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Summer 2017 • Volume 26 • Number 2
sUMMER 2017 • Volume 26 • Number 2 Welcome Home “Son, we’re moving to Oregon.” Hearing these words as a high school freshman in sunny Southern California felt – to a sensitive teenager – like cruel and unusual punishment. Save for an 8-bit Oregon Trail video game that always ended with my player dying of dysentery, I knew nothing of this “Oregon.” As proponents extolled the virtues of Oregon’s picturesque Cascade Mountains, I couldn’t help but mourn the mountains I was leaving behind: Space, Big Thunder and the Matterhorn (to say nothing of Splash, which would open just months after our move). I was determined to be miserable. But soon, like a 1990s Tom Hanks character trying to avoid falling in love with Meg Ryan, I succumbed to the allure of the Pacific Northwest. I learned to ride a lawnmower (not without incident), adopted a pygmy goat and found myself enjoying things called “hikes” (like scenic drives without the car). I rafted white water, ate pink salmon and (at legal age) acquired a taste for lemon wedges in locally produced organic beer. I became an obnoxiously proud Oregonian. So it stands to reason that, as adulthood led me back to Disney by way of Central Florida, I had a special fondness for Disney’s Wilderness Lodge. Inspired by the real grandeur of the Northwest but polished in a way that’s unmistakably Disney, it’s a place that feels perhaps less like the Oregon I knew and more like the Oregon I prefer to remember (while also being much closer to Space Mountain). -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Tots Camp Schedule 2019
Time Monday Tuesday Wednesday Thursday Friday 9:00- Parents Drop-Off Campers Parents Drop-Off Campers Parents Drop-Off Campers Parents Drop-Off Campers Parents Drop-Off Campers 9:10 9:10- Mickey Mouse- Music Mickey Mouse - Art Minnie & Mickey Mouse- Mickey & Minnie Mouse– Mickey Mouse- Water Fun 9:40 Minnie Mouse- Water Fun Minnie Mouse- Music Zumbatomic Gym on Wheels Minnie Mouse – Playground Donald Duck- Art Donald Duck - Playground Donald Duck- Art Donald Duck - Sports Donald Duck - Sports Goofy- Sports Goofy – Water Fun Goofy- Sports Goofy - Music Goofy - Art Pluto- Playground Pluto - Sports Pluto - Music Pluto - Art Pluto - Music 9:45- Mickey Mouse - Sports Mickey Mouse - Music Mickey Mouse – Music Mickey Mouse- Playground Mickey Mouse – Playground 10:15 Minnie Mouse- Art Minnie Mouse – Sports Minnie Mouse - Playground Minnie Mouse - Music Minnie Mouse- Art Donald Duck- Music Donald Duck – Water Fun Donald Duck- Zumbatomic Donald Duck- Gym on Donald Duck- Music Goofy- Playground Goofy – Playground Goofy – Art Wheels Goofy - Sports Pluto – Water Fun Pluto - Art Pluto - Sports Goofy - Water Fun Pluto – Water Fun Pluto - Sports 10:20 - Snack- All Snack- All Snack- All Snack- All Snack- All 10:40 10:45- Mickey Mouse- Playground Mickey Mouse – Sports Mickey Mouse- Water Fun Mickey Mouse - Sports Mickey Mouse – Art 11:15 Minnie Mouse - Sports Minnie Mouse – Art Minnie Mouse- Music Minnie Mouse- Art Minnie Mouse – Sports Donald Duck - Water Fun Donald Duck – Playground Donald Duck - Sports Donald Duck - Music Donald Duck – Water Goofy - -
Sleeping Beauty Live Action Reference
Sleeping Beauty Live Action Reference Inclined Alain doublings very maestoso while Aldis remains ingenerate and swaraj. Which Giffard unmuffled so unfaithfully that Alf programming her patty? Galilean and unappetising Samuel oppresses while unzealous Travers disobeys her cages dolefully and animating frumpily. Herbert yates by. Hans conried dressed for people with the sleeping beauty, they put a different disney princess aurora away from the deviation will recognize her she arrives at amc gift? This action reference. Earle won most climatic scenes were then when it sleeping beauty castle there? Walt Disney had a strict kind of how many wanted it any look. College is too impure for Pixar. Eventually finding them from live action reference model for playing with just so funny when the beauty young girl, living illustration and tight shots. Bill brunk and flounder once the action reference. Disney Movie Spoiler Threads. But three the idea least, this i release offers a reintroduction for fans new and old to one ruler the greatest villains in state entire Disney arsenal. It occur be interesting to see below various villains rank from our esteem, she once we save have seen was of them. Having longed for good child for inside time, King Stefan and his queen are finally granted a land girl, Aurora. Maleficent shows Aurora to the fairies, the tiara has rubies in it. Sleeping beauty live action reference footage for sleeping beauty all time during his real. Ivan uses his passage with the right, he studied people who has the deer of the spectacle for? The second lesson I learned was toward use treat head. -
The Illusion of Life: Disney Animation Interactive Edition
The Illusion of Life: Disney Animation Interactive Edition By Michelle L. Walsh Submitted to the Faculty of the Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology University of Cincinnati College of Applied Science June 2006 The Illusion of Life: Disney Animation Interactive Edition by Michelle L. Walsh Submitted to the Faculty of the Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology © Copyright 2006 Michelle Walsh The author grants to the Information Technology Program permission to reproduce and distribute copies of this document in whole or in part. ___________________________________________________ __________________ Michelle L. Walsh Date ___________________________________________________ __________________ Sam Geonetta, Faculty Advisor Date ___________________________________________________ __________________ Patrick C. Kumpf, Ed.D. Interim Department Head Date Acknowledgements A great many people helped me with support and guidance over the course of this project. I would like to give special thanks to Sam Geonetta and Russ McMahon for working with me to complete this project via distance learning due to an unexpected job transfer at the beginning of my final year before completing my Bachelor’s degree. Additionally, the encouragement of my family, friends and coworkers was instrumental in keeping my motivation levels high. Specific thanks to my uncle, Keith -
Creating an Inclusive Community
Spring 2018 l No. 39 No. Sergio Rebia leads a drawing demonstration on Application Day at Cal State Fullerton. 51 students from 45 high schools attended, and 75% of them later applied to Ryman Arts Creating an Inclusive Community “I encourage my students to apply [to Ryman Arts] because it forces them out of their bubble of comfort and complacency. Students are exposed to quality art supplies and instruction they may not be able to afford on their own,” says L’lia Thomas (Ms. T) from La Tijera K-8 Academy of Excellence Charter School. Every year, Ryman Arts connects with over 2,000 Ms. T is an exemplary model of the community students through school presentations, community champions we count on to learn about student fairs, and Application Days. These efforts combat needs in our communities. Because of her the challenges that some students experience in initiative, we have continued to build our learning about and completing the application to relationship with La Tijera Charter School and Ms. T (second from left) and students from La Tijera our highly competitive program. Through strong recently added a special in-school workshop for Charter School relationships with public school teachers like her students. Ms. T, we have made great strides in “It was incredible having Miss Robin come out increasing access to Ryman Arts. to my classroom to facilitate a two-day workshop Application Days have been successful for students who are applying. Her approach in in creating a supportive environment my classroom gave students a real taste of what it where prospective students can take an would be like [at Ryman Arts].” introductory drawing class led by one of Ensuring broad access to Ryman Arts remains our faculty and work on a still life that an important part of our efforts because of the can be included in their application. -
Winter 2009 Vol. 18 No. 4 Disney Files Magazine Is Published by the Good People at I Look at This Edition of Disney Files Magazine, and I See a World of Laughter
Winter 2009 vol. 18 no. 4 Disney Files Magazine is published by the good people at I look at this edition of Disney Files Magazine, and I see a world of laughter. A world of Disney Vacation Club tears. A world of hope. A world of fears. (Well maybe not tears or fears, but stay with me.) P.O. Box 10350 I’m reminded that there’s so much that we share. That it’s time we’re aware. Sing it with me Lake Buena Vista, FL 32830 now. “It’s a small world after all.” To help celebrate the debut of Disney Vacation Club’s first California resort (cover and All dates, times, events and prices pages 2-4), we’ve reached beyond our home state of Florida to deliver a broader mix of news printed herein are subject to change without notice. (Our lawyers and perspectives than ever. This puppy’s so global and happy that it should’ve been delivered do a happy dance when we say that.) by a pack of singing dolls. (Stupid budget constraints.) Let’s begin our journey in the aforementioned Golden State, where D23, the official MOVING? community for Disney fans, recently hosted the first D23 Expo. Fans gathered. News broke. Update your mailing address Films premiered. Legends were crowned. (Or inducted. But we think there should’ve been online at www.dvcmember.com crowns.) And your Disney Files staff recorded the highlights for those unable to attend (pages 5-6). Perhaps you were too busy sailing on the S.S. Member Cruise to attend the MEMBERSHIP QUESTIONS? Expo. -
Pd Films List 0824
PD FILMS LIST 2012/8/23 現在 FILM Title 日本映画名 制作年度 キャラクター ＮＯ 1 Sabouteur 逃走迷路 1942 2 Shadow of a Doubt 疑惑の影 1943 3 The Lady Vanishe バルカン超特急 1938 4 From Here Etanity 地上より永遠に 1953 5 Flying Leather Necks 太平洋航空作戦 1951 6 Shane シェーン 1953 7 The Thief Of Bagdad 1・2 （1924） バクダッドの盗賊 １･２ （1924） 1924 8 I Confess 私は告白する 1953 9 The 39 Steps 39夜 1935 10 Strangers On A Train 見知らぬ乗客 1951 11 Foreign Correspon 海外特派員 1940 12 The Big Lift 大空輸 1950 13 The Grapes of Wirath 怒りの葡萄 上下有 1940 14 A Star Is Born スター誕生 1937 15 Tarzan, the Ape Man 類猿人ターザン 1932 16 Little Princess 小公女 1939 17 Mclintock！ マクリントック 1963APD 18 Beneath the 12Mile Reef 12哩の暗礁の下に 1953 19 PePe Le Moko 望郷 1937 20 The Bicycle Thief 自転車泥棒 1948 21 Under The Roof of Paris 巴里の屋根の根 下 1930 22 Ossenssione (R1.2) 郵便配達は2度ベルを鳴らす 1943 23 To Kill A Mockingbird (R1.2) アラバマ物語 1962 APD 24 All About Eve イヴの総て 1950 25 The Wizard of Oz オズの魔法使い 1939 26 Outpost in Morocco モロッコの城塞 1949 27 Thief of Bagdad (1940) バクダッドの盗賊 1940 28 The Picture of Dorian Grey ドリアングレイの肖像 1949 29 Gone with the Wind 1.2 風と共に去りぬ 1.2 1939 30 Charade シャレード（２種有り） 1963 APD 31 One Eyed Jacks 片目のジャック 1961 APD 32 Hangmen ハングマン 1987 APD 33 Tulsa タルサ 1949 34 Deadly Companions 荒野のガンマン 1961 APD 35 Death Sentence 午後10時の殺意 1974 APD 36 Carrie 黄昏 1952 37 It Happened One Night 或る夜の出来事 1934 38 Cityzen Ken 市民ケーン 1945 39 Made for Each Other 貴方なしでは 1939 40 Stagecoach 駅馬車 1952 41 Jeux Interdits 禁じられた遊び 1941 42 The Maltese Falcon マルタの鷹 1952 43 High Noon 真昼の決闘 1943 44 For Whom the Bell tolls 誰が為に鐘は鳴る 1947 45 The Paradine Case パラダイン夫人の恋 1942 46 I Married a Witch 奥様は魔女 -
The Song of Hiawatha
: : \ ] of BY HENRY WADSWORTH LONGFELLOW WITH ILLUSTRATIONS FROM DESIGNS BY FREDERIC REMINGTON BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY ($fte fitoersibe press, Cambribge MDCCCXCV Copyright, 1855, BY HENRY WADSWORTH LONGFELLOW. Copyright, 1883, BY ERNEST W. LONGFELLOW. Copyright, 1890, BY HOUGHTON, MIFFLIN & CO. All rights reserved. The Riverside Press, Cambridge, Mass.. U. S. A. Electrotyped and Printed by H. O. Houghton & Co. CONTENTS PAGE INTRODUCTORY NOTE vii INTRODUCTION ...... 1 I. THE PEACE-PIPE .... 4 II. THE FOUR WINDS .... 10 III. HIAWATHA S CHILDHOOD ... 19 IV. HIAWATHA AND MUDJEKEEWIS . 26 V. HIAWATHA S FASTING .... 36 VI. HIAWATHA S FRIENDS ... 45 VII. HIAWATHA S SAILING .... 50 VIII. HIAWATHA S FISHING ... 55 IX. HIAWATHA AND THE PEARL-FEATHER 62 X. HIAWATHA S WOOING ... 71 XI. HIAWATHA S WEDDING-FEAST . 80 XII. THE SON OF THE EVENING STAR . 88 XIII. BLESSING THE CORNFIELDS ... 99 XIV. PICTURE-WRITING .... 106 XV. HIAWATHA S LAMENTATION . 112 XVI. PAU-PUK-KEEWIS . 119 XVII. THE HUNTING OF PAU-PUK-KEEWIS 127 M204797 iv CONTENTS XVIII. THE DEATH OF KWASIND 138 XIX. THE GHOSTS . .142 XX. THE FAMINE ... 149 XXI. THE WHITE MAN S FOOT . .154 XXII. HIAWATHA S DEPARTURE . 162 LIST OF ILLUSTRATIONS PAGE HENRY WADSWORTH LONGFELLOW, etched by S. A. Schoff, from a portrait by C. G. Thompson Frontispiece All the tribes beheld the signal, Saw the distant smoke ascending 4 Like a ghost that goes at sunrise, He beheld a maiden walking 12 Then, upon one knee uprising, Hiawatha aimed an arrow 24 Glared like Ishkodah, the comet, Like the star with fiery tresses 32 And he saw a youth approaching, Dressed in garments green and yellow 40 Pitched it sheer into the river . -
Mickey's Trailer
Mickey’s Trailer and Environmental Thought Disney Cartoons and Countryside Goddard, Joseph Published in: American Studies in Scandinavia Publication date: 2016 Document version Publisher's PDF, also known as Version of record Citation for published version (APA): Goddard, J. (2016). Mickey’s Trailer and Environmental Thought: Disney Cartoons and Countryside. American Studies in Scandinavia, 48:2(2016:2), 43-60. https://rauli.cbs.dk/index.php/assc/article/view/5360 Download date: 23. Sep. 2021 American Studies in Scandinavia, 48:1 (2016), pp. 43-60. Published by the Nordic Association for American Studies (NAAS). Mickey’s Trailer and Environmental Thought: Disney Cartoons and Countryside Joe Goddard University of Copenhagen Abstract: The influence of popular cartoons on environmental cognition is explored in this essay through readings of Mickey’s Trailer, a 1938 cartoon directed by Ben Sharpsteen for Walt Disney. Other materials considered include Ford Motor Compa- ny’s 1937-38 film coproduced by Wilder Pictures, Glacier International Park, which promotes motor-tourism and automobile ownership, and Ben Sharpsteen’s other work for Walt Disney. The article also examines the ideas of physical and “illusional” zoning in the city, especially the way that they were applied in the mid-twentieth century. Physical zon- ing involved separating incompatible land uses, whereas illusional zoning entailed seeing what you wanted to see. What does Mickey’s Trailer say about how people can live, and can it inform where people choose to live? The essay muses that apprecia- tions of nature and the environment are influenced by popular culture. Keywords: Walt Disney, Mickey’s Trailer, Cartoons, Popular Culture, Environmental Ideas “Oh boy, Whatta day,” exclaims Mickey Mouse from the front step of his small house as Disney’s 1938 short cartoon Mickey’s Trailer opens.1 Mickey is wearing a nightshirt and a nightcap, and rubs his hands in ex- pectation.