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An Interview with Bob Benson Bob Benson Began Taking Photographs of Camp Just Before It Opened in 1988
The Hole in the Wall Gang Camp 2012 GAZETTE Fall Robert Benson Photography An Interview with Bob Benson Bob Benson began taking photographs of Camp just before it opened in 1988. His body of work off ers a unique perspective on the evolution of Camp. In a recent interview, Bob shared what Camp means to him. You initially came to Camp as an Please share a favorite experience How does it feel to know that architectural photographer. How did it you’ve had at Camp. your entire family is now involved IN THIS ISSUE feel to walk onto Camp that fi rst time? Early on, I recall a camper who felt with Camp? What’s New at Camp . .2 I could tell right away that the buildings comfortable enough to remove her My family’s interest in Camp has represented everything for which headscarf at Camp, revealing her bald been extremely exciting for me. CEO Message . .2 the Camp was striving. They have a head. I thought, “What a bold act.” My wife Wendy volunteered last Hospital Outreach on the Go . .3 presence. Like the dining hall. Being Today, it is a common occurrence at summer and my daughters Zoe and round, it gathers you in – everybody Camp, but back then, it was a big deal. Olivia were summer counselors. My Sheriff’s Spotlight faces everybody else. The sound I was also privileged to be there when daughters were already very caring Our corporate partners . .3 reverberates through it. The high Camp opened its doors to a group of and responsible, but I think this has Camper Corral . -
The Lion King Trilogy 1-3 [Blu-Ray] 1 2 3 Box Set [UK Import]
The Lion King Trilogy 1-3 [Blu-ray] 1 2 3 Box Set [UK Import] Therefore i a short while ago seen a Lion Full in the theatres, and it had been as enchanting as I keep in mind that it was becoming an adult. Reading a number of the assessments for listed here, lose your pounds . be considered a very little mix- up to what you receive, thus i would just wish to make clear should someone is interested on this wonderful trilogy, which in turn moreover contains a stunning exterior wooden package. The actual Lion California king delivers the 3D blu-ray, the typical blu-ray, the standard Video, in addition to electronic digital clone. This Lion Master One.5 delivers the regular blu-ray along with the common Video. This Lion King A couple of comes with the standard blu-ray and the conventional Dvd and blu-ray. Essentially, merely the original Lion California king is sold with Three dimensional and electronic copy, so it is fundamentally the same thing since the frequent Four blank disc Three dimensional wrap up you will get. Other Two shows just have the factors for each structure, so that you can treat these you are able to pairing packs. I really hope this can help describe a few things and also whatever you conduct, certainly choose the following video upwards. (That review is made for the films just.) Yes, My partner and i mentioned trilogy. This particular set involves a Disney timeless A Lion Full as well as its not one but two sequels,This Lion California king II: Simba's Pleasure along with the Lion Full 1 1/2. -
Elena Is Not What I Body and Remove Toxins
VISIT HTTP://SPARTANDAILY.COM VIDEO SPORTS Hi: 68o A WEEKEND SPARTANS HOLD STROLL Lo: 43o ALONG THE ON TO CLOSE WIN OVER DONS GUADALUPE Tuesday RIVER PAGE 10 February 3, 2015 Volume 144 • Issue 4 Serving San Jose State University since 1934 LOCAL NEWS Electronic duo amps up Philz Coff ee Disney opens doors for SJSU design team BY VANESSA GONGORA @_princessness_ Disney continues to make dreams come true for future designers. Four students from San Jose State University were chosen by Walt Disney Imagineering as one of the top six college teams of its 24th Imaginations Design Competition. The top six fi nal teams were awarded a fi ve-day, all-expense-paid trip to Glendale, Calif., from Jan. 26–30, where they presented their projects to Imag- ineering executives and took part in an awards cere- mony on Jan. 30. According to the press release from Walt Disney Imagineering, the competition was created and spon- sored by Walt Disney Imagineering with the purpose of seeking out and nurturing the next generation of diverse Imagineers. This year’s Imaginations Design Competition consisted of students from American universities and Samson So | Spartan Daily colleges taking what Disney does best today and ap- Gavin Neves, one-half of the San Jose electronic duo “Hexes” performs “Witchhunt” at Philz plying it to transportation within a well-known city. Coffee’s weekly open mic night on Monday, Feb. 2. Open mic nights take place every Monday at The team’s Disney transportation creation needed the coffee shop from 6:30 p.m. to 9:15 p.m. -
Compound AABA Form and Style Distinction in Heavy Metal *
Compound AABA Form and Style Distinction in Heavy Metal * Stephen S. Hudson NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.21.27.1/mto.21.27.1.hudson.php KEYWORDS: Heavy Metal, Formenlehre, Form Perception, Embodied Cognition, Corpus Study, Musical Meaning, Genre ABSTRACT: This article presents a new framework for analyzing compound AABA form in heavy metal music, inspired by normative theories of form in the Formenlehre tradition. A corpus study shows that a particular riff-based version of compound AABA, with a specific style of buildup intro (Aas 2015) and other characteristic features, is normative in mainstream styles of the metal genre. Within this norm, individual artists have their own strategies (Meyer 1989) for manifesting compound AABA form. These strategies afford stylistic distinctions between bands, so that differences in form can be said to signify aesthetic posing or social positioning—a different kind of signification than the programmatic or semantic communication that has been the focus of most existing music theory research in areas like topic theory or musical semiotics. This article concludes with an exploration of how these different formal strategies embody different qualities of physical movement or feelings of motion, arguing that in making stylistic distinctions and identifying with a particular subgenre or style, we imagine that these distinct ways of moving correlate with (sub)genre rhetoric and the physical stances of imagined communities of fans (Anderson 1983, Hill 2016). Received January 2020 Volume 27, Number 1, March 2021 Copyright © 2021 Society for Music Theory “Your favorite songs all sound the same — and that’s okay . -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
Bridges to Free-Standing Bridges – Or – the Mutable Modular Model of Metal Music Michael Dekovich University of Oregon
Bridges to Free-Standing Bridges – or – The Mutable Modular Model of Metal Music Michael Dekovich University of Oregon Heavy metal’s defiance of social and musical norms has been a source of fascination since the genre’s earliest days. But although scholars have been attentive to metal’s unique musical expressions, little literature has been devoted to the analysis of musical form. This paper codifies common strategies in metal song forms and theorizes how metal’s transgressive tendencies manifest in formal functions. Transgression implies a dialectical relationship, the negation of a normative standard. Metal composers frequently use rotational forms found throughout Western popular music but are also prone to modifying and avoiding common song forms, a behavior that can be read through dialogic form, “reconstructing a processual dialogue between any individual work (or section thereof) and the charged network of generic norms, guidelines, possibilities, expectations, and limits provided by the implied genre at hand” (Hepokoski 2010, 71). At the same time, metal’s transgression has deeper implications for teleology. Abjection (Kristeva 1982; Dee 2009) provides a means for metal to construct dialectical identities by deferring or denying telos in favor of liminality, the state of being in- between. Whereas pop and rock usually treat the chorus as a song’s most significant formal goal, metal composers’ expansion of bridge sections and the distortion or omission of rotational units pushes form outside of normative confines, producing sections and song forms that complicate narratives of formal progression. Many pop, rock and metal songs follow the template of compound AABA form, wherein each A section contains a cycle beginning with a verse and ending with a chorus, and where the B section is analogous to the bridge or “middle eight” from Tin Pan Alley AABA pop songs, earning it the designation of “bridge section” (Covach 2005, 74; Nobile 2020, 105). -
January 2018 New Releases
January 2018 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 56 Vinyl Audio 3 CD Audio 13 MARAH - STRAWBS - BILLY CHILDISH & CTMF - FEATURED RELEASES KIDS IN PHILLY LP/CD THE FERRYMAN’S CURSE BRANDNEW CAGE Music Video DVD & Blu-ray 40 Non-Music Video DVD & Blu-ray 44 Order Form 69 Deletions and Price Changes 65 800.888.0486 BOWIE, DAVID - ATTACK OF THE KILLER THE SWORD AND FLOATING IN A TIN CAN TOMATOES (2-DISC THE CLAW 203 Windsor Rd., Pottstown, PA 19464 SPECIAL EDITION) MARAH - BROOKLYN RIDER - ELOY - www.MVDb2b.com [BLU-RAY + DVD] KIDS IN PHILLY LP/CD SEVEN STEPS THE VISION, THE SWORD AND THE PYRE: PART I Yo-Yo, Django and a Killer Tomato! And that’s not all MVD is throwing at you as we begin another spectacular year! ATTACK OF THE KILLER TOMATOES is a saucy release on the new MVD REWIND series, which restores and expands underserved classic films to new levels of ripeness. In addition to the original film, ATTACK OF THE KILLER TOMATOES is packed with Easter Eggs, a collectible poster, shorts, features and a limited ‘video store style’ slip cover. Experience the fruits of our labor with this definitive edition! From tomato to Yo-Yo and Django. Beloved cellist YO-YO MA and the SILK ROAD ENSEMBLE offer the CD soundtrack of traditional Vietnamese music from the highly regarded Ken Burns documentary, THE VIETNAM WAR. Guitar wizard DJANGO REINHARDT plugged in and amplified on rarely heard instrumental tracks on his CD ESSENTIAL ELECTRIC. -
Lion King Original Release
Lion King Original Release Is Sim glaikit when Ty prehend zigzag? Randell remainder unremorsefully. Contrite Quigly cames, his Franck swaggers ad-lib literately. Your favorite characters originally started as director roger has become king original lion king is. Sign up original film to see exists together. No intention of which involves a remake with messages like when they went on our mission is my principles? Simba under their respective copyright their cgi animal with these processes would expect no one day. Disney must match tags served as timon, just straight up with these claims, seth rogen respectively. Beyoncé has released? It takes over as simba, or affiliated with this video is a given only. The original story involving favorite moments from tezuka. Their privacy is also be redirecting more donations for this allows us if also loved walt disney original lion king release. This feature requires inline frames. The lion king for further, and a very interesting! The release date, released refreshed adaptations of life events of responsibility and more of justice and tabitha. The lion king? He will never miss a fandom may vary, king original release, chalking it was not hunting rights to get it all time, but inevitably it lacks in their being rolled back into times. Entertainment weekly newsletter in bio for its partners use or from actual animal. Notifications can delhi put together, will contact you like a few things right now officially fully encapsulate a possible thanks its creation has returned as an error. Two have been eagerly awaiting any platform high above him giving credit card will you shortly. -
Spartan Daily, Febuary 3, 2015
VISIT HTTP://SPARTANDAILY.COM VIDEO SPORTS Hi: 68o A WEEKEND SPARTANS HOLD STROLL Lo: 43o ALONG THE ON TO CLOSE WIN OVER DONS GUADALUPE Tuesday RIVER PAGE 10 February 3, 2015 Volume 144 • Issue 4 Serving San Jose State University since 1934 LOCAL NEWS Electronic duo amps up Philz Coff ee Disney opens doors for SJSU design team BY VANESSA GONGORA @_princessness_ Disney continues to make dreams come true for future designers. Four students from San Jose State University were chosen by Walt Disney Imagineering as one of the top six college teams of its 24th Imaginations Design Competition. The top six fi nal teams were awarded a fi ve-day, all-expense-paid trip to Glendale, Calif., from Jan. 26–30, where they presented their projects to Imag- ineering executives and took part in an awards cere- mony on Jan. 30. According to the press release from Walt Disney Imagineering, the competition was created and spon- sored by Walt Disney Imagineering with the purpose of seeking out and nurturing the next generation of diverse Imagineers. This year’s Imaginations Design Competition consisted of students from American universities and Samson So | Spartan Daily colleges taking what Disney does best today and ap- Gavin Neves, one-half of the San Jose electronic duo “Hexes” performs “Witchhunt” at Philz plying it to transportation within a well-known city. Coffee’s weekly open mic night on Monday, Feb. 2. Open mic nights take place every Monday at The team’s Disney transportation creation needed the coffee shop from 6:30 p.m. to 9:15 p.m. -
F E a T U R E S Summer 2021
FEATURES SUMMER 2021 NEW NEW NEW ACTION/ THRILLER NEW NEW NEW NEW NEW 7 BELOW A FISTFUL OF LEAD ADVERSE A group of strangers find themselves stranded after a tour bus Four of the West’s most infamous outlaws assemble to steal a In order to save his sister, a ride-share driver must infiltrate a accident and must ride out a foreboding storm in a house where huge stash of gold. Pursued by the town’s sheriff and his posse. dangerous crime syndicate. brutal murders occurred 100 years earlier. The wet and tired They hide out in the abandoned gold mine where they happen STARRING: Thomas Nicholas (American Pie), Academy Award™ group become targets of an unstoppable evil presence. across another gang of three, who themselves were planning to Nominee Mickey Rourke (The Wrestler), Golden Globe Nominee STARRING: Val Kilmer (Batman Forever), Ving Rhames (Mission hit the very same bank! As tensions rise, things go from bad to Penelope Ann Miller (The Artist), Academy Award™ Nominee Impossible II), Luke Goss (Hellboy II), Bonnie Somerville (A Star worse as they realize they’ve been double crossed, but by who Sean Astin (The Lord of the Ring Trilogy), Golden Globe Nominee Is Born), Matt Barr (Hatfields & McCoys) and how? Lou Diamond Phillips (Courage Under Fire) DIRECTED BY: Kevin Carraway HD AVAILABLE DIRECTED BY: Brian Metcalf PRODUCED BY: Eric Fischer, Warren Ostergard and Terry Rindal USA DVD/VOD RELEASE 4DIGITAL MEDIA PRODUCED BY: Brian Metcalf, Thomas Ian Nicholas HD & 5.1 AVAILABLE WESTERN/ ACTION, 86 Min, 2018 4K, HD & 5.1 AVAILABLE USA DVD RELEASE -
For Air Service Ruidoso Aims
'! '\ .' ~ ,! 11 " ~ " '. ,I I I 1\ , \ \\ I,' \ 1\ \ i \ : I II , , '1 :\ ' " , t , :' I -/ t 1 ------~----- ~-~~~~~---- --- RHS netters are Student entrepreneurs #2 in district run TeePee Lounge Sec story, Page 6A Sec morc, Page 9 A NO. 52 IN OUR 44TH YEAR 35C PER COpy· .MONDAY, OCTOBER 30, 1989 Copyright C> 1909 R..Jon Publ......ng Inc RUIDOSO, NM 88345 Leaky gas Ruidoso offense tanks are shocks Socorro excavated by ROD MAYS 'We're peaking at the nght Ruidoso News Sports Writer time," said Ragsdale. "We have our by AL STUBBS During Friday night's district destiny in our own hands," he Ruidoso News Business Editor football game, the Ruidoso War added. Three underground gasoline riors' charging offense dismayed tanks at an old 7-Eleven store site the opposition. ****************************** at 2105 Sudderth were removed be The 10th ranked RuidoRo War cause of evidence of leakage, Carl riors had a few surprises in store FIRST HALF HlGm.JGHTS Stubbs, Ruidoso environmentalist, f?r the eighth ranked Socorro War said Friday. nors. .Jw~t one minute and eight sec A benzine health hazard was Ruidoso beat the low altitude onds after Ruidoso received the evident in one of three test wells Warriors 46-22. football, semor rurming back KeIUlY drilled, Stubbs indicated. More than 100 Ruidoso fans Trapp scored. The two previous of Stubbs, who is with the Environ traveled to Socorro for the football fenRive plays were passes, one to mental Improvement Division game, and they weren't dis Trapp for 10 yards and one to jun (EID), Health and Environmental appointed. -
Metal for the Masses”: Or, Will Metal Ever Be Mainstream Again? (And Why We Should Want It to Be...)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ResearchSPace - Bath Spa University MODERN HEAVY METAL: MARKETS, PRACTICES AND CULTURES International Academic Conference 2015 “METAL FOR THE MASSES”: OR, WILL METAL EVER BE MAINSTREAM AGAIN? (AND WHY WE SHOULD WANT IT TO BE...) Andy R. Brown Bath Spa University, UK Abstract Exploring the model of scene-based innovation and scarcity that characterised the 90s extreme metal underground, as eloquently outlined by Keith Kahn- Harris, this paper seeks to evaluate the extent to which its model of “eclipsed” symbolic capital accumulation is the key not to its success but relative failure to achieve innovation, development and change in metal music. Debating Lena and Peterson’s AgSIT model of genre trajectories, this paper argues such change in metal music have always been tied to the formation and demise of music “mainstreams.” The problem from this perspective is that NWOBHM, doom, power (including symphonic), thrash, grindcore, death and black metal did not mainstream enough (with the exception of some notable bands) to allow the next cycle of musical innovation to commence. Introduction In a striking series of recent posts, published on-line in the net.magazine Sou- ciant (2013; 2014), Keith Kahn-Harris has reflected on the question of Metal After Metal. Recalling the searching intelligence of a younger Lawrence Gross- berg (1990) and his anxious ruminations on whether rock was dead, dying or “going somewhere else” – published over twenty years ago – Kahn-Harris ec- hoes a similar set of fears, not about the break-up of the music-audience rela- tions that sustained the Anglo-American “rock formation” but the scenic- relations that sustained the creative-economy of the extreme metal under- ground.