Rings, Epic Fantasy has long challenged and reworked these narratives and character tropes. That many works of Epic Fantasy choose replicate the patriarchal structures found in our world is disappointing, but it is not an inherent feature of the genre. -
THE 63RD ANNUAL CSC AWARD NOMINEES and WINNERS and LINKS
1 PRESENTING THE 63RD ANNUAL CSC AWARD NOMINEES and WINNERS and LINKS THEATRICAL FEATURE CINEMATOGRAPHY Sponsored by Deluxe Nicolas Bolduc csc La Belle Epoque David Franco The Song of Names Douglas Koch csc Through Black Spruce Paul Sarossy csc, ASC, BSC Guest of Honour Bobby Shore csc Stuber WINNER: David Franco The Song of Names NON-THEATRICAL FEATURE CINEMATOGRAPHY Sponsored by Sim Arthur Cooper csc Claws of the Red Dragon Samy Inayeh csc I am Somebody's Child: The Regina Louise Story Daniel Villeneuve csc Radio Silence Craig Wrobleski csc In the Tall Grass WINNER: Arthur Cooper csc Claws of the Red Dragon DRAMATIC SERIES CINEMATOGRAPHY Sponsored by Technicolor David Greene csc ASC Impulse "The Moroi" Gregory Middleton csc ASC Watchmen "This Extraordinary Being" Boris Mojsovski csc Knightfall “Death Awaits” Brendan Steacy csc Titans "Bruce Wayne" Craig Wrobleski csc Umbrella Academy “I Heard a Rumor” WINNER: David Greene csc ASC Impulse "The Moroi" 2 DRAMATIC SHORT CINEMATOGRAPHY Matt Bendo A Dog Cried Wolf Adam Crosby Chubby Karim Hussain csc Please Speak Continuously and Describe Your Experiences as They Come to You Bobby Shore csc I Am in the World as Free and Slender as a Deer on a Plain Michael Wylam Where Darkness Lies WINNER: Matt Bendo A Dog Cried Wolf FRITZ SPIESS AWARD FOR COMMERCIAL CINEMATOGRAPHY Sponsored by William F. White International Kris Belchevski Jaguar “Inspired By Light” Stuart J. Cameron Gymnastics Canada “From Here, We Soar” Goh Iromoto Spirit of York “The Spirit” Jordan Kennington YMCA “A World Without Y” Mark Zibert & Eric Kaskens SickKids “SickKids VS: This is Why” WINNER: Goh Iromoto Spirit of York “The Spirit” BRANDED CONTENT CINEMATOGRAPHY Peter Hadfield Mark's Well Worn Collective “Troy Moth” Jason Han Hallmark “Memories” Goh Iromoto Sapporo “East Meets West Series - Indigo X Denim” WINNER: Goh Iromoto Sapporo “East Meets West Series - Indigo X Denim” CHILDREN’S / YOUTH PROGRAMMING CINEMATOGRAPHY Mitchell T. -
Heroes and Philosophy
ftoc.indd viii 6/23/09 10:11:32 AM HEROES AND PHILOSOPHY ffirs.indd i 6/23/09 10:11:11 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy Edited by Robert Arp Metallica and Philosophy Edited by William Irwin Family Guy and Philosophy Edited by J. Jeremy Wisnewski The Daily Show and Philosophy Edited by Jason Holt Lost and Philosophy Edited by Sharon Kaye 24 and Philosophy Edited by Richard Davis, Jennifer Hart Week, and Ronald Weed Battlestar Galactica and Philosophy Edited by Jason T. Eberl The Offi ce and Philosophy Edited by J. Jeremy Wisnewski Batman and Philosophy Edited by Mark D. White and Robert Arp House and Philosophy Edited by Henry Jacoby Watchmen and Philosophy Edited by Mark D. White X-Men and Philosophy Edited by Rebecca Housel and J. Jeremy Wisnewski Terminator and Philosophy Edited by Richard Brown and Kevin Decker ffirs.indd ii 6/23/09 10:11:12 AM HEROES AND PHILOSOPHY BUY THE BOOK, SAVE THE WORLD Edited by David Kyle Johnson John Wiley & Sons, Inc. ffirs.indd iii 6/23/09 10:11:12 AM This book is printed on acid-free paper. Copyright © 2009 by John Wiley & Sons, Inc. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or autho- rization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750–8400, fax (978) 646–8600, or on the web at www.copyright.com. -
The Imagined Communities of Toxic Puppies: Considering Fan Community Discourse in the 2015 Hugo Awards “Puppygate” Controversy
University of Groningen The Imagined Communities of Toxic Puppies Stevens, J. Richard; van der Merwe, Rachel Published in: Participations: Journal of Audience and Reception Studies IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2018 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Stevens, J. R., & van der Merwe, R. (2018). The Imagined Communities of Toxic Puppies: Considering fan community discourse in the 2015 Hugo Awards “Puppygate” controversy. Participations: Journal of Audience and Reception Studies, 15(1), 207-230. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 24-09-2021 . Volume 15, Issue 1 May 2018 The imagined communities of Toxic Puppies: Considering fan community discourse in the 2015 Hugo Awards ‘Puppygate’ controversy J. Richard Stevens & Rachel Lara van der Merwe, University of Colorado, USA Abstract: In 2015, toxic fan conflicts disrupted the Hugo Awards selection proceedings.